Writers: Mark Waid, Brian Augustyn
Pencils: Pop Mhan
Inks: Chris Ivy
Colors: Tom McCraw
Assistant Editor: L.A. Williams
Editor: Paul Kupperberg
Published by: DC Comics
Cover Date: October 1998
Cover Price: $1.99
This is one of those issues whose cover served as an extremely powerful selling point: “The Wedding of The Flash.” OK. I knew Wally and Linda were married…and that it happened SOMETIME before #200, as that was about the time their kids were born, and I was pretty sure they’d been married awhile prior. So spotting this in the quarter bin without any significant “run” to grab, I still figured it would be a good one-off/isolated issue to read.
We open on Wally dealing with Kobra and his crew, and find he’s got a very personal stake in dealing with the current situation: the terrorists are quite inconsiderate, after all, attacking on his wedding day. Linda and Wally put the last-second finishing touches on wedding plans as Linda’s family arrives. While things get into motion for the wedding, Wally can’t quite shake the feeling that something’s wrong or forgotten. The Justice League arrives, and there’s still no villain attack to disrupt things…as Wally and Linda get a moment to confirm they’re going through with the wedding. As the couple prepares to deliver their wedding vows, Wally realizes exactly what he’s forgotten: writing his. Of course, he doesn’t need to write them–he just reflects quickly on their time together, what they’ve been through–and he’s good. As he slips the ring onto Linda’s finger, there’s a flash of light, and he’s alone with no recollection of Linda’s existence nor that they were at the altar to be wed…while a mysterious figure looks on as Linda screams for help.
As said, the issue’s cover grabbed me. This is “THE” wedding issue. Great, ok, cool. Regular-sized, nothing fancy, just a one-issue key moment, something that happens, but while the same length as any other moment in time, is still one of those key moments one can go back to. Right? And being so used to covers “spoiling” otherwise ‘surprise’ villains or guest-stars, giving away what the issue is about (yet, the cover DOES have to “sell” one on buying the issue if they aren’t already planning to, and I’m certainly guilty of disliking generic, unrelated covers)…I figured I knew what this issue was, and was just going through the motions reading/enjoying the story, but I wasn’t expecting to be surprised. But surprise me it did, and now I very definitely want to read more.
The story itself is very good, mixing “regular” super-speed action letting us see the Flash do what he does, and that not EVERY threat has to be spread across exactly six issues of formulaic structure for a graphic novel collection. Some threats can be handled in a few pages to move the story along. Also signifying this being from an age when there were no routine collections of every half-dozen or so issues, the credits page is worked into the story itself somewhat cinematically–or at least, in a “tv” sort of fashion…showing the Kobra attack to be mere prologue to fulfill our expectation of the Flash in action in-costume and allowing the rest of the issue to focus on Wally, Linda, and co. for the wedding itself. Working other key characters in–like Impulse and Nightwing were nice touches, and though I’m more aware of than familiar with Bart, I appreciated the bit with him and seeing dynamics of “the Flash Family” that I’ve often read of but read very little of myself as yet.
The art is good, and really never left me wondering. It’s not my favorite visual style, and is rather “isolated” here as I’ve not read any significant runs on this title in probably almost a decade. I’m sure I’d appreciate it more in context, and assume it’s consistent with surrounding issues. Where varying visual styles play on actual memory for me with the Superman family of titles, I don’t have that for the Flash, which for every issue of the title I read makes me further regret never jumping in back in the ’90s when these were fresh, current, ongoing episodes of the character.
Despite mentioning “isolation” above in regards to finding this issue and how I see the art on it…the issue on the whole is not the quasi-self-contained or isolated unit I was expecting. I thankfully never got the sense that I “should have” read the previous issue to “get” what’s going on here, so it’s easy to jump INTO…but it certainly doesn’t have a hard-stop point to conclude, and successfully leaves me eager to read more, to find out who the mystery-villain is, to see how Wally and Linda get out of this mess…find out if this truly IS “the wedding issue” or if that “moment” occurs down the road in another issue, etc.
For a one-issue quarter-bin find, this issue was more than worthwhile, and I thoroughly enjoyed it, and would (in retrospect) gladly pay several dollars for it (though for bulk/quantity I’d prefer to get to load up on the series from quarter-bins!).
Filed under: 2016 posts, 2016 Reviews, The '90s Revisited | Tagged: 90s Revisited, Brian Augustyn, Chris Ivy, Comic Reviews, DC, DC Comics, Flash, Gaspar, L.A. Williams, Linda Park, Mark Waid, Paul Kupperberg, Pop Mhan, The Flash, Tom McCraw, Wally West, Wedding |