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Spawn #257 [Review]


spawn257Voyage to the Center of Hell!

Story: Todd McFarlane
Art: Szymon Kudranski
Color: FCO Plascenscia
Lettering: Tom Orzechowski
Cover Art: Jonboy
Editor/Art Assists: Todd McFarlane
Publishing Coordinator: Shannon Bailey
Art Director: Ben Timmreck
Production Artist: Andy Arias
Published by: Image Comics
Cover Date: October 2015
Cover Price: $2.99

I usually know before I set foot in the store what “new” comics I’m going to be buying. This issue of Spawn, however, was an impulse-buy…and credit really is the cover–a definite rarity for ME. There’s something to the coloring of this one that caught my attention, I think–the Venom-esque Spawn, the red and black of the cape and its shadows…as well as the fact that 257 issues in we still have the classic, original title logo whose coloring ON the cover looks fantastic to me. And as it’s been a few years now since I “checked in” on the title (back around #200) AND noting the cover price is “only” $2.99 I figured FOR $2.99 (compared to $3.99) I was willing to take a chance on a “random” single issue.

For the most part, I may as well be lost, on this issue, read in isolation from any surrounding issues or bothering to try to remember what I’ve seen/read/”heard” recently of the title. Thankfully, there is a “previously” blurb that sets some loose context.

Essentially…Spawn’s (Al Simmons) wife Wanda has been killed, and he wants to save her. To do so, he needs the help of an angel and a demon…which is where Michael and the Violator (Clown) come into play. With their assistance, he gets to the entrance of the Tunnel, where he wants to be…and whatever happens from there, we will see unfold in coming issues (apparently to be drawn by Savage Dragon creator/writer/artist Erik Larsen).

As said, I really liked the cover, enough that I bought the issue. The interior art didn’t exactly stand out to me–I was reading for the story and didn’t really care ABOUT the art. But it works very well and kept the tone and feel I’d expect OF a Spawn book, and never left me wondering at some kind of wonkiness to the visual style. The linework has a certain roughness I like for conveying the dark stuff of the issue…and the muted colors accentuate that very well.

Story-wise, I wonder if I came in at the tail-end of an arc, or part of set up for the coming arc–I’m not really sure. I’m truly not familiar enough with the title or characters to have any real sense of nuances for them, but nothing here stood out as contradictory to whatever knowledge I do have. There’s not really much given in the way of exposition–this clearly is not geared specifically AS a jumping on-point–but I definitely like seeing McFarlane on the story credit, even if not art. That smooths over any roughness (to me) of the story making sense or not…just appreciating the original creator’s on the book. (To say nothing of my choosing to just jump in for an issue without seeking an entry point).

All that said…I’m interested enough in where things go from here, just from reading this issue, that if I happen to notice the next issue, I’ll probably pick it up. I’ve never engaged with this book on a long-term basis, so I’m not interested now in tossing it on my pull-list or anything. I’m also intrigued at the notion of Larsen on the art and seeing what Spawn looks like in his style.

All in all, I’d say this is “just another issue” of the title…if you like the title, you’ll probably want to get it; if you don’t care, there’s really nothing here that says the story itself is anything essential or groundbreaking (maybe the next issue will have/be that).

Still…for my $2.99, I am definitely satisfied with my random purchase of this issue.

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One Response

  1. I had the exact same experience last week… that’s so odd. Picked this issue up after not reading Spawn since about 2008. Was able to grab a copy of 256 the same day, so I didn’t feel as lost… Like you, not sure it’ll be in my permanent pick-list, but I’ll be back for at least the next few issues.

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