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Late to the Party: On Marvel and Diversity and Sales and Such

It’s been interesting to read the various pieces over the past few weeks (from ICv2, Bleeding Cool, I’ve wound up clicking a couple links to stuff at CBR, etc) on “Marvel and Diversity” and “the Sales Slump” and whatnot. (And you either know what I’m talking about or not…if not, you probably won’t care about what I have to say here, and I’m NOT playing linky-link “name-dropping” with this post).

Why Marvel has fallen so far in MY eyes, and MY willingness to give them money on any REGULAR basis:

  1. Price
  2. Renumbering (Rebooting, Relaunching, whatever)
  3. Variants
  4. “Event Fatigue”
  5. Inorganic Change for Change’s Sake (Parker marriage, Death of Wolverine, character “replacement”)
  6. Hero vs. Hero with few villains in sight
  7. Rehashing old story elements/beating a dead horse
  8. Everything is a mini-series yet nothing is billed as such

To elaborate a bit:

#1: Price

I am a customer. I am not a shop owner, newsstand, etc. If $2.99 is not enough margin for profit, then what the HECK was $1.99 or $1.25 or $1, and other prices before?!? I’m relatively CERTAIN that the leap from $2.99 straight to $3.99 and the full-dollar increpricesments since ($4.99, $5.99, $9.99) are far BEYOND any reasonable equivalency of inflation and the like. And WHATEVER the “logic” or “reasoning” behind it, that does not change MY bottom line as the customer: I see ridiculously-high prices, I’m gonna resist, be more conservative, and be much much more discerning in what I buy than at lower price points. SINCE I am not a shop owner, newsstand, etc. I am not concerned with all the logistics…as a customer, I’m JUST looking at the price that *I* pay in exchange for leaving with the product.



#2: Renumbering (Rebooting, Relaunching, whatever)


My first issue of Uncanny X-Men was #300. First Captain America I remember was around 400. Adventures of Superman was 453, Action Comics was 651. Detective Comics was 604 and Batman was on #439. Avengers was in the late 300s. Iron Man was in the high 200s, and I’m pretty sure I remember seeing #300 hit. Marvel might try to “go back to” “legacy numbering” by “adding up” all their numbers to a huge whole (effectively leaping from #6 to #150, or #25 to #200, or #10 to #300, or whatever). But that’s merely a superficial, hollow gesture: they canNOT suddenly “get back” what they scrapped, abandoned, avoided, blew up for the last 17-20 years.

high_numbered_first_issuesa_thumb

In the late-’80s/early to mid ’90s, if I found a book at #440, I could easily backtrack and find #250, or #389, or whatever previous issue, and be fine. Suddenly jump to a “total number” system, and I’m in the same (but worse?) boat as NOW: ok, here’s #607…but, well, there’s STILL no #550-599 or such! Here’s #300, but where the heck are #s 40-299?!? Here’s #150, but where’s anything numbered 30-149? Here’s #200, but where’s anything numbered 180-199 and why is it that maybe the most recent prior story arc tops out at #23? (* arbitrary numbers for concept, I’m of NO mood to look up concrete numbers and titles!)


#3: Variants

venom_variantVariants are one thing if they’re used sparingly, and are ACTUALLY “special.” But when there are variants on virtually EVERY SINGLE ISSUE, and it’s an extreme rarity for anything to NOT have a variant, it’s too much! Worse, having NUMEROUS variants for seemingly every single title, and/or even just on several titles in one month, even multiple in one week, with crazy “ratios” on them…it’s a huge turnoff just on PRINCIPLE, regardless of my not personally caring about/for them or wanting them, etc.

And if it means taking some initial “hit” to GET AWAY FROM so many darned variants, then suck it up, cupcake, and just DO it. If you START with “inflated numbers” because of PROPPING stuff up FROM THE START with variants and rely solely on numbers based ON variants, it doesn’t seem like you’re working with accurate counts and reasonable, realistic expectations. (Though I’m not getting into nor do I necessarily care about exceptions or such). I just see a flood of variants such that it’s SPECIAL when there are NOT a ton of variants for something! Again with me being a customer, and not caring about the behind the scenes logistics or logic or reason, it’s just my feeling simply as and from the perspective of being the customer.


#4: “Event Fatigue”

Secret_Invasion_Dark_Reign_Vol_1_1I think MY tipping point was back in 2008 or so, when two “event”/”status quo header” things converged in a single issue; something like SECRET INVASION: DARK REIGN. When “events” just roll into the next event into the next event, then these so-called EVENTS just become STATUS QUO. And when numerous low-numbered and new TITLES get sucked into arc-length tie-ins, it makes the non-tie-in issues into the “special status” or rarities; I haven’t checked but for NOT following, it sometimes seems like there are more tie-ins than not these days, one event to another, such that it’s more common for an issue to BE a tie-in than to not be tying into an event of some sort.

(Might was well just embrace the “seasonal model” and say THIS season is “Civil War II” and everything can just tie to that, then THAT season can be “__________” and everything carries that banner, etc.)

At the VERY least, ONE event should be able to completely wrap up, conclude, end, be DONE and OVER, with some downtime, before REAL-WORLD there’s any teasing/hinting/hyping the NEXT event. When you’re barely HALFWAY into an event and already announcing/soliciting the next relaunch or launch or event or prologue or such (and/or any COMBINATION)…you’re doing too many and far too close together!


#5: Inorganic Change for Change’s Sake (Parker marriage, Death of Wolverine, character “replacement”)

amazing_spiderman_0544This one is certainly far less clear, and I tend to waver on various things depending on exact context, various immediate thoughts, and reasonable conversation. While I absolutely WANT there to be change and GROWTH and for that to be LASTING CHANGE (essentially 20 years now of the Clark/Lois marriage, with a several-year hiccup in the New 52 stuff…and of course, that’s a DC example, not Marvel). Just as I often wondered what it’d be like to “finally” get to the same age as Superman, similar thoughts with Peter Parker. To be years-past high school and college crap; just to actually BE an adult and into another stage of life withOUT all the “drama” FROM high school and college.

And when Marvel‘s shoehorning in a future/older Logan, a clone/daughter female stand-in, I’ve lost track of death/life status of his son, they seem to be bringing in another alternate-reality younger version…it’s like they WANT to have Wolverine, they WANT to have stuff based on that character, but they’re going outta their way to do anything BUT the actual genuine character, rather than SIMPLY dialing-back the character’s presence in EVERYTHING.

When the main/existing titles star unfamiliar characters to the familiar title, I have an issue with it–have new titles and new characters, sure. But save the classic TITLES for classic CHARACTERS. Do stuff organically, and don’t draw crap out. If Thor becomes unworthy, let us IN on it as readers, and follow that story in the course of his own ongoing title, not multiple realunches of the title. (See also: Eric Masterson in the late-80s/early-90s).

I, personally, am NOT going to buy a title specifically/solely on the starring character being “female” or “white” or “non-white” or “straight” or “GLTBQ” or any of those typical “checkboxes” and such. I’m interested in characters that are MORE THAN “just” some “characteristic.” I also don’t want to be preached at, guilted, and so on. Don’t be combative toward me, don’t insult me, don’t tell me I’m wrong or guilty for not embracing every new title and character spun off when there’s already a huge flood of titles and everything is so ridiculously PRICED!

There HAS TO be room for new stories withOUT completely, totally altering characters or changing them outright, especially in some sudden sense. At the same time, I’ll readily admit that some sudden SHIFTS might be required, major significant changes within a single story arc, perhaps…but it has to be “reasonable” and “work,” and not just feel like some “mandate” handed down or that it’s pushing some “agenda” or whatever.

Brubaker‘s Captain America felt far less “general super-hero” than it did a solid spy epic, realistic while holding to classic elements. Bringing Bucky back seemed like such a crap idea, but it was simply DONE WELL and now HAS become an integral part of the character(s). The Iron Man shift from bigger/bulkier armor that (realistically) would need a whole team to transport it was done away with by the Extremis stuff, the bio-armor or whatever it was, allowing Tony to be himself AND quickly/simply go into Iron Man mode.


#6: Hero vs. Hero with few villains in sight

civil_warsWhile I KNOW there was stuff like the Phoenix (AvX) and within that, the X-Men dealt with a new take on Sinister, and I “know” there were some other “villains” in some X-books or that I consciously am aware that there have been various villains plaguing Spider-Man or such… it seems like the biggest events have largely been hero-versus-hero, the larger conflicts being between the heroes themselves, and less of the singular villain threats. While some of this might be more “realistic” or “logical” in a “real world” sort of way…in that “real world” sense, to ME, these “heroes” would also be much more threat than not, and really WOULD themselves functionally be villain figures or legitimate threats/sources of fear for the public. It’s the suspension of disbelief, the fantasy, the larger-than-(real)-life stuff with the characters, the embracing of their being fiction, that made them escapism and entertainment and all that.

I’ll readily admit that some of the more “classic” villains and “plots” and such are “dated” and maybe don’t work as well in contemporary stories; when you have characters getting so much more well-rounded and developed, the “Ha-ha-ha-ha-ha! I am ______ and I shall soon RULE THE WORLD!” stuff doesn’t work so well.

But it also seems like there’s an over-saturation of so FEW villains, and so much MORE of the hero-vs-hero crap or merely “situational” stuff. Of course, I’m so far outta the loop and unwilling to “come back” at any great length until my interest and trust is restored (and that’s talking years of consistency avoiding the stuff that pushes me away).


#7: Rehashing old story elements/beating a dead horse

clonageWe already had a Clone Saga. So why does that have to be brought back again (granted, as a conspiracy)? We already had a Civil War…that’s done again? We’ve had numerous “Return of the Phoenix Force” stories. Numerous “Death of _____.”

Merely digging up old story titles to “reimagine” or “sequel-ize” just doesn’t work for me. Some stuff, there’s room to play on nostalgia or have fun “nods” to past things, but being so overt and forced on stuff, it sucks.

I’m the consumer, and from THAT standpoint I don’t really CARE about logistics of new storytelling and creative teams and such, or “synergy” or whatever…I just care about having new, GOOD stories about characters I want to read and not feel like anything’s forced or pushed, and that I’m not being insulted, bullied, coerced, etc.


#8: Everything is a mini-series yet nothing is billed as such

transformers_0080I sorta tacked this point on, but it goes with points 1 & 2 (Price and Renumbering). I am glad to read and follow lengthy ongoing series, because there’s something TO eventually looking back and realizing I’ve been following _____ for 30 issues, or 68 issues, or whatever. But when it seems like Marvel RARELY gets anything past issue 20 or so, and 30 is like some ancient, mystically-high number…and there are so many Omnibus and thicker hardcover/paperback collections where an entire run of a book can be collected into a single volume, I’d much prefer THAT format. If you’re ONLY going to have 6 issues, I’d rather buy/read them in a single volume. Especially if/when I’m paying a PREMIUM for it. If the single issues were CHEAPER, I’d be fine with that, but BOTH formats are premium-priced, so let me have my freaking CHOICE, as the consumer. I don’t want to be forced/manipulated into something or required to double-dip or such!

limited_series_vs_stealth_cancelIt used to be that something intended as a “limited series” would be marked accordingly, and an ongoing/non-limited series would simply be THERE. Granted, occasionally something INTENDED to be a LIMITED series would be EXTENDED to an ongoing series or such (See the 1980s’ Transformers or 1995’s X-Man for examples).

But there wasn’t the “stealth cancelling” and stuf just put out there with NO designation as a limited run (outside of stunts like Malibu‘s Exiles thing in the early Ultraverse days).

You either expect something to last awhile, or you don’t–but you should be up-front with your customers instead of trying to sucker them!


Concluding-ish

There are so many other factors and details and combinations and whatnot. These have all been “main” things, and any/all individually or in any random combination, at a random time, with a certain sort or source of hype, can serve to frustrate me or just set me off such that I’ll drop or avoid something on principle alone, if not flat-out long-term line-wide disinterest and such.

DC is guilty of plenty, but their lower prices on single issues, their far better prices on collected volumes and size of collected volumes (with great/superior pricing) get them a better “pass” on stuff. I’d waked away from them completely for a time, and their Rebirth initiative brought me back I a surprising way and I’ve stuck with stuff. Barely a year into that initiative and they have yet to announce any significant or line-wide renumbering initiative or relaunch or whatever; and outside of their having “restored” Action Comics and Detective Comics to legacy numbering, I hope they–at this point–simply keep the “current numbering” and allow long-standing titles TO amass larger numbers again…to EARN the high numbers.

And even if I can’t exactly put my finger on a reason, Marvel has so disgusted me on so many of these in various ways that their BRAND itself is “tainted” and I just associate the name Marvel with too-high prices, ridiculous stories, variants, lack of consistency and numbering and whatnot such that outside of rare/special/nostalgic things (X-Men: Prime/Gold/Blue and such) I’m just gonna gravitate to DC or TMNT right now.

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On why I’m staying away from Flashpoint

The other day, seeing all the hype for the then-about-to-debut first issue of Flashpoint, I posted the following to Twitter:

I count 22 issues tied to Flashpoint for June. IF they come perfectly evenly staggered…that’s a 5-6 issue commitment EVERY *WEEK*! And if these are mini-series that will continue even 2-3 issues…Well, that’s just far more than I can afford right now. As such, I’m refusing to join the hype or give in to it. Gotta find myself a NEW comics “happy place.”

flashpointchecklistI also posted that I was refusing to buy Flashpoint #1. Later that day…I bought Flashpoint #1. The thing of it was…I gave in because I had given in a few weeks back and bought the first issue of Marvel’s Fear Itself premiere. And I also figured that if I was to have any room whatsoever–even just a small toe-in-the-door–to talk about this event, I couldn’t just be someone who hadn’t even done so much as pick up the first issue of the main event book itself.

I posted my review the day the issue came out…and it was a bit more positive than I maybe would’ve “liked,” but there’s no denying the “potential,” that Johns has a strong handle on the writing, and that was some great art in the issue.

But that doesn’t change the fact that I have every intention of consciously staying away from anything else involved with Flashpoint right now.

The Price

flashpoint001The event’s core book, Flashpoint, is $3.99. I am so sick and tired of the $3.99 price point (more than people are sick and tired of hearing about it from me!) Sure, it’s only 5 issues, but for that $20, I’ll wait for the collected edition hardcover that’ll have the whole mini together in one volume without ads and no waiting a month or 2-3 weeks between chapters.

I keep seeing mention of 15 or “over 15” mini-series attached to this event. Even if there are only 15 minis and all only have 3 issues…that’s 45 books. At $3 apiece, that’s a $135 investment ($155 with the core series). But I counted over 20 for June between the minis, Booster Gold tie-in, main title, and a special or two. That’s a $60+ investment in JUNE above and beyond the comics I’m already buying. I can’t afford that. Plain ‘n simple.

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