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Adventure Comics #8 [Review]

Full review posted to comixtreme.com.

Story: 2.5/5
Art: 3/5
Overall: 2.5/5

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Deadpool Team-Up #895 [review]

Writer: Christopher Long
Art: Dalibor Talajic
Colors: Tomislav Tikulin
Letters: Jeff Eckleberry
Cover: Humberto Ramos
Production: A. Dial & D. Lucchese
Asst Editor: Sebastian Girner
Editor: Axel Alonso
Published by: Marvel Comics

More than ever, this Deadpool Team-Up book seems to be the outlet for various creative teams to do one-off tales with Deadpool and various obscure Marvel characters. As with earlier issues…you don’t need to have read any of the previous issues of this series. And also in line with every previous issue…you don’t need to pick up the next issue to get the next part of the story, because this is a done-in-one story with nary a “To Be Continued” in sight.

For whatever reason, and however he does it, Deadpool’s been hired to captain a sub taking the niece of the man who controls “It! The Living Colossus,” who has been in a coma since a long-lost battle with Dr. Doom. The niece thinks that she can revive her uncle by getting him into close proximity with the Colossus he used to control. While the logic is iffy, the results can’t be argued with and–when things invariably go bad with the sub, Deadpool and his ‘client’ find an unexpected result of the uncle’s body being present so close to the statue his mind once controlled.

The story here is amusing enough, but ultimately not all that exciting. While I enjoy one-and-done issues as much as the next guy, as the status quo for this series, it’s just hard to get all that excited knowing nothing picks up from this issue’s events next issue, and to look back at these last few issues and realize that I could’ve skipped any–or all–of them and not be at all “lost” on the latest issue.

The art’s not bad–this is definitely Deadpool…he looks familiar and doesn’t appear out of place any more than he should in the situation he’s got himself mixed up in this issue.

Perhaps that’s the thing–this series is like the classic Ninja Turtles cartoon (or probably any of a number of other ‘classic’ cartoons of the 1980s and such). All you REALLY need to know is the basics of Deadpool. Merc With a Mouth. Healing factor, butt-ugly face…body basically maintained by that healing factor. Loves guns, great with a sword, somewhat crazy, and breaks the “fourth wall.” You can enjoy the entirety of the series as a large, dynamic dose of Deadpool…or you can tune in for any given issue and get a story from start to finish…a story that’s not entirely devoid of formula.

If you like Deadpool, and you have an extra $3 burning a hole in your budget…this is a great issue to get. No crossovers, no tie-ins, no preludes…just a complete Deadpool story all in one issue.

If you’re a bit more picky about your Deadpool stories, and prefer the longer multi-issue arcs, you’d be better served with Merc With a Mouth which is largely following its own continuity in multi-issue arcs, or the main Deadpool title, which follows the mainstream Marvel Universe continuity, in multi-issue arcs.

Story: 7/10
Art: 7/10
Overall: 7/10

Prelude to Deadpool Corps #1 [Review]

Killer Queen

Writer: Victor Gischler
Art: Rob Liefeld
Colors: Matt Yackey
Letters: VC’s Clayton Cowles
Cover: Liefeld & Yackey
Asst. Editor: Sebastian Girner
Editor: Axel Alonso
Published by: Marvel Comics

I’ve waffled over whether or not to pick this issue–this series–up as singles. This is sure to be a single-volume graphic novel in short order, as a singular companion to the debut of the actual Deadpool Corps series. And of course, this is a $3.99 issue…which I’ve just paged through and determined has a mere 22 pages of story…and an overly-lengthy “extra” section regarding the creation of the covers for this series…including full-page color images OF those covers…basically “filler” material to get extra pages TECHNICALLY relevant to the series to add to the issue’s thickness and APPARENT quasi-validity at the price point (aside from special issues, virtually every Deadpool comic of the last couple years has kept to the $2.99 price).

This issue focuses on Lady Deadpool, picking up on one of her adventures some time after Merc With a Mouth #7’s dimension-hopping adventure. Having joined up with the “rebels,” Lady Deadpool comes into conflict with General America (armed with a cybernetic…well…arm) and finds him quite the opponent. Before things go too far in favor of either combatant, “our” Deadpool makes an entrance, officially on a recruitment drive…and a rematch is to be had.

The story here starts off well. We get mostly a full issue focusing on Lady Deadpool–delving into a bit of motivation for the character, and setup for who/what she is overall. We get Deadpool himself, of course, and the beginnings of groundwork being put out as to how this Deadpool Corps is going to be assembled (I can’t help but think of something like Exiles, though I never read more than the occasional issue of that book).

The art by Liefeld is decent, but not my favorite by any means. I’ve tended to enjoy his depiction of Deadpool, but there is a certain anatomical consistency that seems to be lacking in various panels throughout this issue. As it gets the story across with no real hassle, I don’t take too much issue with it.

Overall, a solid first issue to a mini-series that itself as a whole sets up the first issue of another series. I don’t recall if every issue carries the $3.99 price point–but I’m going to have a real problem if it does, as the “extra” material is incidental at best and is not material I’d pay for (wouldn’t object to its inclusion in a $2.99 issue as TRUE “bonus” material, mind you).

This is a weekly mini, which means a big story told in a single month…but combined with the other 3 already ongoing titles for Deadpool, this may put a strain on fans’ wallets should one be the sort to try to snag the entirety of Deadpool’s current titles. It’s interesting to find myself in the midst of a true “family” of titles around one main character, when just a few months ago there were only two Deadpool titles, and 3 seemed to push it…but this fourth adds a whole new “dimension” to things.

I recommend this for those who are a definite fan of Deadpool, don’t mind the $3.99 or Liefeld art, enjoy Gischler‘s writing in particular, and mostly anyone who want a regular dose of Deadpool-related action.

On the whole, this seems unnecessary in relation to the main Deadpool title, so one’s probably equally safe to ignore this without missing out on anything deeply impacting ongoing continuity. Similarly, one can enjoy this while ignoring and not missing out on anything from the other books.

Story: 8/10
Art: 5/10
Overall: 6.5/10

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