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Ultraverse Revisited: House Ads October 1993

ultraverse_revisited

Here are the house ads that I came across throughout the October 1993 Ultraverse titles!

ultraverse_ads1093_nightman_preview01

We had this introduction to The Night Man, by Steve Englehart; it also included several pages from The Night Man #1; but as they were simply pages from the issue and I already covered the issue itself, and I haven’t been putting story pages in these posts, I’ve opted to simply present the introduction as it’s the unique content.

ultraverse_ads1093_prototype_sludge

Here we have another “split-page” ad, with the two titles sharing the page, though as their own pieces on it.

ultraverse_ads1093_exiles_prelude_to_breakthru

This ad was in several issues, and totally spoils Exiles #3. Of course, there’s other stuff that happens in the issue, and the issue itself sorta left room for hope, if one hadn’t seen this ad already. The ad basically smashes any hope one would have for Tinsel’s outcome. That said, the ad doesn’t tell us how she dies–so you still have to read the actual issue for that.

This could have been a bait and switch sort of thing…after all, if they have to SAY “for real,” does that mean that it isn’t actually for real or permanent? Well, this was 1993, not 2018 Marvel, so…a bit more weight goes to it!

ultraverse_ads1093_ultraverse_checklist

I did not remember this ad at all, but it’s one that I really like. While on one hand you shouldn’t NEED to have something laid out for you like this as a reader…it’s cool to show both a checklist of issues-so-far for completists, as well as showing how stuff has, truly, actually been getting doled out all along without retcons or fudging to force something to fit.


While not exactly house ads, across the titles (themselves across several weeks–the entire month of October 1993!) there was a 4-part “strip” of The Mighty Magnor.

I was vaguely aware of the character thanks to a Savage Dragon crossover ; and it’s easy to forget (or never even realize) that Malibu Comics was actually the original publisher of Image Comics–those earliest first issues from Image were published by Malibu! [EDIT: vaguely aware enough that I mixed up Magnor and Megaton Man…bit of a brainfart! The Savage Dragon crossover was actually the Savage Dragon/Megaton Man. Apparently I was trying to recall the hubbub with the pop-up cover of The Mighty Magnor #1 but that got intercepted by recent thoughts on Savage Dragon and my enjoying the tidbit of Image comics first being published through Malibu!]

Anyway, here are the 4 Mighty Magnor strips from October 1993:

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Week #1

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Week #2

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Week #3

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Week #4

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Ultraverse Revisited: The Solution #2

ultraverse_revisited

solution_0002Showdown

Writer: James Hudnall
Penciller: Darick Robertson
Inker: Mike Miller
Letterer: Tim Eldred
Color Designer: Tim Divar
Interior Color: Violent Hues
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

Rex Mundi realizes he and his people are being magically spied on…by The Solution! The scene then moves to the Shinjuku district in Tokyo…where we see The Solution in action! They’ve got a plan, and everyone seems to be in place as things unfold. Dropkick and Tech communicate, while Shadowmage  sits by to use her powers in a room next to the group’s target, who is dealt with by Lela Cho–Tech–herself. As Tech begins to realize something’s wrong, Shadowmage confirms that someone’s there, and both Outrage and Dropkick are forced into immediate action away from the building. Shadowmage fights an opponent named Book, while Dropkick deals with a red-clad woman with swords…who seems to recognize his fighting style. Outrage’s opponent seems to be of his own alien race (I guess Outrage is another alien…I did not remember that!), and he’s got some sort of bounty on his head. While Tech gets her client out of the building and we see them trying to escape this ambush, the unfolding battles of the other three unfold as well. In the end, their client is killed, so while The Solution survives, their case is a bust.

This issue is largely a huge fight scene. The previous issue really being the first time I’d ever read an issue of this series (despite owning issues and being aware of the team–mainly from getting Rune #0 and it coming with The Solution #0 as well) I’m still figuring out the characters. And of course, that’s not helped by the way I’m undertaking this reading project–trying to read ALL titles in release-month order, rather than zeroing in on just one series at a time.

So this issue served to really "show off" a lot more with the team. We already know Shadowmage can use magic, but we see more of that here. Lela Cho has a certain skill set, which is also shown off. We see Dropkick in action, and some hints at him being more than he appears. And we see Outrage similarly, as he faces someone that knows more about him than we do, which leaves another question in the air, further details to be sussed out presumably in subsequent issues.

Visually, I thoroughly enjoyed this issue. The detail’s great, the layouts are dynamic, the characters seem consistent and it’s easy enough to follow the general action of it all. Seeing that it’s Darick Robertson art, though, I suppose I should not be surprise, enjoying his work on the likes of Transmetropolitan. I can’t quite figure out a better phrasing, but I felt like the main characters especially were "full" while "sleek" in the way they’re depicted in this issue. Ultimately, the issue in general is nice to look at, as it also totally carries a ’90s vibe.

Story-wise, there’s not a lot: the characters fight, their client is killed, everyone goes home. That’s the broad strokes view. The details are where the depth is, and I’m definitely interested in learning more about these characters. Maybe I’m the odd guy out, but I’m pretty sure I’d totally enjoy several issues of the characters simply interacting with each other and learning of them that way, without even needing a lot of action.

rune_0kRune [K]: The Fury – Part Two
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

Wayyyy back (it seems) with the start of the Rune stuff (Sludge #1), the cover showed the open mouth with fangs, and the words "The Stones are Cast…" Here in the final issue, we again have that cover image (the 9 issues between being the "poster image" pieces) but with the text "…And Death Walks the Earth." A fitting sort of symmetry. "The stones are cast and death walks the Earth." That’s Rune.

This final chapter of the Rune #0 issue, we see a kid named Erik talking with his Dad…as they discuss nightmares, monsters, and keeping things at bay; an incident with Erik forgetting to take his pills, and this hint at there being something more to the kid. Their conversation is largely narration boxes overlaid on scenes of destruction, as Rune gets through the last barriers between himself and Erik, leaving us with Rune perched in a tree outside Erik’s house, apparently preparing to attack.

The art continues to be consistent with prior chapters, as the creative team did not change…this is "merely" three more pages of the same issue, so no surprise there. After all these previous "chapters," we finally see Rune where he wants to be, after bitter disappointment and destructive confrontations…poised to  take in some incredible power that might restore or maintain his wasting body.

As prologue, as setup, as a #0 issue, it provides an introduction to the character, and leads into what I recall of the Rune #1 issue, such that one certainly can better appreciate things with the main series having read this first, and yet, this isn’t absolutely required reading for that.


I enjoyed this issue. It’s been nearly 25 years since my initial $2.50 was spent on it (that’s less than one penny per month from then til now, I think!) so while I’d be less than thrilled with an issue that’s basically a massive fight scene for a full/premium price in 2018, I’m ok with this 1993 issue being this way…all the more for so enjoying the art.

Yet again, the Rune chapter is an identifying mark on the issue, dating it at a glance to one of the October 1993 issues; and as with others, it is not singularly a selling point in my eyes, as far as this issue in isolation. It’s certainly a selling point for getting all 11 serialized chapters of Rune #0, or the coupons for the mail-away, and such.

But along with most of the "early Ultraverse" issues, I routinely see the issues in bargain bins, so don’t consider them to be worth one paying more than $1 for as of 2018; but that’s also easy enough for me to say, owning all the single issues myself already, and not being on the hunt for them.

I would definitely recommend pairing this issue with the first issue to have SOME context of stuff…and though I didn’t do it myself, I think this issue probably reads a lot better in context of being read immediately after the first issue, rather than with 17+ other issues read in-between.

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Ultraverse Revisited: Mantra #4

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mantra_0004Bride of Boneyard

Creator/Writer: Mike W. Barr
Penciller: Rob Phipps
Inkers: Al Vey & Barb Kaalberg
Letterer: Tim Eldred
Color Design: Moose Baumann
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

Lukasz has only just begun to figure out what this new body can do, but has already been captured and after being knocked out, wakes to find that Boneyard’s got designs on wedded bliss!

We open on Boneyard standing over Mantra, ranting about how insignificant this woman is, as if it’s so ludicrous that this final warrior might be the last hope of Archimage. As Mantra, Lukasz fights back, and manages to escape the imminent wedding between Boneyard and Eden Blake’s body, which he presently inhabits. He finds and interacts briefly with Archimage, and is unable to get the old wizard free. Barely escaping, he seeks help in a nearby village, only to be betrayed by newfound allies. Warstrike manages to show up, and is convinced to assist an assault on Boneyard’s keep. Ultimately, he and Lukasz are forced to retreat so that they might fight another day. Despite the betrayal, Lukasz–as Mantra–does manage to make some new allies in Boneyard’s realm…a factor sure to come into play later.

This may have been the first issue of Mantra that I ever read, due to getting it during Rune Month, and while not gratuitous, the cover certainly would have had my attention–between Mantra herself, the weird cyborg Boneyard, and the bright colors. At minimum, this would be the second issue I ever read of the title, and whatever order I read the issues in, I had missed issues 2 and 3, so had only the first issue and then this to go on.

The story takes us into an interesting realm–somewhat fantasy-ish (think Game of Thrones)–not quite Earth, but not entirely alien. We continue to see Lukasz finding the power of Eden Blake’s body, as well as a growing perspective on how men–and he himself–have treated women over time, particularly with bodies such as this. We get some face time with Archimage to propel things onward–contact, yet it’s not quite time for THE rescue: the story is still unfolding! Warstrike continues to be an interesting ally…perhaps moreso because I know that he gets his own series in the not-too-distant-future relative to this issue.

Visually, this is a solid issue; I like the characters’ depictions, and the flow of the art in conveying the story. It definitely has its differences from the title’s premiere…but hangs onto a good bit of the visual style and familiarity, such that I don’t know that I’d REALLY notice any particular difference if I was simply reading without paying attention to the credits!

rune_0jRune [J]: The Fury – Part One
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

As (Agent?) Jaffrey follows up on Stone’s death, he, too, is attacked by Rune. Rune is fiercely seeking a particular boy…who we meet as the segment closes–interrupted on a phone call with his girlfriend by his father needing to talk to him about something.

This is the "penultimate" chapter of Rune #0–We’ve followed Rune through time, seeing him in his powerful younger days, how he came to be the wretched creature he is, and along his quest for restorative power. That he’s seeking Erik suggests more for Erik to come…though this chapter does not let us know exactly what role he’ll play overall.

Yet (as always) again, the art is good, and it’s consistent with the earlier chapters, this being simply the next three pages of (still) the same issue, essentially.


Once more, the Rune chapter sorta works by itself but there’s no real room for "context" on the pages themselves. In a way we get more information from the "previously" text presented ahead of the chapter than from the pages…something I’ll be interesting to evaluate in a later re-read of this story in a single go. While it adds value to the issue, it is not in itself a sufficient selling point to seek out this issue.

On the other hand…the Mantra issue itself is another strong chapter, continuing to build on characters and continuity, as we see more of several characters and their interactions, as well as Boneyard having realized who and what Mantra is, and checking in on Archimage, and generally leaving a bit of wonder in the "will he or won’t he" (Archimage) be rescued this issue. But it’s not to be, as there’s more story to be had by his not yet being rescued than a quick 4th-issue-rescue.

Whether it’s the general story, or the art, or the concept, or something else, or some combination…I continue to find this to be a series I’m highly eager to get back through, that almost leaves me regretting trying to cycle through all the titles by month rather than doing a single-title read-through of Mantra. This adds to the reaffirmation of the title as one of my favorites of the Ultraverse, whatever other titles I discover that I enjoy and "should have" read as a kid.

By itself, this issue is definitely worth a quarter to a dollar or so…definitely a "bargain bin issue," not likely worth more than $1 or so unless you’re plugging a run in your collection. Still, it’s a good issue, I myself enjoyed it, and I look forward to the next issue, as well as a number of other issues yet to come!

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Ultraverse Revisited: Firearm #2

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firearm_0002American Pastimes Part Two

Writer: James Robinson
Penciller: Cully Hamner
Inker: John Lowe
Letterer: Tim Eldred
Color Design: Moose Baumann
Interior Colorists: Foodhammer
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

It seems like such a long time since I covered the first issue of this series, and here I’m only at the second!

The cover’s a bit generic–I truly don’t think I’ve really paid it much attention over the years. I’d had the issue originally solely for the RUNE coupon, and just recognize the overall image with the trade dress as the second issue of Firearm. Looking at it more closely this time and actually "taking it in," it’s Firearm fighting a couple of armored suits, aiming one’s weapon to blast another upward where the title falls. It’s also interesting to me the "design" stuff I’m seeing, that have always been there, but with a class I’ve been taking, there’s a lot that I’m really "seeing" for the first time or at least in a new light! And I’ve always liked and easily recognized the way the Ultraverse titles’ trade dress started with the inner border, the ULTRAVERSE logo across the top with the actual title logo under, and the upper left corner logo and issue info/price.

Getting into the issue itself, we find Alec Swan waking up, feeling the results of the previous issue/recent events. He follows up on some information, and is led to Hardcase…who he finds in the midst of a fight with some thugs in high-end power/exo-armor suits. He gets involved ostensibly only because Hardcase may have information he needs. Among other things, part of Swan’s contribution is grabbing one and aiming its blaster at another…different angle, but showing that the cover actually depicts something from within the issue itself! (A true rarity as of 2018). After the fight, he and Hardcase talk–and neither likes the other, but at least they don’t–themselves–fight. While Hardcase doesn’t consciously have any recollection of the guy Swan’s trying to find information on, he does say something that gives him a lead. As he parts ways from Hardcase to follow up, he’s attacked by another ultra…and saved by still another…which is something he’s getting really tired of.

The story itself is good, and follows well on the first issue. This also reads relatively decently on its own–it’s been weeks since I read #1 and I didn’t remember much concrete detail from it, but didn’t have much problem getting into this issue. We see Swan continuing to work the case he took on in the first issue, and the continuing repercussions from stuff begun in the first issue. We see a bit more of him at work, and in action, solidifying the "codename" Firearm, as well as the fact that he hates that name. Though it’s in no way advertised as such and there’s no cover indication, we see him interact with Hardcase. It’s not an "event" or "crossover," it’s just a natural thing of Swan living in a world of ultras, which includes Hardcase. Though we still don’t have resolution, we can surmise that Swan’s getting closer to his goal, with continued attacks, and now being saved by an ultra…hints that something bigger is going on that he hadn’t bargained for, but now finds himself immersed in. I think my main problem with the story/writing is that though Hardcase mostly looked like Hardcase and is supposed to BE Hardcase…his appearance here made him feel like just some impersonal plot device, with a different sort of "voice" and lacking the sort of "heart" from his own title or the crossover with his title and the Strangers in the September issues.

Visually, this wasn’t a bad issue on the Firearm end…but I really strongly noticed some weirdness in the visual interpretation of Hardcase. The face especially just looked weird, with odd lines around the mouth and generally carrying the basic core visuals, but looking more like "a version of" Hardcase rather than a singular THE Hardcase. Otherwise, the art’s good and no real complaints from me…it fits this title and the main character and carries the story.

rune_0iRune [I]: The Hunted
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

As Rune gets closer to a goal–a power source his stones have foretold, we find someone investigating another death from the vampiric creature. This investigator apparently is an ultra, able to sense things…though he’s not quite finely-tuned enough in use of his power to realize that his sensing Rune was because the creature was right there. As Rune attacks, the folks on the other end of the agents connection are helpless to do anything.

We’ve continued to see a bit more of a development in the Rune story, from just brief glimpses at the creature in different time periods, to seeing him attacking various ultras for power, as well as discovering Aladdin and moving in on this secretive agency. Including this chapter, we’re at 27 pages now–the full Rune #0 is a 33-page thing, making it about the equivalent of a 2018 Marvel Annual with 32-ish pages. Except here it’s serialized on the backs of each of the 11 October 1993 Ultraverse titles.

Something to this chapter has a bit of a different look than earlier chapters seemed to–probably the darker, rain-soaked setting of the chapter. We do have a panel with one of the more horrific glimpses of Rune…clearly an image out of a nightmare. Same creative team as all the other chapters, so despite the darker tone visually, this is still quite consistent with previous chapters!


This is not a standalone issue of Firearm…though it works well despite not having a recap page and I didn’t remember much in the way of specifics from the previous issue by the time I read this, with going through around 16 other issues between.

The Rune chapter is somewhat on its own, yet builds on earlier chapters.

As with the other issues from October 1993, there’s nothing really to make this an issue to single out in isolation. Especially as only a second issue, if you’re going to get this, I highly recommend ALSO getting the first issue, and probably also the third.

Firearm #2 is a solid Ultraverse issue, moving Alec Swan’s story forward, showing us that he really is in the same universe as the other Ultras thanks to the Hardcase appearance, yet still manages to stick to itself, not really drawing on nor impacting other titles.

This is certainly worth 25-50 cents as a purchase in isolation or otherwise, and like other "early" Ultraverse comics, I wouldn’t suggest spending more than $1-$2 on it unless it’s an elusive issue to fill a specific gap. It’s good quality, just not something that should command any significant pricing.

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The Weekly Haul: Week of June 27, 2018

This week’s proved to be a rather small (though more expensive for its size) week.

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The new Man of Steel issue…which, while it has a nostalgia-inducing cover evoking the nearly-26-year-old Doomsday / The Death of Superman story doesn’t so much as mention or touch on that story whatsoever. Flash 49, part 3 of The Flash War. And due to "hype" I snagged the Teen Titans Special…while it may be a bit of a turning point, I do NOT feel like it lived up to any of the hype at all.

Marvel has stupid-ridiculous prices for its single issues and collected volumes. But 6 $3.99 issues and 1 $4.99 issue in a $19.99 paperback is (comparatively) not bad. So I went ahead and got the Thanos Wins tpb. I suppose it’s also a way to support this straight to PAPERBACK thing, rather than going to hardcover first and THEN "eventually" paperback. ORRRRRR I flat-out missed the hardback, so…whatever.

Then because it was on sale, I picked up Hulk: World War Hulks for a whopping $5.99. Something like this–a deluxe/oversized hardcover, good and thick…for basically the price of a single Marvel issue? I’m there.

It’s also helpful finally updating my phone’s photos-of-my-shelves inventory so that I could look and confirm this wasn’t a duplicate, as I recognized the cover. But that’d be because half the cover is from Fall of the Hulks: Alpha that I reviewed some years back..

Next week will be ‘interesting’ with New Comics Day being July 4th…or Independence Day here in the U.S. and stores being open due to DC and Marvel putting out key issues that’ve been highly hyped, and no one shifted to this past week or July 11th, and Diamond didn’t push by a day for stuff to be on sale on Tuesday or held til Thursday.

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A Peek at the "Comic Cave"

I’ve mentioned new/additional shelving and rearranging for months now. I still haven’t gotten things 100% the way I want them, but with touching things up here, rearranging there, etc. I’ve had the overall space essentially set up.

And falling behind on writing reviews–Ultraverse Revisited and otherwise–today I decided to show off the bulk of my "comic cave" space. However, it’ll likely be awhile yet before I get into a detailed "tour" or shelf by shelf show-off, etc.

And even these photos show some of the rough edges and unfinished messiness…though do not show the huge mess that is my longboxes, shortboxes, "desk" and table.

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Above: an "outer" view of the main "library" (I’ll show the "inner" view further down). The bulk of the action figures on the front, with a corner piece for some of the Build-A-Figures and giant Heroclix; and presently some general storage/mess.

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Here’s a better look at the bookcases from the above photo. The far right is graphic novels, and then other things on the shelves to the left beyond "just" graphic novels.

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Opposite of these is my "media and games" space, as well as my Magic: The Gathering books, and Aliens and Predator books, as well as movies and tv…plus some storage.

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…And here’s a view from the other side–the small bookcase is my Dragonlance paperbacks. The bookcase behind the chair has boardgames, card games, and even trading card binders.

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This bookcase is seen looking out from the "inner" view of the main ‘library’ and includes the Thanos Shelf I’ve shown off a couple times.

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And here’s an "inner" view of the first photo of this post, with primarily my DC and Marvel stuff, plus some storage with some of the bottom shelves. The cropping here is to avoid much of the mess I’m not ready to show.


As said…I’ll probably show off a more detailed look sometime later–including the staircase down to the basement, a few things I didn’t specifically show here, and a better sense of the space as a whole.

For now, this is a peek at the heart of my collection and where/how most of it is stored at present…at least, outside of the single-issues collection…the longboxes and shortboxes are quite the mess at the moment, as well as my "workspace" and "desk" and such.

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Lake Effect Comic Con 2018

This past weekend, I went to the 9th annual Lake Effect Comic Con, in Mentor, Ohio. (Think northeast Ohio, a couple miles south of Lake Erie–hence "lake effect!"). The convention started out at the Great Lakes Mall (still in Mentor)…I don’t recall the first couple–they may have been inside the mall itself, but don’t quote me! The ones I remember were in the movie theater lobby, of the theater sharing a parking lot with the mall. And several years ago, this con outgrew that space and moved to the Holiday Inn where I believe this is the third year.

It’s hosted by Comics and Friends, a comic shop in the Great Lakes Mall that I sure as heck wish had been around when I was a kid!

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With various things going on in my personal life, I wasn’t originally "sold" on attending. But when I found out that Dirk Manning was going to be there, I was "sold."

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Since the last time I’d seen him (at Fantasticon back in March), he’d put out The Adventures of Cthulhu Jr. and Dastardly Dirk #1…which I’ve been wanting to get (and ideally in person, at that!). So I snagged that, as well as Then It Was Dark, which is an anthology volume he’s got a story in. (I resisted Tales of Mr. Rhee as I backed a Kickstarter at a level that includes all the volumes of that series). And of course, signed, which is a fun bonus to getting these in-person!

lake_effect_comic_con_2018b

And for the first time since I’ve been catching him at conventions, I had stuff that I took with me to get signed!

Back in December 2017, at a sale at RuppsComics, I’d come across the first issue of Nightmare World #1 from Ape Entertainment and got that…easily a diamond in the rough! Of course, I couldn’t find the thing back in March, but had managed to in time for this convention. Very cool having this early edition of such an early issue.

And–fun to learn–Dirk showed me where one of the pieces in the issue is different from the final collected version due to a situation with the art that had to be redrawn. I’m pretty sure this is the first instance I have–specifically–of that sort of thing, and I really dig it! To be able to compare an original "version" with a redrawn version and see how they hold up against one another…a rare opportunity!

I also had my Kickstarter edition of the Nightmare World Omnibus, which even though I think it came with a signed bookplate, is not the same as getting the actual book signed in-person!

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Though I’ve meant to previously and didn’t, this time I finally got a photo of Dirk! He’s got quite a selection of stuff available, in multiple formats, and I love seeing his displays. Especially now, with Hope and Cthulhu Jr. included!

Sadly, in trying to be quick so as to not block an aisle or hold anyone up trying to get by…I did not properly frame the photo,cutting off part of the table, as well as Dirk‘s name from his banner…which otherwise is almost perfectly positioned!

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And along with the first photo of Dirk, got my first photo with him, as well!

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In my further wanderings, I came across the guys who do Canada Bear, which was quite cool–I’d already gotten the first two issues from Comic Heaven last year, and hadn’t realized that they had the third issue out already. They also had some prints, and I really liked this Thanos one, so ended up buying it along with the comic.

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I wasn’t all that impressed with the general comics or collected volumes selections at the con. Or at least, I wasn’t seeing much that would spur me to somewhat "randomly" buy something I wasn’t specifically "on the hunt" for. Nothing was matching or beating the selection and pricing I get regularly at Comic Heaven and Kenmore Komics, two stores that really set the standard for me.

But then I did find some bins with books $5 each or 5/$20 that actually had some "worthwhile" books–that is, not Marvel Premiere Edition hardcovers nor exclusively skinny 6-issue books. While $5 (or $4 with the bulk price) is not bad, it’s still not generally "worth it" to ME on "typical" Marvel paperbacks.

But then, when they’re these massive $35+ paperbacks for that $5, they’re absolutely worthwhile to me. And then with the "bulk" price…I got these for the price of any standard Marvel comic presently being published.

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Along with the paperbacks, on the way out there were some Heroclix figures on the freebie table, so I snagged Nebula…because why not?


lake_effect_comic_con_2018hAs said…I wasn’t originally "sold" on attending this convention, but ended up going because Dirk Manning was going to be there.

Though I wasn’t myself interested in many of the booths, I saw a lot of comics as well as comics-related stuff. I saw several costumes–though I was in and out/gone a couple hours before the cosplay stuff.

If I was on-point looking for pre-1990s comics, I’d’ve likely had my fill…but I wasn’t looking for single issues over 50 cents apiece.

I lucked out with my timing on getting to the hotel, and found an empty (and valid) parking spot just to the side of the building, so didn’t have too far to walk to get inside. No problem with getting in and paying for admission, and being directed to the convention space itself.

The overall space was a bit tight, and I’m glad I got there on the early side, as I hardly want to imagine much more of a crowd present, as I don’t tend to do well long-term with small spaces and lots of people. Getting around was fine for me as an able-bodied individual…I didn’t really look for and so couldn’t begin to say in terms of getting around as part of a group, or disability or such.

I do think this one’s outgrowing this space as well, at least as a casual/outside observer.

There was another convention in Akron on Sunday as well, but for where I’m at personally, I would not have made it out given the distance (and lack of Dirk). This Lake Effect convention was about as "local" as I could ask for, so ultimately as the comics person that I am, there’d have to be something really wrong for me to not actually go (even if I’d be in and out in 20 minutes).

It’s also quite cool to see the "community" in the space. I’m more of an "observer" than "active participant," so just "showing up"–especially by myself–is actually a fairly significant thing for me.

I don’t know if I’d quite use the word "fun" for myself for the con–but that’s COMPLETELY me and being quite the introvert. But I am glad that I went, and definitely look forward to the 2019 con!

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