• April 2020
    S M T W T F S
     1234
    567891011
    12131415161718
    19202122232425
    2627282930  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

2020 Grails Update: March 29

As the year began, I listed several "grail" issues for the year. With a couple of those acquired (plus a couple of "unlisted" grails in Marvel Two-in-One Annual #2 and Avengers Annual #7), it’s time to update the ‘grail list’ going forward.

And I’ve added my current price range that I’m willing to spend offhand (ideal max $…recognizing that condition plays a huge part!). If you have (and want to sell) at the price, or see these in the wild for the price and would want to help a blogger out…feel free to give me a holler and we could maybe see what we could work out.

(Of course, plenty of variables including how much I’ve otherwise spent recently, plan to spend imminently, and everything associated with the current COVID-19 crisis! AND I’m not looking to "lowball" anyone–I’m aware of the rarity/scarcity of the issues…as I’m aware of what I’m personally willing to pay to acquire a copy at present. This is also as of March 29, 2020 and may very likely no longer apply–PLEASE consider searching my blog for "grails" or "Grail Comics" and see what newer/more recent entries I may have pertaining to these!)


2020_grails_update_march29_row1

2020 ‘Grails’

  • TMNT Adventures Special #10 (Fall 1994) (~$10-15)
  • Prime #1 (hologram cover, silver OR gold) (~$10 silver, ~$15 gold)
  • Uncanny X-Men #141 (part 1 of Days of Future Past) (~$30-40)
  • Avengers Annual #10 (~$30)
  • DC Comics Presents #26 (~$20)
  • Dreamwave TMNT #7
  • TMNT Adventures: Year of the Turtle #1
  • Wolverine (1988) #145 (foil edition)

2020_grails_update_march29_row2


And some high-interest series-seeking:

  • Spawn #s 101, 132-256
  • Archie C.O.W. Boys of Moo Mesa (vol. 1) #s 1-3
  • Archie C.O.W. Boys of Moo Mesa (vol. 2) #s 1-3
  • Mirage TMNT #s 3-7, 27, 44
  • Mirage TMNT vol. 2 # 10
  • Mirage Tales of the TMNT vol. 1 #s 1-5
  • Mirage Casey Jones/Raphael #s 2-4
  • Mirage Donatello: The Brain Thief #4
  • Image TMNT #s 1-18, 21+

Of course, a lotta this stuff would be stuff to look for at conventions. But such gatherings are presently on hold indefinitely.

And as I’m quick to order comics I want online, part of what elevates stuff to ‘grail’ status is NOT being able to "just order it online." Whether that’s the issue not being available AT ALL in any online place I have checked…or not available for what is a reasonable price to me.

As I am NOT a reseller and am interested in issues to own for myself, there’s just not the same "value" to issues, and I’m not willing to pay nearly as much as others might.

As of this typing, that TMNT Special is probably my highest-interest grail as it would (to my knowledge) complete my collection of every TMNT comic published by Archie! And the Prime hologram would do the same for my Ultraverse holograms.

The X-Men and Avengers issues being the keys that they are, I’m in less of a hurry, especially for my desired price range. I know they are keys, I know they’re typically far more expensive than what I’m willing to pay. But years of patience paid off and I got Uncanny X-Men #266 for my desired price-range last year (and just months before Marvel did a facsimile/replica edition!). So…hope springs eternal!

I’m also looking to fill in my run of DC Comics Presents, that being a series I was aware of early-on in my comics collecting and considerations of hunting for back issues…though I never did get to much of a hunt and am still missing about half the series. With the New Teen Titans insert (see Chris’ post over at Chris is on Infinite Earths) making the issue a major "key," the series looks to be one of those where 90% of the series is 10% of the cost, and the final 10% of the series carries 90% of the cost!

I’ve already largely lapsed from my initial interest in hunting down the classic Marvel 2099 stuff; time will tell if that fire gets relit.

Considering how crazy the last 3 weeks have been, who really knows?

2020_grails_update_march29_blogtrailer

[Rant] Life During Quarantine: Another Side-Effect of Variants

ranting

So, stuck inside Saturday night, and a Facebook group I’m in has had some listings from a local-region shop as they sell some stuff to make up for being stuck closed.

And I saw one listing for four issues from a local creator, signed. As a spin-off series, it prompted me to check to see if the series it spun off from was available.

I figured…I really shouldn’t be spending MORE MONEY this weekend, with payday STILL a few days off…but I’m feeling depressed, frustrated, discontent, and willing for a little bit of non-retail "retail therapy."

A quick bit of online-sleuthing and I located the publisher website, and there’s a bundle of the "main" series. For less than cover price, so with shipping, wouldn’t be horrendous. Ok…

Double-checking the spin-off series…first issue is sold-out. Ok, back to that Facebook listing (viewing on the phone since the computer was loading slowly) and happened to notice…wait. That cover for #1 doesn’t look quite right.

Looking between the phone screen and computer screen…aha!

The Facebook listing is for the first four issues, yes…but they’re the variant covers!

NOT what I want. With very few, rare exceptions, I don’t want variant covers. I want to buy the actual/main/regular/real/non-variant covers for stuff!

So, what momentarily flared, the idea of splurging and buying this set of 4 issues from a comic shop owner, while simultaneously ordering 11 issues of a main series from the publisher itself quickly fizzled.

Stuff like this, I’m an all-or-nothing kinda guy. If it’s ALL in front of me, able to buy all at once, no hassling with numerous other sources across an extended period of time to gradually hunt down and piece together a full run/set, I’m far more willing to splurge and be liberal with my spending.

Even when I’m planning until that day to specifically NOT buy the stuff.

So…thanks to them being variants…I’m not buying the set of 4 issues.

Certainly no need to buy the 5th issue someway right now, without those 4.

And without these, no extra/driven desire for that main series.

Because of 4 variants, I’m not buying 15-16 issues that otherwise would virtually guarantee I’d be buying subsequent issues of both series, whenever they’d be put out.

But variants drive sales, right?

Variants entice purchases, right?

Variants are fun for the buyer, right?

right?

rant_quarantine_variants_blogtrailer

The Weekly Haul: Weeks of 2/19, 2/26, 3/4, and 3/11/2020

weekly_haul_header

Another month, another "weekly" haul-update. I actually had planned on doing this post earlier in the week, but figured if I was gonna be behind and play catchup, might as well make it another 4-week post to match the last one.

But in a real rarity for me (and this blog!) of late, I actually had two full single-issue posts earlier in the week.

  1. First, I had my first non-Ultraverse ’90s Revisited post in ages, covering Uncanny X-Men #303.
  2. Then I had a (late to post, having written a couple weeks ago) review of the "new" comic TMNT: Jennika #1 (from the Week of February 26, below)…my first review of a newer-than-2010 comic in 14 months or so!

Anyway…onto the point of this post you’re reading…my documenting for myself (at least) what I’ve picked up in the way of new comics for the last few New Comic Day Wednesdays.


Week of February 19, 2020

weeklyhaul_20200219a

New post-#100 TMNT; new Spawn (we’re 6 issues in past the big #300!); and third/last American Jesus for this round. 3-issue mini originally, and this followup is also a 3-issue thing. Maybe we’ll get a new paperback with all 6 issues?

DC Dollar Comics brought a New Teen Titans reprint; and Marvel had some sort of (FREE!!!) Wolverine thing. I won’t turn down free Wolverine, even though I hate the "new logo" and refused to spend $7.99 on a #1 issue.

And since it was a relatively small week, I opted to splurge on the $9.99 DC: Crimes of Passion giant-issue; having developed a bit of a sub-collection of the squarebound not-quite-TPBs DC issues that actually go on the shelf.

(*come to think of it, if they’re not gonna do out-and-out trade paperbacks monthly as anthologies, why can’t publishers just do squarebound COMICS that contain the materials of single-issue titles as anthologies and see which sell BETTER? I’d gladly pay $9.99 for one of these with 4-5 X-books’ content rather than $3.99 apiece for 20-page batches of infographics + a few pages of stories!)

Finally for the week, having snagged Marvel Two-in-One Annual #2 a week or two before, I’d ordered the Avengers Annual to cap off that arc, and check off another "minor grail" for myself.

And as almost-always…the weekly Comic Shop News.


Week of February 26, 2020

weeklyhaul_20200226a

The final week of February finally brought the first issue of TMNT: Jennika. I don’t know that I was looking forward to it, exactly, but I think it was late and I’d begun to "wonder" about it. See my review (linked above), though, for the issue in and of itself.

Usagi Yojimbo Color Classics #2 brings another (color) installment of early UY. While I understand the TMNT Color Classics to have rather limited material to pull from (especially as they focused specifically on Eastman/Lairdcentric TMNT) I a really hoping that this UYCC is an indefinite ONGOING thing that lasts for a lotta years. I’ll happily keep buying both this and the "new" ongoing.

I don’t even remember now why I’d wound up grabbing Dark Horse‘s The Little Mermaid mini, but I think this was the final issue? OCD/completist since I had the earlier issues. I’ve yet to READ any of them to determine if they’re a new adaptation of the film, or some sort of re-imagining, or what. But congratulations to Dark Horse: this is what CAN happen when something is put out that is NOT over-hyped, NOT sold on the quantity of variant covers, NOT some huge event, NOT begun with an over-priced first issue, etc.!

New issue of Hellblazer, which is yet another that I (sadly) need to catch up on reading before I have to kick myself for not just waiting for collected editions. Or perhaps to just decide TO wait for the collected editions and take my hit now.

Then the week’s "facsimile"/"replica" editions: Wolverine #1 and The Flash #123 (easy to remember as 1-2-3!). Though I already have an original edition of Wolverine, I’m glad to keep supporting these reprints! And the Flash issue is a great addition as well as what it is. (Though I did discover a day or two after buying it that I had a Millennium Edition reprint of the issue. I prefer this new one for being closer to what the original would look like…but the ME reprints are a good bit of nostalgia to me some 20 years later!)


Week of March 4, 2020

weeklyhaul_20200304a

March starts off with a bit of a whimper, with "only" 5 issues…two of those (40%!!!) being reprints. Mystery in Space is not honestly one I’d really care for or likely even be all that interested in from a bargain bin. But as said above…I’m happy to "support" these sorts of reprints, as I find far more VALUE in them than modern comics. And of course, $1 comics can hardly be beat as "new" comics, such as the DC Dollar Comics: Swamp Thing issue, reprinting an Alan Moore story.

Having heard a lotta good stuff about King‘s Vision series and Mister Miracle; and despite having bought the entirety of the latter without having yet read it…on the strength of 85 issues of Batman, I figured I’d give Strange Adventures a try. My primary complaint is the "dual" covers that could easily have been flip-book covers or doubled-up covers and gotten a similar effect withOUT making me have to choose one OVER the other. That’ll likely be the primary deciding factor in my picking up #2-onward…how cheesed-off am I at the nature of the existence of "basic" variants for this title?

Speaking of Batman… I’ve repeatedly pointed out (or meant to) my dropping the title with the end of King‘s run. Multiple reasons, varaints, likely pending reboot/relaunch, Something Generation with DC, and then over-hype and speculator/scalper crap with #89. BUT while out of state visiting a friend recently, happened across a copy (first print) of #89. For cover price. Despite all the hype and apparent sell-outs and over-priced flippage and such. I was NOT going to buy it in and of itself, though, even for cover price…not to leave a gap of 3 issues. So I checked. They also had issues 86-88. So in one fell swoop, I was able to catch up on the title (which I already had 1-85!) and as of then was fully caught up. So I emailed the local shop and added it back to my pulls beginning with this 90th issue, figuring fine…I’ll buy Batman and keep the run going, and so I can take stuff in for myself without having to "hunt" or play the "speculator game."

Finally, we’re getting to the tail-end of the TMNT Urban Legends run, reprinting the old Image TMNT series. I had two issues from later in the run that I bought back around 2000 or so; I’m not sure offhand but pretty sure at least ONE of those has now been reprinted in color in this series, and if this issue isn’t the other, then the next issue should be. And then we’ll get the first-time-ever published ending to the series (though how that jibes with a fan-produced ending, I don’t know, and that’s not a game I’m getting into on ridiculously-limited-edition completionist stuff).


Week of March 11, 2020

weeklyhaul_20200311a

And now we’re caught up to the current (as of this typing) week’s haul. And I’ve been halfway waiting for something like this to happen…here, it finally did.

Nothing but reprints for me.

Two DC Dollar Comic reprints of key Robin issues: the death of Jason Todd, and the first issue of the first TIm Drake mini-series. (More fitting would have been to reprint the final chapter of Lonely Place of Dying, where Tim first-ever dons the Robin costume) but for $1, whatever. And of course, I have both of the original issues and I’m still happy to buy these reprints, if only to "support" the reprints program. While I likely would have passed on Robin #1 as such, I still, repeatedly-to-be-said, would somewhat prefer these be done ALL as facsimile/replica editions. More on that below!

The definite gem of the week for me is the facsimile/replica edition of Detective Comics #38, the first appearance of the original Robin (Dick Grayson). I don’t recall now if there’s been a reprint in these recent replicas of #27, but this really makes me want one to go with it. Of the two, I think this is most appealing for me as such a fan of Robin.

Finally, we have a Thor replica/facsimile edition that again…I’ll buy to support the program, even if not every single individual issue is of specific singular interest or significance to me .

And Comic Shop News shows off some DC thing with the multiverse and maybe generations. I barely care at this point, with my only real interest in "new" DC being these reprints, and even Marvel isn’t getting me with non-reprint stuff (even though I SHOULD be an easy mark for their Marvels X and other upcoming Marvels stuff…I refuse to go in on the $4.99 pricing!)


Anyway…there we go. Another month in my "new comics" buying. I’ve bought some other stuff in the time, but those have been non-Wednesday purchases, stuff I consider to be "off" from the standard/regular/weekly "hauls."

As to my earlier-mentioned "idea" on the reprints:

For DC Dollar Comics, have a plain-color blank cover of some appropriate color; either say, standard black for all, or white for all, or something appropriate to the title/cover’s look. And have a small-ish image of the actual original cover (logos, pricing, blurbs, and all!) Whether it’s a small centered image, or nearly-full-size but with a distinct "border" for the flat color base.

Then for actual replica/facsimile editions, do as they’ve been doing with having then look as close to the original as possible.

I just don’t like the way the DCDC reprints are some weird mutant hybrid of original and new appearances. Familiar art, but the new DCDC trade dress, and weird numbers/number-placement on stuff. Like it more or less tells you what it’s reprinting, and yet you still almost have to know to be sure. Reprinting a New Teen Titans #2 with the new trade dress and a #1 on the cover.


This almost works out better doing these posts like this than feeling like QUITE so random/arbitrary as actual weekly things…especially buying so few comics every week.

Maybe I should try to aim for doing one more for March for the 18th and 25th…and then adjust to The Weekly Hauls and just go by month. Hm.

weeklyhaul_20200311_blogtrailer

The ’90s Revisited: Uncanny X-Men #303

90s_revisited

uncanny_xmen_0303Going Through the Motions

Writer: Scott Lobdell
Letterer: Chris Eliopoulos
Colorist: Joe Rosas
Special Guest Artist: Richard Bennett
Inks Pgs. 8, 14-18: Dan Green
Editor: Bob Harras
Cover Date: August 1993
Cover Price: $1.25

My first issue of Uncanny X-Men that I got off the shelf was #300…partly BECAUSE it was #300. Big, round number…shiny, foil sparkly cover…a group shot of a bunch of characters I recognized from the animated series…it was a great attention-grabber. (Even if right now, I wouldn’t be able to tell you 27 years later what that issue was ABOUT/what its plot was).

I then missed several issues, picking back up with #304 (Fatal Attractions) and found a newsstand copy of #303 (at least as I recall offhand).

And it was #303 that really stuck with me. I always remembered that it was an issue that actually moved me to tears…it hit hard. And it was a character death that then informed several key things going forward for a few years into 1999’s The Twelve and onward.

When I decided to re-read it as a random "grab an issue from a stack of recent quarter-bin hauls" I recalled the emotional impact…but figured since I knew what was coming, knew where things had gone, character arcs and returns…SURELY this time through would be a clinical thing for me to analyze and consider the issue in terms of reading as an almost-40-year-old versus having read at age 12 or so.

But wow, was I wrong on that front!

The issue opens on Jean Grey entering Professor X’s ready room to check on Jubilee, to see how she’s doing after what just happened. Jubilee puts on a tough front, but as she and Jean talk–and we as readers see the flashbacks–that front cracks, as we see Jubilee open up and begin to accept the enormity of what she’s just seen unfold. Namely, that despite the Professor and Moira doing everything they could…they were unable to SAVE Illyana. Meanwhile a squad of X-Men including Colossus–Illyana’s older brother–was on their way back. Jubilee had bonded a bit with the visiting Kitty Pryde, and through Kitty’s translating, found out that she–Jubilee–had actually been having a positive impact on the dying young girl. But then things ‘blew up’ as Illyana went into respiratory failure, and though they eventually were able to stabilize her physically…she was left comatose, unlikely to regain consciousness. Leaving consideration to be had of what the young girl would (have) want(ed). We get this from Jubilee’s self-deprecating point of view as she considers herself and how dumb it was to say, place Illyana’s Bamf doll in her arms, while "the adults" argued over what to do going forward.

And then she recounts Peter’s arrival after–his getting off the X-jet and asking why no one was looking after his sister and if they couldn’t be trusted to look after her, should he ever leave. Only for Xavier to break down, having to tell Peter that his sister was gone, that they did everything they could. She was alive when he left, and alive when the group had last communicated, but now, arriving home, his beloved little sister was gone (and he hadn’t gotten to say goodbye…he wasn’t there in time, he wasn’t able to save her, etc.)

Which is–there–some of my projecting. And I actually laid the comic down and pushed it away, failing to hold my own tears in check.

Because this one hit close to home. Really close to my heart. Easy to project, easy to put myself into the situation. To see from Jubilee’s side, her coping mechanism. To see the anguish in the others–in Xavier and Moira. To imagine being in Peter’s position, being told of the passing of a loved one when–even if it was expected as a chance coming up, wasn’t prepared for FOR THAT PARTICULAR MOMENT.

The writing is quite good. It carried a strong authenticity to it–from Jean going after Jubilee and just being there for her, to Jubilee and her reactions to events as they’d unfolded (in flashback) as well as her after-it-all tough front and eventually breaking down. While I don’t relish the death of a child or anyone…this left an impact on me 27 years ago and it ripped into my heart again this time. This is the sort of issue that made me a fan of the franchise. Not some big globetrotting adventure or 6-issue battle with or for Magneto, not some culmination of years of subplots and rumors of a legendary group destined to rise up and defeat a villain, nor the identity revealed of some secret traitor.

Just a (relatively) "quiet" issue involving the characters just being PEOPLE, being a family, being…"normal." Being RELATABLE.

And there was certainly some impact from the bulk of the issue being flashbacks. There’s a sense of trepidation as the issue opens, and as Jean and Jubilee begin to talk and it becomes obvious that something really important has happened. To become increasingly aware of what it was, and that it has already happened–there’s not that "will they or won’t they" wondering, and not even that "hope" of some last-second save. Just the details unfolding and dealing with the loss this family–immediate and extended–has suffered.

The art is good, but in a way, it’s almost forgettable. Not in a bad way, mind you–but in that it has no particular problems or such to distract from the story itself, and so the story is just experienced. For me, it’s also that the dialogue and the fact of what’s happened that drives the issue…the artwork is there because it’s a comic book, a visual medium. But it’s the characters’ interactions, what they have to say to each other about stuff that matters more. And there’s nothing for some big double-paged splash scenes missing dialogue. That the art "disappears" into the "story" makes it a strong positive to me.

The events of this issue come out of then-recent plot elements in the X-titles, particularly out of the crossover event The X-Cutioner’s Song. If I’m recalling correctly, Illyana’s death was the first from the Legacy Virus…before the virus had even been named. It heavily influenced immediate changes such as Colossus first defecting to Magneto for a time and then eventually spending some time overseas with Excalibur before ultimately returning to the X-Men and then dying himself to activate a cure for the Legacy virus…and later both brother and sister resurrected and so on to where-ever the X-books and all the characters are in 2020 preset-day.

The issue stands along pretty well the way it’s written. And as the cover proclaims–"If you read only ONE X-Title this month–this issue MUST be it!" If you find this issue in a bargain-bin: 25-cent, 50-cent, even $1 or so…it’s well worth the read, and without even really NEEDING much context. But having read it will lend contextual value to most anything else X-related to be read that was published from 1993-2000/2001 or so in particular…including the (in?)famous Age of Apocalypse.

uncanny_xmen_0303_blogtrailer

Super-Blog Team-Up/The ’90s Revisited: Shiny Covers

sbtu_chromium_the_era_of_excess_01

Welcome to Wednesday…and another Super-Blog Team-Up! Where a number of comics blogs and podcasts come together at a shared time and a shared topic. We have that shared topic…but everyone picks a specific topic that fits within that group topic, and makes it their own!

I was invited into this group several years ago, and it’s been a great group to be part of–not only for the specific SBTU posts and episodes, but simply the great community the group has.

This time out, we’re looking at the topic of Chromium: The Era of Excess. That is, the gimmicks and such most seen in the ’90s and onward following the Golden, Silver, and Bronze Ages of comics.

My contribution is below…and at the bottom of this post (feel free to just skip to that!) is a list of the other participants and their posts this time around!


Prologue

I’d had some grand plans for this post. Even a large, detailed outline. Laying out some thoughts and my definitions of the Chromium Age, the Era of Excess; ways that Excess could be seen, and so on. A broad overview of gimmicks–from publicity/attention stunts to cover gimmicks to other stuff; as well as compare/contrasting ’90s gimmicks with modern variants. Perhaps I’ll eventually get to more of that, but it’s not happening this time.

From the moment of seeing the topic, I wanted to look at many of the comics that embodied this era of excess…namely, the shiny, flashy, attention-grabbing physical gimmicks of ’90s comics.

And of course, while I recognize much of the distaste that can be had for such things…I have–particularly over the last 10+ years–come to really enjoy these flashy, gimmicky comics of the ’90s. I relish purchasing them primarily from bargain-bins…these $3 and $4 and $5+ cover price comics that had these prices over 20 years ago–that I can get for that same price if not merely one shiny 25-cent-piece. And especially over this last decade or so, I’ve amassed quite a collection of such comics, their shiny-ness often jumping out at me from bargain bins, and especially the 25-cent bins.

This is by NO MEANS an EXHAUSTIVE list. There are many issues not even slightly touched on here: both known to me…and probably more unknown than I even show below. Particularly glaring to me as I write this is the Robin III mini-series with its polybagged lenticular covers–I have multiple copies of the issues somewhere but could not find them in a timely fashion to include in this post. Ditto the X-Men: Fatal Attractions issues–though I have an old image from scanning the covers myself and combining them with photos of the holograms such that I’m happy to use that in context here.

The following are presented in little order. While I begin with showing some tamer, more basic “enhancements” to covers, the various enhancements were developed over time and used at various times over the years by a number of different publishers. I’ve clustered them in some broader categories, though there’s surely plenty of room for argument and hair-splitting such that I only claim these as my own terms–particularly in context of this specific post–though you’ll definitely find other descriptions, definitions, and terms for certain enhancements elsewhere.

I also use a fair bit of slang that I’m sure I take for granted, but may not actually be defined or the clearest in general. If in doubt, feel free to post a question asking for clarification!

Despite the many examples I have to show–that I gathered up physically in-person to photograph–there are many, Many, MANY issues that fit in all of these categories that I simply did not collate in time for this piece, could not find in time for this piece, do not myself own, OR do not know about.

“Gatefold” covers are also not included here, though to me, the most prominent example of one of those is probably 1991’s X-Men #1, in its (in)famous “deluxe edition.”

But for now, instead of focusing on what is not or will not be covered (pun intended) here…let’s get into a brief overview of “shiny covers” as found on comics in the 1990s!


Extra Colors

Especially in the early days of comics, printing in color wasn’t an extremely advanced thing, I don’t think–not being an expert on printing presses and such, especially in terms of books/magazines/comics. There’s the notion of the “four color process” that I recall, wherein there was a limited color range made up of four basic colors.

So for comics to–even on the covers–have an extra color not usually seen in general, it would be fairly attention-grabbing.

sbtu_chromium_eraofexcess_extra_color_ink_01

Pulling a simple 3-issue sample, there’s Stryfe’s Strike File, Superboy #50, and X-Men #41.

These have an “extra color” with silver or gold ink prominently in the logos, making them stand out from the “usual” issues…and this photo doesn’t really do them justice compared to seeing the effect in-person.

I see this as a sort of “basic” “low level” “gimmick” where other than the visual color, the rest of the comic is pretty much as any other issue.


Paper Overlays

Another simple gimmick/”enhancement” for comics was having this extra piece on top of the covers themselves. It wasn’t exactly the cover, but it enhances the thing overall.

sbtu_chromium_eraofexcess_paper_overlay_01

The Protectors one sets the thing apart with the brightly-colored paper to help draw attention to the issue, standing in contrast to the usual colors one would expect on a comic’s cover. The Justice League America #70 has a bright red overlay proclaiming Superman is dead. The mourning after begins here!

sbtu_chromium_eraofexcess_paper_overlay_02

It–like the Protectors issue–allows this extra information/promotion copy without taking away from the actual image of the cover itself, which is full and intact beneath and very much a standalone image!

sbtu_chromium_eraofexcess_paper_overlay_03

And the full-cover overlay on the 71st issue allows for one to NOT be “spoiled” merely by seeing the image at the shop…though one would probably be spoiled when going to read the issue itself.

But it seems a relatively simple and cheap thing to have this extra exterior “insert” (I know that’s NOT the word I’m looking for) as part of the publishing process while “enhancing” the otherwise normal/usual covers.

Batman #497–the issue where Bane breaks Batman’s back–also had one of the half-cover overlays proclaiming You thought it could never happen…the breaking of the Batman. Unfortunately, that’s another issue I couldn’t locate in my accumulation in time for this piece. Though I did do a ’90s Revisited post on the issue some time back.

Similar to this, I recall a couple of Spider-Man comics in the later-’90s that had two different covers attached–with some of the copies having one cover on “top” and the rest having the other. Essentially “variant covers” but BOTH covers came with every copy of every issue…a neat thing that I intend to cover some other time.


Polybagged Comics

There’s actually quite a bit of variety here, though I’ve got these issues grouped together. My emphasis here is the polybagging of the issues–that is, they come sealed in a  plastic bag/covering, and in order to actually access their content–reading the issue, seeing interior art, getting at any trading card, poster, or whatever other goodies are included–means you have to cut open the bag and make the comic “worthless!”

I say that last part tongue-in-cheek because I remember even as a kid feeling it was rather ridiculous. I used to joke with a friend that someone ought to just put a cover onto a bunch of blank pages, polybag it, and put it out to see if anyone would notice. Or include some coupon to get the “real” thing if you actually DID open it!

To me, the general point of polybags was that these comics came with a trading card or such, hence the bag–the bag was not the comic, it was just a way to include extras without them having to be bound into the comics themselves.

sbtu_chromium_eraofexcess_polybagged_01

The Mighty Magnor #1 can be opened out like one of those pop-up children’s books where moving stuff around results in a multi-level display that folds back up into the typical comic size. The bag would seem to protect it prior to one opening it up into its unique oversized glory.

The Captain Glory, Legionnaires, and X-Force issues come with a trading card. The X-Force #1 is especially egregious, even by contemporary 2020 standards: it’s the exact same comic, the exact same cover, the exact same bag…but there are 5 DIFFERENT trading cards. One would have to buy 5 copies of the issue minimum to get them all and ostensibly a sixth if they felt even slitting the bag to remove the issue to read meant they’d destroyed the issue.

Ren & Stimpy #1 is bagged both for a “scratch-and-stink” thing I believe, and you can juuuust make out under the bag that the reader will be scolded for destroying the comic now that it’s out of the bag.

And the Incredible Hulk issue is a Marvel Milestones reprint with some goodies included (and I only recently acquired it myself so have yet to open it up to get at the stuff).

sbtu_chromium_eraofexcess_polybagged_02

Here are some more comics with mainly trading cards included, though Hardware and Blood Syndicate  also include poster pieces that can be combined with the other two premiere Milestone #1s (Static and Icon) to form a huge 16-panel image. The Fantastic Four issue includes an animation “cel” from the animated series…a neat little promo.

If you grew up in the ’90s and think back…you may realize that NOT included here are two key Superman issues: the infamous Superman #75 black-bagged “death issue,” and Adventures of Superman #500 and its white-bagged edition. Those are topics for elsewhere and elsewhen!


Glow-in-the-Dark Covers

Glow-in-the-dark covers are relatively self-explanatory. These have an extra element bonded to the cover that–when exposed to light for a bit of time will then give off a glow when the surrounding environment goes appropriately dark. Of course, this likely means holding them up to a light, and then flipping the light switch to “off” and enjoying the effect for a few moments.

sbtu_chromium_eraofexcess_glowinthedark_01

I believe this Ghost Rider issue was one of the earliest “gimmick covers”–at the least, I have a bit of deja-vu on having read something about that. The price of the issue was relatively unaffected despite the bonus effect…though that definitely cannot be said for MOST “gimmick” or “enhanced” covers! I’ve yet to actually read this issue or the Spectre issue. Green Lantern #50 and Superman #123 show the characters’ new costumes…

sbtu_chromium_eraofexcess_glowinthedark_01b

And here’s a shot of the issues taken in the dark/no flash. This copy of the Green Lantern issue is rather beat up and not my original…and is obviously a bit worse for wear.


Foil Stamped Covers

I’m considering “foil stamping” its own thing in that it’s a bit of foiling “stamped” on the cover, typically isolated to the comic’s title logo and used rather sparingly. In good light at the right angles, it gives off a nice, reflective look–as foil does–but the bulk of the cover is still “normal” colors.

sbtu_chromium_eraofexcess_foil_stamped_01

There are many MANY of these comics out there, ’90s to present. I had these four handy (and the rest of the Rogue mini but figured one issue serves the point, and an issue of Shadowhawk I’d mis-sorted and hadn’t realized til these 4 issues were re-buried as I took photos for this post). A bunch of Ultraverse #1s have such editions where the only difference between them and the regular edition is a foil stamping on the logo.


Foil Covers

These covers go beyond the limited foil “stamping” to have the foil either making up the bulk of the cover or the entire cover.

sbtu_chromium_eraofexcess_full_foil_01

Some of these have foil as a background “color” while others use it for good effect to accentuate stuff…while some just…are.

sbtu_chromium_eraofexcess_full_foil_02

Photos don’t really do these covers much justice as the effect is much more noticeable “live” in-person when you see it.


Prismatic Foil Covers

These are much like the “plain foil,” but have more of a prismatic or patterned effect to the way they reflect light back at the viewer.

sbtu_chromium_eraofexcess_foil_prismatic

The Green Arrow #100 is technically more of a prismatic foil stamping but got sorted here, so here it is. Along with this #100 issue, similar “trade dress” with the prismatic foil “stamping” can be found on Superman #100, Flash #100, and Wonder Woman #100, also out around the same time, and not pictured here.

sbtu_chromium_eraofexcess_foil_prismatic_01b

Closer up of the shiny effect on the Venom issue…

sbtu_chromium_eraofexcess_foil_prismatic_01c

and on the Fantastic Four issue.

sbtu_chromium_eraofexcess_foil_webs_01

These three 30th anniversary Spider-Man issues plus Venom #1 have long been a “set” to me. I got all four when they first came out, and they’ve been a set in that regard at least since then for me.

They all have the same “webbing” pattern visible in the foil.

sbtu_chromium_eraofexcess_foil_webs_01b

Here’s a closer-up on the Amazing Spider-Man issue (this copy I got signed by Mark Bagley last year!). Marvel got away with this 4-issue anniversary extravaganza as a 30th-anniversary despite the hologram series as these were the anniversary of Amazing Spider-Man #1 rather than just the first appearance of the character. Plus, they were big round numbers #375, #200, #100…and in Venom‘s case, #1.

original_2099_collection2

The main 2099 #1s are another sub-set with a particular pattern within the foiling making up probably my favorite trade-dress for a series of titles. Though Ghost Rider was somewhat spoiled by being a much shinier/reflective foil.


Embossed Covers

Embossed covers are also straight-forward. They’re typically thicker/cardstock paper with embossing. That is, there’s a bit of a raised surface or texture, whether applied to the entire cover or just a logo or such. Think those old crayon-rubbings on paper where you put a sheet of blank paper over something, rub the crayon (or pencil) or whatever and see an image come through.

sbtu_chromium_eraofexcess_embossed_01

Here are several full-color embossed covers, and then two printings of a Fantastic Four single-color embossed cover. The former have the embossed logos, while the latter have the entire cover embossed. Catwoman is embossed throughout.

sbtu_chromium_eraofexcess_embossed_01b

The Fantastic Four covers are both the same issue and same “image”…but two different printings. Different color for different printing, allowing one to have the same embossing, same image, but see at a glance that it’s a different printing.


Foil-Embossed Covers

For these, you have the embossing, but that’s combined with foiling. The points of embossing are foil, or is within a field of foil.

sbtu_chromium_eraofexcess_embossed_foil_01

These are a mix of depth and degree of foiling/embossing and shiny-ness; from logos-only to the rest of the cover.

The Magneto #0 issue doubles as a mail-away comic if I recall correctly–another thing of the ’90s but not a focus of this post.

sbtu_chromium_eraofexcess_embossed_foil_02

Still more with foil and embossing. The Avengers title had 4 of these covers in the year they were put out, if I’m recalling correctly; basically quarterly, so you’d have an extra-expensive issue with the “bonus” of the fancy foil-embossed cover followed by 2 “regular” covers, then another foil-embossed and so on. The Action Comics issue is in today’s terms a “variant,” as there were “Collector’s Edition” and “Newsstand Edition” covers; a topic for another time.

sbtu_chromium_eraofexcess_embossed_foil_02b

Here’s a closer-up of the Avengers cover.


Die-Cut Covers

Die-cut covers have very specific parts cut out–using a die–typically with another image underneath. I suppose these could be considered die-cut overlays, but in the sense of most of what I’ve seen, they tend to be more so a cover revealing a hint of something beneath, which might be more of a first page.

sbtu_chromium_eraofexcess_die_cut_01

In the case of these issues–Wolverine #50, Sabretooth #1, and three of the four Reign of the Supermen launch issues–the cover IS the top, and they reveal part of an image underneath.

sbtu_chromium_eraofexcess_die_cut_01b

…such as the Man of Steel issue. It works as a cover showing off Steel’s version of the “S” shield…but when you open the cover you see a full-panel/page image of Steel…but no cover dress, as it’s not the cover itself (but works WITH the cover).

sbtu_chromium_eraofexcess_die_cut_01c

While Sabretooth‘s cover allows a hint of something beneath, and opens on quite the beautiful image of the feral villain.

I believe this came out about the same time as the first Deadpool #1, also a villain mini-series, though that one was simply embossed, if I recall correctly. (It is not pictured in this post)


Die-Cut Foil/Die-Cut Embossed Covers

Perhaps getting more to the sense of excess, we move here into the die-cut effect used in conjunction with embossing and/or foil to make up a cover.

sbtu_chromium_eraofexcess_die_cut_02

The Punisher War Zone cover has embossing along with the die-cut, though one might not even know it just looking at the cover…it’s a subtle touch. The Ghost Rider and Shadowhawk covers have a foil sheet under the die-cut rather than foil stamping.

sbtu_chromium_eraofexcess_die_cut_02b

Batman #500 is a multiple-part mashup of “enhancements.” The die-cut for the top layer of the cover, foil cover underneath with embossing for the logo…and it’s a sort of overlay that on opening “reveals” the true cover underneath. PLUS it’s an extra-sized, extra-priced anniversary issue.


Hologram Covers

Hologram covers were covers featuring a “hologram” image. These varied in quality and size, and were presented in a number of ways. Primarily, they were approximately trading-card-sized images affixed to the cover; but some were larger, some smaller, and in the case of Malibu, the entire cover for several Ultraverse #1 issues!

sbtu_chromium_eraofexcess_hologram_01

Robin II featured one of the earlier egregious use of variants that I’m aware of. Not only was there a hologram on the covers, you had different cover images…but all with the same hologram per issue! However, the quantity of covers declined with each issue. #1 had 4 hologram covers, #2 had 3, #3 had 2, and #4 just had 1. (And all 4 issues also had a newsstand edition/variant with no hologram!)

sbtu_chromium_eraofexcess_hologram_02

There was actually a slip-cased box set for the Robin II mini that I’d picked up that came with one of each cover in a fancy box…definitely a novelty piece in my entire collection!

sbtu_chromium_eraofexcess_hologram_02b

The box set also included actual trading cards of each hologram image as stand-alone things…pretty neat inclusion!

sbtu_chromium_eraofexcess_hologram_03

For the 30th anniversary of Spider-Man’s first appearance, there were these larger hologram images on respective issues of Amazing Spider-Man, Spectacular Spider-Man, Web of Spider-Man, and (adjectiveless) Spider-Man. These were possibly my earliest real introduction to such covers, as a friend had at least a couple of these (if not all four) prior to my even discovering other “enhanced” covers or even the black-bagged Superman #75.

sbtu_chromium_eraofexcess_hologram_04

Here are 6 “silver hologram” covers of Malibu‘s Ultraverse #1 issues. I believe there were also gold hologram editions–same image and effect, but with a gold instead of silver tint (though the latter three look slightly gold-ish due to the lighting and camera angle for this photo). Unpictured is an Ultraforce #1 that is gold…and I’ve yet to acquire Prime #1 in either silver or gold (though I’d prefer gold to go with these rather than trying to hunt 7 gold to have 8 match). Mantra and Prototype are basically hologram images of the regular edition covers while the others differ from the non-hologram covers.

sbtu_chromium_eraofexcess_hologram_05

Probably my favorite hologram covers were those used for the X-Men 30th-anniversary crossover event/story Fatal Attractions. Prior to these, other hologram covers seemed to be layered images with depth…while these felt like you were looking through a portal into an actual truly 3-dimensional object (namely a statue of the character).

I’ve recycled the above image from my ’90s Revisited series covering the event; I’d scanned the covers and taken photos of the holograms that I then pasted over the actual photo of the covers to show the depth of the holograms.

sbtu_chromium_eraofexcess_hologram_06

Here are several varied hologram images on covers. I suppose the Resurrection Man one might be more of a lenticular thing but looked like a damaged hologram when I first grouped these.

sbtu_chromium_eraofexcess_hologram_06b

This Web of Spider-Man #125 is one of at least two of these holo-disc covers…the other being Spectacular Spider-Man #225. If you lay the book flat and shine a bright light on it, you can essentially look down into a circular well of a view and see Spidey sorta move as you turn the cover. Think the Pensieve from Harry Potter except you don’t fall into it.

sbtu_chromium_eraofexcess_hologram_06c

The Silver Surfer #100 isn’t a particularly impressive hologram image…but it sure is pretty and shiny!


Other Covers

These are some covers that don’t exactly have their own categories; I’ve clustered them together for being a bit outside of a singular category or being a “set” (see below).

sbtu_chromium_eraofexcess_other_01

The Bloodstrike #1 issue “Rub the Blood” doesn’t–in the case of the physical copy I have onhand–work. A quick Googling suggests the blood should disappear when rubbed, but didn’t always work…so I don’t feel bad for not trying hard to get something to happen. I’d half thought it’d change color or brighten, but c’est la vie. The Guardians of the Galaxy issue with Galactus has a foil-like effect, perhaps a bit prismatic-ish, but something to its coloring and texture seems to be something else, hence separating it out.

The Amazing Spider-Man #388 has a textured foiling so isn’t really a straight up foil but isn’t what I tend to think of as embossed, though I suppose it might technically be embossed. The physical texture is a bit too “fine” for what I’d consider embossing.

Bloodshot #1 and Turok, Dinosaur Hunter #1 are some sort of foil/chromium thing with the fancy part affixed to the cardstock covers themselves. I recall Bloodshot being “the” buzz-issue the day my mom took a friend and me to get Superman #75 at Comics and Collectibles in November 1992. And over the years I’ve learned that Turok was apparently a bit of a bomb. But that’ another than that’s a topic for some other post in itself!

Finally, Force Works is another issue with a pop-up/pop-out cover.

sbtu_chromium_eraofexcess_other_01b

While still not really doing it justice, here’s a closer-up look at the Guardians issue…

sbtu_chromium_eraofexcess_other_01c

And the Amazing Spider-Man issue.

While looking at this title and in this “other” section…I should mention the embossed/die-cut/overlay of #400, which is another that I couldn’t find/dig out in time for this post, though I have at least one copy of it that I got at time of release. (It and #360 with the hologram apparently are much more expensive books these days than I ever realized!)


Acetate Covers

I haven’t seen many of these covers from the ’90s, though DC recently did a whole month of acetate covers. That being 2019, though, puts ’em 20 years outside the ’90s that I’m looking at!

These were covers that have a transparent/partly-transparent sheet over another cover/image where the two collectively make up the cover.

sbtu_chromium_eraofexcess_acetate_01

Marvels is the series I think of for acetate covers…though obviously the Tales of the Marvels: Wonder Years used the cover format, as well as Ruins (not pictured) and several other special issues–a Tales to Astonish issue, Tales of Suspense, Inner Demons, and apparently a Tales of the Marvels: Blockbuster issue. (all not pictured, either).

sbtu_chromium_eraofexcess_acetate_01b

Here’s a look at Marvels #2 with the acetate opened, showing the full cover beneath (and you can see much of the cover of #1 through the acetate part!

sbtu_chromium_eraofexcess_acetate_02

While the Marvels and such covers used just the clear layer to put a logo over a “virgin art” cover…these got a lot more fancy and colorful with most of the image on the surface layer, and background coloring coming through from the secondary piece under it.


Chromium Covers

And here we get to the covers that inspired the naming of the age/era. Golden Age…Silver Age…Bronze Age…and what’s another metallic name? Chromium!

These covers were typically a thinner sheet of metallic/foil-like material and raised surfaces maybe akin to embossing, and you could often see a pattern of dots from the inside of the cover. I believe with the exception of Superman #82, all the chromium covers I’m aware of were wrap-around full-chromium. The Superman issue is a sort of cardstock with a front stub that the chromium sheet is attached to. It’s also the only DC comic I’m aware of in this format. Maybe they didn’t do it right and just didn’t do it again?

I should also note that somehow I never remembered–until deep into writing up this post–Ninjak #1 which may actually (once remembered) be one of my favorite chromium covers–and so do not have it in my specific mini-collection of chromium covers and thus it is not pictured here.

sbtu_chromium_eraofexcess_chromium_01

I’m pretty confident that X-O Manowar #0 was the first chromium cover I was aware of. As I’m recalling, it was actually my Dad who picked out my first copy–it caught his eye. It was followed shortly by Superman #82 collector’s edition. And then bookending the original Age of Apocalypse event/saga, X-Men: Alpha and X-Men: Omega sported these wraparound chromium covers.

sbtu_chromium_eraofexcess_chromium_02

Valiant got into these in a big way with the aforementioned X-O Manowar and Ninjak; also #0 issues for Bloodshot and Shadowman; and first issues for (at least) Geomancer and Psi-Lords.

sbtu_chromium_eraofexcess_chromium_03

Marvel also got into doing these covers in a big way. There were at least these 9 issues. I only recently–maybe in the last 5 weeks or so–became aware of this Sabretooth special issue (or at least this chromium cover edition if there was a non-fancy version). And it was only shortly before that I discovered the Fantastic Four 2099 #1 was a chromium cover; or that the Double Edge issue I had with the “death” of Nick Fury was a bookend issue and that the first part also had a chromium cover.

On the subject of Marvel and chromium covers…they apparently also did a series of Marvel Collector’s Edition reprint issues of various X-Men issues, and I think also Spider-Man; these being quite rare, and part of a handful of reasonable-ish “grail” issues for me (though having so many “cheap” chromium issues, it’s a double-edged sword for me. As with many other things…that’s a subject for another post!)

sbtu_chromium_eraofexcess_chromium_04

Over the years I’ve also come across several other chromium issues mostly in bargain bins, but a couple not.

sbtu_chromium_eraofexcess_chromium_02b

And here’s a look at the Bloodshot and Shadowman #0s at more of an angle with light to show just how bright and shiny they are. Though as another refrain: they look even better in person!


The Era of Excess

I think I’ve spotlighted about 160 issues here, and mentioned still others.

Yet this doesn’t do more than put a big dent in showing off the shiny covers produced in the ’90s. While I find many of these covers “fun” now and love grabbing them outta bargain bins or on deep discounts…it was a different thing back in the ’90s. I fell victim to the mindset of “having to” get both the “collector’s edition” AND the “newsstand” edition of issues with the two. Superman #75 being the first such issue. Then others like the Adventures of Superman #500, the four launches of the titles into Reign of the Supermen.

I haven’t really looked at price in this post–that’s for some other time. As I recall, in general the “collector’s edition” covers were usually more expensive than the “newsstand” edition–sometimes twice or more so. And even with the “option” for the “cheaper” edition…with MANY of these, you had no choice. You either bought this double/triple/whatever-priced shiny/fancy thing…or you didn’t get that issue.

However…for the most part, the covers were still more or less singular. If you didn’t have a choice and had to pay more…it was still an iconic (or at least recognizable!) cover. I know Fantastic Four #375 at a glance just for the shiny sparklies. Or X-O Manowar #0. Any of the Fatal Attractions hologram covers. Or the 2099 #1s. X-Men: Alpha and Omega. Those Avengers foil-embossed covers for the 30th anniversary. Superman #75, the launches into Reign of the Supermen.  And so on and so forth etc.

Others that had “collector’s edition” and “newsstand edition” (or non-“enhanced”) covers the two were often completely different images…some more recognizable than others. Superman #75 had a slate-gray tombstone look for the black-bagged edition; but it’s the newsstand edition–with the tattered cape fluttering on the wood pole–that is the iconic image. On the flip side, it’s the glow-in-the-dark version of Superman #123 that’s had a bunch of homage covers and seems (to me) to be “the” iconic image of that entire electric-blue era/costume for the character.

And the simple fact that I was able to pull together SO VERY MANY of these covers to photograph and share for this post shows (in small part) just how plentiful these were in the ’90s. That being said…I see them all as quite different from the modern “variant” covers. PARTICULARLY in quantity.

I don’t think I have EVER–comic store, dealer at a convention, whatever–seen boxes and boxes of “collector’s shiny edition” covers for sale. Maybe there are a bunch in bargain bins, but I’ve never seen them gathered together with an exclusive category/call-out…while I HAVE numerous times seen boxes and boxes of comics labeled “variants–$X price.”

Granted, you had all those Robin II variant regular-art covers with the same hologram affixed, plus the newsstand editions with no holograms. You had X-Force #1 where you had to buy 5 copies to get all 5 cards. Or X-Men #1 where you could buy 4 different covers that made up a single image…OR the “deluxe” edition gatefold cover with all 4 “panels” combined into the single image they were meant as…5 total covers to have ’em all. Or for its ongoing series, I believe Gen13 #1 had thirteen different covers. Slingers #1 had 4 different covers…and 4 different interiors!

But for the most part, IF you had “variants” in the ’90s…it was very much a 2-cover thing. Regular, and “enhanced.” OR–say, with several “platinum edition” covers or the Ultraverse limited foil and the full-cover holograms, for example–these particular “variants” were almost legendary and in no way “standard.” I got into the Ultraverse stuff in June 1993 when the line launched…but I think it was at least 2010 (17 years later!) before I ever saw one of the hologram issues in-person.

For at least the last 15 years with the ever-increasing quantity of variants, it seems that nearly every single issue of nearly every single series from nearly every publisher is put out with at minimum two different covers, and often 3 or more. I think recently I counted 30 different variants listed for an issue of Vengeance of Vampirella (from Dynamite, I think!). I’m pretty sure that there were more COVERS for that ONE ISSUE than there were pages of interior art! (And it was not even a first issue or any obviously-celebratory numbered issue!)

While I’ve yet to go through and do it, I’d be interested to see a list of comics being solicited in Previews in a single month of 2019 or 2020 that are NOT being published with variants. I’ve often wondered if it’d be easily-feasible to just collect comics withOUT variant covers.

Even where there were multiple shiny covers with one single series…the majority were never sequential…it was not every single issue nor every single series at once. (Granted, in the 2010s, DC has done several “gimmick months” where for that one month only, one issue per title only, there’s been some gimmick. Yet again, though….that’s another topic for another post).

Why I have such a problem with modern variants can be summed up with the following:

Just off the top of my head, on the Superman titles…(in terms of the ongoing series, not counting a number of quarterly giant-size specials in the late-’90s) you had collector’s & newsstand editions for:

  • Superman #s 75, 78, 82, 100, 150, and 166
  • Adventures of Superman  #s 500, 501, and 505
  • Action Comics #s 695
  • Superman: The Man of Steel #s 22, 30, 50

That’s 13 issues out of…I don’t know, let’s say ~400 issues (Superman 75-175, Adventures of Superman 500-600, Action Comics 694-800, Superman: The Man of Steel 1-130-something, and Superman: The Man of Tomorrow 1-15)

Right now, 2020, just going back to mid-2016’s Rebirth renumbering for Superman…Let’s say May 2016-January 2020 (44 months) there’s been Superman #s 1-45 and 1-19 or so. Let’s call it 65 issues. But with DC doing two covers for every single issue…that’s 130 covers for 65 issues in 44 months. That’s not getting into Action Comics and the oodles of covers for #1000 on top of it’s 70ish issues. Nor taking into account adjacent titles like Supergirl, Superwoman, Super Sons, or Batman/Superman.

The ’90s get a bad rap for being an age of speculation and excess…but for me, the 2010s (2010-2019) drastically put the ’90s to shame in terms of covers.

I will absolutely grant that the ’90s very much can be considered the “Chromium Age,” though!


sbtu_continues_below

Don’t forget to check out the rest of this outing’s Super-Blog Team-Up posts! Find the group on Twitter at hashtags #SuperBlogTeamUp, #SBTU, and #SBTUChromium!

Super-Hero Satellite – 70s-80s Photo Covers

Chris is on Infinite Earths (Blog) – Adventures of Superman #500

Chris is on Infinite Earths (Podcast) – Episode 33: Team Titans #1 (1992)

Source material – Spider-Man Torment

ComicsComicsComics.blog – Daredevil 319-325 Fall from Grace

The Telltale Mind – Worlds Collide – The Intercompany Crossover

Between The Pages – Guerilla Marketing

Unspoken Issues – Darkhawk #25

Dave’s Comic Heroes Blog – Connected Covers gimmicks

When It Was Cool – Polybags It! The Blight of the Polybagged Comic Book

Pop Culture Retrorama – Glow in the Dark Covers

In My Not So Humble Opinion – It Came From the 1990s: Force Works #1

Black & White and Bronze Comics Blog – Spectacular Spider-Man Magazine 1968

DC In The 80s – Memorable DC “gimmicks

Comics In The Golden Age – Fawcett’s Mighty Midget comics


sbtu_chromium_eraofexcess_blogtrailer

The Weekly Haul: Week of January 1, 2020

weekly_haul_header

The new year started out with a pretty small week.

An issue. TMNT: Urban Legends #20.

weeklyhaul_20200101a

Not much for the week in the way of new comics. Which is–I think–pretty much what I’m leaning toward lately.

I’m a few months–at least–behind on reading TMNT Urban Legends, but as we’re into the latter part of the series as a whole, I just need to figure out where I left off, and binge-read and get back to keeping up with it issue-by-issue.

Comic Shop News features yet another Hawkeye series…How many different series/minis has the character had now, since 2003 or so?

While the new comics were sparse…I did make a sizeable Spawn purchase, but will be detailing that purchase in an upcoming SpawnQuest post.

weeklyhaul_20200101_blogtrailer

Welcome to 2020

Welcome to a new decade. Yes, I consider 2020 the start of a new decade–it’s the start of the ’20s. One doesn’t refer to the ’80s and 1990, or the ’90s and 2000, etc. When I turn 40, that indicates I’ve completed 40 trips around the sun, but it will still be the start of "my ’40s."

ANYway…

2019review_necatoys

I’ve written several drafts of stuff as a year-start post and I’m not all that keen on any of those the way I’d envisioned as I started writing. So here I am, day-of, doing a bit of a stream-of-conscious(ness?) piece.

2019review_1_actual_review2019review_ultraverse_revisitedIn 2019, I only wrote ONE true REVIEW (covering a current brand-new issue). I only wrote 2 new posts of older issues (‘__s Revisited). I posted several stockpiled/not-yet-formatted Ultrverse Revisited posts written in 2018. I posted several entries on adding NECA TMNT (and 1 Aliens) items to my collection. A Super-Blog Team-Up post on the Shredder Redeemed. Some excitement for Spawn #300 and launching my #SpawnQuest. Getting a nearly 100-issue run of Uncanny X-Men allowing me to decide to begin my personal collection with Days of Future Past-forward. And I’m pretty sure I managed to document the entire year’s worth (52 weeks) of NEW-new comics (albeit with a number of posts covering multiple weeks’ worth each).

2019review_shredderOf course, after periods of having (week)-daily posts for extended times including over a year into mid-2017…that makes 2019 seem like one of my least-worthwhile blogging years, looked at as a whole.


2020 Blogging

  • I want to get back into my Ultraverse Revisited project. I believe I have Ultraverse Premiere #0 and Firearm #0 to cover between the November 1993 issues and December 1993’s Break-Thru linewide event.
     
  • I want to get back to covering some further issues of TMNT Adventures, and having decided several years back that I could see "seasons" in the title, I believe I’d be covering "season 3" with 26-38 + Mutanimals 1-6.
     
  • I want to get back to some regular-ish ‘__s Revisited posts.
     
  • I also have a couple other tentative projects shaping up to participate in with others that I intend to have posts for here as well.

2020 Comics

  • I’m beginning the year with the intent of working on hunting down Spawn #s 101-256; 156 issues. I’m pretty sure I have 8 or 9 from #185-193 or so, which means I’m only hunting about HALF of the series in its entirety.
  • I’m also beginning 2020 with the intent of seeking out the "classic" 1990s Marvel 2099 stuff; with several specials and then later issues of the 4 "OG" titles (Spider-Man, Ravage, Doom, Punisher) and a handful of X-Men, and the back half of Ghost Rider, and then whatever other misc. issues I’m forgetting.
  • Beyond stuff I’m interested in acquiring that I don’t already (know I) own…I’m also hoping to get some significant sorting/purging done on my accumulation and get it to being more of an actual collection again than a random "warehouse" of "stuff."

2020 ‘Grails’

  • Uncanny X-Men #141 (part 1 of Days of Future Past)
  • TMNT Adventures: Year of the Turtle #1
  • Prime #1 (hologram cover, silver OR gold)
  • Wolverine (1988) #145 (foil edition)

So we’ll see what actually comes to pass over the next 365 days or so. I believe it’s also a "leap year," with 29 days in February, so…bonus?

Time will tell!

2019review_welcome_to_2020_blogtrailer

%d bloggers like this: