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Blackest Night: Tales of the Corps #3 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 3.5/5
Overall: 4/5

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Wonder Woman #34 [Review]

Birds of Paradise part one: A Malignant Isolation

Writer: Gail Simone
Penciller: Aaron Lopresti
Inker: Matt Ryan
Colorist: Brad Anderson
Letterer: Travis Lanham
Associate Editor: Sean Ryan
Editor: Elisabeth Gehrlein
Cover: Aaron Lopresti & Hi-Fi
Publisher: DC Comics

After following this title for the Rise of the Olympian arc, I found myself still interested (actually, more interested) in the character of Diana/Wonder Woman. Though I don’t feel I “know” the character all that much, I’ve found that the last eight-some issues have been quite enjoyable and shown me that good, solid stories can be told with the character.

This issue opens in the aftermath of last issue, with Wonder Woman now alone, having turned her back on the Amazons and her gods. Simone provides a touching moment as Morrow informs Diana that Genocide is not dead, and begs her to destroy it. In order to begin tracking down Genocide’s whereabouts, Diana turns to Black Canary for an assist, despite their recent differences. Dinah takes the lead as the two concoct costumes to hide their identities as they seek to infiltrate an underground arena fighting group. The results the two find in going undercover raises some question, as well as introducing us to someone likely to cause both of our heroines plenty of trouble next issue.

The art here continues to be very well done, and I have no real complaint with it. The stor itself for this issue does a good job of following the previous major arc, while setting things up for the current arc. We get forward movement and character development in light of what’s already happened and in what’s coming. Simone continues to demonstrate an excellent understanding of the characters she writes–specifically, in Wonder Woman–portraying her as a strong, realistic person…all the more in Diana’s willingness to seek help when she’s in over her head or otherwise knows someone better-suited for accomplishing a particular task.

Though there’ll be a certain deeper appreciation for things talked about in this issue if one’s already read Rise of the Olympian, this seems to be a decent jumping-on point for readers curious about the ongoing Wonder Woman series. There’s plenty to draw one in, and enough detail to give a general idea of who characters are, what their status quo is now, and a lot of potential in what is to come.

Highly recommended.

Story: 8.5/10
Art: 9/10
Whole: 8.5/10

Superman #690 [Review]

The Setup

Writer: James Robinson
Artist: Pere Perez
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

While I really don’t have much of a problem at Superman himself being taking out of his own titled-book, I’m increasingly put-off by this title for its contents. This issue begins with a battle between Atlas and Steel in a sequence that flies by and is more than a little hard to follow, as Steel’s been duped into allowing Atlas into his home. We then get a 2-page sequence of Guardian naming team leaders within the science police…and a to-be-continued notice directing us to Superman: Secret Files 2009. Next up is a sequence with Zatara and a stage hand as we’re reminded of Zatara’s irresponsibility, and introduced to this stage hand who proves to be more than he appears, introducing a likely quest we’ll probably see unfold over the next few issues. After this is a one-page sequence between Guardian and Dr. Light in civilian guises, with a to-be-continued notice directing us to future issues of this title as well as Justice League of America. Finally, we get a 3-page sequence of Sodam Yat and an alien that explains away Yat and Mon-El’s lack of interaction…with a to-be-continued notice directing us to Superman Annual #14.

This issue as a whole felt like a lot of filler. We have a semi-pointless fight scene between Steel and Atlas (a character I still care nothing for, and have begun to actively dislike seeing appear in the Superman titles at all), followed by a bunch of seemingly unconnected “scenes” with no real transition from one to another, directing the reader to other titles and whatnot, rather than telling a thorough, consistent story to keep one interested in THIS title, in picking up the next issue. And perhaps this was filler, as I do suspect the Steel/Atlas scene to have at least some import on the Codename: Patriot story upcoming in the majority of the Superman titles for August; the rest of this issue would have been better served kicking off that story in some way.

I’m not much of a fan of the art–especially the depiction of Atlas. Other than that, not much problem with the visuals–my favorite probably being Sodam Yat and the alien, as both came across quite well overall…all things considered.

This issue seems entirely passable–all you need to know is that Atlas beats Steel, and you’re probably good to go for the next arc. Not recommended.

Story: 3/10
Art: 5/10
Whole: 4/10

Final Crisis: Legion of 3 Worlds #5 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Green Lantern #44 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Aliens #2 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3.5/5
Overall: 3.5/5

Blackest Night: Tales of the Corps #2 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

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