Story: Beau Smith
Pencils: Mitch Byrd, Phil Jimenez, Howard Porter, Mike Parobeck
Layouts: Jackson Guice
Inks and Finishes: Dan Davis
Colors: Stuart Chaifetz
Letters: Albert De Guzman
Edits: Eddie Berganza
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.95
I expected a lot of this issue, and unfortunately found myself rather disappointed. Guy, Steel, Batgirl, and Supergirl face Extant, and are thrown through time, bouncing from dinosaurs to Guy’s own past with a woman he’d loved but who died in Coast City.
Reading this issue as an isolated thing, it just didn’t do much for me. Now, I’m a fan of Guy, and have read at least a couple issues of his series before (including, I think, some sort of Year One story and a followup to Emerald Twilight–so with this, that’s probably at least 10 issues of this series I’ve read). I’m familiar with the character from the Eclipso: The Darkness Within annuals (his appearance in the Adventures of Superman one where he first has the yellow ring) and his being part of the Justice League at the time (Death of Superman stuff), and have gotten a lot more familiar with the character in the 20+ years since.
But this issue just felt like it was all over the place…and all I can REALLY tell is that Guy’s new getup is just that–new–he’s still learning what it (and he himself) can do. That these characters are fighting Extant in this issue, that they’re bouncing around through time–that certainly makes this a nice tie-in to Zero Hour, one that truly deserves that banner on the cover, and serves as a RELEVANT tie-in. So even being all over the place, its "fun factor" is there a bit…though I don’t know that I’d particularly recommend it in and of itself.
Visually, I noticed a mix of art styles–PARTICULARLY toward the end when the visuals went toward something resembling Batman: The Animated Series and Darwyn Cooke…it was not until I keyed out the credits for this post that I realized there were FOUR different pencilers. I’m not sure if it helped having Guice doing layouts or not…except that despite multiple artists it at least kept panels to one vision so nothing was overly "out there" or varying drastically from the others. None of the art singly was bad, but it was a bit jarring going from grittier to simplicity reminiscent of Cooke. Not knowing any behind the scenes stuff regarding this specific issue, I can’t comment on that–but I do definitely appreciate what I know now about comics in general in 2016–where I can "assume" that this issue was running late and so the art was divided up to make sure the issue would be done on time as it is a Zero Hour issue and thus HAD TO be out during Zero Hour, which only lasted one month. And with this ending on the blank pages, that sticks it as intended for the last week of the month…where even a SINGLE WEEK slip would put it out of sync with the event itself.
I don’t care for the cover–I kinda consciously "know" that’s supposed to be Extant’s face…but with the fire effect, just the face looks like this is some other villain or a fire-entity or like some X-Men character or something…show me the image without the Zero Hour banner and I would not at all think "Extant" OR "Zero Hour."
Ultimately, this is (along with Batman #511) probably the closest-tied issue to Zero Hour, making it one that you’d definitely want to read with the main series if you’re going for an all-in experience on the reading. By itself, I would not recommend it AS some destination-issue or to seek out as a single issue. As part of Zero Hour or as part of reading the title in general, I think it fits quite well.
Filed under: 2016 posts, The '90s Revisited, Zero Hour | Tagged: 1990s, Albert De Guzman, Beau Smith, Comic Reviews, comics, Dan Davis, DC, DC Comics, Eddie Berganza, Guy Gardner, Howard Porter, Jackson Guice, Killing Time, Mike Parobeck, Mitch Byrd, Phil Jimenez, Stuart Chaifetz, Warrior, Zero Hour |