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Uncle Scrooge (IDW) #1

unclescroogeidw001Editor: Sarah Gaydos
Interior Designer: Paul Hornschemeier
Archival Editor: David Gerstein
Cover: Giorgio Cavazzano
Published by: IDW
Cover Date: April 2015
Cover Price: $3.99 (48 pages)

Gigabeagle: King of the Robot Robbers

Writer: Rodolfo Cimino
Artist: Romano Scarpa
Inker: Giorgio Cavazzano
Colorist: Digikore Studios
Letterer: Tom B. Long
Translation and Dialogue: Jonathan H. Gray

This first feature goes with the cover, making it seem like the "core" of the issue. We find Scrooge going a bit crazy with stress and come to find out he’s stressing out over the fact that the Beagle Boys haven’t attacked his famous Money Bin in quite some time…which means they’ve gotta be up to SOMETHING. Turns out that what they’re up to is building a giant robotic Beagle Boy, that can physically TAKE the Money Bin…and take it the thing does, bypassing a ring of mines the ducks have put out to stop intrusion. Unfortunately for the Beagles, the AI malfunctions which leads to a tidy-ish ending of the story for Scrooge.

Given this is a new story I’d never read, it was interesting in itself. It’s been years since I’ve read anything Uncle Scrooge or Disney Ducks, so I was just happy to get a new (to me) story without going outta my way. As a story, though, it seemed rather ludicrous and in many ways far too "simple"…there also seemed to be something a bit "off" to the characters (something I can’t QUITE put my finger on). It’s possible I’ve just had years to build up expectation and for the likes of Don Rosa‘s Life and Times of Scrooge McDuck to settle in my head as an incredibly high standard.

The art is spot-on, though…characters looking perfectly familiar and sound quality.

Pure Viewing Satisfaction

Writer: Alberto Savini
Artist and Inker: Andrea Freccero
Colorist: Disney Italia with David Gorstein
Letterer: Tom B. Long
Translation and Dialogue: David Gerstein

I was surprised at the brevity of this feature. We basically see Scrooge sitting, staring at a new tv…and to summarize beyond that is to give away the "punchline" of the short. It’s amusing enough, fits the generic sense of Scrooge…though it felt odd to see Scrooge and a TV together…somehow I’m more used to (if only due to personal faulty memory) Scrooge and radios or such.

While I appreciate the short as a short, it’s nothing special and kinda seems like filler…yet it still works for me, at least visually. It seems a bit extreme and petty as a story…more like a fleshed-out anecdote than anything else…something a character might comment on in passing about Scrooge than something I’d care to actually see on-panel.

Still…it’s just a single page, a "gag strip," and actual content whose page otherwise could have been some sort of ad, so I’ll take it.

Tinker, Tailor, Scrooge and Sly

Writer: Romano Scarpa, Luca Boschi
Artist: Romano Scarpa
Inker: Sandro Del Conte
Colorist: Disney Italia with Digikore Studios
Letterer: Tom B. LOng
Translation: David Gerstein
Dialogue: Joe Torcivia

This second feature is a welcome element to the issue. When someone steals Scrooge’s jacket, he’s thrust into an adventure unbeknownst 10 years in the making. Seems that 10 years earlier, Scrooge had the thing in to a tailor to be repaired, but the tailor hid a map to a treasure in the lining to smuggle it out from under authorities. After twice rescuing his coat from the would-be thief, he takes it to a tailor in town to repair. Knowing she has a crush on him, he works the angle to get the work done for free…though  he doesn’t get to keep the treasure-find to himself.

The art on this story matches the first (which makes sense stylistically and in being the same artist!). Nothing to gripe about there.

There was something more familiar to this story that worked better for me…perhaps because it "felt" like it could be at home as a DuckTales episode or some such. I might’ve preferred this story as the lead, but its presence in the issue is welcome none the less and definitely worth the read.

Overall

I’d have to go back to revisit the Boom! Studios-published stuff from a few years ago but I don’t remember those issues being quite this thick. Getting two "feature length" stories and a "gag strip"/one-page short as a third thing is quite welcome. The lead is 28 pages, and the second feature is 15 pages…44 pages of content including the single-page piece!

And we get numerous panels per page with plenty of dialogue and such throughout so this is NOT a quick read the way many other comics are with half, full, and double-page splashes and pages of near "silence" to be sped through with no text to slow things down.

Combine those factors and you have one of the most fun comics out there for the $3.99 price point. That’s double (or MORE) the content of MOST $3.99 books.

My core complaint about this tends to be my usual: those doggone VARIANT covers. Given the issue is (as I understand) functionally "just" translated/reprint material previously published outside the U.S….throw a couple full-page images/"pinups" in the issue, use ’em as a watermark on the inside cover(s), put one on the back cover…but…enough with the perpetual variants already!

This issue is technically numbered #1 (405) as IDW is looking inconsistent–wanting to publish its OWN Uncle Scrooge #1, yet appease fans of the "legacy" numbering by doing this dual-numbering (yet, I believe they are simply going with the classic numbering for the forthcoming Walt Disney’s Comics and Stories title…so why they couldn’t simply preserve the "legacy" numbering on this as well is beyond me (and even if they numbered this #405 they could STILL have plastered a big #1 or 1st Issue or such on the thing… or gone with #405 (1) to track their own numbering within the "classic legacy" of the Disney books.

The Duck Books are fun, classic fare. Like Archie comics, they may look like they’re "just for kids" or juvenile, but they hold so much potential and there are some great bits, certainly quite enjoyable for an adult…particularly for the bit of nostalgia.

I’m assuming the pagecount is going to be "standard" for this series, and especially if it holds on that, you really won’t find much out there more fun and more worthy of a $3.99 price point.

Age of Apocalypse Revisited: X-Men Chronicles #2

aoa_revisited_logo

xmenchronicles002Shattered Dreams

Writer: Howard Mackie
Penciler: Ian Churchill
Inks: Hanna/Vey/Moncuse/Wiacek
Colors: Matt Webb
Color Separations: Digital Chameleon
Lettering: Richard Starkings and Comicraft
Cover: Churchill
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $3.95

We open on Weapon X confronting Magneto. He and Jean are leaving, and Mags will NOT be convincing him otherwise. After the tense standoff, we shift to Wolverine–a huge mutant working for Holocaust. Holocaust, it seems, was once Nemesis–who killed Scarlet Witch in X-Men Chronicles #1, some time before this issue. Magneto doesn’t take Jean and Logan’s leaving all that well and throws himself AND his X-Men into training, none realizing the pending danger of the Wolverine. We also see the deterioration of Gambit’s pursuit of Rogue as we see the blossoming of the Magneto/Rogue relationship…which doesn’t begin to go over well with Gambit. Despite the huge wedge from a heart’s betrayal, Gambit stands with Magneto against Wolverine…though their broken friendship is one of the "key" events to come of the issue.

It may be that the issue is extra-sized and so a bigger single chunk of story, minus issue breaks and fitting into the larger, more complex continuity of multiple titles going on simultaneously, as well as "seeing" a key point in this version of the X-Men’s past (relative to the "present day" waning moments of the Age of Apocalypse unfolding in the main X-books cover dated June 1995). It might be the art, and certainly an enjoyable story. But reading this issue, the thoughts it provoked, and the feeling I had when I got to the end…this is definitely one of my TOP favorite issues of the entirety of the AoA storyline.

There’s only one page in particular (but several, flipping back through the issue) with Magneto specifically, where I feel like I noticed a change in the inking, transforming Churchill‘s work such that I actually paused and looked back to see if there were multiple artists/pencilers on the book, as it just looks quite different from the rest of the book. Otherwise, I really liked the art, and would have to really dig to find anything NOT to like about it. I’m not all that fond of Wolverine’s visual design…but as a generic "evil mutant" he works quite well. I imagine part of that is simply the use of the name in association with someone NOT Logan. (Yet, it makes sense in a world with countless "codenames" if most know "Weapon X" but he’s not using the name…"Wolverine" WOULD be up for grabs!)

Mackie gets a bad rap, I think…or at least, I’ve allowed my opinion to be clouded by his later work, particularly–I think–his Spider-Man stuff of the later ’90s. Here, I just simply enjoyed seeing these characters and the story that we get through the longer segment. Even knowing what was coming, I found it rather authentic seeing Gambit’s naiveté regarding Rogue’s falling for Magneto, and empathized with his hurt and frustration at the unintended "betrayal" of Magneto and Rogue’s developing relationship.

We get some details hinted at previously, and the actual "on-panel" stuff with Logan and Jean leaving and the Magneto/Rogue/Gambit triangle, as well as 44 pages of story plus 5 double-page "historical moments" (basically, "pinups") to round things out. I truly miss–and consider it a "lost art" of late–the inclusion of such "pinups" or quasi-arbitrary art pages in comics. In 2015, these would be an additional 10 variant covers as 5 sets of double-panel interlocking images. In 1995, these were fun bonus pages adding some visual context to the X-Men’s history. If only by labeling, these pages definitely lend credence to the notion of a picture being worth a thousand words.

Given this is essentially a one-shot, simply "a" story of this universe’s X-Men, the issue stands very strongly on its own. Knowing only that this is an alternate reality as well as the general convolutedness of the entirety of X-Men history…one doesn’t have to be following the rest of the Age of Apocalypse to follow this or to take this as "a story." For that matter, one doesn’t truly have to have read X-Men Chronicles #1, even.

For me, at least…the Age of Apocalypse doesn’t get much better than this; and perhaps for its immediate recency as of this typing, if I didn’t before I definitely now hold this as cream of the crop when it comes to Age of Apocalypse stuff.

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