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Batman (2016) #52 [Review]

batman_2016_0052Cold Days Part Two

Script: Tom King
Art: Lee Weeks
Color: Elizabeth Breitweiser
Letters: Clayton Cowles
Cover: Lee Weeks, Elizabeth Breitweiser
Assoc. Editor: Brittany Holzherr
Editor: Jamie S. Rich
Batman Created by: Bob Kane with Bill Finger
Published by: DC Comics
Cover Date: Early October 2018
Cover Price: $3.99

While I own the entire run, I think I’ve basically only READ the first issue, the proposal issue, and #45-present for this series. I’m trying to be more diligent at "keeping up with" the series now, having finally jumped back in without forcing myself to backtrack and try to get through a 2-year queue just to "allow" myself to read current issues.

I was grabbed by the Booster Gold cover of #45 or so and opted to read that "out of order" due to Booster’s presence…and kept going. Then I "had to" read #50 before coming across spoilers, which I SOMEWHAT managed to do. Now it’s been about a month since #50, meaning two more issues as the series is biweekly. I’d "misplaced" #51, but with not wanting to fall IMMEDIATELY behind again, I managed to find it, and quite enjoyed it. I went immediately into this issue–same creative team as #51–and by the end of the issue, just sat with the feeling that I want the next chapter ASAP, in a way that I didn’t even have with #50.

I’m "assuming" this is a 3-issue mini-arc…something about it just "feels" like a 3-parter. Coming into this issue, we find the situation being recapped in the form of the jurors reviewing available evidence as presented to them. Bruce insists on going back over three key pieces of evidence for context. We get flashes of the actual fight between Batman and Freeze as the jurors discuss things–Mr. Freeze (barred as part of probation from donning his costume and having a freeze gun) having his costume and rebuilt a freeze gun; being prepared for Batman and what expectations he’d HAVE for a confrontation with Batman; his confession and why he stuck to it even when out of Batman’s presence. To Bruce Wayne’s fellow jurors, Batman is better than the police–he’s THE best, he’s the one who’s infallible, and if Batman delivered Freeze, then OBVIOUSLY Freeze is guilty. But Bruce has information and context that the other jurors do not and likely will not…but he must now find a way to prove his own belief in Freeze’s actual innocence of the particular crime he’s being tried for.

I’m so-so regarding the art. It’s not bad, and I’d swear I’ve got a positive mental thought behind Weeks’ name in terms of art…but it just seemed somehow "off" to me here (and in #51). Perhaps it’s because of seeing some Jim Aparo art recently, and some other stuff…so on actual reading of this issue, my mind wanted other art, and so compared this to that. I’m not sure the phrasing I’m looking for, but Mr. Freeze in particular seems frail and "wiry" to me here, in a sickly sort of way…not the stronger/more powerful character I tend to picture. There’s also something to the line work that just feels rather "messy" and does so in a way that keeps me from liking it as much in and of itself. It’s surely a design/visual choice and quite intentional and not bad art…but it wouldn’t be my first choice as of reading the issue. That said, it definitely gets the story across, the jumps between Bruce and the other jurors, and the earlier interaction between Batman and Fries. The characters look human, no weird oddities to anatomy or such and the various characters are distinct, and there’s a contrast to the Batman stuff.

Story-wise, that contrast works very well, showing us a brutal, violent-beyond-usual Batman dealing with Mr. Freeze even while we see Bruce trying to work things out "remotely" for firstly how he didn’t catch something as Batman as well having realized he–as Batman–was wrong for going after Freeze, and must now find a way to get the criminal off, as Bruce now believes that the man is innocent of the particular crime he was brought down over…and because he knows that, it’s not (in this case) justice, and means someone else committed the crime and thus is more important to be "brought to justice."

Despite any of my negative/so-so-ness about the art…as an entire package, I greatly enjoyed this issue. I want to read the next issue; and I suspect that it will be "top of the stack" due to my eagerness, in a way that #51 was not, initially, after #50. I love this use of Bruce Wayne–as Bruce Wayne, as a character, and not JUST as Batman. Seeing Bruce Wayne involved in something, interacting with others as Bruce Wayne, and even discussing Batman and seeing/reading ("hearing") certain things and getting meaning that someone who does NOT know Bruce and Batman are one and the same would not. It’s also interesting to consider the ethical things–such as Bruce serving on a jury involving a case with a man that he himself brought in, without anyone else knowing that fact. But then, a masked vigilante running around serving a greater good YET technically breaking a number of laws doing so adds other stuff to the mix. In context of Batman stories, though, I always find myself going back to Untold Legend of the Batman and a flashback of Bruce’s moment of realization that Justice and The Law are not automatically the same thing.

This is a Bruce Wayne back in a familiar place thanks to a new situation; I was reminded a bit of A Lonely Place of Dying, which is certainly another factor that sparked a positive feeling for me.

This isn’t for everyone, obviously…but it begins to move things forward with developments from #50, and yet almost feels like a new series. I’m very thankful this is NOT some new #2, as the numbering continuing on clearly shows that there can be a new focus and a series can feel fresh even without an arbitrary #1 slapped on the cover. The primary drawback to the issue is the price–I’d swear up to #49, this series was $2.99 and now carries the $3.99 price point. I’ve long been down on Marvel for biweekly $3.99 books, having often felt that I was very OK with DC doing the biweekly thing since the issues were 25% cheaper. As I’ve significantly trimmed back on what I’m buying, it’s not the huge thing it could be, but does have me a bit wary.

Still, having read the two issues back to back and being eager for the next chapter…having enjoyed this issue and the story in and of itself…and DC still having a bit of ok will (if not entirely "good will") from me, I’ll let the point go for now.

Regardless of Batman #50, one who "knows" Batman in general ought to have little trouble picking up with #51 and this issue for a good story. As part 2 of a multi issue story, I do not recommend this issue without #51…and if you don’t already have this issue, you’d probably enjoy the story better if you wait and got all 3 issues at once, if not waiting for a collected volume.

For a $3.99 issue, I liked this, I’m glad to have the issue, and I’m actively looking forward to the next issue.

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General Mills Presents: Justice League (2017) #4 [Review]

general_mills_2017_justice_league_0004Alien Justice

Writer: Tony Bedard
Penciller: Tom Grummett
Inker: Keith Champagne
Colorist: Sotocolor
Letterer: Wes Abbott
Cover Artist: John McCrea
Cover Colorist: Mike Spicer
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

This is the fourth and (presumably) final issue this time around. Several years ago, they did a run of #s 1-4, and the next promotion had #s 5-9…so I would not be shocked if that happens again (or not, either way). But to my knowledge, for the current promotion, there are only four different issues, of which this is the last.

For me, personally, this is also the most common and plentiful…as of this typing I have something like 9 or 10 copies! It’s become the one to LOATHE seeing when I pull it from a cereal box. That said…

This was probably my favorite read of the four. Perhaps its the immediacy of it–the most recent one I read–as well as the generic feel of #3 that this certainly topped by far. But I really enjoyed this in and of itself.

A giant alien ship shows up over San Diego, and begins sucking up the ocean just offshore. Aliens broadcast to the world what they’re doing and why–they’re taking Earth’s water, as Earth has too much of it and their world doesn’t have enough, and that’s just a huge injustice! The League springs into action, attacking this threat on multiple fronts, each to their strength/specialty. As this is an Aquaman-centric issue, he gets more page time and we get stuff more from his point of view…including the requisite (for this series) “flashbacks” to his youth. As the present-day situation continues, we flash back to see a young Arthur dealing with being of mixed heritage–part surface-dweller, part Atlantean. He sees people react to the notion of someone different, and then talks with his dad, who advises him on the wisdom of finding common ground when one is so different from another. Young Arthur gets a tangible opportunity to put that advice into practice when he encounters some Atlanteans threatening some local fishing boats. The lesson apparently stuck with him, as back in the present, he devises a solution and quickly acts to implement it. With help from (perhaps unexpected) sources beyond “just” the League, a bad situation is halted, with a bit of potential redemption coming out of it, with elements of a win/win scenario.

I was comparatively quite disappointed with the last issue and its feeling of being so generic after the first two issues of this “series.” This issue gets us back to “Name Creators” that I recognize, and is a second Bedard-written issue…with art from Tom Grummett, another creator whose work I quite enjoy, period. As such, it should not have surprised me to enjoy this story as I did. It’s a self-contained piece, and does include a bit of that “special message” peachiness to it…but that’s mitigated quite a bit by my relative lack of familiarity with details of Aquaman…he’s a character I’m pretty aware of while having quite the significant blind spot. Though I’m certain this issue’s flashbacks are “new” and involve a version of the character perhaps different from others…it doesn’t bother me as I have so very little to compare it to.

That lack of familiarity also lent itself to my being able to TRULY appreciate this as I believe one would hope the target audience would/could: this makes me a little more familiar with the character and his background, shows me some important elements of the character, and generally serves as a bit of a touch point for me. It sets some of my character-specific expectations for Aquaman in a way that the other issues did not do for the leading characters…and reminds me a bit of the impact The Untold Legend of the Batman had on me as a kid and my then-knowledge of Batman, or that The Man of Steel #3 “audio comic” did for my understanding of Superman.

Grummett‘s art carried a definite sentimentality for me…the visuals for this issue reminded me of other work he’s done, particularly his prior work on Superman, as well as Robin and Superboy. That’s certainly a good thing–as is the art in itself. This is not just a good-looking “cereal comic,” but a good-looking comic, plain and simple!

Though I’d be inclined to choose Superman or Batman first…this Aquaman issue is definitely THE treat of the set, and very well worth reading if you find it!

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General Mills Presents: Justice League (2017) #3 [Review]

general_mills_2017_justice_league_0003Truth Hurts

Writer: Ivan Cohen
Penciller: June Brigman
Inker: Roy Richardson
Colorist: Jeremy Lawson
Letterer: Wes Abbott
Cover Artist: Dan Panosian
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

I like these semi-yearly promotions, with DC Comics in cereal. However, this has been THE worst one yet, from two prior Justice League sets and last year’s Batman v Superman: it took an absurd 19 or so boxes of cereal for me to get ONE copy of this 3rd issue. (Meanwhile, I have 9 of #4!) And contrary to the first two issues by what I would consider "name creators" that I recognize, this issue is the worst of the three so far. Or perhaps "worst" is a "strong word," but this is the most generic of the three so far, and comes off worse for comparison to the first two issues.

This one focuses on Wonder Woman where the previous two focused on Superman and Batman, respectively. The Justice League arrives at the site of a volcano that’s about to erupt. The team splits up to approach the situation in their own ways to try to minimize destruction. Aquaman winds up unleashing an underground stream, dousing the League. Then everyone turns on each other, apparently selfish and irritable and downright mean. Wonder Woman–Diana–reflects on an incident from her childhood where she was hurt by stuff her friends had said about her and fled to another island, where she faced the wrath of a minotaur. Based on that experience, she applies the lesson to the present and ultimately the group discovers that something in the water had affected them all, and they resolve the conflicts by admitting the truths that were brought to the surface, and are able to deal with the volcano, preventing any loss of life, though there’s plenty of property damage. Finally, Diana proclaims that real friendship can survive any revelation, and the Justice League are the truest friends of all.

Again, this is the most generic of the issues for this promotion, and comes off that way both story-wise and perhaps even moreso, visually. The story reeks of the "very special episode" and such…perhaps I’m also annoyed and more sensitive to it given the number of duplicates of the other issues I amassed just trying to get this one. But I didn’t feel like the other two issues were nearly as "preachy" on the "special message," though I had noticed a "message" to each of those as well.

The art here is ok–not horrible, but far from wonderful. The characters and designs are recognizable but seem a bit inconsistent, and lacking the "big name" or "recognized" creators, this comes off all the more as what it is–a generic freebie from a box of cereal that happens to have "current" versions of costumes with characters that aren’t given room for much depth (a one-off single-issue story with numerous characters and an attempt to "focus" on Wonder Woman).

That I went through the hassle I did, accumulated a year’s worth (or more) of cereal goes to show my personal OCD and such (and marks me as an ideal "target" for this sort of promotion!). Though the numbering of these–#s 1 through 4–makes for a "complete mini-series" of sorts, if you’re NOT interested in having all four, I would not worry about trying to get this issue unless you want the specific focus on Wonder Woman (a focus that is more of a "gets more pages" than being a Wonder Woman STORY).

Ultimately, for a "free" comic from a box of cereal, this isn’t horrible, but is far from wonderful. I found myself recalling the likes of The Untold Legend of the Batman, which I believe had a "cereal edition" in the mid-1980s. Those were reprints of an actual in-continuity story…I think I’d almost rather see something like that (re)-attempted…or at least, I think something like this (offering miniature editions of comics in cereal) would be ripe for promoting some of DC‘s actual #1 issues to try to hook readers.

I certainly would not begin to consider this issue "worth" a standard cover price, and not worth the boxes of cereal I bought to acquire it…though at least the variety and quantity means I’m not going to have to buy cereal again for a long time, as I will actually (eventually) use it all.

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General Mills Presents: Justice League (2017) #2 [Review]

general_mills_2017_justice_league_0002Dark Reflections

Writer: Fabian Nicieza
Penciller: Rick Leonardi
Inkers: Bob Wiacek and Scott Hanna
Colorist: Rex Lokus
Letterer: Comicraft
Cover Artist: Scott Koblish
Cover Colorist: Val Staples
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

This is the "second" issue of four being made available to the public "blindly" via insertion into specially-marked boxes of General Mills cereal. Though the issues ARE numbered, the first issue and this one do not seem to draw on each other or lead into the other with any singular story, so the numbers are–I’m pretty confident in saying–there to stimulate collectors’ OCD to collect ’em all.

This issue focuses on Batman, though it guest-stars the rest of the Justice League.

Batman arrives home after a "typical" night out. After talking with Alfred and having a flashback to his youth where his parents were still around, Bruce catches a glimpse of a reflection in the mirror that is most certainly not him looking back! Turns out that Mirror Master (one of Flash’s Rogues) has expanded his reach (with the unintentional assistance of Flash himself) to vex the entire Justice League. Using mirrors as gateways, interdimensional counterparts of our heroes are brought through, and the heroes square off with them. While everyone tangles with their mirrored counterparts, Batman (through recalling an incident from his youth) develops a plan to deal with this threat and stop Mirror Master.

Nicieza and Leonardi are a couple more names that I’m definitely familiar with, though I’m far moreso with the former than latter. I’m honestly impressed at the way this issue–and this round of GM Justice League as a whole–has the talent and appearances of something much bigger and less generic than "just" cereal-box comics. At the same time, unfortunately (by seeming necessity) these ARE rather smaller and more generic than non-cereal counterparts.

The story itself is fairly basic, drawing on some basic tropes of comics in general…particularly the lead-in with Batman having just gotten back from a night out, talking about the off-panel adventure, remembering something from his childhood while his parents were alive, and that conveniently being relevant to the current story at hand. Yet, while that may come off as a negative…it fits perfectly into what these comics can and might be–someone’s first. These days, it’s not hard to imagine that there are countless staunch fans of even "obscure" comic book characters…yet said fans may never have actually experienced a comic book! So while these are overdone, overly-familiar things to me as a nearly-30-years comics reader, they may well be someone’s first exposure and be at least some small part of their journey into comics.

The story elements overall do not particularly contradict what I know of the characters, and particularly Batman in this case, though this definitely comes detached from the nuances of recent continuity that I’m familiar with. My biggest eye-opener is the notion of the characters nonchalantly hauling the moon out of its orbit with zero repercussions to the Earth. Perfect for a comic like this, maybe, but epic event-level stuff in general continuity.

Visually, if the pages were "regular" sized and I didn’t see a cover, I wouldn’t really know this was "just" some cereal-box comic…it has "established talent," and does not look like some generic thing. The art is quite good in and of itself, though as with a lot of comic book art, its primary drawback is simply in not being by one of a handful of my favorite comic artists. Once again, these characters look like they’re right out of early-2017 full-size DC comics, down to Batman’s current gold-outlined black bat symbol. Superman’s look is about to be out of date, but fits well into the past ten or so months’ worth of DC Rebirth.

As with the first issue, this was an ok read with good art. It’s a cereal comic and certainly worth reading, but it in no way affects continuity nor particularly draws from it. You might appreciate this more if you’re NOT up on current comics, as you may be less likely to do hard comparisons. I wouldn’t go out of the way to hunt this down, but if you like the cereal and it’s in the box, definitely give it a read-through!

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General Mills Presents: Justice League (2017) #1 [Review]

general_mills_2017_justice_league_0001Power Play

Writer: Tony Bedard
Penciller: Jerry Ordway
Inker: Juan Castro
Colorist: Guy Major
Letterer: Comicraft
Cover Artist: Ale Garza
Cover Colorist: Luis Guerrero
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

Once again, DC Comics and General Mills have teamed up to put comics in boxes of cereal. And, once again, I’m buying cereal specifically to get a copy of all four issues available as part of the promotion. This is the fourth such promotion I can recall in "modern" comics’ times–two prior Justice League runs, last year’s Batman v Superman, and now this. As with the previous ones, these LOOK like they fit in with contemporary issues, just that these are missing UPC boxes, and are atrociously TINY. But hey…they’re "free" with the purchase of a specially-marked box of cereal, and no hassling with coupons, mail-aways, shipping/handling, etc.

As with previous promotions, though these issues are numbered, I’m almost certain there’s no sequential "continuity" to them–this first issue is self-contained with no cliffhanger or anything "driving" one to the next issue. I’m pretty sure the PRIMARY purpose of the issue number is to help "legitimize" the thing as a miniature comic book (and not just some mini-magazine/"insert" or such) and to–as successfully accomplished with me–trigger the OCD to track them all down, because darnit, there are FOUR numbered issues, so I want all 4 issues, and won’t want to have a #4 withOUT 1-3 and so on.

Getting to the issue itself, as an issue…I’m quite impressed with the main creative team. Tony Bedard‘s name is definitely recognizable to me, and even topping that is artist Jerry Ordway, who is an old favorite from my earliest days in comics.

The story is rather prescient given its timing–at least for me as I read this. We open on the Justice League (current Rebirth incarnation, with everyone looking on-model for Rebirth year one) in Metropolis, being celebrated for all their work and constant saving of Earth. A large group statue is unveiled, and almost immediately comes to life, forcing the Leaguers to face off against their giant bronze counterparts. The mischievous antagonist is quickly revealed: Mr. Mxyzptlk! Muddying matters, the League must summon Bat-Mite–another 5th-Dimensional imp–to counter Mxy’s fun. Tricking Mxy yet again into saying his own name backwards, Bat-Mite extracts a promise from the League and then disappears himself…a small bronze addition left with the once-more-inanimate statue, celebrating Bat-Mite side-by-side with the rest of the League.

This story comes outta nowhere: no prologue, nothing setting it up. Just the "typical" generic "our heroes gather to be celebrated by the common people they’ve saved, however reluctant they may be with such adulation and then must save them yet again." Of course, this is NOT some issue partaking in any crossover or event, nor is it "merely" some reprint of just any random issue from within a run…and it’s not anything someone reading the regularly-published comics needs to track down to get a full story, so it’s rather necessary, then, for this to be its own thing in a relative "vacuum." Additionally, there is no cliffhanger, nothing left hanging to "force" or "coerce" someone (while many adults may track these down, I’d assume a large majority of readers are children whose parents had to provide the cereal for them to have the comic) to "have to" get the other issues.

Yet, while the story is pretty simplistic, and doesn’t necessarily play up individual character elements that’d be present in solo books, the characters are recognizable as who they are, and the lineup seems to fit in such that someone reading this and then walking into a comic shop would easily find current DC issues featuring these very characters. Bedard doesn’t really get room to shine as a writer, but he doesn’t play the characters as fools or overly talk down to the audience (though there’s a little bit of that "special lesson" to be imparted to kids: "don’t run from your problems, own up to them…and sometimes you will have to ask for help from others, and that’s ok."

The cover’s art is a bit "off" and generic to me….Superman’s costume (at least on my copy of this issue) seems a bit weirdly-colored and the whole image is basically generic poses of the characters on a yellowy-orange burst-effect…no background setting or situation (though also nothing to give away the antagonist from within). Ordway‘s art on the interior is a huge treat for me, and I really like the depiction of the characters. I don’t much care for Simon’s version of the Green Lantern costume–never have–but it looks as good as is possible here. And somehow most notable to me, Mxyzptlk looks really good in this issue–much like in my first conscious exposure to the character back in 1989 or so.

I imagine I’d have quite loved this as a kid. As an adult, it’s simplistic but pretty…and as something "free" in a box of cereal, it’s much better than it has any "right" to be. Even if you’re not a fan of the cereals, I’d recommend this as a quick-read novelty item…especially as I doubt this or any of the previous ones will ever warrant a full-size collection of their own, so this is likely the only way to read ’em!

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General Mills Presents: Batman v Superman Dawn of Justice #4 [Review]

generalmillspresents_batmanvsuperman0004Lights Out

Writer: Joshua Williamson
Penciller: Eduardo Pansica
Inker: Art Thibert
Colorist: Jeromy Cox
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

I’m not sure what I actually expected from this issue…but what I got wasn’t it. And this one’s actually very simplistic yet hard to sum up: essentially, it’s a couple of kids up late at night arguing over who is the better hero–Batman or Superman? Each has reasons, but ultimately it takes the intervention of another to point out that they’d actually work together if they’re both heroes, despite differences.

As such, more than any of the other issues, this one just seemed a bit “off” to me, and extremely “meta.” It’s the argument fans have had for probably three-quarters of a century. And an argument sure to come out of Batman v Superman the movie, regardless of the arguments going in. It’s a real-world argument, and one that honestly bugs me.

Long run of thoughts kept short, my answer to “who would win” is that the result is simply determined by the author and story being told.

Still, it’s interesting to see a handful of simple arguments–and to consider them from the point of view of a kid again (and likely at least a quarter-century my junior), and I can appreciate that. And like an earlier reference (that I made covering this series) to Batman: The Animated Series, this issue reminds me of an episode that itself adapted an earlier comic…one in which some young adults are sitting around a bonfire discussing Batman, and having a number of different interpretations of who/what he was (and whether it was in that comic or not I can’t recall, but my “memory” tells me in that story they dismissed the actual Batman as just some guy in a costume!).

Were this a full-size, bought-by-itself AS itself kind of issue, I’d not find it amusing or worthwhile. As something from a box of cereal, it was mildly entertaining, and did not make me feel like I’d wasted my time reading.

The art is quite good, and perhaps it was the influence of the story and that we aren’t in either hero’s head or actually involved in some ongoing story of either, the visuals just seemed to fit all the more, and differences in costume designs didn’t stand out to me along the way…perhaps taking any differences as being the kids’ own memories/interpretations. I also appreciated that even where we see an image of the two heroes about to collide in battle–that’s what it is: they’re about to, but we’re not given a “hint” one way or the other on a possible outcome…until they actually collide, one could “assume” either one could take the upper hand.

If you’ve got this issue, it’s worth reading–it’s a quick piece devoid of any continuity (and any need for continuity), doesn’t tie to anything else–outside this General Mills mini-series or otherwise, nor even other issues in this series. Other than perhaps wanting to complete a set if you have any of the others, or to complete the set by having a #4 and knowing #s 1-3 exist, I wouldn’t recommend putting much effort into tracking this (or the other issues) down. But for having them, I’m glad to have read them…though I wonder somewhat at these not being a quasi-adaptation of the movie…that would have given them a bit more weight, I guess (or mini-reprints of key issues related to the characters/movie). That these are original issues with a number of “known names” from DC and not “just” reprints is cool, despite the enjoyment I could also see in say, having a random Batman #1 or Superman #1. For that matter…any of the various Batman/Superman confrontations from over the years.

General Mills Presents: Batman v Superman Dawn of Justice #3 [Review]

generalmillspresents_batmanvsuperman0003Picture Proof

Writer: Marguerite Bennett
Artist: Marcus To
Colorist: Irma Kniivila
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

While it’ll probably bite me on the next issue, I enjoyed this issue more than the previous two, suggesting that each issue is better than the previous. Whether that’s relational or incidental, I’m not sure…but it works for me!

This issue shows us Emily, a young student who happens to witness Batman in action, stopping some thieves and stolen discs…though her friends at school don’t believe her. “Pictures or it didn’t happen!” and all that. Having noticed a disc that fell to the side, she returns to the scene later, anticipating Batman would as well (a bit convenient) and sure enough, he does…and this time she gets a photo of him. When she’s at school again, she continues to be teased for believing in this bat-man…and later at home wonders to herself why she didn’t just show the photo. Seeing a distinctive shadow, she finds that Batman’s shown up to pay a visit–letting her know that he knows about the photo, but that he’s not going to take it from her…he trusts her (to do the right thing). And she does–she realizes that part of the effectiveness of Batman is criminals not believing he’s truly human. She tears up the photo, opting to let Batman remain a legend rather than drag him into reality.

By comparison to the first two issues of this General Mills Presents series, this is a fantastic issue and I thoroughly enjoyed it. That the main protagonist is likely a quarter-century my junior does not stand out to me as much here as in the prior issues. This one struck me very much as something that would work as an episode of the 1990s Batman: The Animated Series, reminding me a lot of the “I’ve Got Batman in My Basement” episode from that series. Something about that makes this more believable to me, even though we don’t get any kind of internal dialogue from Batman (and that’s something I only just noticed with this issue: none of these are from Superman or Batman’s point of view…they’re all from a kid’s point of view, likely to identify more with the reading audience of the issues!)

I’m not particularly familiar with Marguerite Bennett offhand by name…her name looks familiar to me, but that doesn’t mean an accurate memory on my part, and I’m also unfamiliar with Marcus To and Irma Kniivila. In some ways, I think that’s to the benefit of this issue…I wasn’t trying to be familiar with other work, had no prior expectations to set me up for disappointment, and thus it allowed me to read this the way I ORIGINALLY read comics when I was first introduced to them: by character/what’s on the page, and no real notion of the people who actually wrote or drew or otherwise were part of the creation of a given issue.

As said, this story reminded me of that BTAS episode, and works very well for me as a one-off story. It’s not beholden to anything…not continued from or continued into anything else (even prior issues of this mini-series), and though 20 pages is far too short a span to really get to know any of the characters, there’s just enough there to appreciate Emily’s plight, to identify with her and her friends, and to hint at the benevolence of Batman (he seeks to inspire fear in criminals, not random children). There’s a lot to be pulled “between the panels” in analyzing the issue, but ultimately, I simply ENJOYED reading this, and in the end, that’s what reading a comic’s supposed to be about.

I was neither impressed nor disappointed in the art…but it definitely lands on the higher side than low, for me. From the narration boxes to flying through several pages pretty quickly, this had a definite visual “feel” of a modern comic, and I definitely liked that the Batman we see here looks a lot more like what I’d expect of a comic book Batman than it did some “adaptation” of a live action version.

Of the three issues in this series that I’ve read so far, this is my favorite, and certainly worth checking out if you get a chance (without spending much or going significantly out of your way in order to do so).

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