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Ultraverse Revisited: The Night Man #1

ultraverse_revisited

nightman_0001The Night Man

Writer: Steve Englehart
Penciller: Darick Robertson
Inker: Andrew Pepoy
Letterer: Dave Lanphear
Color Designer: Paul Mounts
Interior Colorists: Foodhammer!
Editors: Chris Ulm & Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

I think this issue’s cover is one of my favorite #1s of the Ultraverse. I really like the gradient from dark purple to a pink for the background, as well as the full moon, a bit of city architecture, and the gargoyle at the foreground with our title character perched on it, looking quite ready for action. The visual is rather striking, and seems quite "iconic" to me, despite being a generic pose or such–perhaps because this is the (only/main) cover for a #1 issue officially introducing the character. batman_608_2nd_printThis single image is truly "selling" the thing–visually and conceptually. This is no Batman, but perhaps borrows a bit of the imagery (though the most "iconic" Batman-and-a-gargoyle image I can think of–at age 37 in 2018–is the Jim Lee cover to Batman #608, which came nearly a decade after this cover). The fact of this being a #1 likely also lends to the "iconic-ness" of the cover…it’s simply a first issue, and carries a whole other sort of significance as such.

We open on a black-clad figure with goggles coming at us, apparently leaping down from above; the figure is narrating, informing us that he’s not who he was, and that he is (and this gives us the title of the issue itself) The Night Man. Our hero’s about to hit a roof, and flashes back to earlier. First, an accident he was in (this is "Johnny Domino," and he was in the car hit by the cable car when the Strangers got their powers back in Strangers #1). Then when he got out of the hospital, he now needs to shield his eyes from bright light…and discovered that he could "hear" evil thoughts. We follow him trying to deal with that and realizing the ridiculousness of the premise, eventually settling on having to do something himself. His first foray into thwarting evil leaves him banged up and this initial costume quite damaged. During the day, he meets with his father, and we see their interaction, and get a bit of setup for what’s likely coming later. Johnny continues his ‘detective’ work, and tries to save the woman who’s been threatened. Unfortunately, we find that he’s too late–when he gets to her place, she’s already been killed, and the killer has literally stolen her face. A chase ultimately leads to a fight on a boat, and the villain winds up in the water, apparently eaten by the shark. And of course, Johnny didn’t sense any evil from the shark–it’s just a shark looking for food. Closing out the story, having survived a couple of nights AS The Night Man, he takes full ownership of the role, that this is his duty, put on him by the cable car accident, and he is The Night Man! (and then a menacing fist with a knife sticks out of the water–the villain’s apparently not completely dead).

This is a strong first issue. We have ties to the larger Ultraverse–the story universe in general–as Johnny first showed up in Strangers #1. That was a nice bit of detail that at the time was sorta throwaway, but comes into play here in a major way–what was "just some guy in a car" is a major character with powers and his own series, now! But while those details are great for tying this to the larger universe…they’re conveyed in such a way that you don’t have to have read Strangers or other issues…you just get a better appreciation for the details if you have. In typical/trope-ic fashion, we’re tossed into the action and essentially given the "…see that guy? That’s me. You’re probably wondering how I got here…" thing. We get Johnny’s name, what he does, what’s happened to him, his current status quo, meet his father, see that he’s the owner of an amusement park resisting a takeover, get plenty of exposition to flesh out the relationship between father and son, etc. We see the character discover his power, start figuring it out, make decisions based on it, don multiple iterations of a costume (learning from near-fatal experience); we’re introduced to a "super villain" or potential "arch enemy" (at least "first major enemy who might be a recurring figure"), and generally have all this stuff packed into this one issue.

In 2018, this issue alone would probably be spread across some special issue/one-shot(s) and no less than 6 issues, each with umpteen variant covers.

That it’s all crammed into one issue makes it a very good value, and a strong stand-alone piece that sets you up to want to find the "sequel" in the form of subsequent issues.

Visually, I really like the issue. The art is quite appealing, with a great sense of realism, while not trying to be something other than a comic book. That is, it’s not particularly cartoony, nor is it hyper-realistic. There’s a good amount of detail throughout, with an assortment of page layouts that change things up nicely, keeping stuff from being just a bunch of pictures placed evenly on a page. The coloring also plays a huge part, and like with the cover, I particularly like the night-time stuff with the purple skies, full moon, and dark water.

rune_0cRune [C]: The Sorcerer
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

I feel like this is the most detailed piece of the Rune story so far. We’re given visuals to go along with what is essentially a journal entry or letter written by Tesla–presumably the actual historical Nikola Tesla–used here in fictitious context. He writes about someone coming to him for information about energy, and muses on who or what the figure was, figuring it must have been a vision…except for a stone he found on his desk with a particular rune on it, that meant "fire" or "sorcerer."

Essentially, this segment shows us that Rune met with Tesla…and that he has the ability to influence how he is perceived. In this case, perceived as quite the cleaned-up, respectable figure. This could be interpreted as shape-shifting, but the detail of Tesla noting that he could almost see something else, suggesting that this truly was his being influenced to see one thing despite the actuality of Rune’s true appearance. The emphasis on the word "sorcerer" gives us a bit more insight into Rune; that where once he was worshipped as a god, as time went on he’s gone from being a god to being a sorcerer, as an explanation for "what" he is and how he’s beyond human.

As a stand-alone piece, I feel this is the most effective so far, as it is an entire thing within three pages. We have Tesla’s letter/thoughts/recollection and the visuals show us both what he saw and what was actually there; the entire episode is conveyed right here. The lengthy wordiness really helps, given the limited page count, making it seem like more than just taking in a page, turning the page, and being at the end of the segment.

Since this is a serialized piece of a single issue and the creative team remains entirely the same, the consistency of visual style keeps this feeling like the next bit, without some jarring change. Where the first chapter was just there to be taken as itself, and then a drastic change in setting for the very next segment, and now another here…at least at this third part the "story" begins to take a bit more shape or pattern as it grows clearer that we started in the present with Rune, and now are seeing moments from the past, leading us to the present, perhaps.


nightman_dvdThis issue comes off like a pilot episode of a tv series, and while there’s the Firearm #0 thing advertised in the Sptember 1993 Ultraverse titles–giving a short live-action piece that continues in a comic, this feels more like something that would fit as an ongoing live-action thing, like a tv series…

…which is rather fitting, as there actually WAS a tv series of The Night Man, that ran 44 episodes across two seasons! (And is freshly available on DVD!)

With the Rune piece on the flipside of this issue feeling a lot more substantive than the previous couple of segments and working nicely as its own standalone unit…The Night Man #1 as a whole is an excellent single issue! Most of the Ultraverse #1s make strong jumping-on points, but this one seems like one of the best so far (if only for being the one I’m currently taking in). This issue’s definitely worth 25 or 50 cents in a bargain bin…and really, is one I’d even consider worthwhile to get for up to its original $2 cover price…especially given the tv series is now (June 2018) out on dvd. This is a great piece to read to get a sense of the original comic and the comic-version’s origin for the character, before perhaps diving into watching the tv series.

I’m feeling like I definitely missed out on something special by not having followed this series back in the day–I definitely remember GETTING this issue, and reading (but not caring for it) back then…but now it seems like this would have been one of my favorite Ultraverse titles! I’m looking forward to getting into the coming issues as well as hopefully getting and digging into the tv series.

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Legacy Thunder Megazord–Power Up!

Toys R Us has been around my entire life. I have plenty of memories of the store–and toys bought there; going back at least to the late-1980s, and the initial Teenage Mutant Ninja Turtles craze. Probably my earliest memory of it specifically is getting a Baxter Stockman (the fly) figure, and being annoyed when we were stuck at a train crossing for what seemed like forever to me as that little kid waiting to get home and open his new toy.

I hold no joy whatsoever in the chain closing–I remember being glad that my "local" store–several "local-ish" stores, for that matter–NOT being on the initial list of closures a few months back. Selfishly, for sentimentality at least, and nostalgia…but also for those employees that would be out of jobs. Recently laid-off myself…that’s not something I’d truly wish on anyone!

And me getting something at a significant discount? That’s by no means worth someone’s job, their livelihood and all that. So much more I could say in this vein–but let’s leave it that what I say is in context of the fact that I cannot change that the chain filed bankruptcy and is going out of business. I have been a regular Toys R Us customer even before the closing–albeit a bit discerning, when I knew I could get the most basic figures for the most basic/common toy lines cheaper at Walmart or Target. But plenty of the "adult collectibles" and such were only at Toys R Us. The worthwhile Power Rangers stuff–the Legacy line–was only at the chain. The Classic TMNT line was only at the chain. The best variety of other lines was at the chain. And plenty often, while a toy line was cheaper at Walmart or Target, it’d be the individual specific figures I most wanted that I’d locate at Toys R Us.

My very first TMNT figure–Rocksteady–was bought at Toys R Us. When the property returned in early 2003, it was Toys R Us where I snagged my figures. When the line returned a third time in 2012, my first figure from that line was from Toys R Us.


So, as stuff’s been discounted/clearanced, and I can’t buy the toy chain or single-handedly change the fact of it closing down, can’t employ anyone myself to save jobs, etc… to boil stuff down, "it is what it is."

A few weeks ago, I bought a huge Mega Construx set for the TMNT line–my single largest (most expensive) purchase from Toys R Us in my life. It was at a token discount, though already significantly clearanced from its MSRP. I bought it then because it was a Toys R Us exclusive as far as I know, and I didn’t want to "miss" it and wind up facing scalper pricing–double/triple MSRP–later–that would make it even more prohibitively expensive.

I thought that was it–my final purchase from the chain. With them going out of business–selling everything, even store fixtures–the shelves and such–surely they wouldn’t be getting anything new in. Surely, of whatever stuff was left, others who found the 10% off worthwhile would have cleared out anything/everything of interest to me.

And then, sure enough, I missed the closing. I saw some story online that they had closed, and I figured that was that.

Then a friend messaged me about something she’d seen at one. The chain itself had not yet closed! So I went back to the one location, figuring more consciously "one last time…" And ended up with some Power Rangers stuff. And then the local one to see what they had that might complement those.

mmpr_thunderzord_box

And I saw this. The Legacy Thunder Megazord. The box was a bit beat-up and less than pristine…but intact.

And 50% off.

Still very expensive for me, period, and especially at present. But it’s not likely I’d ever come across it again for this price. No, more than likely, it’d be 50% more than MSRP if not double or more. And I’ve had my eyes on this for a year and a half or so, having long since figured that at MSRP, it was too much…but for half that, it’d be more than worthwhile.

So, at 50% off…I bought it.

Expensive as a single unit, but it’s more like a "boxed set." With each of the Zords being the price of a Marvel Legends figure–to put it into a bit of perspective. And it was buying pieces piecemeal that I justified to myself the large Legendary Voltron set last year.


Anyway…a week later and I finally got this thing unpacked!

mmpr_thunderzord_assault_team

First, the individual Zords! Red Dragon in Warrior Mode; Pink Firebird; Blue Unicorn; Yellow Griffin; Black Lion (not THAT Black Lion…). The set came with a base, allowing the Zords to join together as the Thunderzord Assault Team.

As the Red Dragon in Warrior Mode stands in the middle, which basically looks like it’s rather uncomfortable (even as a giant robot, another giant robot’s beak-up-the-backdoor probably wouldn’t be pleasant), I don’t like that as a display mode. Of course, for the four smaller Zords, it’s great, and the Red Dragon can stand separate on its own…basically like in the show!

mmpr_thunderzord_assault_team_red_dragon

Of course, it also transforms on its own into "Dragon Mode," which is also pretty cool! He makes for a rather long piece that way, though, and sorta steals the scene!

thunder_megazord

I really like the look of the Thunder Megazord. However, it’s a bit loose, and wobbly and leans a bit…and I had to half-disassemble it when the Firebird decided to split into three pieces on me (note: it’s not really supposed to split into 3 pieces!). I don’t think this is "the lean" that early versions had, but more a side-to-side lean…which might be something with my assembly and not the figures, but whatever. I’d be really annoyed if I’d paid anything like full price…but at half off and just having the thing, I’m pretty much ok with it, overall!

thunderzords_voltron_lions

For the heckuvit…here’s the Thunderzord Assault Team with the five Legendary Voltron lions (well, the smaller die-cast ones, anyway!)

thunder_megazord_voltron

And here’s the Thunder Megazord with the larger version of the Legendary Voltron lions assembled into Voltron itself!

Though in retrospect I was technically exposed to Voltron–as these five lions that combined into a big one–first, having recalled sometime after I was introduced TO the Power Rangers that I’d seen a giant robot from five smaller ones before the show, it was truly MMPR that got to me first. But being a sucker for the combining robots and such, and nostalgic for Power Rangers in general, I guess they’re a lot like Star Trek for me.

I’m a fan of Star Trek, period. "The Original Series." "The Next Generation." To me, Star Trek has always been Star Trek, regardless of subtitle/flavor. And along with that, I’ve also been a fan of Star Wars, and though I’ve read a number of Star Trek novels to maybe 3 Star Wars books…on the whole, I don’t have any great one-or-the-other mentality to the properties.

And so it is here–Power Rangers. Voltron. I’m good with both, like ’em both.

legacy_thunder_megazord_power_up_blogtrailer

Ultraverse Revisited: Prime #5

ultraverse_revisited

prime_0005Villains

Writers: Len Strazewski & Gerard Jones
Artist: Norm Breyfogle
Letterer: Tim Eldred
Color Design: Keith Conroy
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

It’s hard to believe I’m "only" up to Prime #5 here. Nostalgia plays a large part in that, I think–part of me is itching to just fly through this series to revisit all the stuff I remember, and see what changes now that I’m a quarter-century older. But I’m hanging back, going through the entire Ultraverse one issue at a time, endeavoring to get the "full context" of stuff (though some of that detail is lost in translation as I’m providing my thoughts and RE-actions to the issues, and not panel by panel summaries/adaptations of the issues).

Picking up where the previous issue left off, we find Kevin and Kelly facing a "real life" version of Maxi-Man: a character THEY know as a cartoon, and that we as readers know is one of Boneyard’s demons trying to "prove" itself important and gain Boneyard’s favor. (Boneyard being the main villain in the Mantra title). Kevin strains to re-generate Prime, while Kelly is nearly killed. Once "Primed up," we have several pages of battle between Prime and Maxi-Man, before cutting to Kevin’s father and Colonel Samuels, discussing their past, and Green telling Samuels that Prime is his kid–Kevin! Back to the fight, Prime thinks Maxi-Man is some Ultra-human, until the demon reveals itself (apparently with disdain–it is above humans and Ultrahumans). As the two spar verbally amidst the physicality, Prime lets slip that "No one threatens my girlfriend!" referring to Kelly…which shocks the poor teenager. (Prime’s this huge adult…why would he be interested in a 13-year-old, after all?) Prime realizes that he’s running low on power, and has to put an immediate stop to Maxi-Man’s rampage…so he gathers what remains of his energy and releases it in some sort of energy-burst from his chest, and expends the rest in a quick, brutal beat-down that destroys Maxi-Man (who melts down into a puddle, as the demon disperses, vowing revenge [with a footnote referring us to Mantra #5, coming next month!]) Though Prime is victorious, it’s at a cost–Prime collapses into Kelly’s arms, and she quickly realizes he’s melting! Before anything can be done, Samuels’ men rush in and take the melting hero against the girl’s protestations. As Samuels and his crew rush off, Mr. Green’s left behind lamenting that this wasn’t supposed to happen–and he’s answerless when approached by Kelly as to what’s going to happen. Moving back to Samuels–now in a lab with techs rushing about–the melting Prime-body is stabilized…with no regard for the boy within. When questioned, Samuels declares "I don’t care about the boy! I want the ULTRA!"

One of the first things that stands out for me with this issue is Breyfogle‘s art. I love the much thicker lines and less "detail" used for Maxi-Man…giving the character that much more of a "cartoon" look, compared to the usual thinner lines and more realistic style for everyone/everything else. This entire thing is a comic book, it’s all drawings–even the thing that to the drawings (characters) is a drawing. So the different line art makes a big difference, and is pulled off quite well, to me. It’s also interesting to see from the visuals just how similar the two characters are–both are hugely over-muscled brutes–but we get dialogue to realize that Maxi-Man is a character Kevin has "grown up" on, and is clearly one of his "inspirations" for the hyper-muscled Prime body his subconscious generates.

Story-wise, we get most of our forward-movement in non-Prime characters. We see some in Kelly realizing this adult hero has a crush on her–considers her his girlfriend–which is a much different thing put to words than her schoolgirl crush on a new super-hero that she’s encountered several times. We see more in Mr. Green interacting with Samuels as we get more perspective on Prime’s "origin," as the result of these genetic experiments by the military…and that while this is Kevin’s story, Prime’s story…in a very real way, there’s a lot to be said of it being Mr. Green’s story, watching his son suffer for his sins a decade and a half earlier.

The disembodied/extra-dimensional demon provides a "convenient" means to have some giant brute slug it out with Prime. Most of the issue is a slugfest…but we get the other developments amidst it. It also adds to the interconnectedness of this universe, as the demon ties to Boneyard, who other than this has been strictly a Mantra villain. But because Boneyard exists, this demon is here…but the demon isn’t tunnel-visioned on Mantra, but on his master, and so stirs up trouble with Prime.

I feel a bit of a twofold shift in perspective on this series at present: firstly, I’ve more than flipped sides, from being the same age as Kevin–the kid–to being older than even Prime is supposed to be (assuming he’s assumed to be in his 20s). Second, the real-life stuff going on with Gerard Jones. I choose to dissociate Prime and my enjoyment of the title with what he’s pled guilty to, but just seeing things play out on the page–the idea of the adult hero with a crush on a young teenager–is that much more uncomfortable. Yet, as readers, we know darned well that this "adult" in Prime is himself truly a teenager, and so DESPITE the obvious and intended appearances and uncomfortableness built in for added drama…we have a 13-year-old interested in a 13-year-old.

rune_0bRune [B]: The Sorcerer
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

This issue’s 3-page segment of Rune shows us the character in the distant past, being presented with an individual as a sacrifice. He feeds on her–showing/confirming to us that he’s a vampire–and see what a difference so many years makes between this and the wasted figure we saw in the first chapter. This also shows us that the younger, more vital Rune was worshipped as a god, which–again–is a far cry from the wasting creature we’d already ‘met’ and leaves us to wonder at all the events between.

Visually, this continues to clearly be Barry Windsor-Smith. The creative team is exactly the same on the entire story, so I’ll be repeating that, I’m sure–the consistency is a very welcome "given," as this is essentially "just" 3 more pages of the same issue, serialized across the 11 October Ultraverse titles.

Story-wise, this continues to be a slow-burn, or moreso, "drip" as three pages at a time is hardly room for any real story or development as a standalone piece. Presented with different core issues–this one with Prime #5, a distinctly different unit than Sludge #1–there’s "excuse" to be choppy, for 3 page segments to give us different perspectives or glimpses into Rune–what he is/was, what he means, etc. I recall the "complete issue" being rather choppy with such brief scenes…but I’ll likely re-evaluate it as an entire unit when I get to the standalone version of the issue when the ongoing series starts.

I was already getting Prime as a series, so this didn’t sell me on Prime; and all the more now 25 years later, Rune is NOT really a standalone selling point for this issue, or the month’s issues. Rune primarily serves as a time capsule or marker of sorts–an easy way to identify the October 1993 titles at a glance, despite dates not being printed on the covers.


The Prime portion of the issue feels a little padded-out with the extended fight scene. The three story-pages of Rune, plus the recap page and credits/premise page don’t truly stand on their own. But given this is an issue of Prime, the Rune stuff makes for an interesting "bonus." Of course, the proclamation on the Prime cover of this being a 40-page special dampens that–as with Sludge #1–given the 40 pages implies the story, the issue itself, but you really have to add non-story pages to the count to get to 40 pages. That would be more of a problem 25 years ago. Now, in 2018, where these are 25-cent-bin books (maybe 50 cents, but really not $1+, in my eyes!), it’s a moot point.

This is absolutely worth 25 cents or 50 cents just for the Prime portion; and if you’re particularly OCD about filing comics, worth twice that with an extra copy to file with the Rune-side forward. Given there’s a standalone Rune #0 available, and a partial-edition that was packaged with an issue of Spin magazine, I would not recommend seeking this issue out just for the Rune chapter. And as a Prime issue, there’s not MUCH to it to make it stand alone as something unique to seek out…unless you specifically want "the issue with Maxi-Man vs. Prime." Definitely seek this out if you’re putting together a run of the title, obviously. This is best read as part of several issues–ideally the first four and forward.

All that said…for 25 cents, if you’re looking for a colorful slugfest between two hyper-muscled figures and a couple pages of a colorful BWS vampire…there’s no real reason to AVOID this issue, as a whimsical one-off!

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Ultraverse Revisited: Sludge #1

ultraverse_revisited

sludge_0001You Can Take the Cop Out of the Sewer…

Writer: Steve Gerber
Penciller: Aaron Lopresti
Inker: Gary Martin
Letterer: Patrick Owsley
Color Design: Paul Mounts
Interior Colorists: Violent Hues
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

I’ve been looking forward to the Rune Month stuff for awhile. I have some clear memories of getting issues from that month, concertedly tracking down all 11 coupons to get the Rune #0 issue (which also fed into getting the main Rune title, and Rune being one of my three "core titles" I stuck with…even leading to the only fanfic stuff I’ve ever written over half a lifetime ago.)

The extreme close-up of Sludge’s face as the cover has long been an "iconic" sort of image for me, and yet another singular issue (albeit another #1, too!) with a single, memorable cover that is instantly recognizable and stands out.

As the issue opens, we see things from the creature’s point of view–It’s in the sewer, watching a group of homeless, listening to a radio. On the radio, the host talks about a missing cop and the suspicious circumstances behind his disappearance. As the broadcast continues, our point of view shifts a couple times, to include the gang members that had something to do with the cop…as they head out and shoot more people. The creature hears the gunfire and gets involved. Despite their surprise at the creature, they seem to overcome it, preparing to leave it for dead before realizing it’s not so easily killed! We get internal dialogue from the creature–who struggles to recall the proper words, and its frustration grows the more this happens…and the frustration’s taken out on the gang members. The creature also seems to have the ability to melt/mold flesh–grabbing one kid’s face, and "melting" it to a blob of skin, with no way to inhale or exhale…a gruesome way to die, but perhaps deservedly for the innocents killed shortly before. We move into a flashback and see that this creature IS the missing cop, who wasn’t exactly squeaky-clean…but drew a line at killing people. For this, he himself is shot up–certain overkill–and the still-living body dumped in a sewer, where it contacts some sort of chemical, and mutates the body into a walking pile of–you guessed it–SLUDGE. Back in the present, police find the gang members’ bodies and speculate what could have killed them–while back in the sewer, the creature finds and crushes the radio, stating that he can’t stand the host. As he leaves, a couple of the homeless comment on the creature being a walking sludge heap–or "Santy Claus."

This issue’s story is pretty familiar to me, compared to some of the other Ultraverse books. I definitely remember getting AND reading this when it came out. I don’t remember any further issues, but I clearly recall the creature’s stumbling over words and his frustration at that. The story is rather formulaic, and the creature reminds me very much of the very-little I know about Marvel‘s Man-Thing (itself with a significant run by Gerber!), and by comparison there to DC‘s Swamp Thing. In some ways, this seems like it could be a darker take on a Ninja Turtles character–someone injured, dumped into a sewer, where they contact a strange chemical and mutate into some creature and then take on a new mission to fight crime/do good/whatever. I think that familiarity of elements kept the character from seeming as gruesome to me as a kid, and I don’t remember being bothered by him killing people…I probably just didn’t think much on that at the time.

The art’s pretty good, and I like it. The creature looks like a "creature" made of sludge, and the people look like people. The story is easy to follow visually, and the visuals do a good job conveying everything as expected. The page layouts vary quite a bit, and work well conveying mood and tone. While a couple pages are primarily a single image/panel, others have a lot crammed into them, making for a good mix that does NOT feel like there’s any "cheating" going on. One panel/page showing the creature smashing a car while yelling "Pull over!" stands out to me in particular–and I hear the "Get over here!" voice from the Scorpion character in the original Mortal Kombat video game.

Sludge is the actual series and main content of this issue; but it has a "flipbook" segment where you literally "flip" the book over to see a different cover and read some content from that direction–it appears upside down and out of order if you continue linearly from the front/main Sludge cover.

rune_0aRune [A]: The Prophecy

Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

The flip-cover to Sludge #1 features a closeup of an open vampire-mouth, with a translucent Rune logo, the letter "A" indicating this as the first chapter, and the text "The Stones are cast…"

We get a title page with the Rune logo, and the story title, creator credits, and an outline of the Rune creature, as well as an explanation that each of the 11 October titles contain a chapter of Rune, and that 9 of the 11 flip covers combine to form one large poster image–and we get a white background/black silhouette showing that. The next page tells us a bit about Rune, with a Barry Windsor-Smith image of the creature.

As the story itself begins, we see bloody hands with long nails casting multi-colored gems toward a floor. Moving to the second and third pages, we see the creature contemplating the gems–with markings (runes) on them, and determines that there is a power that will restore him…Rune shall live!

It’s hard to really talk much about only 3 pages, especially just the first three pages of a story. We have text telling us about the creature, and now we see the creature…but there’s just not much STORY to the pages. It reads much better as part of a larger whole…but on its own, this seems rather negligible. Visually, this is distinctively BWS art…perhaps distinctive because I recall this story, but also the similarity in visual style to the likes of Marvel‘s Weapon X and classic ’90s Valiant/X-O Manowar stuff I’m familiar with. It’s definitely unique enough to set this off as its own thing, and make Rune visually distinctive. This is clearly the character previously advertised.

This feels more like an "ad" than much else–and given the Night Man "preview" has a full text page AND 3 story pages out of context, it sorta negates the specialness to this premiere of Rune.


Especially as I’m reading this issue in 2018, the $2.50 cover price doesn’t phase me when virtually every comic out there is now $3.99, with only a few minor exceptions at $2.99. The issue itself–Sludge–has 25 numbered story pages. The cover claims this is a 40-page special…so we fall some 15 pages short of that! But add in 3 story-pages of Rune, and the two pages introducing those story pages and we’re up to 30. Further factor the Night Man preview (if that’s content) and we’re up to 34; a Mighty Magnor 1-page piece takes us to 35; the Rune #0 coupon stuff nudges us to 39 pages…so it’s iffy. But in 2018 and this being essentially a definite 25-cent book, max of $1ish…it’s more than worth that sort of price, whether 20 pages or the stated 40. And the 40 probably counts the main ads and such, so…it’s accurate. It doesn’t say 40 story pages, after all.

The Rune portion feels like little more than an ad–as said above, there’s a Night Man preview that has just as many "story pages" with about as much (if not MORE) context…so this could just as easily been a Night Man flip book with a several-page Rune "preview" and been functionally the same content between the covers.

Still, this having been designated "Rune Month" (I believe that was the thing back in the day, as it’s stuck with me all these years somehow) it at least makes for a "theme" that is carried across all the books, unifying them. And rather than just the same 3 pages over and over again in all 11 books, each has 3 unique pages that combined make up a prologue issue ahead of an ongoing series in a way that I doubt we’d see in 2018 from any major publisher.

As with other Ultraverse #1 issues, this is certainly worthwhile in itself as a single issue to check things out. I’ve seen this and many of these other early Ultra-titles in 25-cent and 50-cent bins, so I wouldn’t suggest paying more than $1 or so if you can help it. If you like Steve Gerber’s work, you’ll probably like this; if you like Lopresti‘s art, same deal. And though there are the comparisons to make to other publishers’ characters, this is a unique character so far for the Ultraverse itself, and worth checking out just because. This stands alone pretty well–and remains (thus far) the only issue of the series I know I’ve actually read, so there’s that as well.

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The Weekly Haul: Week of June 6, 2018

Once again, a decently-small week for new comics!

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The newest Man of Steel, the new Batman, and because of having already gotten a couple chapters, the newest Deathstroke for the vs. Batman arc. And for the sake of momentary completion since I got the first issue, Demi-God #2. Not sure if this is a mini-series, but not knowing when I’ll get to actually reading #1, didn’t want to then have to hunt for #2…particularly with the likelihood of then being "stuck" with a wrong cover.

And the "first" issue of DC Nation…which somehow I didn’t realize was going to be magazine-sized, nor what it is. Because of the #0 issue last month, I figured it was at least going to be comic-sized. At least this one’s "free," and I truly don’t have nearly as much room to grouse about that.

Of course, I’m sure it’s not free to comic shops–they still have to pay for stuff like this.

I also bought a print based on one of the covers to 1991’s X-Men #1–the Magneto piece. I’ve already got it in a frame, so getting a proper photo’s not happening right now–either too much shadow or too much glare or too much reflection.


Along with the comic-shop run, also stopped by a Walmart for groceries. And per usual, took a walk down the toy aisle, figuring I’d start my hunt/quest for finding the Deadpool Wave Cable figure from Marvel Legends. Fellow blogger FigureFanZero reviewed the figure the other day on his blog, and really sold me on it, showing what an awesome piece it is.

The figure’s been selling for stupid prices online, and with distribution and all, I figured I’d have to visit numerous Walmart stores–maybe several of them repeatedly–along with Targets to find the thing. I had seen it somewhere in-person before and passed on it, which made it all the more likely that it was going to be a real hassle to find again.

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But there it was, so of course I bought it. The price–and buying it at all–was made a bit more palatable by the fact of not having spent a huge amount on comics. I also saw the classic Deadpool from this wave. But since that’s apparently selling for a reasonable price online, I’m in less hurry for that. (Famous last words?)

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And then on the way out of Walmart, spotted this plush Deadpool looking loose and on top in one of those "claw machines." My first try, the claw simply didn’t firm up (stupid machine!) The second time, whatever the machine was programed for, the mechanism of the hook had caught on the loop at the top of the character’s head…such that even when the claw opened again over the delivery chute, the thing was still hanging there.

So I paid a third time and the claw immediately dropped it through the chute. All told, Plush Deadpool was cheaper than a comic book. And quite the cool "prize." I’m sure this would probably be a good $7-10 off the shelf. Much cheaper from the "claw machine."

For this photo…one could say he’s been defeated by the black panther…Sarah the Kitty.

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Ultraverse Revisited: Early House Ads September 1993

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With the September 1993 Ultraverse books, we have our largest month yet for house ads…with the largest house ad yet in Firearm #0!

Firearm #0 4-page ad:

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It’s interesting to see four pages per (most issues) dedicated to this. Rather than just a one-page piece advertising this video/comic combo pack, we have an opening page, a double-page spread, and a closing page, introducing us to this concept of a live-action video where the story starts in the video and concludes in a comic book! This was one of many interesting multi-media things Malibu did for the Ultraverse line, and to my knowledge remains a one-of-a-kind thing!


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I’d forgotten how early on this Flood Relief issue came about. For a donation to the American Red Cross, one could get a special edition comic book featuring the Ultraverse. An interesting fundraising device. I have no idea how well it did, or how ‘limited’ it actually was. Offhand, this would be the second "mail-away for a limited-edition Ultraverse comic" promotion from Malibu.

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Where it seems all the other titles got ads ahead of time, I had noted for the August 1993 house ads that there’d been no ad for The Solution before its first issue was out. Instead of a "coming in September" we got an ad for it in September with the "On Sale Now!" note.

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I believe this is the first full-page ad for a title that is not a #1 issue. We had the split-page ad for several of the continuing titles, but this seems to be the first full-page ad. In this case, for Hardcase #5, coming in October 1993, part of the Rune Month stuff. Here the ad is just for the title but I recognize the cover image from the fifth issue!

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The Night Man is a new title that debuts with the October 1993 titles. I’ve always been a fan of this cover and its coloring. That I can say that based on this ad is–as I’ve noted with previous such reflections–one of the things I really, really like with the ads. They are the cover image of the first issues, so you know exactly what you’re looking for! No arbitrary image to get confused over when there are several other images on issues when you just want THE first issue. This use of the cover images also helps make them that much more memorable and recognizable, and thus "iconic" in a way that publishers in 2018 seem to despise.

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However, while I say that above about Night Man, this image of Sludge actually is not the first issue’s cover image–whether it was a last-second change or something else, I don’t know. Perhaps for nearly 25 years of knowing the actual cover, I think I prefer the actual cover of #1 to this…though this image gives a bit more to go on with the character, as the cover to #1 is an extreme close-up of Sludge’s face; here we see more of the (shadowed) body. But combine this ad with the actual cover, and there’s a bit more of an idea what one’s dealing with before ever getting past the cover of #1!

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Finally, getting a bit ahead of things, we have this Solitaire ad for November, giving us a look beyond "just" the very next month. Of course, we already had that with the Rune ad previously, that basically only told us the character was coming (and in September 1993, Rune #1 was still some four months away!). There’s no mention in this ad of the polybagged-with-a-playing-card promo that would come with the first issue of Solitaire…I don’t recall if there ever was any mention of it outside of something like Wizard or Hero Illustrated.


As I’ve mentioned several times recently…next, I’ll be getting into the October 1993 Ultraverse issues–"Rune Month!" Each issue has a flip-cover and several extra pages. The short segments collectively make up a #0-issue for Rune, and by collecting all 11 coupons and mailing away, you could receive a standalone edition of Rune #0 as a single-issue (plus a poster, some other goodies…and also a #0-issue for The Solution!)

More on that at the end of covering the October books!

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Mighty Morphin’ Power Rangers Tamashii Buddies

I can’t remember when I first saw the Tamashii Buddies figures for Mighty Morphin’ Power Rangers–but it feels like it’s been at least a year.

I’ve only ever seen them at Toys R Us, but the price has often put me off on ’em, and I never got around to actually getting any of them.

Of course, over the past year and a half or so, my Power Rangers collection has expanded quite a bit.

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With Toys R Us‘ "Store Closing" "liquidation sale," prices recently moved to 40-60% off. "Action figures" went from 10% off (not really "worthwhile" as that’s barely tax) to 50% off (quite worthwhile).

After checking prices on a number of things, I ultimately settled primarily on these Tamashii Buddies figures.

I’m not 100% on how I feel about them…but whatever the case, I really like the way they look! I just wish they had figures for the other original Rangers–Black, Blue, Yellow. Based on the box art and the "look what else you can buy!" stuff, these are it…at least for what had made its way into Toys R Us.

These are from two different TRU stores–the one did not have Lord Zedd while the other, as it turned out, had all 5. Of course, I only "needed" Zedd when I went into the second store.

I wound up walking out with my second-largest single TRU purchase (price-wise) of my life (which I’ll likely post about some other time, along with the first).

Anyway…these are the latest additions to my Power Rangers collection…I just need to figure out the shelf arrangement to include them!

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