Writer: Karl Kesel
Penciller: Stuart Immonen
Inker: Jose Marzan Jr.
Colorist: Lee Loughridge
Asst. Editor: Ali Morales
Editor: Dan Thorsland
Published by: DC Comics
Cover Date: November 1996
Cover Price: $1.95
I’m quite sure I’ve read this before…but I’ll be darned if I can remember it. This actually felt like I was reading it for the first time. Knowing I’ve bought the entire series at least once before in bargain bins or as a cheap set, I can’t imagine I didn’t read it…though that’s entirely possible. I know I’d read the Superman tie-ins, as events from this led to the electric-Superman saga.
This issue sees an alien arrive on early, bearing grave news: an entity that consumes all heat/energy is approaching Earth’s solar system and will destroy the sun, and in turn rendering Earth a lifeless iceball. The heroes–around Superman–gather, and launch a two-pronged plan to repel or distract the sun-eater…but this wouldn’t be the start of an event if things worked out right away, would it? The heroes’ plan fails, and Earth is left in darkness…a final night from which nothing will survive more than a few days.
I can’t say I’m overly enthused at the art. I should like it–I usually enjoy Immonen‘s work–but there’s something a bit "off" about it here. Perhaps it’s reading this out of context, or expecting something different, or just seeing a number of no-longer-currently-familiar characters that doesn’t quite do it for me. The art is hardly bad…it’s just not what I "expected" or thought I remembered. Still, we have numerous characters and multiple super-teams represented in this issue, and things move pretty quickly from introduction to action to result in what I would (by contemporary standards) consider an "ultra-compressed" story.
The writing is good, solid stuff, and certainly makes sense for what’s going on. We have the introduction of a massive threat, a gathering of heroes and plan to confront it, the execution of the plan, and the result. Given this event is one month long, and its core is this 4-issue mini-series while more generalized action plays out in other titles, I am ok with the lack of detail to stuff here in favor of moving "core events" along. It also has me very interested in reading the various tie-in titles to see far more detail to the unfolding crisis.
While it certainly benefits by way of 1990s comics being so cheap these days, this is also the sort of "event" I would love to have today in 2016: instead of having to invest in 3, 4, maybe 6 issues of every single tie-in title as well as an event mini-series or few, the event plays out in a single mini-series as well as just one issue of any given title tying in. I almost wish I’d held off on reading this issue, solely for the fact that I’m ready to dive into the rest of the mini, yet have no idea when I’d actually get around to hunting down all the tie-ins to the event.
I snagged 3 of the 4 issues from one set of quarter bins, and the missing issue from another at a different shop a day later–so I have the benefit of scoring the entire mini for $1 total without putting any particular effort into getting it. As such, this issue is very much worthwhile to me FOR my twenty-five cents, as I can move straight into the rest of the series without waiting. However, I do suspect that taken as a singular issue completely apart from issues 2-4, this wouldn’t be all that great an issue in and of itself.
I enjoyed the reading, and look forward to the unfolding story, and continue to dig in on this run through fun back issues and nostalgia.
Filed under: 2016 posts, 2016 Reviews, The '90s Revisited | Tagged: 1990s, 90s Revisited, Ali MOrales, Armageddon, Comic Reviews, comics, Dan Thorsland, DC, DC Comics, Dusk, events, Final Night, Gaspar, Jose Marzan Jr., Karl Kesel, Lee Loughridge, Stuart Immonen, The Final Night |