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Late to the Party: On Marvel and Diversity and Sales and Such

It’s been interesting to read the various pieces over the past few weeks (from ICv2, Bleeding Cool, I’ve wound up clicking a couple links to stuff at CBR, etc) on “Marvel and Diversity” and “the Sales Slump” and whatnot. (And you either know what I’m talking about or not…if not, you probably won’t care about what I have to say here, and I’m NOT playing linky-link “name-dropping” with this post).

Why Marvel has fallen so far in MY eyes, and MY willingness to give them money on any REGULAR basis:

  1. Price
  2. Renumbering (Rebooting, Relaunching, whatever)
  3. Variants
  4. “Event Fatigue”
  5. Inorganic Change for Change’s Sake (Parker marriage, Death of Wolverine, character “replacement”)
  6. Hero vs. Hero with few villains in sight
  7. Rehashing old story elements/beating a dead horse
  8. Everything is a mini-series yet nothing is billed as such

To elaborate a bit:

#1: Price

I am a customer. I am not a shop owner, newsstand, etc. If $2.99 is not enough margin for profit, then what the HECK was $1.99 or $1.25 or $1, and other prices before?!? I’m relatively CERTAIN that the leap from $2.99 straight to $3.99 and the full-dollar increpricesments since ($4.99, $5.99, $9.99) are far BEYOND any reasonable equivalency of inflation and the like. And WHATEVER the “logic” or “reasoning” behind it, that does not change MY bottom line as the customer: I see ridiculously-high prices, I’m gonna resist, be more conservative, and be much much more discerning in what I buy than at lower price points. SINCE I am not a shop owner, newsstand, etc. I am not concerned with all the logistics…as a customer, I’m JUST looking at the price that *I* pay in exchange for leaving with the product.



#2: Renumbering (Rebooting, Relaunching, whatever)


My first issue of Uncanny X-Men was #300. First Captain America I remember was around 400. Adventures of Superman was 453, Action Comics was 651. Detective Comics was 604 and Batman was on #439. Avengers was in the late 300s. Iron Man was in the high 200s, and I’m pretty sure I remember seeing #300 hit. Marvel might try to “go back to” “legacy numbering” by “adding up” all their numbers to a huge whole (effectively leaping from #6 to #150, or #25 to #200, or #10 to #300, or whatever). But that’s merely a superficial, hollow gesture: they canNOT suddenly “get back” what they scrapped, abandoned, avoided, blew up for the last 17-20 years.

high_numbered_first_issuesa_thumb

In the late-’80s/early to mid ’90s, if I found a book at #440, I could easily backtrack and find #250, or #389, or whatever previous issue, and be fine. Suddenly jump to a “total number” system, and I’m in the same (but worse?) boat as NOW: ok, here’s #607…but, well, there’s STILL no #550-599 or such! Here’s #300, but where the heck are #s 40-299?!? Here’s #150, but where’s anything numbered 30-149? Here’s #200, but where’s anything numbered 180-199 and why is it that maybe the most recent prior story arc tops out at #23? (* arbitrary numbers for concept, I’m of NO mood to look up concrete numbers and titles!)


#3: Variants

venom_variantVariants are one thing if they’re used sparingly, and are ACTUALLY “special.” But when there are variants on virtually EVERY SINGLE ISSUE, and it’s an extreme rarity for anything to NOT have a variant, it’s too much! Worse, having NUMEROUS variants for seemingly every single title, and/or even just on several titles in one month, even multiple in one week, with crazy “ratios” on them…it’s a huge turnoff just on PRINCIPLE, regardless of my not personally caring about/for them or wanting them, etc.

And if it means taking some initial “hit” to GET AWAY FROM so many darned variants, then suck it up, cupcake, and just DO it. If you START with “inflated numbers” because of PROPPING stuff up FROM THE START with variants and rely solely on numbers based ON variants, it doesn’t seem like you’re working with accurate counts and reasonable, realistic expectations. (Though I’m not getting into nor do I necessarily care about exceptions or such). I just see a flood of variants such that it’s SPECIAL when there are NOT a ton of variants for something! Again with me being a customer, and not caring about the behind the scenes logistics or logic or reason, it’s just my feeling simply as and from the perspective of being the customer.


#4: “Event Fatigue”

Secret_Invasion_Dark_Reign_Vol_1_1I think MY tipping point was back in 2008 or so, when two “event”/”status quo header” things converged in a single issue; something like SECRET INVASION: DARK REIGN. When “events” just roll into the next event into the next event, then these so-called EVENTS just become STATUS QUO. And when numerous low-numbered and new TITLES get sucked into arc-length tie-ins, it makes the non-tie-in issues into the “special status” or rarities; I haven’t checked but for NOT following, it sometimes seems like there are more tie-ins than not these days, one event to another, such that it’s more common for an issue to BE a tie-in than to not be tying into an event of some sort.

(Might was well just embrace the “seasonal model” and say THIS season is “Civil War II” and everything can just tie to that, then THAT season can be “__________” and everything carries that banner, etc.)

At the VERY least, ONE event should be able to completely wrap up, conclude, end, be DONE and OVER, with some downtime, before REAL-WORLD there’s any teasing/hinting/hyping the NEXT event. When you’re barely HALFWAY into an event and already announcing/soliciting the next relaunch or launch or event or prologue or such (and/or any COMBINATION)…you’re doing too many and far too close together!


#5: Inorganic Change for Change’s Sake (Parker marriage, Death of Wolverine, character “replacement”)

amazing_spiderman_0544This one is certainly far less clear, and I tend to waver on various things depending on exact context, various immediate thoughts, and reasonable conversation. While I absolutely WANT there to be change and GROWTH and for that to be LASTING CHANGE (essentially 20 years now of the Clark/Lois marriage, with a several-year hiccup in the New 52 stuff…and of course, that’s a DC example, not Marvel). Just as I often wondered what it’d be like to “finally” get to the same age as Superman, similar thoughts with Peter Parker. To be years-past high school and college crap; just to actually BE an adult and into another stage of life withOUT all the “drama” FROM high school and college.

And when Marvel‘s shoehorning in a future/older Logan, a clone/daughter female stand-in, I’ve lost track of death/life status of his son, they seem to be bringing in another alternate-reality younger version…it’s like they WANT to have Wolverine, they WANT to have stuff based on that character, but they’re going outta their way to do anything BUT the actual genuine character, rather than SIMPLY dialing-back the character’s presence in EVERYTHING.

When the main/existing titles star unfamiliar characters to the familiar title, I have an issue with it–have new titles and new characters, sure. But save the classic TITLES for classic CHARACTERS. Do stuff organically, and don’t draw crap out. If Thor becomes unworthy, let us IN on it as readers, and follow that story in the course of his own ongoing title, not multiple realunches of the title. (See also: Eric Masterson in the late-80s/early-90s).

I, personally, am NOT going to buy a title specifically/solely on the starring character being “female” or “white” or “non-white” or “straight” or “GLTBQ” or any of those typical “checkboxes” and such. I’m interested in characters that are MORE THAN “just” some “characteristic.” I also don’t want to be preached at, guilted, and so on. Don’t be combative toward me, don’t insult me, don’t tell me I’m wrong or guilty for not embracing every new title and character spun off when there’s already a huge flood of titles and everything is so ridiculously PRICED!

There HAS TO be room for new stories withOUT completely, totally altering characters or changing them outright, especially in some sudden sense. At the same time, I’ll readily admit that some sudden SHIFTS might be required, major significant changes within a single story arc, perhaps…but it has to be “reasonable” and “work,” and not just feel like some “mandate” handed down or that it’s pushing some “agenda” or whatever.

Brubaker‘s Captain America felt far less “general super-hero” than it did a solid spy epic, realistic while holding to classic elements. Bringing Bucky back seemed like such a crap idea, but it was simply DONE WELL and now HAS become an integral part of the character(s). The Iron Man shift from bigger/bulkier armor that (realistically) would need a whole team to transport it was done away with by the Extremis stuff, the bio-armor or whatever it was, allowing Tony to be himself AND quickly/simply go into Iron Man mode.


#6: Hero vs. Hero with few villains in sight

civil_warsWhile I KNOW there was stuff like the Phoenix (AvX) and within that, the X-Men dealt with a new take on Sinister, and I “know” there were some other “villains” in some X-books or that I consciously am aware that there have been various villains plaguing Spider-Man or such… it seems like the biggest events have largely been hero-versus-hero, the larger conflicts being between the heroes themselves, and less of the singular villain threats. While some of this might be more “realistic” or “logical” in a “real world” sort of way…in that “real world” sense, to ME, these “heroes” would also be much more threat than not, and really WOULD themselves functionally be villain figures or legitimate threats/sources of fear for the public. It’s the suspension of disbelief, the fantasy, the larger-than-(real)-life stuff with the characters, the embracing of their being fiction, that made them escapism and entertainment and all that.

I’ll readily admit that some of the more “classic” villains and “plots” and such are “dated” and maybe don’t work as well in contemporary stories; when you have characters getting so much more well-rounded and developed, the “Ha-ha-ha-ha-ha! I am ______ and I shall soon RULE THE WORLD!” stuff doesn’t work so well.

But it also seems like there’s an over-saturation of so FEW villains, and so much MORE of the hero-vs-hero crap or merely “situational” stuff. Of course, I’m so far outta the loop and unwilling to “come back” at any great length until my interest and trust is restored (and that’s talking years of consistency avoiding the stuff that pushes me away).


#7: Rehashing old story elements/beating a dead horse

clonageWe already had a Clone Saga. So why does that have to be brought back again (granted, as a conspiracy)? We already had a Civil War…that’s done again? We’ve had numerous “Return of the Phoenix Force” stories. Numerous “Death of _____.”

Merely digging up old story titles to “reimagine” or “sequel-ize” just doesn’t work for me. Some stuff, there’s room to play on nostalgia or have fun “nods” to past things, but being so overt and forced on stuff, it sucks.

I’m the consumer, and from THAT standpoint I don’t really CARE about logistics of new storytelling and creative teams and such, or “synergy” or whatever…I just care about having new, GOOD stories about characters I want to read and not feel like anything’s forced or pushed, and that I’m not being insulted, bullied, coerced, etc.


#8: Everything is a mini-series yet nothing is billed as such

transformers_0080I sorta tacked this point on, but it goes with points 1 & 2 (Price and Renumbering). I am glad to read and follow lengthy ongoing series, because there’s something TO eventually looking back and realizing I’ve been following _____ for 30 issues, or 68 issues, or whatever. But when it seems like Marvel RARELY gets anything past issue 20 or so, and 30 is like some ancient, mystically-high number…and there are so many Omnibus and thicker hardcover/paperback collections where an entire run of a book can be collected into a single volume, I’d much prefer THAT format. If you’re ONLY going to have 6 issues, I’d rather buy/read them in a single volume. Especially if/when I’m paying a PREMIUM for it. If the single issues were CHEAPER, I’d be fine with that, but BOTH formats are premium-priced, so let me have my freaking CHOICE, as the consumer. I don’t want to be forced/manipulated into something or required to double-dip or such!

limited_series_vs_stealth_cancelIt used to be that something intended as a “limited series” would be marked accordingly, and an ongoing/non-limited series would simply be THERE. Granted, occasionally something INTENDED to be a LIMITED series would be EXTENDED to an ongoing series or such (See the 1980s’ Transformers or 1995’s X-Man for examples).

But there wasn’t the “stealth cancelling” and stuf just put out there with NO designation as a limited run (outside of stunts like Malibu‘s Exiles thing in the early Ultraverse days).

You either expect something to last awhile, or you don’t–but you should be up-front with your customers instead of trying to sucker them!


Concluding-ish

There are so many other factors and details and combinations and whatnot. These have all been “main” things, and any/all individually or in any random combination, at a random time, with a certain sort or source of hype, can serve to frustrate me or just set me off such that I’ll drop or avoid something on principle alone, if not flat-out long-term line-wide disinterest and such.

DC is guilty of plenty, but their lower prices on single issues, their far better prices on collected volumes and size of collected volumes (with great/superior pricing) get them a better “pass” on stuff. I’d waked away from them completely for a time, and their Rebirth initiative brought me back I a surprising way and I’ve stuck with stuff. Barely a year into that initiative and they have yet to announce any significant or line-wide renumbering initiative or relaunch or whatever; and outside of their having “restored” Action Comics and Detective Comics to legacy numbering, I hope they–at this point–simply keep the “current numbering” and allow long-standing titles TO amass larger numbers again…to EARN the high numbers.

And even if I can’t exactly put my finger on a reason, Marvel has so disgusted me on so many of these in various ways that their BRAND itself is “tainted” and I just associate the name Marvel with too-high prices, ridiculous stories, variants, lack of consistency and numbering and whatnot such that outside of rare/special/nostalgic things (X-Men: Prime/Gold/Blue and such) I’m just gonna gravitate to DC or TMNT right now.

General Mills Presents: Justice League (2017) #4 [Review]

general_mills_2017_justice_league_0004Alien Justice

Writer: Tony Bedard
Penciller: Tom Grummett
Inker: Keith Champagne
Colorist: Sotocolor
Letterer: Wes Abbott
Cover Artist: John McCrea
Cover Colorist: Mike Spicer
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

This is the fourth and (presumably) final issue this time around. Several years ago, they did a run of #s 1-4, and the next promotion had #s 5-9…so I would not be shocked if that happens again (or not, either way). But to my knowledge, for the current promotion, there are only four different issues, of which this is the last.

For me, personally, this is also the most common and plentiful…as of this typing I have something like 9 or 10 copies! It’s become the one to LOATHE seeing when I pull it from a cereal box. That said…

This was probably my favorite read of the four. Perhaps its the immediacy of it–the most recent one I read–as well as the generic feel of #3 that this certainly topped by far. But I really enjoyed this in and of itself.

A giant alien ship shows up over San Diego, and begins sucking up the ocean just offshore. Aliens broadcast to the world what they’re doing and why–they’re taking Earth’s water, as Earth has too much of it and their world doesn’t have enough, and that’s just a huge injustice! The League springs into action, attacking this threat on multiple fronts, each to their strength/specialty. As this is an Aquaman-centric issue, he gets more page time and we get stuff more from his point of view…including the requisite (for this series) “flashbacks” to his youth. As the present-day situation continues, we flash back to see a young Arthur dealing with being of mixed heritage–part surface-dweller, part Atlantean. He sees people react to the notion of someone different, and then talks with his dad, who advises him on the wisdom of finding common ground when one is so different from another. Young Arthur gets a tangible opportunity to put that advice into practice when he encounters some Atlanteans threatening some local fishing boats. The lesson apparently stuck with him, as back in the present, he devises a solution and quickly acts to implement it. With help from (perhaps unexpected) sources beyond “just” the League, a bad situation is halted, with a bit of potential redemption coming out of it, with elements of a win/win scenario.

I was comparatively quite disappointed with the last issue and its feeling of being so generic after the first two issues of this “series.” This issue gets us back to “Name Creators” that I recognize, and is a second Bedard-written issue…with art from Tom Grummett, another creator whose work I quite enjoy, period. As such, it should not have surprised me to enjoy this story as I did. It’s a self-contained piece, and does include a bit of that “special message” peachiness to it…but that’s mitigated quite a bit by my relative lack of familiarity with details of Aquaman…he’s a character I’m pretty aware of while having quite the significant blind spot. Though I’m certain this issue’s flashbacks are “new” and involve a version of the character perhaps different from others…it doesn’t bother me as I have so very little to compare it to.

That lack of familiarity also lent itself to my being able to TRULY appreciate this as I believe one would hope the target audience would/could: this makes me a little more familiar with the character and his background, shows me some important elements of the character, and generally serves as a bit of a touch point for me. It sets some of my character-specific expectations for Aquaman in a way that the other issues did not do for the leading characters…and reminds me a bit of the impact The Untold Legend of the Batman had on me as a kid and my then-knowledge of Batman, or that The Man of Steel #3 “audio comic” did for my understanding of Superman.

Grummett‘s art carried a definite sentimentality for me…the visuals for this issue reminded me of other work he’s done, particularly his prior work on Superman, as well as Robin and Superboy. That’s certainly a good thing–as is the art in itself. This is not just a good-looking “cereal comic,” but a good-looking comic, plain and simple!

Though I’d be inclined to choose Superman or Batman first…this Aquaman issue is definitely THE treat of the set, and very well worth reading if you find it!

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General Mills Presents: Justice League (2017) #3 [Review]

general_mills_2017_justice_league_0003Truth Hurts

Writer: Ivan Cohen
Penciller: June Brigman
Inker: Roy Richardson
Colorist: Jeremy Lawson
Letterer: Wes Abbott
Cover Artist: Dan Panosian
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

I like these semi-yearly promotions, with DC Comics in cereal. However, this has been THE worst one yet, from two prior Justice League sets and last year’s Batman v Superman: it took an absurd 19 or so boxes of cereal for me to get ONE copy of this 3rd issue. (Meanwhile, I have 9 of #4!) And contrary to the first two issues by what I would consider "name creators" that I recognize, this issue is the worst of the three so far. Or perhaps "worst" is a "strong word," but this is the most generic of the three so far, and comes off worse for comparison to the first two issues.

This one focuses on Wonder Woman where the previous two focused on Superman and Batman, respectively. The Justice League arrives at the site of a volcano that’s about to erupt. The team splits up to approach the situation in their own ways to try to minimize destruction. Aquaman winds up unleashing an underground stream, dousing the League. Then everyone turns on each other, apparently selfish and irritable and downright mean. Wonder Woman–Diana–reflects on an incident from her childhood where she was hurt by stuff her friends had said about her and fled to another island, where she faced the wrath of a minotaur. Based on that experience, she applies the lesson to the present and ultimately the group discovers that something in the water had affected them all, and they resolve the conflicts by admitting the truths that were brought to the surface, and are able to deal with the volcano, preventing any loss of life, though there’s plenty of property damage. Finally, Diana proclaims that real friendship can survive any revelation, and the Justice League are the truest friends of all.

Again, this is the most generic of the issues for this promotion, and comes off that way both story-wise and perhaps even moreso, visually. The story reeks of the "very special episode" and such…perhaps I’m also annoyed and more sensitive to it given the number of duplicates of the other issues I amassed just trying to get this one. But I didn’t feel like the other two issues were nearly as "preachy" on the "special message," though I had noticed a "message" to each of those as well.

The art here is ok–not horrible, but far from wonderful. The characters and designs are recognizable but seem a bit inconsistent, and lacking the "big name" or "recognized" creators, this comes off all the more as what it is–a generic freebie from a box of cereal that happens to have "current" versions of costumes with characters that aren’t given room for much depth (a one-off single-issue story with numerous characters and an attempt to "focus" on Wonder Woman).

That I went through the hassle I did, accumulated a year’s worth (or more) of cereal goes to show my personal OCD and such (and marks me as an ideal "target" for this sort of promotion!). Though the numbering of these–#s 1 through 4–makes for a "complete mini-series" of sorts, if you’re NOT interested in having all four, I would not worry about trying to get this issue unless you want the specific focus on Wonder Woman (a focus that is more of a "gets more pages" than being a Wonder Woman STORY).

Ultimately, for a "free" comic from a box of cereal, this isn’t horrible, but is far from wonderful. I found myself recalling the likes of The Untold Legend of the Batman, which I believe had a "cereal edition" in the mid-1980s. Those were reprints of an actual in-continuity story…I think I’d almost rather see something like that (re)-attempted…or at least, I think something like this (offering miniature editions of comics in cereal) would be ripe for promoting some of DC‘s actual #1 issues to try to hook readers.

I certainly would not begin to consider this issue "worth" a standard cover price, and not worth the boxes of cereal I bought to acquire it…though at least the variety and quantity means I’m not going to have to buy cereal again for a long time, as I will actually (eventually) use it all.

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Action Comics #976 [Review]

action_comics_0976Superman: Reborn Part 2

Writer: Dan Jurgens
Pencils: Doug Mahnke
Inks: Jaime Mendoza, Christian Alamy, Trevor Scott
Colors: Wil Quintana
Letters: Rob Leigh
Cover: Patrick Gleason & John Kalisz
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Special Thanks To: Peter J. Tomasi & Patrick Gleason
Published by: DC Comics
Cover Date: Late May 2017
Cover Price: $2.99

[ SPOILER WARNING! This issue WILL BE SPOILED below… ]

I suppose I shouldn’t be entirely surprised, yet I still managed to be: after three issues building toward something HUGE…this felt very anti-climactic. Rather than coming off as "organic," to me–at least on this initial read-through–it came off as rather forced and after-the-fact than an organic, planned development.

[ I really will be spoiling this below, so consider this your final warning…spoilers after this line are preceded by plenty of SPOILER WARNING to absolve me of feeling guilty for discussing the issue in detail plainly. ]

We open on Mxy going off on Superman…or at least A Superman. In Mxy’s pocket-existence where Jon’s being held, A Superman and Lois have arrived. Jon recognizes them…they fail to recognize him. While Mxy revels in the chaos, even taunting this Superman, Jon realizes with horror that the woman he believes to be his mother doesn’t even remember him. While two spheres of blue energy approach Jon, Mxy opts to leave, warning of someone far beyond even himself as the cause of everything. That he–Mxy–was merely taking advantage of a situation already present. Channeling power from the blue ‘ghosts’, Jon manages to oppose Mxy, who offers him one last chance to leave this existence. Jon refuses, and Mxy leaves. As the reality crumbles, the blue energy merges with the New 52 Superman and Lois, restoring their memories of Jon and their lives together…and all reality re-knits, merging what we knew from pre-Flashpoint and the New 52 into one continuity, with Superman simply…Superman. But married to Lois, and with their son–Jon–as Superboy. Somewhere else, Mr. Oz looks on and marvels at the situation, at the love shared between Lois, Clark, and Jon, and how it unites realities. And finally, a hint that there’s someone–and/or someTHING–else out there still influencing things.

I feel like this was telegraphed a mile off, so to speak. New 52 Superman and the "real" Superman would merge, their realities fused/merged into one, to simply BE Superman, supposedly no more "divide" and smooth over stuff.

It doesn’t really work for me, as far as the in-story stuff goes. I could even have probably "bought" the notion of Mxy re-setting stuff somehow, though usually his machinations are undone when he disappears. Just continuing to merely "hint" at something else out there is getting old, and I’m ready to just be TO whatever ‘event’ that will be, and get beyond it. To just have A single DC Universe, even if it’s actually a multiverse, and either the New 52 completely wiped away or officially merged and just have a set UNIVERSE that is what it is and get on with stuff.

Visually, parts of this issue were quite "off" for my preferences, but not bad. I really like the "new costume" for Superman, essentially being the classic costume minus the trunks, and a modified (solid) belt (instead of the dots of red thing that’s been going on awhile). We seemed to have pre-Flashpoint Lois and Clark turned into energy and merged with the New 52 versions…but then a sort of switch up with the new costume, and it seems that Jon’s been given additional power (I had it in my head that he couldn’t fly, and he seems to be, here).

This resolution and issue as a whole seems to be an attempt to bring stuff together and "unify" fans of either Superman by making it so that both are one and the same–that New 52 Superman was always part of THE Superman, and the pre-Flashpoint Superman we had from Convergence, Superman: Lois and Clark, and the past ten months of Rebirth was not himself whole, but is now, with the merging of the new. This combined with stuff from last November’s Superman Annual would seem to have stuff in line for that, to firmly establish Superman is Superman and now whole, PERIOD.

I guess time will tell.

There’s still plenty of dancing around the fine details…even with the double-pager showing stuff from "both" continuities, it’s hard to tell–for me, at least–exactly what’s what, or supposed to be what–and what’s just looking different because of the artist’s rendition.

While I’ll grant that the "new costume" deserved its full-page "reveal" and the double-page spread of the "new history" deserved the room, I’m also a bit disappointed at how quick a read this was.

My feelings on this issue are certainly victim to the "hype machine," and to wanting to see some overt reference to Superman Red/Superman Blue, to SOMEthing more with the notion, at least, of Red and Blue, and some overt explaining of things. Instead, a lot seems to have been left to the visuals, to whatever the reader wants to interpret. Maybe it’s stuff to be explored in coming issues–but to consider this a conclusion seems to understate things, and though I certainly appreciate NOT having stories stretched out, I think Superman Reborn certainly deserves to be at least another chapter or two, to really lay things out and concretely state what’s what and when and all that.

Superman Reborn started strong, with a lot of epic possibility and potential. Sadly, it–at least for me–ends far short of what I’d hoped for, underwhelming me despite itself. I trust that stuff will play out in coming weeks and months, with further details and ramifications touched on…and hopefully this mainly just means that we’re NOT locked into "the graphic novel" of exactly X issues to a story with hard stop/starts. Perhaps this is just a "main event" and the full details WILL be revealed here and there–organically–as things continue.

I had to go to two different shops to find a copy of this issue, and got the last copy at the second shop…so I’m pretty sure that a number of people have been grabbing this issue even if they hadn’t been getting previous issues. Perhaps the nostalgia, more likely the hype–particularly from sites like Bleeding Cool–and jumping on for whatever this one issue would hold, regardless of continuity. Story-wise, art-wise, it’s a solid enough issue (note my feelings of its failings above) well worth getting if you’re already following either/both titles or this particular story.

But it’s not worth the "hype," at least on one read-through and thinking on it. That said, I won’t be surprised to have my feelings on it changed by further thought, analysis, and points of view…this post simply being my initial thoughts/reaction to the issue on a single read-through.

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General Mills Presents: Justice League (2017) #2 [Review]

general_mills_2017_justice_league_0002Dark Reflections

Writer: Fabian Nicieza
Penciller: Rick Leonardi
Inkers: Bob Wiacek and Scott Hanna
Colorist: Rex Lokus
Letterer: Comicraft
Cover Artist: Scott Koblish
Cover Colorist: Val Staples
Assistant Editor: Brittany Holzherr
Editor: Steve Buccellato
Group Editor: Marie Javins
Design Director: Larry Berry

This is the "second" issue of four being made available to the public "blindly" via insertion into specially-marked boxes of General Mills cereal. Though the issues ARE numbered, the first issue and this one do not seem to draw on each other or lead into the other with any singular story, so the numbers are–I’m pretty confident in saying–there to stimulate collectors’ OCD to collect ’em all.

This issue focuses on Batman, though it guest-stars the rest of the Justice League.

Batman arrives home after a "typical" night out. After talking with Alfred and having a flashback to his youth where his parents were still around, Bruce catches a glimpse of a reflection in the mirror that is most certainly not him looking back! Turns out that Mirror Master (one of Flash’s Rogues) has expanded his reach (with the unintentional assistance of Flash himself) to vex the entire Justice League. Using mirrors as gateways, interdimensional counterparts of our heroes are brought through, and the heroes square off with them. While everyone tangles with their mirrored counterparts, Batman (through recalling an incident from his youth) develops a plan to deal with this threat and stop Mirror Master.

Nicieza and Leonardi are a couple more names that I’m definitely familiar with, though I’m far moreso with the former than latter. I’m honestly impressed at the way this issue–and this round of GM Justice League as a whole–has the talent and appearances of something much bigger and less generic than "just" cereal-box comics. At the same time, unfortunately (by seeming necessity) these ARE rather smaller and more generic than non-cereal counterparts.

The story itself is fairly basic, drawing on some basic tropes of comics in general…particularly the lead-in with Batman having just gotten back from a night out, talking about the off-panel adventure, remembering something from his childhood while his parents were alive, and that conveniently being relevant to the current story at hand. Yet, while that may come off as a negative…it fits perfectly into what these comics can and might be–someone’s first. These days, it’s not hard to imagine that there are countless staunch fans of even "obscure" comic book characters…yet said fans may never have actually experienced a comic book! So while these are overdone, overly-familiar things to me as a nearly-30-years comics reader, they may well be someone’s first exposure and be at least some small part of their journey into comics.

The story elements overall do not particularly contradict what I know of the characters, and particularly Batman in this case, though this definitely comes detached from the nuances of recent continuity that I’m familiar with. My biggest eye-opener is the notion of the characters nonchalantly hauling the moon out of its orbit with zero repercussions to the Earth. Perfect for a comic like this, maybe, but epic event-level stuff in general continuity.

Visually, if the pages were "regular" sized and I didn’t see a cover, I wouldn’t really know this was "just" some cereal-box comic…it has "established talent," and does not look like some generic thing. The art is quite good in and of itself, though as with a lot of comic book art, its primary drawback is simply in not being by one of a handful of my favorite comic artists. Once again, these characters look like they’re right out of early-2017 full-size DC comics, down to Batman’s current gold-outlined black bat symbol. Superman’s look is about to be out of date, but fits well into the past ten or so months’ worth of DC Rebirth.

As with the first issue, this was an ok read with good art. It’s a cereal comic and certainly worth reading, but it in no way affects continuity nor particularly draws from it. You might appreciate this more if you’re NOT up on current comics, as you may be less likely to do hard comparisons. I wouldn’t go out of the way to hunt this down, but if you like the cereal and it’s in the box, definitely give it a read-through!

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Winston World and the Weekend Haul: Weekend of March 17-19

winston_world_weekend_haul_blogtrailer1While this weekend was Wizard World in Cleveland, I never had any intention of attending that. I’d attended a Wizard World convention in Columbus a few years back, and decided that it’s not a convention "brand" I care to deal with (long story’s another post someday; short story is that it’s too expensive for too little comic-content, and it seems unlikely that the brand can possibly ever get back to the Chicago edition of the con I attended in 2007).

Fortunately, Carol & John’s opted to hold a sale for those #NotAtComicCon: Winston World!

Along with that, Half-Price Books had a week of coupons beginning last Monday, with two days of 20% off your most expensive item; two days of 30%; two days of 40%, and culminating in the final day’s 50% off your most expensive item. While 20% didn’t mean much to me, I jumped in, taking advantage at the 30% and snagged a few things, as I showed off in last week’s Weekly Haul post for Wednesday and Thursday.

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My primary interest in the Winston World stuff was the 75%-off graphic novel bins. There’d been several books I’d had my eye on that weren’t quite justifiable to me even at 50% off (and/or just didn’t have room in the "budget" weeks I was there) that would certainly be more than worthwhile at 75% off!

While one of the main books I was interested in was no longer there, I did find the three above that I couldn’t quite talk myself into passing up for the price. (Namely, each was cheaper than 3 current Marvel single issues!)

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The Ultimate Comics: Divided We Fall, United We Stand was still there, so I snagged it. Then I started poking through back issues, and snagged the Peter David Supergirl #1, which puts me one issue closer to a complete run on that.

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The 50% off back issues brought the cost of these issues to around or under half the cost of a current DC issue, so I snagged the three Superman Specials and the actual Superman issue that had Superman meeting Destiny for the first time (and reprinted in the DC Retroactive – Superman: The ’80s).

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I also picked up several Batman issues post-Death in the Family/pre-Lonely Place of Dying that I’m missing (or pretty certain I’m missing). A bit more expensive than I’d’ve preferred, but they’re issues I don’t tend to see in quarter-bins, and for 50% off, it brought them into the price-realm of "no worse than buying a current comic." And kept me well under $10 an issue!

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For convenience’s sake, snagged most of the The Day of the Krypton Man arc, likely to join with Krisis of the Krimson Kryptonite as nostalgia reading in the near future. Unfortunately, they did not have the second Adventures of Superman issue (Chapter V) but I was pretty sure I’d be able to snag that without much problem later.

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Along with the Winston World/St. Patrick’s Day edition of the shop’s sticker that was being given away with any purchase, I also opted to buy one of the regular ones. I haven’t decided yet where to actually stick them, but I’ll try to remember to post a photo here or on Facebook once I do!

All in all, I got out for around the cost of 12 current Marvel issues!

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I then ducked into Half-Price Books to use a 40% coupon. Despite the spine damage (which I’m hoping I can at least somewhat repair with some glue) I opted to snag the Five Years Later Omnibus, as I can’t imagine finding a copy anywhere near this price elsewhere/when. This completes my "set" of New 52 "event-Omnibus" volumes (already having the #0 issues volume from 2012’s "event" and the 2013 Villains volume).

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A friend visited over the weekend, and while we were out and about, we stopped in at a vintage toys store in the Cleveland area–Big Fun Toys. Loads of great toys new and old to see, plenty of classic games and books, too. While I have my eye on some figures that were in a display case and thus more expensive…I picked up these four TMNT figures at the excellent price of $3 each or 4/$10! I was going to get three, but on learning of the 4/$10, I went back to the bin and grabbed the Fugitoid figure! I’d had a Fugitoid back in the day, but it disappeared over the years, so this one will (for now) serve as replacement. Genghis Frog, Groundchuck, and Scumbug are new-to-me characters that I’d never owned.

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At HPB again, using the second day’s 40% coupon, I snagged the Dungeons & Dragons boardgame Tyrants of the Underdark. Way above my price range at full price…but far more reasonable at 40% off! Not quite as cool as a couple of the other D&D games, but still a worthy addition to the games shelf!

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Sunday, I drove out to a third HPB location, hoping to snag a hardcover I’d seen some weeks back. Unfortunately, it was no longer there…someone apparently was more determined than me to get it, taking advantage either of opportunity, the week’s coupons, or both.

On my way back, I swung by Comic Heaven and found that Adventures of Superman issue I wanted! Also snagged some card boxes to use for shelf displays, having found them to be excellent, cheap "risers"!

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I stopped back into the closest HPB, determined to go ahead and use the 50% off coupon. I hadn’t seen/"left" anything at the one I bought the D&D game at, so went back into this thinking of getting the Batman: A Celebration of 75 Years that I’d been eyeing. While it would have made for an excellent purchase…I figured it’s a sort of "anthology" volume, I’ve no clue my likelihood of getting other _____: A Celebration of __ Years editions beyond the Superman and Lois Lane ones I already have, and it seemed a shame to use 50%-off on such a low-priced item that’s well worth its marked price.

So, since they still had it, I opted for the "set" of Impulse #s 1-89 plus Annuals 1 & 2.

With the coupon, they became 25-cent books…these 91 comics cost me the same as what SIX current Marvel issues would.

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All in all, a VERY expensive weekend (compared to usual). But, no money out of pocket solely for the privilege of walking around and then giving dealers cash for product. No significant lines, no major miles or gas costs, no lodging, etc. Yet the weekend’s "haul" is certainly on-par with a solid convention’s haul…but without the general hassles OF a convention.

Now I’m really counting on the upcoming "new comics day" being a small one!

Superman (2016) #19 [Review]

superman_0019Superman: Reborn Part 3

Story: Peter J. Tomasi and Patrick Gleason
Pencils: Patrick Gleason
Inks: Mick Gray
Colors: John Kalisz
Letters: Rob Leigh
Cover: Patrick Gleason and John Kalisz
Assistant Editor: Andrew Marino
Editor: Eddie Berganza
Special Thanks To: Dan Jurgens
Published by: DC Comics
Cover Date: Late May 2017
Cover Price: $2.99

Well, it’s safe to say I had too-high expectations for this issue, coming off the previous issue AND Action Comics #975. Though this issue advanced stuff a bit, it did not on initial reading hold up to my own internal "hype."

With the villain revealed, we basically get to see Clark and Lois being made to forget their life together, their son Jon, and to play along to Mxyzptlk’s game. As the issue ends, we have a bit of a throwback on stuff, that can kinda call into question this arc’s title and make one really wonder what’s going to happen in the fourth/"final" chapter before we head into April’s DC stuff.

Yeah, that’s all a bit vague, especially for a review, but this issue was all over the place–capitalizing on Mxy’s reality-bending powers and inclinations. And this is my "snap judgment," initial thoughts after having just read the issue, taking it–as I try to all my reviews–on a first reading without getting overly deep into it. My preference, my style.

The story picks up from the first half of Action 975, and seems to almost ignore the secondary Dini story. It also seems slightly out of nowhere to me, like I missed something. We had intro/setup stuff and the building of tension in the first chapter, getting things rolling. The second chapter brought that stuff to a head and revealed the villain of the story as well as paying off most of a year’s worth of build. I’ve plenty of anticipation and suspicions as to possibilities for how this story might end…so this "middle chapter" that’s neither setup nor conclusion is somewhat stuck in place, unable to conclude stuff, but not much new to be able to put out there.

The imagery is a bit wacky and trippy…which perfectly fits with Mxy and his powers and such. But it also made for a too-quick read; I rarely "like" multiple splash pages or double-page splashes and find them to be a huge "cheat" story AND page-wise in modern comics. That said, the spread with the game board worked quite well for me, all things considered.

This issue does not "sell" me on Mxy’s legitimate motivation for stuff…where it actually made sense in the Action Comics chapter, here he just comes off as petty and mean…I didn’t feel any of the "heart" of his motivation here.

I’m quite certain virtually no one–especially in this day and age–is gonna be inclined to "jump in" with the 19th issue of a series, labeled chapter 3 of a story. This is not something for a first-time reader, but is an issue for the ongoing reader, or the reader who’s dipping their toe in for this ARC.

In a way, this issue feels nearly "skippable" or extraneous, though I’m sure some small "details" will play into the conclusion and whatever status quo going forward from next week’s chapter. I would not actually recommend skipping this issue, but I’d highly recommend that anyone thinking of picking this up also pick up the first two chapters with plans to grab next week’s fourth chapter!

I was also slightly incorrect in my "assumption" of the covers for this story: they ARE going to join together in a 4-panel connected image…however, rather than a 2 x 2 configuration, they’re a 4-panel "tall" configuration (which is shown in the text piece on the final page of the issue, after the story itself).

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