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Spawn #263 [Review]


spawn0263Plot/Script/Layouts/Pencils/Inks: Erik Larsen & Todd McFarlane
Color: FCO Plascenscia
Lettering: Tom Orzechowski
Cover Art: Erik Larsen
Editor: Todd McFarlane
Published by: Image Comics
Cover Date: May 2016
Cover Price: $2.99

While I’ve no idea how long I’ll stick with it, Spawn is presently on my pull list, at minimum as my tiny individual way of trying to support both "high/continuous numbering" and the $2.99 price point. This is my seventh sequential issue that I’ve picked up…which may be a record for me now, or at least close to matching any previous time I’ve tried to follow the title.

Spawn–or rather, Al Simmons–has returned to Earth…human and normal (not disfigured)…and without his costume (despite the cover, more on that later). With only tatters keeping him from being fully nude, but still functionally naked, he finds himself gaining unwanted attention from the authorities. Resisting unwarranted arrest, he fights back and lands in the hospital for his troubles–having been shot and then bashed in the head. On waking and learning what his situation is, he requests Terry Fitzgerald…who despite relatable reservations helps him. Simmons gets set up for his new life, including the start to (presumably) a new iteration of a supporting cast and status quo.

The cover is quite misleading…we do not get Spawn–and certainly not in that classic sense–in this issue. Nor do we get an Al Simmons surprised at being human. That said, for one of extremely FEW instances in my life and as a comic person, it’s misleading because I’m actually "up" on this title. Much as the cover for #257 grabbed my attention (which started this whole current "phase" for me), I can see how this cover could be rather attention-grabbing and pique the curiosity. There’s also something kinda familiar about it–I’m not sure (nor am I planning to research the matter) if it’s an homage piece or just kinda evokes a bygone age of comic covers.

Of course, I’m quite enjoying Larsen‘s work–both the cover(s) and the interior art. Things one expects a comic’s art to do are done, and the visual style works well for this title. It "looks" and "feels" like Larsen art–it’s immediately recognizable to me as such, and I like it here.

Story-wise, I’m still far from being particularly "familiar" with characters (I had to do a quick Google search to confirm that Terry is indeed the guy Wanda married and such), but I’m enjoying the reading experience. This issue feels a lot like a "first issue," and functionally could VERY well warrant a "new #1" (and truly, many Many MANY Marvel books have "rebooted" or "renumbered" for far, far LESS a shift than the game-changing status quo we begin here!).

The backmatter backs this up…though I was disappointed at how "quickly" I got TO the backmatter of the issue. There’s no marking at the final panel of the issue, the final page of the story content–nothing saying "To Be Continued…" or any such, nor is it particularly cliffhanger-y. But darn it, I’m actually really eager to see where things go from here, how Simmons deals WITH his new status quo, how he gets back into the action and what this all means. The cynic in my worries at the shakeup being temporary…but even if it is, I have a bit of faith that it’ll at least last a few years. Simmons was gone from the title for some 65 issues–on a standard, unbroken monthly schedule of 1 issue every month on the month, that would indicate nearly 5 1/2 years. So I’m fairly confident that this status quo ought to take us to (if not through) #300 and/or beyond.

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