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Age of Apocalypse Revisited: Weapon X #4

aoa_revisited_logo

weaponx004Into the Maelstrom!

Script: Larry Hama
Pencils: Adam Kubert
Inks: Dan Green
Letters: Pat Brosseau
Colors: Joe Rosas
Separations: Digital Chameleon
Cover: Adam Kubert, Dan Green
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

Weapon X and Emma Frost open the issue, showing Gateway a holographic projection of North America…the destruction, the death, the whole mess–as they seek to convince him to lead the humans’ armada to Apocalypse’s door. Though counter-intuitive, it ends up being Logan’s in-your-face attitude that ultimately convinces him–not the images of Apocalypse’s atrocities. Moving to the armada, as things get underway they’re attacked by Pierce, who has also alerted Apocalypse’s forces of the coming assault. Pierce is surprised by a trick not exactly up Logan’s sleeve that allows him to save Gateway…who in turn tries one last gambit to get the Armada where it’s headed.

I’d previously "written off" the events of X-Universe as being entirely tangential to stuff and unimportant…the references it gets in this issue shows–at least–that effort is being made to have it matter, and I suppose it actually does, just not in any essential way. Much of this issue is "action," mixed with some foreshadowing. Though the scene with Apocalypse leaving Magneto’s interrogation and showing off a gene-tank to his minion adds context for Carol’s appearance, explains a fatal flaw in Apocalypse (he could easily stop the armada but chooses to allow things to play out just for the entertainment, justifying it that if he WOULD actually be brought down, hey–"survival of the fittest" and all that) and fills a couple pages.

I do feel somewhat disappointed in this issue–I think I feel like while we’ve SEEN a lot of Weapon X here, we haven’t really gotten to KNOW the character. There’s plenty of posturing, but for me at least, I "hear" and see WOLVERINE more than I do this character. Sure, semantics and all, this IS the Wolverine of the AoA reality and all, but the character serves more as "just another character" amidst the Human High Council and such. There’s something to be said of the character not only being capable of but actually working as part of a team, serving as an "agent" of (in this case, the Human High Council) and whatnot…but in retrospect it seems like Logan’s been a small player in his own title.

I like the visuals of the issue overall. I don’t quite "get" visually that Logan’s arm is all that damaged, and while I appreciate that he IS shot on-panel, it looks a bit "convenient" in a sense, like a box being checked. Otherwise, no real complaints on the art, outside of the usual–I don’t like the sideways double-page spreads, as turning a page and then realizing I have to further physically rotate the way I’m holding the comic itself is a huge distraction.

This issue is definitely a product of its time–the 1990s–both hokey and "fitting." Logan chomping a cigar, the various characters’ posturing and recklessness just to show how "cool" they are, etc. Still, it makes for an issue that feels like that bit in a movie where you realize that what’s come before is about to fall by the wayside for the climactic stuff that’ll end the whole thing and leave you barely remembering the story from the first 2/3 to 3/4 of the story thus far.

Had this been a contemporary series, I would not be surprised if Logan would have interacted with characters in X-Universe, as some of that stuff could have been folded together, this series’ chunk of story having such a huge involvement of the HHC. Weapon X doesn’t really tie much up, outside of Pierce being removed from the equation…but where we leave off here has a huge impact, if I’m correctly recalling, on the events that unfold in X-Men: Omega.

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