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TMNT/Usagi Yojimbo (2017) One-Shot [Review]

tmnt_usagiyojimbo_oneshot_2017Story, Art, and Letters by: Stan Sakai
Colors by: Tom Luth
Collection Design by: Shawn Lee
Edited by: Bobby Curnow, Philip R. Simon, Megan Walker
Published by: IDW/Dark Horse
Cover Date: July 2017
Cover Price: $7.99

I’ve looked forward to this since it was announced, whenever that was–a couple or a few months ago, perhaps. "Knowing" this was going to be a more expensive issue, I just naturally "assumed" it would be a "prestige format" book–squarebound and such–like the two annuals or the big 50th issue! Instead, for the steep $7.99 price point, we get a slightly-thicker-than-usual standard-feeling issue, staples and all. So that was an immediate bit of disappointment format-wise, and a bit of a shock.

Another initial, pre-story immediate complaint I have is one that’s usual for me: there are TOO MANY DARNED COVERS! Instead of having UMPTEEN different covers, all for the same single one-shot single-issue, why not have a "gallery" included in the issue as a true, actual, real BONUS to those buying the comic, with extra pages by whatever artist(s) showing the characters involved? Instead, we have a number of variants and "exclusives" that are REALLY getting very "old" and extremely off-putting to me as a guy who just wants the entire content-story and iconic, singular covers, not generic incentive chase covers all the darned time!

The story of the issue is fairly basic: increased earthquake activity rocks the land, and we come to find out that everything could be destroyed if a piece of rock isn’t replaced from where it was broken off. Because of the rock’s brokenness, a giant catfish named Namazu is no longer properly held, and HIS movement underground will tear the land apart. Usagi meets Kakera-Sensei and knows what must be done. He gathers four turtles at the river, and Kakera-Sensei works his magic, and the Teenage Mutant Ninja Turtles are summoned–into or replacing or in place of the four regular turtles. Usagi immediately recognizes them all…but they fail to recognize him. The group sets off, with Kakera-Sensei explaining the situation as they go. Despite a terrible battle with Jei and the forces he’s rounded up, they all manage to save the day. The Ninja Turtles are sent home and the regular turtles returned, and Usagi and Kakera-Sensei go their own ways.

The most noticeable thing for me about this issue–beyond the price and umpteen covers–is the art. This is Stan Sakai working on both his own long-running character (introduced roughly the same time as the TMNT themselves, back in 1984!) and the TMNT for the first time in quite a number of years. At first, the visual style was a little bit off-putting for being different–notably the turtles’ teeth–from what I’m used to of late on the main/ongoing TMNT comic. But after just a few pages, I settled right in and enjoyed the art. I loved some of the "symbolic"-ness of art, showing where someone’s killed on-panel, but it’s far from gratuitous violence and such, and more fact-of-the-matter without being graphically so or gory, etc.

Story-wise, though I had expected this was to be more a story with Sakai‘s Miyamoto Usagi being brought to the Turtles’ world, it was the other way around with the turtles brought to Usagi’s. As I realized this, the art grew on me even more, for being that much more "authentic," given Sakai‘s continued involvement on the main Usagi Yojimbo title. That this felt like what I expect such a story would feel like with just that title, the inclusion of the turtles is like a bonus. The story is rather timeless–at least as far as the turtles–and though it can be pretty safely "assumed" that these are "our" turtles, the current IDW turtles–there’s no particular reference or anchoring point to the current TMNT continuity to bind this to any particular point. There also did not seem to be anything overtly binding this to any fixed point for the Usagi Yojimbo title, either. As such, this would seem like a prime sort of special for fans of either property without needing any particular familiarity with the other…and also one that fans of either could get in on without having to worry about being "up" on any of the other comics of the last few years.

The main hurdle, perhaps, would be that pesky, premium price point. For me, personally, I ultimately will give TMNT stuff a "pass," of sorts that I won’t any other series/property, carried over from the Mirage days, and this would be little exception. That the crossing-over of TMNT and Usagi Yojimbo has been essentially a "tradition" dating back to the earliest days of the properties, of which this is (hopefully) "just" the latest iteration makes this issue that much more of a special thing, worthy in its way of the higher price point.

In the end, if you can get past the price point and the variant covers, I’d highly recommend this to fans of Usagi Yojimbo, fans of the TMNT, fans of both properties/series, and even to "lapsed" fans of either. I’d also recommend it to anyone with any interest in either property, looking for a truly one-shot experience. There’s no "continued FROM" for this, there’s no "To Be Continued," this is just truly a done-in-one, singular stand-alone issue…and a mighty fine one at that.

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Newer Books I’d Been Looking Forward To

While a lot of books and such that I get are relatively spur-of-the-moment, there are certain volumes that I’ll know exist(ed) or learn will be coming out sometime in the future that I’ll particularly look forward to. Several of these converged into just a couple days last week, though several more days were involved in terms of spacing of orders placed.

batman_knightfall_omnibus_vol_01

Awhile back, Bleeding Cool and their “glitch watch” had a piece up about a number of volumes heavily discounted on Amazon, including 50% off the then-upcoming Batman: Knightfall Omnibus vol. 1. With their “pre-order price guarantee,” I figured I’d jump on it for this one, as the price (for me) then had nowhere to go but down, and at a starting point of 50% off, anything else would be icing on the cake. Of course, I seemed to have gotten in at the lowest price, and though a week after comic shops, my card was charged and the book came, so it’s now a part of my collection.

Though it’s got some slight dings/dents…with stuff going on in “real life” right now, I do NOT have the “heart” to fight Amazon over the condition of the thing! Especially as it’s the sort of stuff that I’d honestly “expect” or “accept” buying such a volume in a comic shop or certainly at a used-books shop.

Plus, I’m hoping that this will truly be a definitive edition, and sturdier than the thick paperbacks I’ve been afraid to use for re-reading for fear of killing the spines.

aliens_original_series_and_bug_hunt

Then, in the Aliens side of things, I hadn’t expected either of these volumes out until the 26th of April–“Aliens Day,” (LV-426). However, I realized that the hardcover of Aliens: The Original Comics Series Nightmare Asylum and Earth War was already out/available; so I ordered that through InStockTrades. A few days later, checking up on the exact release date and price for the anthology volum Aliens: Bug Hunt, I learned that it, too, was already available on Amazon.

tmnt_idw_collection_and_100_project

Along with the Aliens original series, I also ordered The TMNT 100 Project. At the same time that I was checking on the Bug Hunt volume, I saw that Amazon had TMNT: The IDW Collection V2 back in stock and for as steep a discount as I could expect from InStockTrades…though the latter did NOT have it in stock, so I placed the order through Amazon.

Despite some 5 days’ difference in placing these two orders, all four volumes arrived on Friday.

knightfall_multi_formats_a

The Knightfall volume doesn’t actually have room on the shelf at the immediate moment. I’m hesitant to ditch the paperbacks entirely until the 2nd Omnibus is out this summer…and my entire collection has grown enough in areas over the past year-plus that I need to do a mix of weeding and adding a couple additional bookcases to hold stuff and spread things out so it’s not all crammed together.

aliens_on_the_shelf

It’s sort of amazing to think that the two “Original Comics” Aliens hardcovers’ content is crammed into the Aliens Omnibus vol. 1…but the size difference is also amazing, and far preferable in the larger format. That said, until or unless all the other stuff would get reprinted in this format, I’ll settle for the larger “library” with some doubling-up of actual content with the different editions.

I’m also looking forward to/hoping for another volume like The Complete Fire and Stone volume for the concludes-this-week Life and Death mega-arc from the past year or so.

tmnt_idw_on_the_shelf

I believe that, at last, I’m actually up-to-date/current with IDW‘s releases on the TMNT Adventures volumes as well as the TMNT: The IDW Collection volumes. The IDW Collection volumes–as only 4 volumes–surpass where I’d left off with getting the paperbacks of the ongoing series, the Micro-Series, and the various other mini-series they’d done. And these hardcovers are far superior as they reprint stuff in more of a story-order, where one does NOT have to switch back and forth between multiple volumes to get the proper experience of developments in continuity.

This is the point I’d looked forward to getting to a year and a half or two years ago or whenever it was they started these editions–stopping me in my tracks on the paperbacks.

I suppose I’d also like to note that apparently the TMNT: The IDW Collection V2 had managed to either go outright out of PRINT or at least out of stock… whatever the case, it was enough for third-party Amazon sellers to jack the pricing up to ridiculously astronomical prices. Several weeks ago, I saw something from Diamond with the volume on a list of “Back in Print” stuff, so simply waited for it to show up at a reasonable price again.

This reprinting/re-availability of a “middle volume” is something that it seems like Marvel in particular does NOT do: if something from them goes out of print, it STAYS out of print, at least until they do a whole new trade dress/presentation of something…which then means that even if the story is available again, the volume no longer “fits” into a series on a shelf.

This is one of the primary reasons I’ve NOT continued with the Cable & Deadpool paperbacks, nor gotten into the Deadpool Classic books: I’d love to get them, but I simply DO NOT TRUST Marvel to keep/have them in print long enough for me to actually get the entire series…and I absolutely do not want to get 6 or 7 or even 9 or 11 volumes in, just to suddenly have the final few only available to me for quadruple-or-more the cover price (when cover price itself is far more expensive than I’ve any interest in for the books)…or worse, have a random volume here and there out of print where I can’t even GET more than 3-4 volumes in a “run”.

But I suppose that gets into stuff for another post sometime.

Aliens Day 2017

It’s interesting to see the various "days" that folks have come up with. Seems like there’s something for every day of the year. Where once there were "Hallmark Holidays," now even those would be prestigious rarities by comparison.

That said, one of the ones that I can actually appreciate is Aliens Day. April 26th…or 4/26. As in LV-426, the planetoid with the colony that the Colonial Marines and Ripley went (back) to in the film Aliens all those years back.

And as one of my all-time favorite franchises, and not having properly observed it last year in its inaugural outing, I figured I’d dedicate a post to it this year.

Yet, I don’t have anything lengthy or long-winded; I could ramble about my thoughts on the films, the books, etc; some memories tied up in stuff around obtaining various pieces of my collection, but I don’t actually have the time or patience at present.

SO, in lieu of lots of words, I’ll let some photos do most of the "talking."

Aliens Day 2017…here is my Aliens collection.

aliens_day_2017_a

The films. Well, the Blu-Ray editions, anyway–once upon a time, I had the Aliens Quadrilogy dvd box set–the 9-foot-long thing with all those discs and such. I also had all the single films on dvd, with a couple different editions of Alien and Aliens. I’ve since bought a pale imitation of the Quadrilogy dvd–bare-bones films–BUT that one came with a code for a digital copy, giving me a digital set of the first four films.

And over the past year and a half or so with the Anniversary Edition releases for the first two, I’ve bought those for the bonus (physical) content.

I also lump the Predator franchise in here…I find that via the Aliens vs. Predator and AvP stuff, the two are solidly linked, and the Predator stuff just works well partnered with the Aliens stuff.

aliens_day_2017_b

I believe I have the entire run of ’90s novels, each adapting one of Dark Horse Comics‘ mini-series. About 12 years ago, there were several more books released directly from the publisher under a now-defunct imprint. And of course, there were the movie novelizations. More recently, Titan Books has been putting out new stuff such as a trilogy of Alien novels set between the original Alien film and Aliens.

aliens_day_2017_c

Titan also put out a newer trilogy "crossing" franchises–Predator, Alien, and Alien vs. Predator, set in a further future, and set the stage for what could be some very interesting universe-building should further novels be produced. There’s also a newer anthology of short stories, and a number of other books and products outside the Titan well.

aliens_day_2017_f

Of course, there are the comics–which I have in multiple formats. I’m loving the oversized hardcovers. There are the original collected volumes. We recently got a collection of Dark Horse‘s collaborations with DC on the Aliens stuff. The excellent Omnibus series encompassing Aliens, Aliens vs. Predator, and Predator itself.

aliens_day_2017_d

Then there are the toys/figurines/etc. Funko Pop figures, regular and oversized; Minimates, Neca, Funko Mystery Mini figures, and even a "cute" plush happy-looking face-hugger.

aliens_day_2017_e

In trying to get a bunch of the Alien creature from the Mystery Minis line, I wound up with far more Predators–the standard, the "wounded" variant, and the extra-rare translucent "invisible" variant. I eventually snagged the "full-size" standard Pop figure.


I’m also very much looking forward to the new movie due out in about three weeks, and to the concluding chapter of the mega-arc Life and Death that’s due out this week.

I’ve seen a number of other toys/figures I’d like, but they tend to be very much on the far-too-expensive side for me, especially where life is right now.

I do imagine a re-watch marathon may be in the near-future for me, as well as having plenty of reading yet to go, having been back through or just through (in the case of the newer releases) some dozen or so of the novels in the last year-plus.

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The Weekly Haul – Weeks of March 22nd & 29th, 2017

This week’s both huge yet small. Mostly EXPENSIVE.

THREE $5 issues ($4.99) from DC… but these are the would-be-Annuals-now-simply-Specials with the DC heroes crossing over/teaming up with the Hanna-Barbera characters. I don’t know that I’ll be getting ALL of them over the coming months…but these three had my attention…particularly the Booster Gold/Flintstones one and Green Lantern/Space Ghost. I saw the Adam Strange/Future Quest cover enough times that I apparently added it to my stack…so I’ll make a point to read it at least!

weeklyhaul_03292017a

Then I grudgingly hunted down X-Men: Prime…where typically I’ll "vote with my wallet" AGAINST stuff like this…since I was ALREADY throwing price out the window with the DC books, and have long groused about the state of the X-books, I can at least bite the bullet on this issue to "try" it. After all…I can’t KEEP knocking stuff–can’t knock the "new" stuff or the "change of course" or "seeming change of course" if I don’t at least try it. Then after seeing a preview and LOVING the art (a DEFINITE rarity for me, as I virtually NEVER buy solely based on the art) got the apparently-final issue of All-New X-Men (volume whatever…3, 4?). And the preview book was "free," so…whatever.

weeklyhaul_03292017b

The third issue of Kamandi Challenge is out…I need to read #2 yet, but don’t want to fall behind.

Finally, for a $6 cover price, Dark Horse Number Ones reprints 8 #1 issues from Dark Horse…I’m all about these sorts of volumes, especially on the price. It’s even preferable to $1 #1 reprints!

And speaking of reprints…there’s some sort of $10 edition of Letter 44 vol. 1 out…beats the heck outta the $20 cover price on the original edition! I did not get that as I’ve gotten way behind on the single issues, and have all the single issues. Though for the price, I may track it down eventually.

Below, I cover last week‘s haul, which I neglected til now out of frustration at trying to track down the Action Comics issue.

Continue reading

Aliens: Defiance #1 [Review]

aliensdefiance0001Episode One: Derelict

Script: Brian Wood
Art: Tristan Jones
Colors: Dan Jackson
Lettering: Nate Piekos of Blambot
Cover: Massimon Carnevale
Publisher: Mike Richardson
Editor: Spencer Cushing
Designer: Cindy Calcerez-Sprague
Digital Art Technitian: Conley Smith
Published by: Dark Horse Comics
Cover Date: April 2016
Cover Price: $3.99

My earliest exposure to Aliens was the final battle with the Queen at the end of the 1986 film, that I saw accidentally, wandering out one time to where Dad had fallen asleep watching it or whatever preceded it. Several years later, I came across and read the novelization of Alien3, which led to me seeing that film (my first-ever R-rated film sought out!), and in turn led to “backtracking” to the others. I also recall at some point realizing I had read the novelization of the first film at some point without ever realizing when I read it that it had anything to do with any movie. I also came across the novels that expanded the Aliens universe, and which I eventually came to learn were themselves based on comics. It would be a few more years before I ever got around to getting to read those original comics–particularly the first ‘trilogy’. While I’ve “lapsed” over the years, the last few years I have been quite interested to learn of any Aliens comic series, and occasionally lament that it’s not a truly ongoing property (while realizing that it works better with finite stories). As a gamer, I’m pretty lax, and have not played the recent game with Ripley’s daughter, though I’ve been told a fair bit of the story (sadly, not consciously retained). But hey…comics, right?

So here I am…brand new long-form Aliens story kicking off, its cover putting me a bit in mind of a/the video game, and intrigued at what I BELIEVE to be at least a 12-issue saga–perhaps the longest single Aliens story I’ve been a part of as a fan (not getting into the comics until about a decade ago). I know Brian Wood‘s name from some prior stuff I’ve read/sampled–Northlanders, DMZ, The Massive–and been aware of his name on stuff like Star Wars more recently…so that’s a welcome factor for a new Aliens series. Icing on the cake is art by Tristan Jones, who I became aware of with his work on the Tales of the TMNT title from original TMNT publisher Mirage a few years back, and have loved seeing his work on various other projects since…and whose visual style seems a perfect fit to me for the Aliens property.

This issue is a first issue, giving us basically a brief paragraph of context/setup before we’re launched into the thick of things. We meet Zula Hendricks, a private involved in a mission to a derelict spacecraft. She and her fellow marines encounter Xenomorphs, and the situation does not go well. She and a synthetic survive, though she quickly learns that the synthetic is acting against programming, and her own world is changing as a result.

The story is good, for what it is. Which is not meant to be a negative statement…but this is only the first chapter of a multi-issue arc, that I believe is a year-long, so this is hardly going to be a full story in and of itself, nor is it giving everything away. And a single issue isn’t really enough space to re-introduce readers to a property, introduce new characters and detail their history, recent past, and present while also showing the scope of the property and of space and the horrors of the Xenomorphs. But we do get a fair bit packed into this, with Zula’s introduction and some flashbacks, a cameo of Amanda Ripley (which I believe thusly situates this time-wise somewhere between the first and second films), the synthetic Davis, some context for Zula and her place in things, and the final-page reveal of what seems to be the “mission” of this particular series…piquing my interest such that I almost wish this was a weekly series, because waiting another month for the next tidbit seems far too long. It’s not a cliffhanger in and of itself, but more a concept that promises a lot of great stuff, and I want to see it developed and played out, and be along for the ride.

Jones’ visuals are a great fit for this story, providing a great overall feel for this issue. His style is–as said above–very well suited for this property, and gives a gritty, dark, creepy look to the Xenomorphs and their brand of violence. The humans/humanoids come across as I would expect, while exuding whatever it is that just FEELS like they’re in an Aliens story. The linework and layouts are impressive, giving a sort of cinematic flow to the issue…and I’m pleased at the lack of full or double-page spreads, which often feel like cheats and wastes of space when they’re the bulk of an issue. Only one page is a single/full-page image, and that’s the ending of the issue, where after all those pages crammed full of panels, it provides a stark contrast, and really drives home the importance of the “moment” that it conveys.

The cover is also a fantastic piece of art, and for me quite iconic and recognizeable. It’s also all the more impressive to me as it’s the only cover image I’ve seen for this, allowing it to stand as itself and not be just one in a sea of variant covers diluting the thing. While there may be a variant or two out there specific to someone, I don’t believe there are any alternate covers from Dark Horse in and of itself as a push.

Plenty of questions are opened up here, and the apparent premise of this series now holds a great deal of potential. I look forward to learning more of Zula as well as Davis, and seeing what sort of interactions the two have. I’m interested in how their ‘mission’ will play out, and play into the larger scope of the Aliens universe. While we get the cameo of Amanda Ripley, I believe her story is told in the videogame, and more of an “Easter egg” tossed in for fans as well as being an indicator of the time this is set in. I look forward to seeing and learning more about the Aliens, and seeing these characters grow in their own knowledge and understanding of same.

It will be interesting to see how this is paced, overall as a series…but I almost wish this was already a completed work. As a first issue, this works well overall. I don’t know that this is something that in and of itself right now as a singular issue will pull anyone “new” into Aliens or be necessarily the greatest introduction to the property…but whether long-time fan of the Aliens comics or just now checking them out being familiar with the films and/or video game, I think this is a great start into the comics side of things.

I’m not particularly enamored with the cover price, but will suck it up, given this is Aliens . I’m definitely on board for this series, and definitely recommend checking it out if you’ve any interest already in the property.

Vampirella/Aliens #1 [Review]

aliensvampirella001Writer: Corinna Bechko
Artist: Javier Garcia-Miranda
Letterer: Simon Bowland
Colorist: InLight Studios
Cover Artist: Gabriel Hardman
Cover Colorist: Jordan Boyd
Published by: Dynamite Entertainment
Cover Date: N/A (September 2015)
Cover Price: $3.99

In twenty-seven years, throughout the entirety of the ’90s and the ‘bad girl’ craze and all that…I never bought even one single issue of Vampirella. That impressive run has now come to an end, thanks to a cover and crossover…with Aliens.

Some cloaked/hooded figures in some sort of underground temple on Mars are attacked by Aliens, and quickly revealed to be vampires. Even their enhanced abilities are no match, and they’re wiped out. Some time later, a ship arrives at the station on the surface, carrying an individual with special expertise…Vampirella. She and the station crew investigate stuff and–of course–encounter the Aliens. They also learn that vampires are not the cause of the strangeness but victims. After fending off an attack that left most of the group unconscious with creatures having attached themselves to faces…we see that even Vampirella isn’t immune to Aliens and their larval Facehugger forms.

I don’t honestly know what I expected from this. I’d known the series was coming up, probably even knew this first issue was due out, but I forgot about it all the same, until I saw it on the shelf.

Despite the presence of Vampirella…the cover looks like an Aliens comic. Aside from the ridiculously unnatural near-lack-of clothing on the female, this could be any Aliens comic, by the looks of it. And that suits me just fine, simply being interested in something new with Aliens. I also like the way the two publishers’ logos are…neither one seems out of place, and the way they appear with the issue number and creator names, if one didn’t know better it’d be quite possible to think that one’s an imprint of the other rather than two “competitors.”

I’m not familiar with the creative team, so nothing prior to compare this to in that regard. But in terms of being “an Aliens story,” this is pretty formulaic and familiar…which I actually appreciate and enjoyed as I read this. (That’s what Aliens crossovers ARE, too, to me: something entertaining despite formula…because it’s Aliens vs. ______ [insert character/property]!) So there’s not much story-wise, to me. I’m aware OF Vampirella but know basically nothing about the character or her past stories/continuity. Ok, so she’s a vampire? Cool…that means she’s at least “tougher” than “regular humans” (as we see in this issue). I don’t really “need” anything else…I’m entertained at “Aliens vs. Vampires” here.

Visually…I like the art. This looks and ‘feels’ like an Aliens comic. And that’s more than good enough for me. I’m especially impressed with the cover, though. Different artists, but the styles work well together–the interior art isn’t a match to the cover, but it’s not a jarring difference or anything. And surprisingly–almost shockingly–despite one particular glimpse of a “classic” look to Vampirella herself, we’re treated mostly to a far more feasibly-dressed female figure that doesn’t make me feel dirty for buying an issue with Vampirella in the title.

I’m not sure if this is 4 or 6 issues for the mini-series, but right now (particularly given the issue’s cliffhanger) I’m very interested in the next issue, and will be keeping an eye out for it next month, whether or not I stick with the single issues for the entirety.

Not being entirely familiar with Vampirella, I don’t know if fans specifically of the character will enjoy this (at least for this issue alone), though I can’t imagine (so far) that it particularly contradicts basic stuff with the character. As an Aliens fan, coming to this because of that side? I really enjoyed this.

The $3.99 for one story chunk is off-putting as ever, put I’ve been pretty much beaten into submission on the fact that all the comics I buy are basically $3.99. While this is certainly an issue worth picking up to try the series, to get to read the story now and as it unfolds, and whatever other usual motivations are present for buyiing a $4 single issue.

Based on this first issue alone, I suspect the eventual collected edition will be of definite interest to Aliens fans, and as we get further into the mini, I won’t be surprised if there’s more material with what will appear to be a distinctly Vampirella tone, for those fans.

Past Aways #1 [Review]

pastaways001Script: Matt Kindt
Art: Scott Kolins
Colors: Bill Crabtree
Letters: Rob Leigh
Cover: Scott Kolins
Digital Production: Jason Rickerd
Design: Jimmy Presler
Assistant Editor: Ian Tucker
Editor: Brendan Wright
Publisher: Mike Richardson
Published by: Dark Horse Comics
Cover Date: March 2015
Cover Price: $3.99

Perhaps the most dismaying (to me) thing of this issue came in the backmatter, after the core of the issue itself. In reading stuff from the editor (Wright), I learn that several months ago there was an 8-page prelude to this issue in Dark Horse Comics Presents. In other words, deciding to pick up the FIRST ISSUE of a NEW SERIES did NOT actually let me start “at the beginning.” I’m NOT getting the very start of these characters (real-life time), and now if I want what happened before this I need to track down some other comic–from MONTHS ago–as it wasn’t even reprinted in this issue. Or I should forego the single issues, as that prelude may well be reprinted in the first collected edition. (However, being Dark Horse and not Image I’m not hopeful of a $9.99 first volume).

PRIOR TO learning that I’d missed content relevant to this story, this was an ok issue. The concept is certainly more interesting to me than the execution, the actual story. People from the far-future trapped in 2015, present day and trying to get home. I personally often marvel at modern technology and wonder what people would think seeing it fifty years ago. I rarely consider how “primitive” it might seem to people fifty years from now, or more.

This issue gives us a quick glimpse at several of these individuals from the future, showing where they are now, having been trapped in 2015 for some time. Outside of the descriptions given on the cover, there’s really not enough yet in just this single issue to establish the characters with any real depth or much to interest me. I can’t imagine there won’t be more depth in further issues as each character gets more “page time,” but there’s honestly not enough within the pages of this single issue to truly grab my interest the way I’d like.

The art is actually better in my assessment of this issue–though I recall having mixed feelings on Kolins‘ art, here I do like it. Having no prior “experience” with these characters, I have no other designs to compare them to, so they simply “are” as they appear here. Not being much for studying and picking up a lot of detail from the visuals, I’d’ve skipped over a LOT if it wasn’t for “captions” calling attention to certain things.

I picked this issue up with the expectation of trying a new series, only to learn that there was already story-stuff out before that I had no clue about, which is a huge turn-off. While I “get” that something like this will inevitably need room and time to develop on-page, having far more conceptual stuff than can POSSIBLY be put out in 26 or so pages…I feel like this is just a small slice of a larger story, even as an opening arc–something I’d probably enjoy more as a whole in a collected volume than serialized across a number of single/monthly segments. Whether Dark Horse will omit backmatter for collected editions or not, I don’t truly know–primarily, there’s a single page from the point of view of one of the characters describing an excursion into the “primitive” city and how that experience went.

Prose pages and image cutaways of bases and such can add depth and immerse a reader in things…but I do find I am a lot more skeptical of these things in newer series as I feel like they’re “cheating”–rather than more story content through pagecount, after reading a few pages of actual comic-style pages, then I’m subjected to prose reading to flesh things out. I’m TOLD stuff instead of being SHOWN or getting to “experience” it unfold across the issue(s).

If you’re willing–at $3.99 an issue–to invest in a new concept, a new series, track down a several-months-old issue of Dark Horse Presents and give more time to immersing yourself in this, it’s probably worth checking out. Otherwise, this seems very much like something that will be a more enjoyable thing in a larger chunk–such as the collected volume.

While I WAS learning heavily toward keeping an eye out for the second issue, to see where this goes, I’m probably going to “let it go,” as I have no desire to track down a random issue of Dark Horse Comics Presents to get the prelude…nor to continue onward KNOWING I’ve MISSED that prelude. I MAY check out the collected volume, but as I suspect 4-5 $3.99 issues’ content will probably be a $16+ volume (rather than an introductory-priced $9.99), this might be it for me.

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