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Reign of the Supermen…26 Years From Page to Screen

Last week–maybe the week before as well (but this last week for sure) I was greeted with a pleasant surprise in an ad. Most advertising is frustrating, deceptive, or otherwise just bugs the sheer heck outta me. This was one of THE BEST ads I can think of in a number of YEARS.

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See…THIS ad prompted me to ACTION. It informed me of this two-day event. Reminded me that this was happening, as I believe I’d seen SOMEthing about it some time back. And it was well-timed, being the Wednesday before the event–providing me with several days to consider and make plans and actually attend the event!

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The Death of Superman came out last July or so, and I enjoyed it overall. It was certainly far superior to 2007’s Superman: Doomsday (which I still hold as primarily worthwhile for its retrospective documentary on the actual comics event).

This "do-over" was good, catching a number of good points from the original comics…while updating, modifying, and adjusting stuff in such a way as to fit it–essentially–into the New 52 continuity, as the last few years of these DC Universe Movie features have been–some based directly on those comics, others drawing inspiration from, and so on.

For me, probably the most stand-out thing about this The Death of Superman was the way it pulled off addressing Lex Luthor as he’s generally been known, and yet the Luthor at the time in the comics was vastly different. I remember that moment in here leaving me chuckling–like "Alright, I was wondering, and that’s good, I like that, that’s awesome!"

In its Return of the King style multiple "epilogues," it also drew from what I feel is one of THE absolute KEY moments of Funeral for a Friend/World Without a Superman, the heart of that story, and in some ways maybe the entire reason one could do this sort of story. It gives us a voiceover of Bibbo praying, talking to God, asking how it is that He would take Superman…while a washed up old roughneck like him goes on living. It was a scene in the comics that made me cry in 1993, it’s a scene that has brought tears to my eyes multiple times since in re-reading the comics, and darned if it didn’t have my eyes wet in the theater the other day!

[SPOILER WARNING! I’m gonna get into spoilers below with Reign of the Supermen!]

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The biggest draw here for ME, of this double-feature, though, was Reign of the Supermen. Not only the chance to see these on "the big screen," but the fact that it was a chance to see this one a couple days BEFORE the "digital-only" "window" that I so thoroughly DESPISE that has been such a trend lately/for years.

I’m still trying to decide what I think of this one, and perhaps as I’m typing this I’ll better settle it out.

————— [Again, spoiler warning! Stop reading if you care about knowing nothing really about it going into Reign of the Supermen!] —————

Something that really stood out to me quite a bit was the way that the Justice League was involved, as well as the very presence AT ALL of Darkseid.That more than even just the costumes rooted this as a sort of New 52 version of The Death and Return of Superman stuff.

It worked–having Doomsday be a weapon of Darkseid, and Darkseid having been behind Hank Henshaw, and all that. In context of Darkseid being THE big Justice League foe of the New 52 and all that; being the driving force of the "origin" of the League, etc.

But it also turned this into a Justice League story in which Superman had died…rather than being fully at its heart a Superman story.

While I can "appreciate" certain stuff with Darkseid and even like certain visual interpretations…on the whole I just do not care for the character and find the character to be vastly over-used and uninteresting.

We still had key moments adapted into the film. Steel still had a momentary subplot with weapons; Superboy hitting on women; the "visored Superman" still used deadly force; the Cyborg still saved the president and was recognized as the real, one, true Superman; and so on. Scenes had some clever nods to comic covers in montage mode that I really liked. To "just anyone" it was a montage; someone like me that read the individual comics each week as the story originally unfolded across much of 1993, it was an excellent way to acknowledge the original comics without being hung up on them and their story.

While Superman, the Supermen were a primary driving force…I just strongly feel that this could have been just as easily Justice League: Invasion II or some such.

In the end, though, I enjoyed this, especially as I decided that for me at least it’s simply the New 52 version of the death and return story, updated and adapted for the New 52 such that it fit the altered continuity and such, while keeping many of the moments from the comics that were important and informative of the characters. Unfortunately, the biggest disservice was probably done to the Eradicator, with virtually no real character exploration nor explanation. (Why the visor??? The visor wasn’t even really acknowledged! except his being "the visored" Superman)


I’ve missed at least a couple other Fathom Events presentations of DC Universe movies. I’d been very interested in and planning on going to see the Batman: The Killing Joke back in 2016, but was laid off days before and still in a bit of "shock" over the whole situation, and didn’t go. And I’m pretty certain there was at least one other "premiere" in theaters in 2017 and/or 2018.

But it feels "fitting" to see these…and all the better a value for having both together. I think the listing I saw indicated the combined thing was 2 hours 45 minutes or so–which makes for a "longer movie," with an individual 70-74 minute animated feature "short" and a "full length" film running closer to 120 minutes. But unlike most of these "longer movies" in theaters, having these as two movies but back to back…there was a whopping 5-minute "intermission," which was more than enough time to go to the restroom and grab a quick drink. I certainly wish more films would be a bit longer BUT (such as on a cliffhanger) have a brief intermission for using the restroom and such.

I despise this "digital window" on movies. I have never ONCE decided to blow $20 on a digital-only film JUST to have it 2 weeks before it would be available on physical media. It just pisses me off. If "digital" were a completely separate thing and there were NEVER "DVD + Digital" or "Blu-Ray + Digital" or "Blu-Ray + DVD + Digital" combo packs, that’d be a different thing. I refuse to "convert" to digital-ONLY when it’s basically the same price to get the physical media WITH a digital code. (Or for $2-3 difference–cheaper than a single issue of a comic book–it’s negligible for a huge benefit/convenience!)

Even having bought and watched The Death of Superman last year, and even just having seen Reign of the Supermen in the theater…I’ll still be buying the latter in a couple weeks when it’s available.

If you’ve bought/watched The Death of Superman this is a solid continuation. And even if you’re not really a Superman fan but dig Batman and the rest of the Justice League, this is also very much a Justice League thing, and fits with the other recent Justice League animated features, references the Teen Titans, and generally works in that continuity.

It’s taken 26 years…from the original comics to this animated (double) feature. I’m glad to be able to have ’em, all the more as they make a 25+ year old story "new" and "current" again for an entirely new generation!

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I Tried–and Now Have Canceled–My DC Universe Subscription

no_to_dc_universeI really have to “blame” fellow blogger Natalie (Stabbing Stardust) for getting me to TRY the DC Universe thing when I was initially adamantly intending to stay away from it for awhile*. With stuff she’d posted and said about it, I was curious enough to try it, initially thinking to breeze through Constantine in a week, and when I only got through a few episodes, decided to go ahead and go with a single month to start, figuring that’d give me time to finish Constantine, and poke around a bit.

(*This blame is not a bad thing, and IS one of the great things, to me, of being part of a comics/blogging community!)

I have YET to really in any way LIKE the interface–VERRRRRRY briefly on the computer a couple times to browse (nothing impressive) and mainly on a Roku TV app.

There’s no simple, alphabetical list of series, it at least SEEMS LIKE they keep changing stuff around for what’s grouped where in the menus/home screen, and with so little actual COMICS content available, even SEARCHING doesn’t do much.

The app even launched BEFORE even ONE of the new, announced series were ready to go–five weeks of ME using it, and NOW there are only THREE episodes of Titans available, and UNlike the Netflix model of dropping an entire season at once, it’s on a weekly-drop schedule, and NOT even at “midnight” (at 2am EST Thursday night into Friday morning, the app gave me a note saying the third episode of Titans would drop in “5 hours”).

Of all the tv content, really only Constantine (a single season) and Superboy seasons 2-4 are of any immediate interest to me; the former to catch up on the character as they’ve continued into the “Arrow-verse” and the latter for nostalgia and finding a certain scene that sticks out to me from when I was a kid.

The CW shows–Arrow, Flash, Supergirl, Legends of Tomorrow–are not available on it, nor is the ’66 Batman series. It seems a handful of “classic” cartoons–the ’40s Fleisher Superman shorts are available, and I think I saw some Super-Friends thing; but I don’t believe the ’60s/’70s cartoons are available, nor the RubySpears Superman.

There are several documentaries, but as I have at least a couple on DVD, even those aren’t a great draw, and none “justify” $8/month; I’d rather pay the $8 for a dvd and have that tangible product in my actual collection!

Most egregious–and what most directly led to me actually CANCELING–came Saturday night after I finished episode 3 of Titans. Finished with the episode, I decided to browse to find a comic or story to READ. I’d previously experimented with the navigation with Superman/Doomsday: Hunter/Prey #1, and Superman: The Man of Steel #18 (The Death of Superman/Doomsday! part 1) but hadn’t actually READ any full issues yet.

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Amidst the stupid-loose categories (more “Raven,” more “Titans,” etc), looking at individual stuff, I spotted a SPELLING ERROR. Suicide Squad: Trail by Fire. Trail, as opposed to Trial. A simple, stupid typo, but extremely grating to me. Trail OF Fire would make sense as an alternative to Trial OF Fire. But the “by” would mean that a Trail (A-I) by fire is a trail running alongside fire…as opposed to a Trial (I-A) by fire being under fire, via fire, amidst fire, etc.

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Then I noticed one of the loose categories was “Last Chance to Read.”

LAST CHANCE…to read?!?

Not even TWO MONTHS and a crap selection of comics, and they’re ROTATING COMICS OFF the app ENTIRELY?!?

I understand, condone, and would even EXPECT them to rotate what they are ACTIVELY PROMOTING, what they are “PUSHING,” at any given time. Batman Day? Push the Batman stuff. New show about the Titans? Push stuff related to those characters. Halloween? Push the haunted stories. Etc.

But making EVERY SINGLE COMIC available essentially something on a TIMER, something FINITE and LIMITED…something INTRINSIC to their existence, to their having characters anyone cares about…but basically saying “hey, read ’em NOW or not at all!” is just a massive stomp on the foot, to me.

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While I was stewing on that, I then noticed ANOTHER typo, in the Batman/New Titans crossover A Lonely Place of Dying. A 29-year-old story…but they have it listed as A Lonely Place FOR Dying. Nitpicky? Yeah, but it’s extremely personal to ME, as that was the first story in Batman that I had a part 1 of as a kid (My very first issue of Batman was 439–the conclusion of the 4-part Year Three; my second-ever issue was 440, part 1 of Lonely Place OF Dying).

This thing’s been compared to Marvel‘s Marvel Unlimited, as an “answer” to that, as something potentially “better” (at least TRYING to be “better”) since DC hasn’t HAD anything REMOTELY similar.

But the ticking timer on comics mean the ENTIRETY of the app is “curated,” not just curating recommendations and themes or such. And if they’re rotating comics content, who’s to say they won’t decide to rotate other content? The animated movies? (I own those already, too; many of them also digitally that I can watch on Vudu with hundreds of other digital movies)

I’d THINK that (especially with Titans having a “TV-MA” rating) as a late-30s male who has been into comics–primarily DC over the years, for basically 30 years now–I should be the primary audience. Nostalgic for digital back-issues (to preserve sales of modern stuff), violent, dark tv (Titans), old enough to have kids to expose to the animated content, a family to share other tv content, and so on.

But again, I can only figure “I’m obviously NOT the target audience.”

And I can’t in good conscience feel as strongly as I do on all this and complain about it without backing it up with some sort of action. So, catching it a day before it would have renewed, I’ve cancelled my subscription, and with no subscription, will be removing the app/”channel” from my Roku devices (and never even got around to installing whatever app there may be for phones/tablets).

Maybe I’ll check back in later. I’ll probably wait to see how long the DC Universe “exclusive” shows will be available and in what form–are THOSE going to be “rotated” as well? Force you to–if you’re more than 5 weeks “behind”–resort to waiting for some sort of DVD/Bluray release (as even the “Netflix-Exclusive” shows have)? Or will I be able to re-subscribe later and watch the full season?

While this thing has “potential,” 1. the app being SO RUSHED that it was launched “only” a few weeks before new, original content was even ready to be launched; 2. the extremely limited, crap selection of “sampler”-like comics and 3. the rotating OUT/off of stuff, rather than simply ADDING TO an ever-growing “library” of content…that’s 3 strikes, in my eyes.

I’m so incredibly glad I opted to only spend $8, rather than $75+ for some annual thing. I feel strongly enough NEGATIVELY toward the thing as of this typing that I even considered re-upping with Marvel Unlimited on PRINCIPLE, even though I would ONLY be able to make easy use of that on my PHONE.

“Passively,” I very much do NOT recommend DC Universe at this time. I’m extremely discouraged and frustrated with stuff, but knowing I’m a bit of an anomaly having so much dvd content in my personal collection, I’ll stop just shy of actively recommending against the service, as far as the tv/animated content goes. Comics-wise, don’t waste your money, though!

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Superman: Blank #1 [Review]

superman_blank_24_hour_comics_day_000124 Hour Comics Day

Published by: DC Comics
Cover Date: N/A (October 2018)
Cover Price: $2.99

I was not going to buy this–it’s basically some "branded" sheets of paper stapled together.

I’ve liked stuff I’ve seen here and there over the years for this "24 Hour Comics Day" thing, but as my own notions of "drawing comics" are nearly a quarter-century in the PAST (I quickly realized MY actual creative enjoyment was in WRITING and creating a STORY, not in "art" in and of itself).

But it occurred to me that as a Superman fan all this time…something like this–it’s NOT a "variant cover"–would be interesting as something to maybe start taking to conventions or such. Get signatures and sketches in it. Depending on pricing and timing, perhaps find a Superman artist I like to get a cover image done, another for a "back cover," and of course, whatever sketches and such inside–24 pages’ worth of room for all that.

The physical stock of this thing is significantly thicker/better than a typical comic…it’s obviously designed to be able to handle drawing utensils being applied to the pages without shredding or necessarily (?) bleeding through.

For "only" $2.99 and NOT being "stuck" or "typecast" or whatever to a specific issue–even if I were to, say, ONLY get a "cover sketch" or such done–this is NOT a "variant" cover. It’s would not be getting Superman (2018) #1 "blank cover variant" signed or sketched on; it’s not something I’d feel I’d need to file with any given SERIES, etc.

It’s $2.99 for a glorified packet of paper, though, so by no means for everyone. I also (initially) had the motive of thinking I’d be "cute" and post a "blank" review for a "blank" comic, $3 for a stupid bit of snarkiness or sarcasm or whatever.

I have no idea how many of these DC was producing (I don’t really care offhand) nor how easy to get it’ll be in the future. Though blank, this has the typical modern/current DC Comics (DC Universe) branding and cover dress with the Superman logo in the iconic yellow and red; this is perfectly sized as any other comic, so it’s not some giant sketchbook or mis-sized anything…this will easily "disappear into" my collection with all my other comics if I’m not careful to keep it separated somewhere.

As this is not something with or of story-content, the price is for the convenience, size, and so on. There is no art whatsoever to this that is not shown on the cover. There’s a generic barcode with the typical TM & Copyright DC Comics / Printed in Canada notice on the back. You’re not missing any art from anyone nor any story/content from anything. No reprinted material, no exclusive material, etc..

As I’ve glommed onto using this for autograph/sketches, I’m liking it all the more, envisioning a mix of perhaps established Superman artists and just artists whose work I like adding something to a page or pages. For $2.99…that’s quite a good deal to me, and very much worth it for my own purposes.

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Batman (2016) #52 [Review]

batman_2016_0052Cold Days Part Two

Script: Tom King
Art: Lee Weeks
Color: Elizabeth Breitweiser
Letters: Clayton Cowles
Cover: Lee Weeks, Elizabeth Breitweiser
Assoc. Editor: Brittany Holzherr
Editor: Jamie S. Rich
Batman Created by: Bob Kane with Bill Finger
Published by: DC Comics
Cover Date: Early October 2018
Cover Price: $3.99

While I own the entire run, I think I’ve basically only READ the first issue, the proposal issue, and #45-present for this series. I’m trying to be more diligent at "keeping up with" the series now, having finally jumped back in without forcing myself to backtrack and try to get through a 2-year queue just to "allow" myself to read current issues.

I was grabbed by the Booster Gold cover of #45 or so and opted to read that "out of order" due to Booster’s presence…and kept going. Then I "had to" read #50 before coming across spoilers, which I SOMEWHAT managed to do. Now it’s been about a month since #50, meaning two more issues as the series is biweekly. I’d "misplaced" #51, but with not wanting to fall IMMEDIATELY behind again, I managed to find it, and quite enjoyed it. I went immediately into this issue–same creative team as #51–and by the end of the issue, just sat with the feeling that I want the next chapter ASAP, in a way that I didn’t even have with #50.

I’m "assuming" this is a 3-issue mini-arc…something about it just "feels" like a 3-parter. Coming into this issue, we find the situation being recapped in the form of the jurors reviewing available evidence as presented to them. Bruce insists on going back over three key pieces of evidence for context. We get flashes of the actual fight between Batman and Freeze as the jurors discuss things–Mr. Freeze (barred as part of probation from donning his costume and having a freeze gun) having his costume and rebuilt a freeze gun; being prepared for Batman and what expectations he’d HAVE for a confrontation with Batman; his confession and why he stuck to it even when out of Batman’s presence. To Bruce Wayne’s fellow jurors, Batman is better than the police–he’s THE best, he’s the one who’s infallible, and if Batman delivered Freeze, then OBVIOUSLY Freeze is guilty. But Bruce has information and context that the other jurors do not and likely will not…but he must now find a way to prove his own belief in Freeze’s actual innocence of the particular crime he’s being tried for.

I’m so-so regarding the art. It’s not bad, and I’d swear I’ve got a positive mental thought behind Weeks’ name in terms of art…but it just seemed somehow "off" to me here (and in #51). Perhaps it’s because of seeing some Jim Aparo art recently, and some other stuff…so on actual reading of this issue, my mind wanted other art, and so compared this to that. I’m not sure the phrasing I’m looking for, but Mr. Freeze in particular seems frail and "wiry" to me here, in a sickly sort of way…not the stronger/more powerful character I tend to picture. There’s also something to the line work that just feels rather "messy" and does so in a way that keeps me from liking it as much in and of itself. It’s surely a design/visual choice and quite intentional and not bad art…but it wouldn’t be my first choice as of reading the issue. That said, it definitely gets the story across, the jumps between Bruce and the other jurors, and the earlier interaction between Batman and Fries. The characters look human, no weird oddities to anatomy or such and the various characters are distinct, and there’s a contrast to the Batman stuff.

Story-wise, that contrast works very well, showing us a brutal, violent-beyond-usual Batman dealing with Mr. Freeze even while we see Bruce trying to work things out "remotely" for firstly how he didn’t catch something as Batman as well having realized he–as Batman–was wrong for going after Freeze, and must now find a way to get the criminal off, as Bruce now believes that the man is innocent of the particular crime he was brought down over…and because he knows that, it’s not (in this case) justice, and means someone else committed the crime and thus is more important to be "brought to justice."

Despite any of my negative/so-so-ness about the art…as an entire package, I greatly enjoyed this issue. I want to read the next issue; and I suspect that it will be "top of the stack" due to my eagerness, in a way that #51 was not, initially, after #50. I love this use of Bruce Wayne–as Bruce Wayne, as a character, and not JUST as Batman. Seeing Bruce Wayne involved in something, interacting with others as Bruce Wayne, and even discussing Batman and seeing/reading ("hearing") certain things and getting meaning that someone who does NOT know Bruce and Batman are one and the same would not. It’s also interesting to consider the ethical things–such as Bruce serving on a jury involving a case with a man that he himself brought in, without anyone else knowing that fact. But then, a masked vigilante running around serving a greater good YET technically breaking a number of laws doing so adds other stuff to the mix. In context of Batman stories, though, I always find myself going back to Untold Legend of the Batman and a flashback of Bruce’s moment of realization that Justice and The Law are not automatically the same thing.

This is a Bruce Wayne back in a familiar place thanks to a new situation; I was reminded a bit of A Lonely Place of Dying, which is certainly another factor that sparked a positive feeling for me.

This isn’t for everyone, obviously…but it begins to move things forward with developments from #50, and yet almost feels like a new series. I’m very thankful this is NOT some new #2, as the numbering continuing on clearly shows that there can be a new focus and a series can feel fresh even without an arbitrary #1 slapped on the cover. The primary drawback to the issue is the price–I’d swear up to #49, this series was $2.99 and now carries the $3.99 price point. I’ve long been down on Marvel for biweekly $3.99 books, having often felt that I was very OK with DC doing the biweekly thing since the issues were 25% cheaper. As I’ve significantly trimmed back on what I’m buying, it’s not the huge thing it could be, but does have me a bit wary.

Still, having read the two issues back to back and being eager for the next chapter…having enjoyed this issue and the story in and of itself…and DC still having a bit of ok will (if not entirely "good will") from me, I’ll let the point go for now.

Regardless of Batman #50, one who "knows" Batman in general ought to have little trouble picking up with #51 and this issue for a good story. As part 2 of a multi issue story, I do not recommend this issue without #51…and if you don’t already have this issue, you’d probably enjoy the story better if you wait and got all 3 issues at once, if not waiting for a collected volume.

For a $3.99 issue, I liked this, I’m glad to have the issue, and I’m actively looking forward to the next issue.

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The Weekly Haul: Week of July 18, 2018

This was a small week comics-wise!

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New Batman, first issue of Archie Meets Batman ’66, a #0-issue for Rise of the TMNT, and the second issue of The Magic Order. I either haven’t read #1 yet despite buying it, or have totally forgotten it already, but went ahead and picked up #2 to be sure to have it. Whether I’d go on to a 3rd issue remains to be seen!


I ended up splurging on some new DuckTales stuff this week:

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I was VERRRRRRRY glad to find that Launchpad is available as a single-figure card, and NOT exclusive to the Suncatcher (plane) playset, and got him, as well as Flintheart Glomgold.

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Larger view of Launchpad…

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Larger view of Glomgold…

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I also went ahead and bought the Target-exclusive 10-inch Scrooge McDuck Pop vinyl (From Funko. Not being much of a statues guy, this one struck me as "statuesque" and though it’s not my favorite interpretation of Scrooge, I like it for what it is.

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The cats didn’t know what to make of Scrooge, though, and both came over to check him out before I could even get him outta the box!

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Sarah took off after determining that he wasn’t food, treat, nor comics to lay on. Chloe settled in to ask how she might obtain the same sort of financial success as Scrooge…

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The Weekly Haul – Week of June 21, 2017

Well, this turned into a far larger week price-wise than I’d had any intention of…of course, a lot of that goes to some deals, and a couple more of DC‘s $4.99 DC/ILooney Tunes books! And a back-issue.

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Of course, the weekly Superman book–in this case, this week it’s the actual Superman title itself…pretty much concluding the Black Dawn story in an "oversized" "anniversary" #25 issue. Then we have Lobo/Road Runner and Wonder Woman/Tasmanian Devil which, so help me, intrigue me. Super Sons has another issue–I need to make sure I’m caught up to the previous issue. I think I am, but I’m not 100%.

Then just for the novelty of it AND so I won’t have to HUNT for the first issue later, SwordQuest as I’m just curious how the story really will go after the #0 issue…though I don’t like the $3.99 price point. I’ve been getting God Country, and probably should have just waited for the collected volume, as I don’t think I’ve actually read #3 to present.

And finally, because of that darned cover, and figuring if nothing else it’ll go with the last #1 Darth Vader I bought, I figured I’d give the thing a try, now out of the "first week sales figures" range and all that, and it was there, and still cover price. I did NOT, however, buy #2 that came out this week.

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As expensive as three $5 issues and several $4 issues were…I’d had no expectation of finding any great deals on more collected volumes. But for less than the price of 2 Marvel issues, got the oversized hardcover of Wolverine: Sabretooth, collecting two stories. While I’m not the biggest fan of the stuff, it’s still Wolverine, the actual, genuine, regular, true, original character.

Then for roughly the same as seven Marvel single-issues, got the three volumes of Excalibur Visionairies: Warren Ellis. I don’t know if I knew these existed, but all three available together and for this pricing…I couldn’t pass ’em up. And hey…they’re all ’90s or early-2000s X-stuff…especially the Excalibur volumes.

These even put Half-Price Books to shame…and really put convention pricing to shame.

All in all, a big week and plenty of reading to do, and I’m still a hugely long way off from ever catching up. Such is the life of a comic person, I guess…

The Weekly Haul – Week of June 7th, 2017

Despite hopes for a "small" week, found this to be a fairly large week, particularly with a couple of high-priced issues I hadn’t consciously planned on, particularly for the prices!

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Of course, the weekly Superman issue. Then, because it was there, snagged the Superman & Bugs Bunny issue/volume. $8 and I believe it reprints a 4-issue mini-series…so functionally $2/issue for a full story in one go? You betcha! And of course, Captain Atom and Predator with new issues this week.

I went ahead and snagged the Batman issue rather than waiting for my DCBS bundle shipment, having had stuff spoiled a bit thanks to Bleeding Cool, and figuring I’d want to read this sooner than later for myself instead of just going on second-hand information.

And I hadn’t known anything about the Steve Trevor issue–I actually thought it was some new series or mini-series, so didn’t want anything to do with it. Plus, I simply never cared for the character, period, til seeing the new Wonder Woman movie this past Friday. And with it being a one-shot and NOT jacked up to $4.99+, I opted to give it a shot. Though the presence of an alternate cover–such that I had no idea which cover was the variant and which was the "regular" nearly drove me to put it back and pass on it entirely.

I did pass entirely on Magnus #1 because there was a B cover and a C cover, but no A cover, and I hadn’t realized it was out this week to request it be pulled as I did a couple of the other issues! (Publishers: you LOSE people like me by conditioning me to "accept" variant covers’ existence, but then messing me up when I at least attempt to stick to the "A"/non-variant/regular/advertised cover and ALL that remains are variants withOUT even the "original"/actual/real cover!)

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With The Batman/TMNT Adventures wrapped, the "cartoon" TMNT series TMNT Amazing Adventures is back with (presumably) a mini-series…perhaps in lieu of an ongoing as stuff on the "2012 series" starts to wrap up with the final season (I believe) presently airing and all that. And I’m definitely on a Spawn kick at present…barring price increase or my getting hosed over a variant or such, I’m mostly intending to dig in and stick through #300 at least.

I didn’t even realize it til I got it home, but this issue of Reborn was $5.99! I think had I realized that, I might’ve passed on the issue for now. I’m not certain that I have all 5 previous issues–I might be missing an issue–but having "most" of the issues, I simply figured hey, next/new/final issue, why not? Though I’ll grant it a LITTLE more leeway than I would Marvel at this point, as they’ve totally "abused" the extra-priced issues. And I’ll gladly take an extra $2 for presumably twice the content, or at least an extra 50% of content, especially if it means holding to the established number of issues, even if they had to expand the page count (again looking at Marvel primarily for tacking extra issues on at the end of event series).

I also noticed that Batman: Dark Knight III finally had its "final" issue out, which itself is a DC book that added an extra issue (as I recall, it was supposed to have been an 8-issue series, not 9).

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Then, for good measure, apparently, as I approached the register, I saw three stacks of books. Curiosity got me and I looked at the price stickers: $1.00! So for the price of 1 DC Rebirth issue, snagged two hardcovers and a paperback collected volume. No idea, for example, if the Zombie Christmas Carol is a Marvel Zombies thing, or just a zombie theme applied to the classic Dickens tale (thinking the latter), and I know I don’t have the other two, so at least they’d be "something" to read someday.


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It’s been a fantastic year of movies already, and some of them are starting to come out for home release. Logan a couple weeks ago, and now the live-action Beauty and the Beast.

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And just because I had it in my ‘camera roll’ as I was transferring stuff for this post…a photo of my 43 or so Supermen at the moment. Once/whenever I get new bookcases assembled and stuff re-arranged, I’m pretty sure these guys are gonna have to split up–it’s getting harder to add new ones, and I’m not too keen on the statue straddling two bookcases, nor of "hiding" it amidst dozens of alternate counterparts.

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