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The ’90s Revisited: Adventures of Superman #497

90s_revisited

adventures_of_superman_0497Under Fire

Writer: Jerry Ordway
Penciller: Tom Grummett
Inker: Doug Hazlewood
Colorist: Glenn Whitmore
Letterer: Albert De Guzman
Assistant Editor: Jennifer Frank
Editor: Mike Carlin
Cover: Tom Grummett, Doug Hazlewood, & Denis Rodier
Published by: DC Comics
Cover Date: December 1992
Cover Price: $1.25
Triangle #: 1992/47

Like many issues from this time period, this one’s cover stands out quite a bit to me. I don’t know that I’d call it a favorite–there are definitely plenty of covers I like more–but I do really like this and it’s instantly recognizable to me.

This issue picks up where Superman #74 left off, with Superman chasing after Doomsday, blocking out Mitch’s cries for help. The transition, though, isn’t quite as smooth as the one from Justice League America #69 into Superman #74, though it isn’t jarring. Mitch narrates–describing the situation and letting us know that the rest of the League has fallen, Superman’s a distance off but still visible (and his punches against Doomsday audible), and his mother and baby sister (as well as the rest of the League) are still in danger from the collapsing house that’s burning. Superman finally returns after shoving Doomsday into the soft earth at the bottom of a lake, and Bloodwynd makes a timely return to assist as well before teleporting away to avoid medical attention from EMTs. As a military helicopter targets (and is targeted by Doomsday), Superman’s back in the fray, continuing to save those he can while beating on the creature. Taking a moment away from all this, we get a scene of Lois in the GBS building, meeting up with Cat while she tries to find Jimmy. Olsen’s moonlighting as Turtle Boy for a kids’ show, but taping’s run hours late…and Jimmy is needed on assignment (covering the Doomsday situation). The battle rages into a small town where Maxima catches up to Superman and Doomsday, and her contribution leads to a huge explosion. The Guardian arrives to find her and Superman knocked out from the blast, and Doomsday nowhere in sight. Brushing off Guardian’s lecture on violence, Superman realizes this is his fight, and his alone.

I’d forgotten about Grummett‘s time on this title, given the changeover around #500…I really like his art, and it looks especially good–and familiar–here! The art team is fantastic, and though it’s been quite awhile since I’d’ve thought about it, I think I’d have to say that offhand, this is my favorite Superman art next to Dan Jurgens‘ work! This issue begins the subtle "countdown" I had never noticed until about 10 years ago: the issue is done as 4-panel pages (with the next chapters having three-panel pages, then two-panels, before the conclusion in all full-page splashes).

Story-wise, nothing really jumps out at me as any sort of "Ordway signature" or such, except that as with the other creative teams’ work, this plays very tightly with its sister titles. While not quite as "involved" at this point due to their encounters with Doomsday, it’s cool to see stuff play out with the League still being present in the title, if not much else. Guy Gardner grabbing Superman and essentially giving his ‘blessing’ (or command) to put the creature "in a pine box" strikes me as rather poignant…Guy admitting that Superman’s "tougher" and capable and such to do what he–Guy–was not able to. And a sort of quasi-reconciliation between the characters before what’s about to go down goes down.

Maxima’s bit in this issue has also stuck with me over the years–her focus on being a warrior and casual acceptance of casualties, as well as Superman giving her pause, as well as her tolerating his calling her ‘Princess.’

This is yet another issue that’s very much a piece of the larger story…even if ultimately, the story’s a huge "fight scene" of sorts, when looked at most broadly. This chapter isn’t really "essential" to the whole, offhand (maybe the first chapter to feel that way)…but there’d sure be a clear gap in stuff if we didn’t have this chapter. Outside of the pretty cover, I wouldn’t really recommend this as a "single" issue, but it’s well worthwhile as part of the whole, and definitely not a chapter to arbitrarily skip in a collected volume.

adventures_of_superman_0497_blogtrailer

Zero Hour Revisited – Superboy #8

90srevisited_zerohour

superboy_0008Big Trouble in Smallville!

Writer: Karl Kesel
Penciller: Tom Grummett
Inkers: Doug Hazlewood, Dan Davis
Colorist: Tom McCraw
Lettering: Starkings/Comicraft
Editor: Frank Pittarese
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

Now THIS is more like it. This was an issue I had read when it was originally released, and I enjoyed it now, and I enjoyed it back then. Of course, whatever checklist I was working from that listed this issue before Valor #23 did me a disservice…this one had a footnote to see that issue. But I already had my mind set on reading this next…and hey…wibbly-wobbly and all that.

This is just the eighth issue of the 1990s Superboy series…focusing on the Superboy that appeared in the whole Return of Superman shindig. This is well before his Kon-El days, even before he had an inkling, really, who the Kents were (He doesn’t even have a bit of recognition of them in this issue!). After Crisis on Infinite Earths, there was no longer a Superboy, who was "Superman when he was a boy." Of course, when you have a Crisis (in Time) and have other-timelines’ characters popping up and such…why NOT a timeline where Superman WAS SuperBOY first?

So we pick up on Superboy accompanying a plane across Kansas. His travel-buddy Dubbilex needs the plane, and has rescued Krypto (Bibbo’s dog that was gonna be named Krypton but wound up Krypto cuz of a jerk tag-maker…see the Funeral for a Friend/World Without a Superman story for that, if I’m recalling correctly). Superboy and the dog aren’t getting along, and Superboy’s riding on the wing of the plane…whether it’s BECAUSE of the dog I’m not sure, but I guess it doesn’t matter TOO much. When the plane’s hit by lightning and about to crash, it’s rescued–by Superboy…and Superboy! The second Superboy, wearing the classic Superman costume appeared with the lightning, apparently after some adventure in the future. He guides the plane to Smallville, recognizing the sign stating it’s the home of Superboy, and then seeks out familiar territory. While "our" Superboy gets some attention in town, the time-displaced Superboy changes to his guise as a young Clark Kent…and finds some unsettling surprises. And of course, eventually the two Superboys meet up (how neither realized the other assisted with the plane can be chalked up to "It’s comics!") and fight…before realizing there’s no need for fighting, and that there are forces at work beyond even the two of them. As the displaced Superboy fades out, Superman/Green Lantern/Metron’s message arrives, and Superboy springs into action.

I’ll say it again: this is more like it! While "the message" does not come until the end of the issue…within this issue we HAVE a Time Anomaly, a character whose only way of being capable of even appearing IS the weirdness with Time, as a result of what’s going on with Zero Hour…making this a great tie-in! And at a time when "elements" of the pre-Crisis era were seeping back into the Superman mythos, albeit with "modern" twists rooted within the new continuity, this Superboy was an interesting contrast…a sort of having the cake and eating it, too. I suppose in most modern ways of comparing, it’d be like Kon-El showing up in the New 52 for just one issue and that’d be that.

In a way, I wasn’t even paying attention to the story as I read this…I just thoroughly enjoyed the issue! Grummett‘s art is fantastic, and Hazlewood/Davis/McCraw do an excellent job enhancing that with inks and colors. After reading some of the other tie-in issues, this one was a very welcome one in both art and sheer enjoyment.

While there’s not a lot of context for the ongoing series, as a one-off, this is a fun issue…basically showing the "real" Superboy encountering one from a different timeline, providing some comparison/contrast between the two, and then setting things back before ending. Other than allowing "our" Superboy to be able to say that he encountered a Time Anomaly already (and as readers, we were thus along for the ride having read this issue), there doesn’t seem to be anything here to really move the SUPERBOY story along…and yet it fits then-current continuity and ties into Zero Hour and is one of the better examples thus far of something tying into the event.

Well worth it if you find it in a bargain bin!

52 Week #48 [Review]

Quick Rating: Very Good
Story Title: Asked and Answered

The race to find Kate Kane and rescue her is on!

52week48Writers: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Art: Darick Robertson
Pencils – Origin: Nicola Scott
Inker – Origin: Doug Hazlewood
Colors: David Baron, (Origin – Alex Sinclair)
Letters: Jared K. Fletcher
Asst. Editor: Harvey Richards
Assoc. Editor: Jeanine Schaefer
Editor: Michael Siglain
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

This issue opens with several days’ worth of action, in a rather cool way: multiple characters across multiple panels across multiple days, asking one key question to kick the main story into motion. The bulk of the issue centers on Nightwing, Montoya & co. as they seek out Mannheim and Batwoman, to foil the plans of Intergang and their crime bible. There’s a lot of action as we see the characters fighting increasingly-high-level underlings, working their way up to Mannheim himself and a dark ceremony that promises to unleash hell-on-Earth, starting with Gotham City.

The ending of the fight has a bit of surprise and bucks the norm a bit–a welcome feat in contemporary comics.

To a degree, there’s little be said about the writing. It’s good. It’s solid. It’s consistent. Same as it’s been. The story flows, and we get to see characters acting in-character and reflecting (particularly in Montoya’s case) growth from the past 11 months.

The art this week–by Darick Robertson–fit really well. There’s a sort of thick darkness about it that sets the tone without being overly bold nor overly light. No complaints here in that department.

The origin backup stars the Birds of Prey, and like the other backups, condenses years of history into just a couple pages of the bare-bones basics. Par for the course, really…gave me a clearer vision of the history, and not atrocious to look at so fills its duty; nothing stand-out astonishing or anything, though.

48 issues in…if you’re not on-board, I doubt I’ll be able to convince you; and if you’ve stuck it out this far even disliking it, you might as well finish.

I found this to be another solid issue of what’s really come to be a favorite series.

Ratings:

Story: 4/5
Art: 4/5
Overall: 4/5

The Adventures of Superman #497 [Back-Issue Review]

Under Fire

Writer: Jerry Ordway
Penciller: Tom Grummett
Inker: Doug Hazlewood
Colorist: Glenn Whitmore
Letterer: Albert De Guzman
Assistant Editor: Jennifer Frank
Editor: Mike Carlin
Cover: Tom Grummett, Doug Hazlewood, & Denis Rodier
Triangle #: 1992/47

Superman is chasing Doomsday, determined to foil the beast’s escape. To stay on his tail, though, means leaving the broken and battered Justice League–as well as an innocent family–behind. Superman makes the only choice he can, praying that Doomsday won’t cause too much destruction while the family is rescued. When the battle is rejoined, a small town pays the price. We get a moment of downtime as Lois storms GBS in search of Jimmy, who is needed for an assignment–covering this battle that Superman’s caught in. Maxima returns from rescuing Blue Beetle, and with little regard for innocents caught in the crossfire, eagerly wades into combat with Doomsday. A familiar figure–arriving too late for this battle–confronts Superman over the town’s destruction.

This middle-chapter isn’t much of a stand-out. In fact, the way it stands out is by doing what I have done–reading one issue at a time, in single-issue format, rather than the collected volume. Otherwise, this blends in with the overall story–which on the whole is good, but of little distinction as a single-issue.

The story’s consistent–I don’t ever feel like I’m reading a different writer’s take on Supermn than the previous chapter…this simply reads AS “Superman,” despite the creative team shift.

The art is high-quality, and where I don’t recall noticing it all those years ago when I first read this, for this go-’round I’m looking for it, and do notice that it is different. It’s got a certain clear linework to it that makes the characters stand out, and packs emotion into character faces.

Maybe not the best issue of the story, but just as strong as the previous chapter, doing everything a middle chapter of a serialized story is supposed to. This issue begins the final “countdown,” as we move from variable panels-per-page to a structure of 4 panels, and successive issues will have fewer panels until the finale with each page being a single-panel splash-page.

Story: 7/10
Art: 8/10
Whole: 7.5/10

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