• March 2018
    S M T W T F S
    « Feb    
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

  • Advertisements

Token Photo Post: My Manga Collection

I almost had daily posts this week, for the weekdays! With some personal stuff going on that took up my Thursday and then exhausted me further on Friday…to get the (week)daily posts for this week…here’s a "token" photo post!


I’m presently (still) reworking my basement space with bookshelves and such. I’ll certainly do a mega-post at some point once I’m done, to show off the entire space AND the specific shelves and collection and such.

But for now, I’ll stick to showing off some of the shelves in somewhat isolation.

Here? My manga collection.

On top of the bookcase I have the complete Dark Horse run of Lone Wolf and Cub. No clue when I’ll get around to actually reading the things; though I think back in 2001 or 2002 I got through the first 3-4 books. That far back, though, I’ll surely have to restart from volume 1.

Then there’s the complete run of Naoki Urasawa‘s Monster; I still have the final four volumes or so to read.

Next is the entire 8-volume run of Chobits, which I had bought and read in its entirety in less than a week back in 2004; partly as self-distraction with losing Grandpa and amidst the funeral and such.

I tried getting into Fruits Basket thanks to the friend that introduced me to Chobits as well as a "promo dvd" that I’d had with an episode of Fruits Basket and Dragonball GT or whatever. But I only made it a few volumes into the series before falling way behind.

Yu-Gi-Oh! I only ever got the first volume…I read it at the time, but never got around to the later volumes.

The first three Pokemon books there are "digest-sized" collections of single issues that were published (I believe) by Viz; whatever the case, I have the single issues for the first couple volumes. Then there are the first three volumes of Pokemon Adventures that I snagged for a buy-2-get-1-free sale a few months back; I’m about halfway through the first, but shelved it to make sure I knew what I was doing with spacing for the shelving.

As always…I own and continue to buy way more than I can possibly read right now…but hey: someday!



The ’90s Revisited: Dr. Strange #36


dr_strange_0036Footnote to Infinity

Writers: Roy & Dann Thomas
Penciler: Dan Lawlis
Inker: Andrew Pepoy
Letterer: R. Parker
Colorist: George Roussos
Editor: Mike Rockwitz
Editor in Chief: Tom Defalco
With Special Thanks To: Jim Starlin, Advisor
Published by: Marvel Comics
Cover Date: December 1991
Cover Price: $1.50

I bought this issue completely outside of any kind of context for the Dr. Strange: Sorcerer Supreme series. It initially caught my attention specifically for the presence of Adam Warlock on the cover with the Infinity Gauntlet. The corner blurb that this is an Infinity Gauntlet "Epilogue" solidified it for me. I’ve read The Infinity Gauntlet a couple times (though it’s been a number of years now and I’m due for a re-read–as if I’m not extremely far behind on all my NEW reading) and early issues of Warlock and the Infinity Watch. But I’d never read this issue, and I was curious as to exactly how it was addressing Infinity Gauntlet, its place in the timeline. I’m glad to say that my curiosity was satisfied.

We open on Dr. Strange arriving back home, reuniting with his supporting cast. It’s an impromptu party, and among other reunions we see Strange and Clea (who is the only other person in the room that remembers what happened). As they dance around the subject and share the joy of everyone being present, Wong announces that he’s engaged…and moments later, Pip the troll and Gamora appear, disrupting things–they’re here for Dr. Strange, hoping he might aid them in dealing with a driven-mad-with-power Warlock. Strange confronts Warlock, and winds up having to use every resource available to him, basically, just to hold his ground. After he’s "survived" attacks involving the other Infinity Gems (yes, this is back when they were GEMS, not STONES), he turns the tide by going after the Soul Gem–the one most closely linked to Warlock…and manages to get through to him, helping him see what’s happening, and stand down. After thanks, a friendly handshake, and promises to see things stay on the right path, everyone parts ways…though Strange gets a brief encounter with Eternity…the cosmic being representing the universe itself. Eternity intends to claim the Infinity Gems, by bringing Warlock to some cosmic trial…but that’s not for Strange to deal with, and he finishes his return journey home.

I’m sure I would have enjoyed this issue more if I was "up" on contextual continuity for this series at the point this issue falls. I basically remember THAT Strange was involved early on, being maybe the first Silver Surfer made contact with of the Earth heroes regarding Thanos having assembled all the Gems; and then with Warlock and the "behind the scenes" crew in taking on Thanos. I also vaguely remember that Wong was one of the "half the living entities in the universe" that were blinked out of existence at the start of Infinity Gauntlet. I’m not invested in any of the supporting cast or cameo appearances. And I felt like Warlock was extremely out of character, given the out and out attacks directed at Dr. Strange…and it all rang as the old cliché "hero vs. hero" and such that I really don’t care about. At least here, though, the situation is resolved within the same issue, it does NOT take up the ENTIRE issue, and certainly does not become an entire story arc for a mini-series or title. I was glad to see stuff resolved here, and where I was curious going in as to WHERE exactly this took place in "the timeline," the end of the issue with Eternity suggests to me that this essentially led into Warlock and the Infinity Watch #1.

Story-wise, this felt like "the next issue" of the title. That is, it didn’t waste time trying to retell that which is told elsewhere, nor did this feel like just some "middle chapter" or such of a serialized graphic novel. There are details that are obviously "subplots" being moved along, while the main focus of the issue is an encounter that is begun, run, and resolved within this issue. For a reader perhaps checking this out BECAUSE of seeing Strange in Infinity Gauntlet, it seems to have him pulling out all the stops, and in a way "showing off" for the newer readers, while perhaps reminding older readers of what he can do on his own, as more than just a single character of a huge ensemble cast in a Marvel Universe event.

Visually, I liked the art for this issue overall. For one thing, I felt like I recognized everyone I would expect to–particularly Dr. Strange himself, Pip, Gamora, and Warlock. I attribute this to a "house style" that I feel like I recall being prevalent in the early ’90s; at the least, everyone looks familiar enough that I had no problem with their appearances and nothing messed with my memory of how they "should have" looked or whatever.

As a single issue, this isn’t enough to "sell" me on Dr. Strange’s series…I’m in no particular hurry to find out what happens with the next issue (though I’m "curious" at the tease of "Frankensurfer" and wouldn’t be entirely opposed to keeping an eye out for the issue in a passive sense) nor do I feel any great need to rush out and get previous issues. That said…this seemed a solid issue, a decent follow-up to Infinity Gauntlet, and probably not the worst thing one could read from Marvel for the early 1990s. I enjoyed it enough to have more than justified the 25 cents I spent for it, and I’m glad to have read this.


Oblivion Song #1 [Review]

oblivion_song_0001Writer/Creator: Robert Kirkman
Artist/Creator: Lorenzo De Felici
Colorist: Annalisa Leoni
Letterer: Rus Wooton
Associate Editor: Arielle Basich
Editor: Sean Mackiewicz
Cover: Lorenzo De Felici
Published by: Skybound Entertainment/Image Comics
Cover Date: March 2018
Cover Price: $3.99

Seeing some hype on this book ahead of time, when I saw it was "finally" out, I grabbed it to give this #1 a chance. I’m far from "wowed" with this, though there’s a bit of potential to it.

For the first 11 pages of the issue, the whole thing is basically some alien world with creatures that we have no idea what they are, some people that we don’t know who they are, we don’t know what’s going on, and as a comic book, I would expect a fair bit of dialogue or narration/captions to provide some exposition. Instead, it’s like something trying to be a storyboard or some other cinematic thing INSTEAD OF being a comic book.

Agh! Wha–?! Where?!

Huff! Huff! Huff!

Oh, crap.

No, no, no!

Oh, God!

Piece of junk…

C’mon… c’mon…

Work–damn you…


That would be sparse dialogue/word balloons for one page…but for 11 pages, that’s an average of a mere TWO words. Per PAGE.

Now, I count 23 more pages (several of which have similar quantities of dialogue), but that does put this issue at 34 pages, for "only" $3.99 compared to say, Marvel giving 20 pages for $3.99. So I suppose that makes up for this 11-page near-silent "prologue," though I’d almost expect something like that to have been a preview or prologue ISSUE or such with some other content–interview with the creators, some sketch pages, etc. and then the opening of a "regular" #1 to refer to it to remind a person there was content immediately preceding story-wise.

Essentially, over the course of this issue, we learn that some event happened in the past that shifted part of a city into some other dimension. While most have considered those people to be dead, there’s been cause for hope in some returning. We meet Nathan Crenshaw–who has some personally-developed tech allowing him to cross into that other dimension and with some sort of injection, return himself–and/or others–to Earth proper. He needs funding to be able to do this on a large scale, to thoroughly cover ground in the other dimension and rescue those that can be. He’s denied said funding, as we also come to learn that his primary motivation is rescuing his own brother. When he goes back for another go at finding him, we’re then introduced to some inhabitants/survivors of "Oblivion" including an individual certain to be crucial to the situation presented throughout the issue.

Story-wise, this issue does a fair bit of world-building, set-up, and introduction to the concept of the series. It definitely comes off as the pilot episode to a new series…even having the aforementioned cinematic feel that came off to me as counter to the purpose/point of being depicted on the page of a comic book. The scene might play well as live action, but for a comic book, I did not care for it at all–ESPECIALLY as THE opening sequence of a brand-new series.

That said, this is Robert Kirkman, who brings us The Walking Dead, and seeing as that series has run over 150 issues, there’s a lot more to go on from that series than this for now. Everything has to "start somewhere" and this being a whole different story, whole different world, and so on, there’s no context for "shorthanding" anything to convey more than what’s actually given. We’re only able to go on exactly what Kirkman gives us to figure out this world.

Visually, I have no complaint outside of just having zero context for the creatures of Oblivion and being tossed in to try to interpret what I’m seeing with no idea what I’m supposed to be looking at. The art in and of itself is good, and for the depiction of the people in the story and no point of comparison, it just works for me as "a comic book’s art." I imagine I’d have more to say for a subsequent issue, at least in terms of whether or not it stays consistent or such. I’m also glad that as short as much of the issue is on dialogue/words, at least there weren’t double-page "splash pages" to breeze by with but a glance.

This is an extra-length issue, based on assumption of 20-22 pages being a standard-length issue for $3.99; I would not expect so many pages in later issues (though would not mind them!) and would expect the extra pages made up for and allowed for the extended "silent" scenes. I’m curious to see what/how this develops, and on the strength of The Walking Dead would be inclined to give this series a shot. Of course, as with most comics and virtually all "indy" titles, I suspect I’d personally enjoy this more by waiting for a collected edition.

If you can find this for cover price (and not some jacked-up "speculator price") and enjoy Kirkman‘s work in general, I’d encourage picking this up to try for yourself and see how it comes off to you. As long as I’m not duped or otherwise vexed by a variant cover in the meantime or at point of sale, I’ll probably check out the next issue before I decide for sure if I’ll pass on the single issues and wait for a trade. Assuming this would get a "$9.99 Volume One," even getting the first couple issues AND a trade, it’ll cost about the same. That said, I’m not particularly "impressed" with this, and leave it as a more "passive" recommendation than anything "active."


The Weekly Haul: Week of March 7, 2018

This week ended up being a relatively small, simple week for me as far as new comics go.


New Superman issue, new Batman issue, 10th issue of Bane: Conquest (of 12). I nearly missed noticing Rogue & Gambit. I gave in on “hype” for trying Kirman‘s new title Oblivion Song. Having quite enjoyed the animated series in the ’90s, I’ve been getting The Tick‘s new series.

And seems we’ve got a new wave of True Believers issues this month for Spider-Man and Venom. I snagged the re-purposed reprint of Amazing Spider-Man #300, billed here as Venom vs. Spider-Man. I was pleasantly surprised at the thickness of the issue, especially for “only” $1! (and for better or worse, this is probably the ONLY way that I’m gonna own a single-issue edition of Amazing Spider-Man #300!)

Fresh Start: No More Marvel

I did notice that X-Men: Red #2 was out…after so-so feelings from the first issue, I was considering getting #2 and giving the series a chance. The same goes for Avengers: No Surrender. After pointedly getting the issues for 6ish weeks running, I stopped cold-turkey. I am so incredibly sick and tired of Marvel‘s absolute unwillingness to stick with ANYTHING for more than a few months. In this case, they announced yet another mass renumbering to start in May, with a new Avengers #1, and Venom is renumbering, and a bunch of other titles. Rogue & Gambit is a 5-issue mini-series to my knowledge, and I’m treating it as its own thing, being a definite fan of the characters…and a definite “sentimental value” to it. And I’m willing to buy reprints like the 300, because it IS a reprint, is an issue I do not own, it’s an issue I have not read, and it’s “only” $1! Best of all, these reprints do not themselves have variant covers on release (and as reprints themselves I do not consider them variants, given the True Believers banner).

I feel like I should have totally, completely stuck to my guns regarding Marvel, but opted to sorta “buy into” a little bit with Legacy and had some now-obviously highly-misplaced “faith” that they MIGHT ACTUALLY “stick with” the “legacy numbering” even if they did other stunts and such.

However interesting stuff may look, however appealing, I’m trying to force myself to just be DONE with them. No Infinity Countdown, no Hunt for Wolverine, no X-Men: Red, no Avengers: No Surrender, no Astonshing X-Men. No Fresh Start for me. I’ll finish out Rogue & Gambit, I’ll perhaps snag reprint editions in True Believers, but as far as new/current stuff with Marvel…I intend to be done!


The ’90s Revisited: Incredible Hulk #350


incredible_hulk_0350Before the Fall

Writer: Peter David
Penciler: Jeff Purves
Inker: Terry Austin
Letterer: Joe Rosen
Colorist: Petra Scotese
Editor: Bobbie Chase
Published by: Marvel Comics
Cover Date: December 1988
Cover Price: 75 Cents

I snagged this issue from a quarter bin because of the cover. Hulk, Thing, and Dr. Doom??? Yes, please! Of course, then I opened the issue, and first thing I really take in text-wise is a note to pick up Fantastic Four #320, first…apparently this issue picks up where that one left off.

How DIFFERENT this is from modern-day comics! Where if there’s any crossover like this at all, it’s some MAJOR EVENT, with SPECIAL BRANDING and COVER BLURBS and all that, Part #whatever of 6 or 9 or whatever chapters for some pre-figured collected edition!

Instead, no…it’s an issue I grabbed completely on its own, essentially my "first" in that I don’t know I’ve read anything from early in Peter David‘s run, know only tangentially/broad stuff from it, etc…and EVEN THOUGH the issue refers me to another first…I can STILL follow along in this issue, as it catches me up on or refers to essentials so that I can read this as it is, as a one-off issue, not part of some mega-event or gigantic crossover.

Much of this issue is a bit of a slugfest, with the Thing coming out the worse for the issue’s portrayal. We open on the Thing standing over the beaten-down form of the gray Hulk, while a green Hulk approaches, challenging him. Apparently the Thing has recently been greatly enhanced, with an odd extra-rocky physical shape and strength beyond what he’d had before, allowing him to come out on the winning side against the Hulk! While he tangles with the green Hulk, the gray Hulk wakes and is met by Dr. Doom, who reveals to him that the green Hulk is an advanced robot, and prods gray Hulk into challenging the Thing smartly. So he does–luring Thing into a hit-and-run match that with further strategy leaves Thing defeated, and gray Hulk finds himself ultimately chatting with Beast and being drawn into some other big thing going on.

That this is not some numbered chapter of some big event goes to the way Marvel comics used to be–simply a shared universe. Some villain might decide to tangle with a hero he doesn’t usually, but then that hero seeks out the usual hero for advice, thus drawing them into things, and eventually you have a "story" that effectively spans multiple titles…yet it’s not officially billed as such. Of course, this style was also when "collected volumes" and "graphic novels" as they’re known in 2018 were 20+ years in the future. Single issues were just that–single issues–and the Marvel Model was not All-Event, All-the-time.

Story-wise, I like what I got here, overall. It’s not my usual fare, and in some ways a bit "talky" and a bit "basic" or "convenient" (Dr. Doom palling around with Hulk and finding old Eternals tech, etc) and Thing vs. Hulk being something, and so on…but for an issue I picked up for 25 cents, it’s not bad, and was an entertaining sort of read, as well as a bit of a time capsule. 1988…30 years ago!

Visually, this definitely carried what I see (remember?) as a "house style" for characters, making them all definitely recognizable and such. While Thing is extra-rocky and I’m not fond of the look, I recall just enough Marvel history to know that he’s had several odd appearances, and that this was a temporary shift for him, obviously going on at the time this was published.

I’m sort of curious to read the Fantastic Four issue referenced, and even to follow this into Avengers Annual #17…but not really enough to make a big focus of tracking the issues down. If I think to, I may look for them in dollar bins at upcoming comic events I attend, but mostly I just enjoyed this as a 25-cent issue and something "different" to read. Though it’s only a "middle chapter" essentially, it has a definite sense of "authenticity" about it that I do not get from contemporary Marvel comics.

And look–it’s #350, a nice "anniversary-numbered" issue, and it’s only 75 cents, the standard/usual price. Not artificially inflated. And to my knowledge, no variant covers. It’s just a comic that’s glad to be a comic, that works as a comic, and doesn’t try to be anything else.

Definitely recommended if found in a bargain bin, but though more enjoyable in its way than many modern comics, not overly spectacular in and of itself–it’s not worth putting a big hunt in.


The ’90s Revisited: Green Lantern #64


green_lantern_0064Parallax View: The Resurrection of Hal Jordan, Part 2

Writer: Ron Marz
Pencils: Darryl Banks & Mark Bright
Inks: Romeo Tanghal & Mike Decarlo
Color: Steve Mattsson
Letters: Albert De Guzman
Associate Editor: Eddie Berganza
Editor: Kevin Dooley
Published by: DC Comics
Cover Date: July 1995
Cover Price: $1.75

We pick up where the previous issue left off, albeit with a different visual angle, double-size (double-page spread) shot at that, and shift in speaker. The previous issue ended with Hal standing over Kyle’s battered body, interrupted from delivering a final blow by Green Arrow calling to him, and showing that this gathering of heroes is here to stop him. Now, in this issue, we "pick up" with Ganthet berating Hal, and then revealing the gathering of heroes he’s brought to oppose him. Sure, it’s a dramatic sorta scene, and worked perfectly well picking up this issue to read a day or so after the previous. But looking at the two issues back to back/side by side, it seems rather glaring. But as said before…this is from a time when collected volumes were not common, but individual issues were by no means written/designed/intended for the trade: they were intended to be single issues, and treated as such.

Hal seems to have won, Kyle on the ground before him, the battle between the two occurring in #63. Kyle still gets a sucker punch in, spurring the others to action. Hal–as Parallax–proceeds to take down Flash, Hawkman, Martian Manhunter, Aquaman, and Green Arrow. In the midst of this, Ganthet pulls his disappearing act again, realizing he forgot someone. As Hal finally gets "his" ring off of Kyle’s finger and his appearance changes to his old Green Lantern costume, Ganthet reappears with the missing hero–Superman. He and Hal slug it out, before Hal gets the upper hand. With all the heroes unconscious before him, Ganthet lectures Hal on his "achievement." Hal, in turn, fires back about how the Guardians failed him, and the universe. Kyle’s gotten back up, and whacks Hal in the back of the head with a pipe, and the two have their own exchange–Kyle’s outpowered, outmatched, has no chance…but fights anyway. "I know you can beat me, but I can’t give up. That’s not what a hero would do. That’s not what a Green Lantern would do." Hal has a change of heart, and gives the ring back to Kyle, accepting that he–Hal–is not Green Lantern anymore, and it’s time for him to be something else. When Hal turns to Ganthet to inquire about the status between the two of them, Ganthet declares "Still, this must be ended." He dissolves into green energy that flows into Hal’s Parallax armor, and Parallax takes off. Flashing forward, the recovered heroes find Kyle leaning against a car overlooking the site of the battle, brooding over what’s happened. At Superman’s encouragement and Green Arrow’s affirmation, Kyle slips the ring back on, transforming into his Green Lantern costume, as Superman declares "…because now more than ever, you ARE Green Lantern." The scene shifts to a kid mourning his missing dog, when Green Lantern Hal Jordan shows up with the dog, flashing a heroic smile and receiving the genuine gratitude of the boy and his dog. We then zoom out from the scene to see that it’s playing out in Hal’s mind, as he’s trapped in some alien landscape–or perhaps within his own mind, a personal hell to torment him with what he once was and can never be again.

Throughout this story–both this issue and the previous–I caught a ring of Superboy-Prime in Hal’s voice, talking about how he just wanted to fix things, just wanted to make things better, or for things to just go back to the way they were. Of course, that’s 2018-me, going on a decade after Superboy-Prime, while this story was published a decade before Superboy-Prime.

In some ways, this two part story has felt somewhat surfacey, as it can be boiled down to Hal showing up, demanding Kyle’s ring and the two fighting over it, the other heroes show up and also fight Hal over it, then Hal suddenly changes his mind, merges with Ganthet’s energy and leaves, with Kyle yet again having the torch passed to him, yet again declaring him to be the one, true Green Lantern.

There’s more depth to be had, though, if one looks for it; if not to the story itself, then at the "meta" level," as the creative team (and editorial) try to plug the various "holes" in stuff and further solidify both in-story and out that Kyle Rayner IS Green Lantern. PERIOD. Dialogue also tries to soften over the sharper edges of what Hal has done–and completely avoids outright specifying Zero Hour. And as the issue closes, it would seem to show a guilty, penitent Hal Jordan, longing solely for the innocent, heroic days of his past–not the tainted thing that he’s become. A step toward "redemption," perhaps…redemption that, mid-1995, was still almost a decade off.

This issue has two pencilers and two inkers…something that, in the reading, I would not have noticed. It’s only now as I write this that it dawned on me that Mark Bright and Mike Decarlo probably did the 3-page Hal "epilogue" the issue closed with, which (in a mix of memory and reasonable logic) I believe worked on the pre-Emerald Twilight issues of this book, so would be a fitting way to "send Hal off" here.

For the main part of the issue, the art is the same, familiar and consistent look from the previous issue, and fitting my memory of the mid-’90s DC characters’ appearances. I really liked the art overall, and seeing the characters in this style…and especially the designs for both Parallax and Kyle. Full-page and double-page spreads are a "tainted thing" with me in 2018, the way they seem vastly over-used as shorthand "filler" for overpriced single-issues. But here, from 1995, they’re effective and accentuate parts of the story–coming back in from a cliffhanger a month’s publication earlier, and to end on what’s intended as a high note, and generally to show the enormity of things…even though THIS battle between Hal and a bunch of heroes does not span a 5-week line-wide multiple-dozens-of-issues crossover.

All in all, I’m surprised at myself for not being consciously aware of or remembering this story, and for never having read it before. I’m glad that I have, now, and it leaves me all the more interested in revisiting the early Kyle era of the title; whether I’ll actually get to that soon or not is another story.

I’d definitely recommend this issue if you find it with the previous issue, to have the two-issue "official" arc; particularly if you come across it in a bargain bin. I suspect these issues will be in a second Kyle-centric trade, and may already be out…though they’ll then blend in as part of the trade, rather than stand out as single issues the way these two did to me.


The ’90s Revisited: Green Lantern #63


green_lantern_0063Parallax View: The Resurrection of Hal Jordan, Part 1

Writer: Ron Marz
Pencils: Darryl Banks
Inks: Romeo Tanghal
Color: Steve Mattsson
Letters: Albert De Guzman
Associate Editor: Eddie Berganza
Editor: Kevin Dooley
Published by: DC Comics
Cover Date: June 1995
Cover Price: $1.75

This issue is billed on its cover as being “part one of two,” but from the start it feels like a part two, a middle chapter.

We open on a battered and angry Kyle Rayner, surprised Ganthet, and calm-looking older-Hal Jordan who has apparently just walked in the door. I can guess that the previous issue ended with a cliffhanger like “–YOU?!?” and Hal stating “Yes, I’m here to reclaim my ring!” or such. Hal’s here and he wants Kyle’s ring–that he–Hal–considers his own ring. Ganthet gets in Hal’s face about how he destroyed the Guardians and all they had built, while Kyle tells him “No.” There’s some posturing and such–and contextually I piece together that part of the previous issue was apparently Ganthet showing up to take the ring himself. Then we get to the fighting. Ganthet disappears, and Hal lays into Kyle. While the two fight–interspersed in our seeing it–Ganthet visits a number of other heroes. Martian Manhunter, Aquaman, Black Canary (who is then left behind after revealing she no longer has her sonic scream), Flash, Hawkman, and Green Arrow. By the end, Kyle’s even worse off…but now looks to be answering to an iteration of the Justice League!

The story is not bad, really–but as said above, this feels like a middle chapter, the first being whatever I missed with #62. We get the three characters “discussing” stuff prior to leaping into a fight, then the fight itself, with a sort of “subplot” of Ganthet gathering the other heroes, and then the “new” situation of Kyle in bad shape and the others ready to take on Parallax.

Visually, this issue is a real treat. It’s a very familiar-looking take on Kyle, and Hal, and even Ganthet…and the other heroes look quite familiar as well, perfectly within what I recall of them from the 1990s; fitting with whatever “house style” there may have been; none of them look wonky or “off” to me, which is a definite credit to the visual team!

Overall, for jumping into this issue cold–not having read the previous issue, not having read the next–and being pretty sure I’ve never read this issue before, period–this was a solid read, and I look forward to getting into the next issue. It also has me quite interested in revisiting this entire run, catching up on stuff I did read back in 1994/1995, stuff I missed, and stuff that I know came later in the series.

I think I would definitely recommend this, with the caveat that you’d want to get #62 as well, and the “2nd” chapter in #64. While I note that this feels like a “middle chapter,” that may also simply be that this is from a time when comics would stand alone simply as “the next chapter” in an ongoing story, with subplots and story elements carrying along, written FOR the single issue and not designed to have every 6 issues be a single complete-ish story.


%d bloggers like this: