• July 2019
    S M T W T F S
    « May    
     123456
    78910111213
    14151617181920
    21222324252627
    28293031  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

  • Advertisements

The ’90s Revisited: Adventures of Superman #497

90s_revisited

adventures_of_superman_0497Under Fire

Writer: Jerry Ordway
Penciller: Tom Grummett
Inker: Doug Hazlewood
Colorist: Glenn Whitmore
Letterer: Albert De Guzman
Assistant Editor: Jennifer Frank
Editor: Mike Carlin
Cover: Tom Grummett, Doug Hazlewood, & Denis Rodier
Published by: DC Comics
Cover Date: December 1992
Cover Price: $1.25
Triangle #: 1992/47

Like many issues from this time period, this one’s cover stands out quite a bit to me. I don’t know that I’d call it a favorite–there are definitely plenty of covers I like more–but I do really like this and it’s instantly recognizable to me.

This issue picks up where Superman #74 left off, with Superman chasing after Doomsday, blocking out Mitch’s cries for help. The transition, though, isn’t quite as smooth as the one from Justice League America #69 into Superman #74, though it isn’t jarring. Mitch narrates–describing the situation and letting us know that the rest of the League has fallen, Superman’s a distance off but still visible (and his punches against Doomsday audible), and his mother and baby sister (as well as the rest of the League) are still in danger from the collapsing house that’s burning. Superman finally returns after shoving Doomsday into the soft earth at the bottom of a lake, and Bloodwynd makes a timely return to assist as well before teleporting away to avoid medical attention from EMTs. As a military helicopter targets (and is targeted by Doomsday), Superman’s back in the fray, continuing to save those he can while beating on the creature. Taking a moment away from all this, we get a scene of Lois in the GBS building, meeting up with Cat while she tries to find Jimmy. Olsen’s moonlighting as Turtle Boy for a kids’ show, but taping’s run hours late…and Jimmy is needed on assignment (covering the Doomsday situation). The battle rages into a small town where Maxima catches up to Superman and Doomsday, and her contribution leads to a huge explosion. The Guardian arrives to find her and Superman knocked out from the blast, and Doomsday nowhere in sight. Brushing off Guardian’s lecture on violence, Superman realizes this is his fight, and his alone.

I’d forgotten about Grummett‘s time on this title, given the changeover around #500…I really like his art, and it looks especially good–and familiar–here! The art team is fantastic, and though it’s been quite awhile since I’d’ve thought about it, I think I’d have to say that offhand, this is my favorite Superman art next to Dan Jurgens‘ work! This issue begins the subtle "countdown" I had never noticed until about 10 years ago: the issue is done as 4-panel pages (with the next chapters having three-panel pages, then two-panels, before the conclusion in all full-page splashes).

Story-wise, nothing really jumps out at me as any sort of "Ordway signature" or such, except that as with the other creative teams’ work, this plays very tightly with its sister titles. While not quite as "involved" at this point due to their encounters with Doomsday, it’s cool to see stuff play out with the League still being present in the title, if not much else. Guy Gardner grabbing Superman and essentially giving his ‘blessing’ (or command) to put the creature "in a pine box" strikes me as rather poignant…Guy admitting that Superman’s "tougher" and capable and such to do what he–Guy–was not able to. And a sort of quasi-reconciliation between the characters before what’s about to go down goes down.

Maxima’s bit in this issue has also stuck with me over the years–her focus on being a warrior and casual acceptance of casualties, as well as Superman giving her pause, as well as her tolerating his calling her ‘Princess.’

This is yet another issue that’s very much a piece of the larger story…even if ultimately, the story’s a huge "fight scene" of sorts, when looked at most broadly. This chapter isn’t really "essential" to the whole, offhand (maybe the first chapter to feel that way)…but there’d sure be a clear gap in stuff if we didn’t have this chapter. Outside of the pretty cover, I wouldn’t really recommend this as a "single" issue, but it’s well worthwhile as part of the whole, and definitely not a chapter to arbitrarily skip in a collected volume.

adventures_of_superman_0497_blogtrailer

Advertisements

The ’90s Revisited: Doomsday Pages

Back in 1992, shortly before the actual start of the Doomsday crossover/event/story/arc, all four of the Superman titles ended with a single page showing a fist repeatedly punching a wall, as whatever it was, tried to escape some sort of confinement.

Superman: The Man of Steel #17 saw Superman dealing with the ongoing subplot of Underworlders in Metropolis, ending here:

doomsday_mos17

Then Superman #73 saw Superman and Waverider interacting again, and dovetailing off to:

doomsday_superman73

Next, Adventures of Superman #496 gave us one last hurrah with Mr. Mxyzptlk before the monster arrived:

doomsday_adventures496

And finally, Action Comics #683 saw Superman dealing with The Jackal in a (comparably) forgettable story that left us with:

doomsday_action683

And of course, from there, the actual story kicked off in Superman: The Man of Steel #18!

Along with these pages, and all sorts of news coverage, we had this iconic (to ME, at least!) house ad:

doomsday_ad_superman73

These days, that alone would have to be its own VARIANT cover…either for Man of Steel #18, or heck, they’d do different silhouetted poses of Doomsday like this for all four covers with those single page bits the month before the actual event!

While I’ll be doing my own stuff here, several years ago, Michael Bailey and Jeffrey Taylor covered the Death and Return of Superman saga in a lotta detail in their podcast From Crisis to Crisis: A Superman Podcast, and there is a HUGE treasure trove of material related to it over at the Fortress of Baileytude!

July 4th, 2017

A quick, simple post…showing off the colorful, patriotic cover art of Superman with the U.S. flag, in celebration of the United States’ Independence Day.

superman_20170704a

Iconic, generic poses…but these two immediately came to mind when I was thinking of such images to share for the day. Loads of others, too…but as two of my most recent acquisitions, these were forefront for me.

superman_20170704b

Then there’s the classic cover from Adventures of Superman #505, celebrating the character’s return after Doomsday, Funeral for a Friend, and Reign of the Supermen:

adventuresofsuperman505

And with that…I’ll call it a day. Hope everyone (whether celebrating the day or not) has a great day!

From the Archives: Adventures of Superman #648

adventures_of_superman_0648Look…Up In The Sky

Summary: Lois Lane reports on the destruction of Bludhaven and the response of the super-heroes.
By: Lois Lane
Photos by: Jimmy Olsen, Karl Kerschl and Renato Guedes
Additional Reporting by: Greg Rucka, Nunzio DeFilipis, Christina Weir and Jami Bernard
Graphic Design by: Richard & Tanya Horie
Copy Design: Rob Leigh
Editors: Eddie Berganza and Jeanine Schaefer
Editor in Chief: Perry White
Cover Art: Karl Kerschl, colors by Dave McCaig
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This issue is another logoed Infinite Crisis crossover issue. This is where we get the immediate response/fallout to the destruction wrought by Chemo in Infinite Crisis # 4. Rather than dialogue and seeing "inside" the heroes’ reactions to that event, we get it from the perspective of some citizen of the DCU reading reporter Lois Lane’s article covering the heroes’ response as she observed it.

This makes for an interesting perspective, if not entirely original. The "narration" is simply Lois’ story, which provides the only words found in the otherwise "silent" issue. One moment that stands out to me offhand is a full-page panel of Green Lantern amidst the wreckage, obviously deeply pained over the event. I believe this would be apparent even without Lois’ observation.

My initial reaction to this being where the plot thread gets immediately dealt with was surprise–given that many characters have "signature cities" that are often as much a character as any humanoid supporting cast member. Shouldn’t this be dealt with in another book? Except of course, Superman being Superman is obviously going to help. And given that Superman’s so powerful (here, the specific focus is on his invulnerability), it’s not like the character’s going to stand by and let others die just to maintain some "image" or such.

The style of this issue remind me of the Superman issue (# 79, I believe) that was told in this same way, except it was Ron Troupe’s story scattered in the otherwise silent issue which showed the Cyborg Superman stopping an attempt in the White House on the president’s life, and that president’s endorsement of the Cyborg as the "real" Superman. Given the destruction the characters rally to face, I’m also reminded of the "Black Cover Spider-Man Issue" (Amazing Spider-Man v.2 # 36, I believe).
Getting the story simultaneously after-the-fact (Lois’ words) and as it unfolds (the visuals) works pretty well–and for the most part might be the only way to truly cram so much into one issue. If there was dialogue with us seeing/hearing the characters talking to each other and coordinating and whatnot, this issue would have be be double, triple, or even quadruple-sized.

On the one hand, it’s interesting that there are four people listed for the writing–three beyond regular writer Greg Rucka. I can give the benefit of the doubt on it to the writing style and giving voice to Lois’ writing, as journalistic writing is not quite the same entity as character-writing and may be more collaborative.
Visually, there’s a fair amount of blank-space on these pages, as the images are pretty much contained to panels, and those panels’ layout tends to somewhat resemble photos placed on a fixed-size page. Though the art is not by a single person, it works for me here.

I found myself reading the text, using the visuals almost as an abstract, seeing them but not diving in deeply. Letting the visuals enhance what I was reading.
No real complaints with the art–it’s not perfect by any means, and this issue continues a trend of having "extras" credited, assumably to get an issue out exactly on-time (given what it covers, this issue pretty much had to be out right after Infinite Crisis # 4. Same week, and someone reading this issue spoils a major part of that issue; two weeks after, and it’s old news compared to books that also touch on the ramifications.

Other than describing how some of the mess is specifically cleaned up quickly (which might be mentioned in other books–I don’t know), this issue doesn’t strike me as essential reading. It will enhance one’s reading of the overall Infinite Crisis event, though. The issue doesn’t even have to be a Superman one–this could almost have been labeled "The Daily Planet – The Day After Infinite Crisis # 4" and been a "special" or "supplement" issue.

My initial reaction to the issue was that it wasn’t all that good, but it is actually quite well done, and serves its purpose as a followup to one of the more catastrophic events in the DCU.

The ’00s Revisited: Adventures of Superman #586

adventtures_of_superman_0586Soul of the City!

Writer: J.M. DeMatteis
Penciller: Mike Miller
Inkers: Armando Durruthy & Walden Wong
Letterer: Bill Oakley
Colorist: Wildstorm FX
Assistant Editor: Tom Palmer Jr.
Editor: Eddie Berganza
Published by: DC Comics
Cover Date: January 2001
Cover Price: $2.25

Maybe it’s something about the paper quality, but this issue just feels thicker and sturdier than a modern comic book..!

We open on Superman overlooking the city, still flabbergasted that Luthor–Lex Luthor!–is President-Elect of the United States. He pulls himself together, puts on his public face, and flies in to greet the man, and congratulates him on his election. Elsewhere, we find several "minor" antagonists (Rose/Thorn, Kitty Faulkner/Rampage, Cary RIchards/Adversary, and Prankster) gathered before Lord Satanus, who proposes they assist him in claiming the actual soul of the city itself. Lois is spending time with her very pregnant sister Lucy, who goes into labor unexpectedly, prompting a rush to the hospital…though ultimately she’s sent home as it’ll be awhile yet. And Superman finds himself face to face with a gloating Satanus, claiming victory is already his–though Superman has several up-front allies and one seemingly missing in action, as we’re left with a to be continued.

Moving out from the election night issue (Superman #164) and the previous week’s Superman: Lex 2000 special, that story moves from primary focal point to subplot, as we seem to begin a new threat–the "return" of Lord Satanus and his latest bid for souls and such, going against what Superman himself stands for, etc. Re-reading this issue for the first time in nearly 15 years brought with it a bit of deja-vu, as my conscious mind recognizes the story as I read it, and yet my conscious primary guess at this issue–based on that cover–would have been that this was the issue where Superman discussed with someone that he’d be at the inauguration–hadn’t missed any yet–just that he’d do so without being seen, refusing to give a photo-op/endorsement that way.

Yet, seeing Superman–at least for the public face–graciously allow himself to be seen with Lex, to shake his hand, to say the words–seems an appropriate, totally classy thing…though it’s easy to relate to his inner conflict of having to appear cordial with a man who has been one of his life’s greatest antagonists and who he knows is beyond loads of crooked, corrupt stuff and yet it can’t be proven in such a way as to bring him down.

But rather than that being a long, drawn-out, done-to-death issue-long scene, life (and the story) continue to unfold, and we move into a new plot in which Lord Satanus is back on the scene. However, given I’d forgotten he even appeared here (mostly I remember the character from the Blaze/Satanus War in 1992 just before the Death of Superman, knew he’d had a couple "flare-ups" over the years, before apparently being destroyed during the Spectre’s rampage in the run-up to Infinite Crisis), it seems a foregone conclusion how this’ll turn out, and ultimately makes for a less-than-truly-threatening plot.

I also would not have been able to tell you that DeMatteis had done this issue or Miller provided the art…the the imagery is quite familiar.

Miller‘s art isn’t entirely to my liking…there’s something slightly "off" to the art, giving almost a "generic" Superman than one that seems as "familiar" as I prefer. However, I DO like the art, and this is not a bad version of Superman. And maybe it’s that I’ve had the cover looking at me for several days, but I really dig the cover!

All in all, this is a good issue, it deals with the emerging presidency of Luthor while bringing in a lesser-used antagonist in Satanus and even lesser-used allies, while addressing other ongoing facets of characters’ lives such that this really works as (in a good way) "just another chapter" in the ongoing Superman saga. Even having the issue in one of my few sorted longboxes where I know exactly where it is, I would be hard-pressed to NOT spend the 25 cents to snag an extra copy if I found it, if only to do something with the cover as an art piece. Given that, I certainly recommend this if you find it for a quarter; though the higher the price, the less enthusiastically I’ll recommend. To someone interested in this era of the Superman titles or picking up a small combined run of the titles for a true run of the "triangle numbers" (S-shields), this is certainly worthwhile.

I was gonna wrap up this collection of successive reviews, and may not actually write up the following issue…but this leaves me interested in at least reading the next chapter!

Zero Hour Revisited – Adventures of Superman #516

90srevisited_zerohour

adventures_of_superman0516The Hero of Metropolis

Writer: Karl Kesel
Guest Penciller: Peter Krause
Inker: Jackson Guice
Colorist: Glenn Whitmore
Letterer: Albert De Guzman
Assistant Editor: Chris Duffy
Associate Editor: Frank Pittarese
Editor: Mike Carlin
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

This is one of those quasi-forgotten issues–one where I remember in broadest strokes the events but it’d been so long since reading it that it was a lot like reading a new comic.

Amidst all the other time-stuff going on, Superman finds himself in an alternate timeline, with many similarities but some rather disconcerting differences. Of course, some of these are things he picks up on as he goes along–realizing, for example, that here, Lois doesn’t even know him, period–let alone know his identity or have feelings for him. And despite the familiarity of Superman, this world’s hero is the Alpha Centurian–a character we’ve apparently seen before but this was the first meeting between him and Superman personally. By issue’s end the situation is revealed and the two are allies, off to dive back into the whole saving-all-of-time-and-space thing.

I think when I saw Alpha Centurian in a previous issue of Zero Hour itself, I assumed he’d already been introduced…my mind just didn’t parse out the details or question anything. And yet, I knew this was where the character comes into the Superman stuff–"that issue with his name on the cover over top of Superman’s." I suppose not having looked ahead to the covers, conscious memory failed me and all that.

Anyway, this is another solid issue that plays firmly into the stuff that Zero Hour is about–that is, Time is mucked up and allows for a bunch of anomalies and parallels and alternates and the like. In this case, we get a new Superman ally…one that (as I recall) becomes a recurring member of the supporting cast for a time–much as a one-season character can be close and important for a single season of a tv show.

At this point, 20+ years after the fact, this issue having a "guest penciller" means little to me, particularly for this specific title. The art’s just the art–neither phenomenal nor bad. It works for the issue, gets everything across, and I’m perfectly fine with that. The story itself is cool, revisiting this "moment" in the history of the Superman story and seeing (again) the first meeting (officially) between the two characters and being thus able to cast my mind back to that summer and the following year or so as this Alpha Centurian was a recurring cast member NOT from Reign of the Supermen, yet I was there "from the beginning."

Superman is front-and-center in Zero Hour itself, so his having time for not just one "side story" but multiples is a bit of a stretch in general…but then, he’d had four ongoing series at this point, all of them tying into Zero Hour (given especially the ongoing/weekly nature of the four Super-books). This was a pleasant read, if not terribly contributative to the ongoing Zero Hour saga. Other than being a sort of first-appearance/first-meeting, it’s not singularly stand-out in a way that screams "go out and read this to thank me later" or anything. Still, if you find it in a bargain bin, it’s worthwhile.

The Weekly Haul – Week of August 19, 2015

As new comics go, this was a very small week, with only two new TMNT books:

weekly_haul_20150819a

I also hit the quarter-bins, where along with far more X-Men books than I’d had any intention of buying in one shot, I also snagged a couple of key Superman issues:

superman01s_and_aos424_quarterbin

Being what they are, and for the price, I wasn’t gonna leave these sitting in the bin. I have tentative plans for one of the Superman #1s and Adventures of Superman #424 for sure.

Hard to believe TMNT is about to hit its 50th issue. I’ve been keeping up with it since #1…

%d bloggers like this: