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The Weekly Haul Catch-Up: Weeks of November 20, 2019 to December 11, 2019

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Once again, it’s been a few weeks since a "Weekly Haul" post. Though I did get a random post up the other day with some bare-bones random brief thoughts on Marvel‘s 2099 stuff…and a path-to-500 for DC to give us a Robin #500 (semi-tongue-in-cheek, using "Marvel Math.").

So let’s play catch-up on the last few weeks’ hauls. Or rather, the "main" hauls…as I have partial plans for a couple other things from recent weeks as well!


Week of November 20, 2019

Having dropped some titles, I’ve been finding my regular weeks a bit more manageable, and even been willing to "try" a bit of randomness with other titles for whatever reason(s).

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Batman has long been a pull; I believe this may be the single longest run of the title I’ve had, at least for issue quantity. I have the entirety of King‘s run thus far, and though I’ve planned to "finish out" the run, since I think they’re shifting to monthly from biweekly AND there’s no sign yet of the promised Batman/Catwoman series, I may go ahead and continue along. With rumours of yet another relaunch next year anyway, It probably can’t hurt too much to get a few more issues and simply have a complete run.

He-Man and the Masters of the Multiverse is just an interesting premise to me, mixed with a bit of would-be-nostalgia, that I decided to get the first issue in a slight bit of "support," slight bit of gambling. I had/have no intention of subsequent single issues, though I may watch for reviews to pick up a collected edition.

I’ve settled pretty firmly into enjoying/appreciating the various "Facsimile" edition reprints, so the Green Lantern/Green Arrow drug issue was a no-brainer.

I need to catch up on reading TMNT Urban Legends, especially as we’re getting close to the couple of issues I’d had in college that showed me how much the characters had been changed and solidly impacted a paper I wrote about the Turtles.

Doom caught my eye along with the classic "font" for the title 2099 so I gave in and bought the first issue for the sheer nostalgia of the thing. I opted NOT to pick up subsequent issues…though my interest in the ORIGINAL 2099 stuff has been rekindled.

I snagged the Death of Superman: The Wake tpb because…well, Death of Superman. This collected a digital-only (or digital-first?) mini-series and I was interested for its title and concept, thinking it’d give some insight to the "current version" of the infamous now-27-year-old story. (Unfortunately, I was highly disappointed and found the thing to be something better-suited for distribution in cereal boxes!)


Local Comic Shop Day (November 23, 2019)

I’m not very keen on "Local Comic Shop Day" in general. I’m fairly accepting of "Halloween Comic Fest" but LCSD isn’t much of a "thing" to me.

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That being said…there were a couple issues I wound up picking up. The Walking Dead: The Alien one-shot, and a Super DInosaur reprint or whatever it is. I am pretty sure I have the original Super Dinosaur issue(s) from back in the day…somewhere. And given the nature of the Walking Dead issue–new story, not by Kirkman himself, and not previously available in print, and with the final volume of the TPBs out MONTHS ago, seemed like a decent companion piece to the series.


Week of November 27, 2019

Having decided in 2015 that it was officially my "next Grail," I was ‘officially’ on the lookout for an in-my-price-range copy of Uncanny X-Men #266 up until finally scoring a copy earlier this year.

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So hardly six months after finally getting my genuine, actual real Uncanny X-Men #266…Marvel puts out a facsimile edition of the issue. Not that I wasn’t going to buy the thing, but it kinda figures, on the timing. I can’t be sure if the facsimile edition would have satisfied me in terms of my personal collection, though. C’est la vie.

We also got the final (for now) issue of Hope, which I look forward to binge-reading/catching up on.

I’d picked up the Sandman Universe Presents: Hellblazer issue a few weeks earlier, and decided to also get the first issue of what I BELIEVE is an ongoing new Hellblazer series. I enjoyed both issues well enough and they definitely have the general feel of the original 300-issue series, while being a different version of the Constantine character. I may well grab the 2nd issue if I notice it when it’s out, and go from there.

Continuing their pattern, along with the Tales from the Dark Multiverse: Infinite Crisis, we also got a DC Dollar Comics reprint of the first issue of the original Infinite Crisis #1.

I’m pretty sure I have all the earlier issues of Second Coming so grabbed the latest issue. It’s one that I really need to get around to READING to decide whether I genuinely want to be getting it…though at this point I’d likely have been much better-served just waiting for a collected edition.

And finally, I decided to grab a recent-back-issue in Dark Horse‘s The Little Mermaid. It’s a mini-series, but being from Dark Horse I was curious how it’d stack up to the IDW stuff as well as how it’ll wind up in collected format, as well as being curious if it was actually a reprint as I’m fairly sure we already had a comics adaptation of the film.


Week of December 4, 2019

And getting into December…

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New Batman issue.

And the fifth/final issue of the 5-issue TMNT: Shredder in Hell mini-series. A mini-series that saw its first issue come out in January 2019. And I’d believe the series to be monthly, that it was due to wrap up by May or June…yet it only JUST made it ahead of TMNT #100…and I believe MAY have caused the apparent delay in that issue.

The latest Spawn issue. At #303, it’s my 47th issue in a row for the series…coming up on MY 50th as such!

The newest Usagi Yojimbo gets us to #7 of the latest series. And having just picked up the first issue, I decided to get the second of The Little Mermaid.

I swore off all Boom! Studios books nearly four years ago.However, my primary "exception" in comics is the TMNT. So a Mighty Morphin’ Power Rangers/TMNT book was an interesting quandary for me. In the end, I opted to allow my "TMNT Exception" to OVERRIDE my refusal to get single issues from Boom! Studios…though I ALMOST reconsidered when I saw the variant cover (or one of them, anyway) was a turtle’s hands holding a Power Ranger helmet…like it was just being insulting at that point.

Finally for the week, a facsimile edition of the "death of Flash" issue of the original Crisis on Infinite Earths; as well as a facsimile edition of Marvel‘s original Star Wars #1. And for good measure, a DC Dollar Comics issue of Birds of Prey.


Week of December 11, 2019

…and now we’re up to the most recent week and (perhaps) back on schedule! I’m also a bit unsure of what the remainder of the year holds, with this week’s December 18 being the last non-holiday Wednesday of the year, with the following Wednesday being December 25th–Christmas Day; and the very next Wednesday will be New Year’s Day (also, January 1st, the first day of a new year!)

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IDW‘s ongoing TMNT title finally hits its 100th issue! This also marks 100 issues that I’ve kept up with the series, buying every single issue, from #1 to #100, as it came out. Which is also a record for me, I’m sure, for ANY single run of ANY comic series in all my 30-some years of being into comics.

Then, despite dropping the Superman books, I ended up grabbing a copy of #17 off the rack while waiting in line at a Black Friday sale, so went ahead and–against better judgement–picked up #18 as well. I suppose it says ENOUGH that I didn’t immediately read either issue. And I guess we’ll see if I pick up any of the specials further dealing with "the reveal." As of this typing, though, I’m ready to wash my hands of the thing, though!

I would not have bothered with the Defenders issue except for it being a facsimile edition, so I went ahead and got it for the sake of having it. I’m highly confident that it’s GOTTA be better and a much superior time-value than any MODERN Marvel $4.99 issues!

Finally, the Tales of the Dark Multiverse: Teen Titans – The Judas Contract as well as the DC Dollar Comics reprint of the ending of the original Judas Contract story (as I believe it’ll be the ending of the story that diverges things for the Dark Multiverse).

I think there was an "off" week for Comic Shop News, and I’d’ve sworn we just had one of these previews, but maybe not? Either way…a cheery sorta Hembeck image of the characters ready for 2020!


Neca, Target, and Turtle Two-Packs

Along with the Wednesday comic shop visit on the 11th, I also ducked into a Target across the street, in a vain attempt to find a certain two-pack of figures.

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I was rather shocked to actually find them…as I’d been in Target stores well over two-dozen times across the four weeks ending with December 11th (and at least 7 or 8 different Target locations amidst those!)

But I finally scored the only 2-pack I wanted from the new wave of classic-TMNT figures, and for retail price, rather than the 2X-3X pricing of scalpers.

‘Nuff said.

While I’m interested in Leatherhead coming up for the line, I have no particular interest in Slash, nor a pixelated Shredder. So if these waves continue to be the turtles themselves, re-issues of Foot Soldiers, and a pack of new characters, I would just hope that Leatherhead could be his own thing, or come paired with a Foot Ninja and that the 3rd wave is something that would NOT require such frustration and effort to track down.

I found this Bebop/Rocksteady pack the very day after I’d more or less officially decided to "give up" on the line, at least until after the new year, but since I was across the street from the Target figured what was ONE MORE try after so ridiculously many for the previous several weeks?

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The Weekly Haul: Week of October 30, 2019

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Well…I was a week late posting last week’s edition, but here I’m essentially "early" for this week’s edition. Go figure, huh?

That’s what life does, though, I guess!

This was a large-small week. Relatively "small" in quantity. Small in quantity, but big in price.

Let’s get to it!

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Teenage Mutant Ninja Turtles #99

This is the 99th sequential issue I’ve bought for this series, beginning a little over 8 years ago in August of 2011. This is by far THE longest single uninterrupted "run" with any comic series for me with no "breaks." Even though I followed 2004’s Tales of the TMNT to its concluding issue, there were months at a time where I wasn’t able to get (an) issue(s) and would have to catch up 3-6 issues at a time with online orders and such. So as the title heads to its 100th issue, it’s also a big deal for ME in tracking that length! That this issue–#99–is $7.99 was unexpected as I expected this for the 100th issue. If it means the 100th will be even bigger…great! I’m all for more content. THOUGH even as MUCH as I allow TMNT to be my "exception," variant fatigue is even seeping in HERE to me. As well as this being the longest I’ve followed any single series in one go…part of me begins to wonder if even this could use a "break." Get to 100 and take a break for a few months. But then, look how long it took me to pull the trigger on other stuff I lamented pricing/etc. before finally dropping.

 Tales from the Dark Multiverse: The Death of Superman #1

This is another $5.99 #1 issue. At least it’s squarebound so quasi-"prestige format." Despite having a large #1 on the cover, the code in the barcode box that tells which cover you have (regular or variant(s)) is 0211, meaning this is being considered a #2…if these are one-shots, I’d expect that code to be 0111. I got sick enough of $4.99/issue with X-Men stuff the last few months; $5.99 is really quite out of the question for a "series" for me. Perhaps it IS DC trying to be sneaky, a la Marvel by making it look like one-shots while actually considering it a series?

The Sandman Universe Presents: Hellblazer #1

Then an issue I’d forgotten was coming: I believe this brings the John Constantine from the ’80s Books of Magic (back?) into canon; certainly a younger version of the character not being aged in "real time" from his first appearance. But I think I’d seen that this version may be a lot more Vertigo-esque than we’ve had since a version of the character crossed back to the main DC universe back in 2011 at the end of Brightest Dayin Brightest Day Aftermath: The Search for Swamp Thing. I was also rather surprised to see the Black Label…um…label on this. I thought it was Sandman Universe, not Black Label. Considering All-Star Superman was moved to Black Label and is not an "adult" or "mature readers" comic, it seems rather odd to me that BL would mean "adult" in and of itself. Whatever it means, I am truly growing tired of seeing it all over DC‘s output with their inconsistency and lack of clarity about stuff. So that’s a ding against this as well. Whether I’ll pick up and go with the ongoing series at the end of November remains to be seen. I’ll likely try the first issue at least, but more than likely will fall back to wait for collected editions.

DC Dollar Comics: Superman #75

This is one of THE more appropriate reprints, and feels like one of THE best-done for a DC Dollar Comics edition vs. a replica/facsimile edition. It’s $1, which is 25 cents less than the original issue was 27 years ago; and this comes out within 2-3 weeks OF the 27th anniversary of its original release! I was a bit surprised at DC keeping so MUCH of the classic cover intact…they even KEEP the original UPC box from the Direct Edition stating the creators, and put a NEW UPC box on the other side of the cover for the current edition. They also replicate part of the original corner box including the flying Superman image, and the cover dress/placement/font of the phrase The Death of Superman!. I almost feel like I would prefer this as a replica edition…I do not believe ANY reprint of the issue since the original 4 printings has had the gatefold back cover; so the effect has never been the same for the issue’s ending. I do find it odd that this reprint has a "To Be Continued in The Death of Superman" seeing as this is the end of that story. But much as with the Batman #497 a couple weeks ago…this is one of THE single issues I am absolutely MOST familiar with, and thus far more "sensitive" toward than most other reprints.

True Believers: X-Men: Moira MacTaggert #1

This one’s "just another" reprint to me. I believe it reprints X-Men #96; just a couple issues into the post-Giant-Size X-Men #1 era. I’m not sure when I thought the character had first appeared, but I would not have guessed it correctly.

True Believers: X-Men: Karima Shapandar, Omega Sentinel

This one’s another that I definitely recognized the cover image but would not have been able to tell you a number. I WAS pretty sure it was an X-Men Unlimited issue, and the indicia bore that out–originally published as X-Men Unlimited #27. As it was a quarterly title and #1 was in 1993 AND it took two quarters off during the original Age of Apocalypse for X-Men Chronicles…I’d place this as being an issue from 2000 if I had to hazard a guess. Which makes it relatively recent as True Believers reprints go.

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Not much in thoughts for this, except I’ve gotta catch up on reading the main title. I’m not sure how "between-the-issues" this one might be, though it looks like it may read well enough on its own…time will definitely tell!


One $7.99, one $5.99 two $4.99s and three $1 issues. $27 for 6 issues. When I got back into comics in a big way–particularly summer 1992–I could get 20 comics for $27, with a bit left over!

Next week looks to be decently-smallish…I’m tentatively planning on Legion of Super-Heroes solely for the stupid plastic ring, assuming one is available with it. I’ll pay $3.99 for the ring and a bonus comic…if I’m not enthused about a comic with a bonus ring.

And looking ahead…I’m not seeing anything offhand about more True Believers for November…I was starting to think these were basically weekly with a different theme each month. I guess not?

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The Death and Return of Superman "Gift Set"

I bought The Death of Superman on blu-ray last year when it came out…though it was heading into a less-than-ideal point in my personal life, so I never got around to/bothering to post about it.

Then in January, I was able to attend one of the Fathom Events theatrical showings of a double-feature of both The Death of Superman and the then-yet-to-be-released Reign of the Supermen; which I detailed in my post Reign of the Supermen…26 Years From Page to Screen.

Reign of the Supermen actually came out on home media the week of January 30, 2019.

And then, like with The Dark Knight Returns a couple/several years ago, they’ve gone and jammed the two films into one epic presentation. And me being me, and like with TDKR, I bought into the shiny new re-issue of what I already had.

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For their part, it helps that the thing has an awesome-looking figurine of Steel. I’m not keen on their marking it as a "gift set," but that more accurately describes this boxed edition that comes with the figurine, over just getting the movie(s) itself.

I nearly bought it in person, but discovered that if I went to the trouble of physically picking it off the shelf and carrying it to the front of the store and checking myself out…that would be one price. Or, by placing an online order at a Walmart I was going to be at for groceries anyway and having an employee track it down, check it out, bag and tag it, and then when I was ready, go find it and take it to await my showing up to grab it from a kiosk, I saved $5.

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First thing I did with this was get it open to get the Steel figure out; I have not yet dug in to the rest. It’s also interesting to me that they apparently include a blu-ray of Superman: Doomsday. I’ll be curious to see if that has the retrospective/documentary on it. I’d love to have THAT digitally.

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Out of the "gift box," the movie comes with the usual cardboard slipcover…and of course, the Steel figurine!

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The figurine is way bigger in this photo (at least on MY screen as I type this) than the physical object. I love how this looks…the contrast of the dark grey with the red cape! And I didn’t even notice the (glowing?) blue eyes until I took this photo.

Maybe I’ll do a random post in the near future showing this figurine with the "battle-damaged" Superman one that came with The Death of Superman last year.

I’m curious as to whether the upcoming (in just the next couple weeks, I think!) Wonder Woman animated movie will come with a character figurine. And perhaps along with the aforementioned Superman figurine, I ought to do a post showing my whole collection of figurines that have come with these DC animated features.

As always, and broken record that I am…time will tell.

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Reign of the Supermen…26 Years From Page to Screen

Last week–maybe the week before as well (but this last week for sure) I was greeted with a pleasant surprise in an ad. Most advertising is frustrating, deceptive, or otherwise just bugs the sheer heck outta me. This was one of THE BEST ads I can think of in a number of YEARS.

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See…THIS ad prompted me to ACTION. It informed me of this two-day event. Reminded me that this was happening, as I believe I’d seen SOMEthing about it some time back. And it was well-timed, being the Wednesday before the event–providing me with several days to consider and make plans and actually attend the event!

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The Death of Superman came out last July or so, and I enjoyed it overall. It was certainly far superior to 2007’s Superman: Doomsday (which I still hold as primarily worthwhile for its retrospective documentary on the actual comics event).

This "do-over" was good, catching a number of good points from the original comics…while updating, modifying, and adjusting stuff in such a way as to fit it–essentially–into the New 52 continuity, as the last few years of these DC Universe Movie features have been–some based directly on those comics, others drawing inspiration from, and so on.

For me, probably the most stand-out thing about this The Death of Superman was the way it pulled off addressing Lex Luthor as he’s generally been known, and yet the Luthor at the time in the comics was vastly different. I remember that moment in here leaving me chuckling–like "Alright, I was wondering, and that’s good, I like that, that’s awesome!"

In its Return of the King style multiple "epilogues," it also drew from what I feel is one of THE absolute KEY moments of Funeral for a Friend/World Without a Superman, the heart of that story, and in some ways maybe the entire reason one could do this sort of story. It gives us a voiceover of Bibbo praying, talking to God, asking how it is that He would take Superman…while a washed up old roughneck like him goes on living. It was a scene in the comics that made me cry in 1993, it’s a scene that has brought tears to my eyes multiple times since in re-reading the comics, and darned if it didn’t have my eyes wet in the theater the other day!

[SPOILER WARNING! I’m gonna get into spoilers below with Reign of the Supermen!]

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The biggest draw here for ME, of this double-feature, though, was Reign of the Supermen. Not only the chance to see these on "the big screen," but the fact that it was a chance to see this one a couple days BEFORE the "digital-only" "window" that I so thoroughly DESPISE that has been such a trend lately/for years.

I’m still trying to decide what I think of this one, and perhaps as I’m typing this I’ll better settle it out.

————— [Again, spoiler warning! Stop reading if you care about knowing nothing really about it going into Reign of the Supermen!] —————

Something that really stood out to me quite a bit was the way that the Justice League was involved, as well as the very presence AT ALL of Darkseid.That more than even just the costumes rooted this as a sort of New 52 version of The Death and Return of Superman stuff.

It worked–having Doomsday be a weapon of Darkseid, and Darkseid having been behind Hank Henshaw, and all that. In context of Darkseid being THE big Justice League foe of the New 52 and all that; being the driving force of the "origin" of the League, etc.

But it also turned this into a Justice League story in which Superman had died…rather than being fully at its heart a Superman story.

While I can "appreciate" certain stuff with Darkseid and even like certain visual interpretations…on the whole I just do not care for the character and find the character to be vastly over-used and uninteresting.

We still had key moments adapted into the film. Steel still had a momentary subplot with weapons; Superboy hitting on women; the "visored Superman" still used deadly force; the Cyborg still saved the president and was recognized as the real, one, true Superman; and so on. Scenes had some clever nods to comic covers in montage mode that I really liked. To "just anyone" it was a montage; someone like me that read the individual comics each week as the story originally unfolded across much of 1993, it was an excellent way to acknowledge the original comics without being hung up on them and their story.

While Superman, the Supermen were a primary driving force…I just strongly feel that this could have been just as easily Justice League: Invasion II or some such.

In the end, though, I enjoyed this, especially as I decided that for me at least it’s simply the New 52 version of the death and return story, updated and adapted for the New 52 such that it fit the altered continuity and such, while keeping many of the moments from the comics that were important and informative of the characters. Unfortunately, the biggest disservice was probably done to the Eradicator, with virtually no real character exploration nor explanation. (Why the visor??? The visor wasn’t even really acknowledged! except his being "the visored" Superman)


I’ve missed at least a couple other Fathom Events presentations of DC Universe movies. I’d been very interested in and planning on going to see the Batman: The Killing Joke back in 2016, but was laid off days before and still in a bit of "shock" over the whole situation, and didn’t go. And I’m pretty certain there was at least one other "premiere" in theaters in 2017 and/or 2018.

But it feels "fitting" to see these…and all the better a value for having both together. I think the listing I saw indicated the combined thing was 2 hours 45 minutes or so–which makes for a "longer movie," with an individual 70-74 minute animated feature "short" and a "full length" film running closer to 120 minutes. But unlike most of these "longer movies" in theaters, having these as two movies but back to back…there was a whopping 5-minute "intermission," which was more than enough time to go to the restroom and grab a quick drink. I certainly wish more films would be a bit longer BUT (such as on a cliffhanger) have a brief intermission for using the restroom and such.

I despise this "digital window" on movies. I have never ONCE decided to blow $20 on a digital-only film JUST to have it 2 weeks before it would be available on physical media. It just pisses me off. If "digital" were a completely separate thing and there were NEVER "DVD + Digital" or "Blu-Ray + Digital" or "Blu-Ray + DVD + Digital" combo packs, that’d be a different thing. I refuse to "convert" to digital-ONLY when it’s basically the same price to get the physical media WITH a digital code. (Or for $2-3 difference–cheaper than a single issue of a comic book–it’s negligible for a huge benefit/convenience!)

Even having bought and watched The Death of Superman last year, and even just having seen Reign of the Supermen in the theater…I’ll still be buying the latter in a couple weeks when it’s available.

If you’ve bought/watched The Death of Superman this is a solid continuation. And even if you’re not really a Superman fan but dig Batman and the rest of the Justice League, this is also very much a Justice League thing, and fits with the other recent Justice League animated features, references the Teen Titans, and generally works in that continuity.

It’s taken 26 years…from the original comics to this animated (double) feature. I’m glad to be able to have ’em, all the more as they make a 25+ year old story "new" and "current" again for an entirely new generation!

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Fantasticon and B&N Haul from March 10, 2018

Over the weekend, I attended a local-ish convention–Fantasticon, in Toledo/Ohio. I went with several friends, stuff was good, and got a few things, and then more at a Barnes & Noble we went to after dinner.

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Probably the main thing for going was that Dirk Manning was going to be there. Always great to see him…probably the best creator I’ve interacted with over the years in terms of enthusiasm, approachability, and all that.

And having just debuted it in the last couple weeks or so, I was able to get a couple copies of Hope #1 by him and K. Lynn Smith (one for me, one for a friend). Busy rest of the weekend so haven’t read it yet, but I hope to have a review up in the near future!

Then there was a randomish back-issue-bin-dive where I came across a still-sealed black-bag-edition of Superman #75–the Death of Superman issue. (Yeah, that issue!). It was marked $3, and cost $3, and is the first copy of this edition that I’ve bought in over 25 years. The bag’s a bit wrinkly and some color damage to it like it had stuck to something or something had stuck to it…but darnit, for $3, the stuff inside is more than worth it, and I very definitely intend to open this thing…perhaps that will also be a near-future-ish post!

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Outside of (re) meeting Dirk and getting that issue of Hope, my "back issue comics goal" was several issues of New 52-era Action Comics…which wound up being a miserable failure. Ditto for issues of the Marz/Banks early-Kyle-era Green Lantern run.

However, I did find a run of Green Lantern: Mosaic…that when combined with the issues I got a couple weeks ago, give me a complete run of the 18-issue series, right here, right where I know where all eighteen issues are right this moment together.

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To some degree, this is a small culmination of 23+ years, having been aware of this series from a friend getting issues from #1 back in 1992. I wasn’t immediately interested myself until later in the run or shortly after. Though I’ve often seen #1 or a handful of issues, I’ve never in all this time (until now) managed to come across or assemble a complete run. From these last several weeks, I now definitely have at least 3 copies of #1, if not more…and certainly several duplicates…but at least I have a single, full run now in one place and I am comfortable not having any further inclination to buy more copies of any of the issues!

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For less than the price of two modern Marvel comics, snagged this Emerald Twilight Parallax figure from the Kenner Total Justice line. This was basically half the cost of a contemporary 3.75" figure, cheaper than basically any "basic" figure, period, these days, and 1/3 the cost of a DC Multiverse "full-size" figure. I’ll need to get this outta the packaging before I change my mind…he’s gonna look quite good against a backdrop of my Green Lantern shelf!

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I’d long since resigned myself to never getting the Thanos "mini-figure" from Lego as I was not spending the money for the set that he came with, and I wasn’t even gonna begin considering "online prices" for a single figure, as any reasonable price would be obliterated by factoring in shipping. But finding this large mini-fig for the price of only 2 modern Marvel comics was a no-brainer for me…especially as I’m keen on Thanos at present, anyway!

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At a Barnes & Noble, found these three Funko Dorbz figures of the TMNT in a $2 bin on clearance. Quite disappointed not to have found all 4…but these were the ones that were present, and my friend even did an extra dig-through to make sure I hadn’t overlooked it!

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And then, partly because they were half-off so I could get both for the price of one, I got Sam I Am and his friend cuz…why not? I’d considered getting them a couple other times, and found them individually other times without the other; and figured I’d wind up kicking myself if I passed on these.

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Turned out that these were also only $2 apiece. Since they’re usually $6+ each, and I didn’t have any of the DC and am still missing several of the TMNT, 8 boxes worked out to be like buy-3-get-5-free (but slightly cheaper).

Of course, me being me, my first choice would be wanting Superman, and then ideally blue-and-grey Batman, Flash, Wonder Woman, Aquaman, Green Lantern, and Martian Manhunter. For the TMNT I was most interested in Bebop, Casey Jones, or Splinter.

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I wound up with three specific ones I was interested in most, and glad to at least have gotten a Batman to go with Superman and Wonder Woman. April O’Neil is a duplicate from the TMNT wave; and I’m not thrilled with Power Girl, and would have a number of the other minis ahead of Black Manta and Harley Quinn. But for the cost, it was well worthwhile (though also means I probably won’t buy any more as I now have extremely-high odds of getting a duplicate!).

All in all, including admission and the Barnes & Noble stuff, I spent about $8 more than what it would have cost me just to get in the door into Wizard World Cleveland had I gone to that the weekend before.

So…not bad at all!

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The ’90s Revisited: Superman #75

90s_revisited

superman_0075Doomsday!

Words & Pictures: Dan Jurgens
Finished Art: Brett Breeding
Colors: Glenn Whitmore
Letters: John Costanza
Assistant Editor: Jennifer Frank
Editor: Mike Carlin
Cover: Jurgens & Breeding
Published by: DC Comics
Cover Date: January 1993
Cover Price: $1.25 ($2.50 Collector’s [black bagged] Edition)
Triangle #: 1993/2

This is it–probably the most important single issue of any comic book in my life…at least to me, personally. This issue has–in one form or another–influenced so much of my experience in/with/of comics, far beyond anything I could truly sum up briefly.

The cover is that iconic image–the tattered cape caught on a wood pole sticking out of the wreckage in Metropolis–that has become so symbolic of the fall of a character, and so defining of this story and the Superman character. At least to those of us who read this as a new comic, were there as the story unfolded.

The issue is itself nothing but splash pages, each page a single large image, ending with a fold-out back cover stretching to a triple-wide image.

Nearly every single page is "iconic," each page being a key image, something easily recognizable as being from this very issue. So much so that these images were used time and again for flashbacks, and capture the key "moments" of the end of the battle…and are reinterpreted to this day to place a flashback within this story.

This issue’s art–for the full pages, the sheer importance of the issue in the time, and what it was to me–is certainly the "gold standard" for Superman art, and for Jurgens‘ work on the character.

Story-wise, this is but a handful of moments, of scenes, each page having to carry stuff forward…but it certainly works. For several chapters now, the panel-count has gotten smaller, the action more intense, the story speeding up, rushing to this conclusion. And what a conclusion it is–Superman dies. I felt on this read-through like the "final punch" is earlier in the issue than I remembered and expected…but perhaps it was the way I was reading. While we get some moments of Doomsday menacing Lois and Jimmy and Cat, for me, the heart of this issue–morbid as it may be–comes in the narration after the final punch. This is some of the most "iconic" narration for me in all my years of reading comics, and resonates with me still.

Like weary boxes who have gone the distance, the combatants collide in one last, explosive effort. In the years to come, a few witnesses will tell of the power of these final punches, that they could literally feel the shockwaves. Others will remember the enormous crater that resulted from the sheer force of the blows. But most will remember this sad day as the day the proudest, most noble man they ever knew–finally fell. For those who loved him–one who would call him husband–one who would be his pal–or those who would call him son–this is the darkest day they could ever imagine . . . And for those who served with Superman in the protection of all life–comes the shock of failure. The weight of being too late to help . . . For a city to live, a man had given his all and more . . . For this is the day that a Superman died.

The views moving around, showing us Lois and Jimmy, Martha and Jonathan Kent, Ice and Bloodwynd…we get the "in the moment" reactions as the characters all witness the final punches–in person or on tv. And then the final scene, as Lois cradles the broken Superman, and even still, his concern is the safety of others, never mind his own condition.

"Doomsday…is he…is he…"
And he hangs on just long enough to hear her assurance: "You stopped him! you saved us all! Now relax until–"

And as the final page is folded out, the image goes from her holding him, to her obvious anguish as he’s slumped over, dead.

I’m absolutely anything but impartial on this issue. Even reading it this time through, it never fails to stir me. TWENTY-FIVE YEARS LATER, it still gets to me. It seems unbelievable that it’s been that long since this issue was released. I was all of 11, a couple weeks shy of my 12th birthday. I’ve lived over 2/3 of my life SINCE this issue. This was the first truly "big event" in my experience in comics…both story-wise, and real-world. This was the first issue I encountered with any sort of "variant cover." This was the first time I saw an issue done in all full-page images, the first time I’d heard of pre-ordering comics, the first experience I had with "speculation" and such.

This issue began "the weekly habit" of comics for me, that "have to get it ASAP" mentality of each new, subsequent issue. That ongoing interest in the next chapter, what comes next, how are these characters handling stuff, etc. And this being in the heart of what I’d call the best of times, the highest quality and tightest story of the "Triangle Era," this became my gold standard for comics, what comics could be, and all that.

To this day, when I come across this in bargain bins–in any of the four printings, UPC barcode or "direct edition"–I tend to snag it. While this–like most of the other issues of the Doomsday! story–draws deeply from preceding issues and ongoing stuff…this one works pretty well alone. As you’d be interested in the issue AS "the death issue," of reading the actual death of Superman, it happens here. You witness the death, the final moments of the battle, get exposed to several key supporting characters, and can glean from context that others have fallen and it’s down to just Superman himself to take the creature down, the doing of which costs him his life.

While this is basically at best a "footnote" in the history of Superman…this is one of those issues that I think any "long term" comics person ought to (have) read. It’s still a piece of history, a part of comics history, and very few other comics’ stories or moments have or retain the impact this did.superman_0075_blogtrailer

The ’90s Revisited: Superman: The Man of Steel #19

90s_revisited

superman_the_man_of_steel_0019DOOMSDAY is Here!

Story: Louise Simonson
Penciller: Jon Bogdanove
Inker: Dennis Janke
Colorist: Glenn Whitmore
Letterer: Bill Oakley
Assistant: Jennifer Frank
Editor: Mike Carlin
Cover: Bogdanove & Janke
Published by: DC Comics
Cover Date: January 1993
Cover Price: $1.25
Triangle #: 1993/1

This issue has one of the most iconic covers of my life. It may not be a favorite, exactly–it’s not one that’d really work (for me) as a poster image or such–but for a lotta years, just because of the cover date–January, 1993–and being the first Triangle # of 1993, this was an image I pictured when I’d think of "1993."

The image is "just" an extreme close-up of Doomsday and Superman literally getting in each other’s face, the creature being larger/taller and bearing down on the (black)-bloodied Superman (though no real/obvious facial wounds for the blood, but hey, it adds effect, right? And had to get by the Comics Code Authority and all that.

Despite reading this entire Doomsday! story fresh, I’ve realized that part of my confusion on the gradual tearing-away of Doomsday’s suit and the reveal of the hulking grey-and-white creature is the inconsistency from book to to book of its depiction! While there was some severe tearing and a big chunk missing, where we left off in Action Comics #684, the creature very shortly later now has far more of it gone. I expect that’s the peril of having to get multiple issues drawn by differing art teams in a short time, and the thing was probably set on the notion that "most of the green suit is now gone," but no ultra-hardline visual "bible" to lead it. Of course, this is–to me–mere "observation," something I don’t recall consciously noticing quite in this way before, and I have no problem with it!

This issue has us down to only two panels per page in the several-issue declining-panel-count countdown to the main issue of the story, and as such is increasingly fast-paced with less dialogue and less room for pauses…just faster visual beats on the march from cover to cover. Perhaps it’s the increased action, the ferocity of the battle, but I dug the visuals on this issue a lot more than I did the previous issue, with several iconic moments (to me) in this issue: from Doomsday’s first kills in Metropolis, Superman trying to take the creature into outer space, Doomsday’s elbow-stab of Superman, and the Underworld explosion, Doomsday one-punch taking out Supergirl, hitting her so hard she reverts to her protoplasmic state, the look on Bibbo’s face as he, Hamilton, and Mildred realize they’ve not only angered the creature, but it’s gonna land right on them if they don’t jump…and the shock-cannon blasts from the Cadmus troopers as Superman and Doomsday pound on each other, with Superman thinking "Even if it kills me–Metropolis is where I hold the line!"

And in a way, that sums up the issue. Going from scene to scene, as Doomsday hits Metropolis like a wrecking ball, killing immediately and continuously, punctuated only by attempts to damage him, whether by Superman or Professor Hamilton with a sci-fi cannon of his own, and so on. There’s not much story, exactly, but this issue’s not intended to be all that deep in that regard, and receives no penalty from me for it.

It’s also a credit to the Dirk Maggs dramatization of the story that I "hear" echoes/flashes of that as I read this, as it definitely gets across the frenetic ferocity of the situation, and certainly moments out of this issue.

Yet again, there’s not exactly a whole lot to be gotten from this just as some standalone single issue at this point, picking it up some twenty-five years after publication. It’s a key chapter in the overall story, and maybe sees Superman take some of the worst physical damage ever to this point…certainly more than I remember offhand seeing him take on-panel in Superman #75. While I mentioned early in this post that I don’t see this issue’s cover making a great poster, I could probably be persuaded pretty easily, as I do think on a small scale this would work as wall art at its actual-comic-cover size (perhaps amidst the other issues of the story).

This is definitely well worth snagging from a quarter bin or otherwise bargain bin if you can get all the issues of the story (or all the issues you are interested in at the time), but I’d continue to recommend a collected volume of this story over the single issue for "best results" and maximum impact.

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The ’90s Revisited: Action Comics #684

90s_revisited

action_comics_0684…Domsday is Near!

Writer: Roger Stern
Artists: Jackson Guice & Denis Rodier
Colorist: Glenn Whitmore
Letterer: Bill Oakley
Assistant Editor: Jennifer Frank
Editor: Mike Carlin
Cover: Art Thibert and Denis Rodier
Published by: DC Comics
Cover Date: December 1992
Cover Price: $1.25
Triangle #: 1992/48

I like when an issue’s title is worked into its title page…all the more after recently re-noticing the way Marvel "cheats" by having a non-story page for credits/story titles that can simply be omitted from a collected volume to ignore the fact the story was serialized first.

Here, we open on a couple screens of news reports recapping recent goings-on and leaving off that authorities are trying to determine if "…Doomsday is Near!" We then pick back up with Superman, Guardian, and Maxima, and Guardian is no longer worried about lecturing Superman, and Superman has him get Maxima to a hospital while he–Superman–resumes taking on the Doomsday creature. Superman catches up to Doomsday after it takes out an overpass and hurls a car–Superman saves the car and driver. Then Doomsday wrecks a Lex-Mart (think Walmart)…but is able to take in a loud commercial from a tv about a wrestling match in METROPOLIS…and the creature is taught a word, a destination. Lois and Jimmy are on-site in a helicopter reporting on things, Lex Luthor II and Supergirl watch tv reports, and Luthor convinces Supergirl to stay put, to not leave Metropolis unprotected. Trying to get Doomsday away from populated areas, Superman hurls him into the distance, forgetting about Cadmus’ "Habitat" facility (fortunately deserted). Guardian catches up while the combatants are both stunned, and then Doomsday breaks free of the wreckage (knocking out the two heroes) and bounds onward, now intentionally bound for Metropolis.

This issue’s art is not bad at all…but the visual style is something different from both Jurgens and Grummett in a way I just don’t like the same way. Nothing’s particularly "off" in anyone’s anatomy; everyone is recognizable as who they are; I have no trouble following the flow of physical events and the story itself. I just prefer the former to Guice and Rodier here. That said, there are some stand-out moments to me–I do like how Supergirl looks (though she doesn’t get to "do" much here), and same for Lois. The wrestler in the commercial Doomsday sees reminds me very much of Hulk Hogan, which may have been the intention at the time (remember, this was 25 years ago that this saw print!).

Story-wise, this flows pretty well from the previous chapter, picking up much like an opening of a tv show where it’s not exactly frame-for-frame picking up, but picking up within the same scene within moments of where we left off. Though most of the issue is more battle, we get the "moments" between characters–Superman and Guardian; Lois and Jimmy; Supergirl and Luthor, etc. There’s no context given on Supergirl and Luthor…their status quo and presence were very much a part of "continuity" of the time…so they were just there, to be understood by longer-time readers or simply glossed over if one wasn’t familiar with stuff.

I hadn’t given it much thought, but as this issue continues the "countdown" (three panels per page, down from four), there’s more visual/unspoken action, and in a way, that leaves less room for story, and a quicker pace. We jump scene to scene essentially, but it works, as the whole battle is drawing out…we’re down to basically just Superman, as Maxima’s out and by the looks of things (and memory), Guardian’s basically out, and we already saw the rest of the Justice League taken out.

This is definitely another issue that doesn’t have much going for it in terms of being stand-alone; it is definitely very much a middle chapter of a tight, full story spread across multiple titles by multiple creative teams. Of course, it’s not a bad one if you come across it in a bargain bin to snag, but much more enjoyable in context of the full story. I do feel like–next to Justice League America #69–this is the issue of the story I’ve seen least in bargain bins, though come to think of it, Superman #74 may be similar.

This is the fourth of the Superman titles carrying the Doomsday! story–with the next two chapters being second issues of their titles with the story, before the Funeral for a Friend picks up.

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The ’90s Revisited: Justice League America #69

90s_revisited

Justice_League_America_0069Down for the Count

Story and Art: Dan Jurgens
Finished Art: Rick Burchett
Letters: Willie Schubert
Colors: Gene D’Angelo
Asst. Editor: Ruben Diaz
Editor: Brian Augustyn
Cover: Dan Jurgens
Published by: DC Comics
Cover Date: December 1992
Cover Price: $1.25

I may have read this issue before all of the other Doomsday! issues back in 1992…in fact, I’m almost certain that I did. I then reread it when reading the entirety of the Doomsday! arc the night Superman #75 came out.

This is another issue with a fairly iconic, if generic/plain cover, to me. The fade from the deep, almost purple red across the other shades (a gradient is the word I’m probably looking for) as the background eliminates any sort of buildings, trees, other stuff, and leaves us just to focus on the Doomsday creature punching the Blue Beetle as Bloodwynd, Fire, Booster Gold, and Guy Gardner struggle against it. (And this time around I’d swear is the first in all these 25 years that I really noticed the huge gashes in the side of Blue Beetle’s headgear from the creature’s strike!) And of the various chapters of this story, this issue is one I feel I’ve least seen in bargain bins over the years–even less than Superman #75 itself!

The first page has a call-out/blurb at the bottom directing readers to Man of Steel #18 first, though for me, it’s hard not to have started reading the page before seeing that, as it’s positioned at the bottom, and I start reading at the top, so I’m already through a page of dialogue (granted, a full-page/single image) before getting to it, and thus already slightly "hooked" into the action.

We open on the Justice League in action rescuing people–victims from Doomsday’s having torn up a freeway in Ohio (incidentally, based on details in the novelization The Death and Life of Superman–a stretch of freeway I myself used to drive to and from work!). While they’re dealing with the rescue and cleanup, a parallel thread for the issue is picked up–an episode of the Cat Grant Show being filmed at a high school and broadcast to the country, wherein Cat is interviewing Superman live, as well as questions from the students in attendance. This is interspersed with the League then tracking down the creature–following its path of destruction–and engaging it in a battle that leaves the Justice League itself far worse for wear, and Guy horribly beaten and Ted Kord–Blue Beetle–all but dead. At the end, Booster Gold barely gets his force field up in time to take a massive punch from the creature that sends him flying far away from the scene at a speed that overwhelms his flight ring. His flight is cut short by the arrival of Superman, at which point Booster exclaims that "It’s like Doomsday is here!"

The issue’s story has a lot of little moments, and some of those stick out all the more to me 25 years later, looking back. Seeing Maxima as part of the League, for one thing–I’d only really known her from an issue of Action Comics several years earlier. I believe this was my first introductions to most of the other characters–Bloodwynd, Booster Gold, Fire and Ice, and Blue Beetle. I’d already had Guy Gardner #1 a couple months earlier and knew/recognized Guy from the Eclipso: The Darkness Within annual where he’d tangled with the eclipsed Superman (any of the other Leaguers would have been inconsequential background characters to me for the most part). I remember the interview with Cat, the creature spearing Beetle’s bug with the tree, Maxima mind-probing ahead and declaring of the creature "He’s hate–death and blood lust personified! Nothing more." I also think I remember even then being amazed that Beetle and Guy could have survived the creature’s attack, given the on-panel beatings both took; though Guy at least ostensibly was protected by his ring, where Beetle had no such protection, and was in a coma from here and forward for a number of issues.

The art is quite good, and as with Man of Steel #18, part of that is nostalgia…though I think I like this a bit better. We start to see a bit more of the creature as the green, cabled suit takes some damage (on the cover, anyway!), and the art also seems both consistent with the characters and a bit definitive for me given the times I re-read this as a kid, and as a "source" issue for me in referencing some of the characters for the first time.

While this doesn’t exactly stand alone and definitely continues from the events of Man of Steel #18 and continues directly into Superman #74, as a single chapter of the Doomsday! arc, it works much better alone than the previous chapter…at least for me. Picking up with the creature already loose, and showing the League "playing catch-up" themselves allows the reader to be on the same footing, if nothing else…and the final page where Superman shows up kinda ends the threat being a League thing, as it becomes a Superman thing (and as the rest of the story plays out in the Superman titles, the League is relegated to a support status, as it should be for a story unfolding primarily in several titles technically starring only one main character).

This is hardly a complete story, but it does give us moments of Beetle discovering Bloodwynd’s secret months before it was revealed to readers and fellow characters; this is where Beetle is actually injured (a subplot that continues into the next arc), and does serve as a rather "full" participation in the story for the League, as well as (maybe in a meta sense) illustrating also just how dangerous the creature was that it did so much damage to the League itself in just one issue!

I’d say this one’s worth getting even alone, if you find it in a bargain bin, and certainly is an important chapter in the overall story (such that it really should have had an "honorary" "triangle number"…something that was bestowed on several tie-in titles years later for the Millennium Giants story). Though essentially just a "cameo," this is also where we first meet Mitch–a character that has a bit of a through line across this arc and the Funeral for a Friend/World Without a Superman stuff.

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The ’90s Revisited: Superman: The Man of Steel #18

90s_revisited

superman_the_man_of_steel_0018Doomsday! part one

Story: Louise Simonson
Penciller: Jon Bogdanove
Inker: Dennis Janke
Colorist: Glenn Whitmore
Letterer: Bill Oakley
Assistant: Jennifer Frank
Editor: Mike Carlin
Cover: Bogdanove & Janke
Published by: DC Comics
Cover Date: December 1992
Cover Price: $1.25
Triangle #: 1992/45

It’s hard to believe it’s been twenty five years since this issue was new! This cover remains one of the most iconic I can think of, certainly extremely recognizable at a glance for me. It’s the cover that started things off for The Death of Superman saga, and has remained locked in memory for me ever since.

Unfortunately, though we get some scenes of Doomsday tearing up the landscape–first as he digs/punches his way up/out of the prison he was contained in and then starting to make his way wherever it is he’s going (including squishing a random bird that landed upon his outstretched hand)–we have zero interaction between the creature and Superman himself…until the very end of the issue, no one even seems to know there’s anything important starting at all. As such, it hardly seems like this ought to be the opening chapter…this could have been a prologue issue instead of the first chapter, even part of a multi-issue prologue/prelude thing (along with the Justice League America issue), leaving Superman #74 as the actual opening chapter. But then, that’s the way I’ve been "conditioned" on modern comics to think, where "everything" is an event or an event prologue or there’s an event leading into another event that’s the prologue to the Really Big Event.

Instead, this issue is basically "just" another issue of Superman: The Man of Steel. The issue opens with Doomsday emerging from his confinement, then switches to the current moment in the ongoing continuity of the Superman titles. Interspersed with the creature’s emergence, we have an orphan boy–Keith–trying to find his mom, as Lois Lane investigates a tip about a danger threatening Metropolis. Underworlders (rogue clones/creatures/monsters) allied with Warworld refugees (from the then-recent Panic in the Sky story) are preparing to invade Metropolis and take over. First they "steal" the city’s electricity, then use a giant borer to tunnel to the surface with plans to have their war machines emerge from there. Keith sees Lois get captured and overhears her captors’ reference to holding no prisoners, and realizes he won’t find his mom this way. He manages to get Superman’s attention by spraypainting a huge "S" in a parking lot and leads Superman to the captured lady reporter. A scuffle ensues between Superman and the Underworlders with predictable results (Superman wins). Doomsday having moved from squishing birds and breaking trees moves to traffic interference, which finally gets him noticed by someone (Oberon, a Justice League ally), which leaves us to continue into Justice League America #69.

While I just lamented the lack of Superman/Doomsday interaction, part of that is that I never liked the Underworlders stuff, so that makes for a rather boring and "out there" story for me. On a technical level, though, this works quite well in that everything about Doomsday comes outta nowhere, as he should be just some other creature (perhaps akin to an Underworlder) and this is supposed to be just another day for Superman/Clark, Lois, and everyone else. Nothing as significant as Superman’s death is remotely a part of anyone’s plans.

Though the Superman books all continued a story essentially as a single weekly comic (with four creative teams each handling a week a month), I’ve come to see a bit more distinction in stuff with the different titles…and one of those is the Underworlders being a "thing" for this title, Superman: The Man of Steel.

I don’t care nearly as much for them, as said, which makes this (offhand) my least-favorite of the issues involved in this story. That’s not to say it’s a bad issue, but it doesn’t interest me beyond the snippets of Doomsday.

The art also isn’t my favorite, but it definitely hits some positive nostalgia for me as far as the appearance of all the characters. There’s a visual style that’s quite distinct to this title and this period, making it highly recognizable to me, and I wouldn’t trade it out, given said nostalgia.

As an issue from this time and part of this story, of course the issue is a keeper…and it’s totally etched into my personal history with comics and Superman, creating a bias that keeps me from being entirely impartial in terms of any review.

That said, in looking back across 25 years…I definitely would not recommend this issue as a stand-alone read. Taken only by itself in a vacuum, this is a boring issue, with the most interesting thing being the emergence of Doomsday itself. Of course, this is well worth getting if you want the entire "branded" story/set of Doomsday/The Death of Superman, and of course ought to be read if you’re reading the story in collected edition format.

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