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Age of Apocalypse Revisited: X-Calibre #4

aoa_revisited_logo

xcalibre004On Fire

Writer: Warren Ellis
Pencils: Ken Lashley
Inks: Tom Wegrzyn with Philip Moy
Colors: Joe Rosas
Letters: Richard Starkings and Comicraft
Separations: Digital Chameleon
Cover:
Editors: Suzanne Gaffney, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

Damask, Switchback, Mystique, and Nightcrawler pause for a moment before heading back to Avalon to try again to convince Destiny to return with Kurt to Magneto. Before long, a new presence is discovered…the Shadow King has arrived, and causes all sorts of death and destruction. He’s able to possess others, trigger parts of their mind…yet by possessing he can cause physical danger for others while he himself–as a psionic entity–continues on if a host body is destroyed. Eventually he possesses Mystique, triggering a desperate idea for Kurt. Utilizing teamwork, a combination of his own powers and those of Switchback and Damask, Kurt leads his "X-Calibre" team to take on the Shadow King, despite the dream that was Avalon now being so much ash and remnants of destruction.

Here we are with another "final issue" of "a four issue series," and again we don’t have a true ending so much as a turning point or point of continuity, where a fleshed-out adventure moves characters as pieces around a board to get them where they need to be for X-Men: Omega.

Unlike the previous issues, I read this in eagerness to get THROUGH it…the end of the Age of Apocalypse is in sight and I am very much looking forward to getting to X-Men Omega. Like previous issues, I didn’t recall any details of this series, so it reads like a "new" issue, though I knew if not its endpoint, at least its end result. Given my mindset reading this, I didn’t notice much of anything distinctly Ellis in the story. I simply saw the characters, watched the story unfold, and got to the end of the issue sooner than expected, not realizing how much ground is yet to be covered between this final page and where Kurt and Destiny go in X-Men: Omega.

The art holds to a consistent quality; characters look familiar to my memory of prior issues, and the art itself never distracts. The layouts, however, prove distracting much as in Weapon X, as there are multiple double-page spreads where I have to physically rotate the entire issue 90 degrees to read the sideways double-page top to bottom. Forcing such movement proved quite distracting.

All in all…not a bad issue, not a great issue. Characters picked up with the term "X-Calibre" and used it as a team-name to describe the group, which is sort of disappointing to me after thinking for awhile since the previous issue how cool it was to have the title referenced as it was on a "meta" level without actually being otherwise referenced within the story. Granted, it FITS in this way, it just changes things a bit. And we again get an ending of "intent" though we have to see actual action to get the characters from here (point A) to X-Men: Omega (point B) or trust that it’ll be explained as having happened off-panel.

The end is in sight, and I think I’d’ve enjoyed this issue more in and of itself if I weren’t so eager to get to the end of everything.

Age of Apocalypse Revisited: X-Calibre #3

aoa_revisited_logo

xcalibre003Body Heat

Writer: Warren Ellis
Pencils: Ken Lashley
Inks: Tom Wegrzyn, Philip Moy
Colors: Joe Rosas, Digital Chameleon
Letters: Richard Starkings, Comicraft
Cover: Ken Lashley
Editors: Suzanne Gaffney, Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

Three issues in, and Nightcrawler has finally found Mystique (actually, she found him) though the reunion isn’t the greatest as they still have work ahead of them–getting to Destiny…something Mystique is actually quite hesitant on, for her own reasons. The two eventually get to Avalon, connect with Destiny…though SHE is hesitant to leave, speculating that it could be her leaving that causes everything to be destroyed as it appeared in her visions. Still, the place is found out and Mystique and Nightcrawler defend the group against Apocalypse’s agents–Damask and Dead Man Wade. Realizing the beauty of the place, though, Damask turns on Wade and he’s taken out. The group–Nightcrawler, Mystique, Switchback, and Damask–then prepares to take Destiny and get out.

Toward the end of the issue, Switchback asks Mystique about the bullets she has, the only markings being an "X." Mystique explains them:

"They WERE Magnum loads for a .44 calibre, but I customized them. The ‘X’ was kind of a joke."

And thus we get the title of this series: X-Calibre, a literalness that works, and juxtaposes nicely with the regular X-title Excalibur, referencing the legendary sword. The fact that that is worked into this reminds me of what I often very much enjoy in movies that seem to have a random title–explanation is given within the story as to the title…perhaps explicit, perhaps not…but noticeable when caught and yet not particularly intrusive. We also get a brief exchange between Nightcrawler and Mystique suggesting they both–in the Age of Apocalypse–know who Kurt’s father is, though I don’t believe THAT was revealed until nearly a decade later in the main Marvel universe.

This issue moves things forward into a second act, in a way. The first act (issues 1-2) involved Nightcrawler seeking Mystique in order to be able to then seek Destiny. The "finding" occurring at the end of last issue left this issue for them to proceed in seeking Destiny, and now we’re left with Avalon no longer being safe and though they HAVE Destiny, they still have to get her to Magneto to do her thing.

And as with the earlier issues, this was an enjoyable enough read. It may not be my favorite, but it’s not bad. I had to flip back through to find where Switchback came in, having totally glossed over her as an incidental character and not realizing she’d be significant at the issue’s end.

Overall I very much enjoyed the art, especially the first page with Nightcrawler and Mystique–linework, coloring, all of it–the two characters definitely look the part of mother/son (if not husband/wife or such)–the family appearance is there. I don’t quite "get" the sideways-double-page layouts from this time period, and though that’s mainly been something I’ve noticed in Wolverine (and thus Weapon X) opening this issue to that brought it back to conscious thought. That was the main ‘distraction’ to reading the issue, though.

I actually don’t recall anything offhand from the fourth issue, so whatever transpires between this and Destiny’s role in X-Men: Omega will be like another "new issue" for me…something I do look forward to.

Age of Apocalypse Revisited: X-Calibre #1

aoa_revisited_logo

xcalibre001The Infernal Gallop

Writer: Warren Ellis
Penciller: Ken Lashley
Colorist: Joe Rosas
Lettering: Starkings/Comicraft
Inkers: Wegrzyn, Moy, Larosa
Separations: Digital Chameleon
Cover: Ken Lashley
Editor: Suzanne Gaffney
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

I was eager to get to this issue for what I remembered as a focus on Nightcrawler. While it’s not quite AS focused on the character as I thought I remembered, there’s still enough, and I found it rather interesting to revisit the character and address some perceived issues with more contemporary takes on the character.

In a quasi-cinematic or television-like way, the issue opens with an extended scene of a mutant being ferried and guided to Avalon…a haven for mutants and humans, in the Antarctic (a tamed Savage Land, apparently). We then jump back to the U.S., to Manhattan, where we catch up with Nightcrawler who is securing transit from America TO the Antarctic by way of Warren Worthington–Angel–at Heaven. Angel claims to have gone "legit" and not want to deal with "terrorists" like Magneto and his X-Men, but Kurt has none of it and we see there’s no love between the two. Meanwhile, Magneto converses with Mystique, informing her of why she will welcome her son and take him to Avalon to extract Destiny. Back in Avalon, the young mutant arrives and is introduced to Destiny…who promptly has a horrifying vision of the Apocalypse.

Visually, I quite enjoyed this issue. I really liked several of the panels of Nightcrawler in particular, and generally found myself rather appreciative of the way characters were shown. Aside from the art in and of itself I certainly appreciate what appears to my issue-by-issue eye to be a consistency in costuming with characters–and in this case specifically, Magneto. Nothing about him stands out as contradictory to other appearances…such contradictions being something some part of me pretty much would "expect" based on contemporary comics where the import seems to lie on the individual vision and touches over a consistency and continuity.

I like the story…from the pacing with the opening, getting into the heart of things; learning details of what Kurt’s to do, foreshadowing of what he’ll be facing, character appearances, and so on. I’m a little more conscious now of the author–that this is a Warren Ellis story, and in the back of my mind that influenced my reading, though this doesn’t exactly have the "feel" of a Warren Ellis story (whatever that would actually be). Yet I suppose I attribute stuff like the opening to an Ellis-style. There’s a darkness I did not recall, especially to Nightcrawler…but that puts the character in line with the contemporary version, putting that into a different light than I anticipated going into this issue.

I didn’t and don’t remember much detail from this series from all those years ago when I first read it, but this time through was rather enjoyable. I think even having overall broad-stroke memories of the Age of Apocalypse books, I’m getting added enjoyment from this re-reading project from the fact that I apparently never have actually gone back through and re-read the entire thing…so the faded memories and lack of details retained make the reading similar to reading something for the first time.

Of course…I’m especially looking forward to Amazing X-Men and X-Men Chronicles to finish out the month. But I’m also looking forward to the next issue of this mini and further experience with Nightcrawler.

The ‘90s Revisited: December ’94 X-Books

As the events of Legion Quest were reshaping the ENTIRE line of X-books for the start of 1995, even the titles not directly involved in Legion Quest itself reflected the fact that story was going on, with each title ending with the reality-ending crystallization wave washing over things, most of the books being left on a cliffhanger. While I wasn’t originally going to cover these other titles due to not being direct tie-ins/chapters of Legion Quest, I figured I’d touch briefly on them after all. Here are the resultant five “mini-reviews” of the rest of the December 1994-shipping X-Books.

WOLVERINE #90

wolverine090The Dying Game

Script: Larry Hama
Pencils: Adam Kubert
Inks: Mark Farmer & Dan Green
Lettering: Pat Brosseau
Coloring: Marie Javins
Cover: Adam Kubert, Greg Hildebrandt, Tim Hildebrandt
Editor: Bob Harras

This is one of the more "iconic" issues of this series for me–and certainly harnesses the "feel" of this "era" of the comic for me. The cover is the first thing that stands out, with a hybrid Kubert/Hildebrandt Bros. image–the distinctive Hildebrandts image that would be great on its own, with Kubert‘s art overlaid to the side, and the series logo is almost an afterthought or a formality.

The issue’s story is fairly simplistic, with Wolverine returning to the X-Mansion to keep an eye on the imprisoned Sabretooth while everyone else is away. Wolverine starts out refusing to fight, but pieces things together about the time Sabretooth pulls an escape, and the two brawl. Ultimately they wind up with Wolverine on top, having popped two claws, one to either side of Sabretooth’s head. The villain taunts Wolverine, threatening everyone he loves and cares about, and right as Wolverine pops the third claw–into Sabretooth’s brain–the crystallization wave hits and this never happened, as this universe ends.

While not on the same level as X-Men #s 25 or 41 or Wolverine #75, this is an issue that’s long stood out to me. The ending plays very well with the pre-Age of Apocalypse cliffhanger thing, leaving us hanging a bit on the supposed fate of Sabretooth, what it means for Wolverine to have at long last apparently killed his old foe, etc. (However, the popularity of the characters renders this cliffhanger moot, where some of the "lesser" characters/titles have faded over the years and hold far less memory).

X-FACTOR #111

xfactor111Explosive Performance

Plot: John Francis Moore
Script: Todd Dezago
Pencils: Jan Duursema
Inks: Al Milgrom
Colors: Glynis Oliver
Letters: Starkings/Comicraft
Cover: Tom Grummett, Al Milgrom
Editor: Kelly Corvese
Group Editor: Bob Harras

This issue is one of the more memorable cliffhanger-issues for the month’s X-books, with Guido (Strong Guy) falling to a heart attack, and Reality ends before we learn if he’s actually dead or not.

I remember THAT I’d read a handful of issues of the title from #92-onward thanks to my introduction via the Fatal Attractions crossover the year before. However, other than apparently having read the END, I don’t recall THIS issue’s story prior to reading it this time around.

On the whole, this was a solid enough jumping-in issue…helped perhaps by having read #109 (the Legion Quest Prelude). As I read this issue, I kept mixing up Lila Cheney with Dazzler…two characters I’m familiar enough with name-wise but not so much story-wise. And though I didn’t totally follow–there’s a definite sense I missed plenty with skipping #110–I didn’t feel "lost" or have any particular problem with reading this issue.

That’s probably primarily helped by the fact I read this solely for its "tie-in" to Legion Quest and specifically TO get to the cliffhanger, to have the sense of where the title left off immediately preceding the shift into the Age of Apocalypse itself.

GENERATION X #4

generationx004Between the Cracks

Story: Scott Lobdell and Chris Bachalo
Inks: Mark Buckingham
Colors by: Steve Buccellato
Lettering: Richard Starkings/Comicraft
Cover: Chris Bachalo
Editing: Tom DeFalco, Bob Harras

I’ve yet to *really* ever read any issues of this title–I couldn’t say for sure if I’ve ever actually read an issue, including this one. I remember getting this when it came out, though, so I probably did read it…just without knowing much about the characters. I’d only partially followed the Phalanx Covenant stuff that led to Generation X, and didn’t yet know (m)any of the new characters. This issue’s very stylistic, which I’m not all that enamored with. The story itself isn’t bad, though I don’t much care for the page borders or the little character wandering said borders and holding up page-number signs. It’s an interesting thing to do, and I can appreciate it setting this title apart, as well as the "meta" nature of it. Perhaps it was even "fun" at the time. It just doesn’t do much for me.

Reading this issue for its "lead-in" to Age of Apocalypse was quite disappointing, as it also "bucked the trend" of the other X-books in doing its own thing and then a tacked-on bit to account for the ending of the universe. Not bad in and of itself–a good way to get around being totally formulaic, but my appreciation does not equal enjoyment–and this was the least-enjoyable of the non-Legion Quest X-issues heading into the big event.

X-FORCE #43

xforce043Teapot in a Tempest

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inker: Kevin Conrad
Coloring: Mike Thomas
Cover: Tony Daniel, Kevin Conrad
Editor: Bob Harras

I definitely don’t remember this issue’s story as something I’d read before. I’m familiar with a number of the characters–perhaps from stuff I’ve read in the last 20 years, where I can’t say for sure I’d’ve been familiar with them at the time. I liked the art for this issue, and it’s interesting to see that it’s Tony Daniel, whose work I enjoyed on Batman a few years back. In addition to appreciating the art, I enjoyed this snippet of story–it was cool seeing a number of different characters/situations without them all having to be together in one space; with these multiple ongoing subplots weaving about. The Reignfire reveal seems like it was rather huge at the time, though not recalling anything of the character tells me that’s not something that’s particularly carried to this day.

That the issue involved communication with Cable and was affected by his absence due to things going on in Legion Quest was a definite treat, showing how the various characters tie together and that this issue is not something "on the fringe" of the X-universe of the time but was still closely affected.

EXCALIBUR #86

excalibur086Back to Life

Writer: Warren Ellis
Pencil Artist: Ken Lashley
Ink Artist: Tom Wegrzyn
Letterer: J. Babcock
Colorist: J. Rosas
Cover: Ken Lashley, Tom Wegrzyn
Editor: Suzanne Gaffney
Group Editor: Bob Harras

While I certainly did not pick up on the significance of things at the time, rereading this issue brought back snippets of memory–particularly Kitty’s threat to put Wisdom’s cigarette out, and the issue’s end with the jet crashing.

I do not recall consciously noting before now that this was a Warren Ellis-written issue, though somewhere along the way I became aware of his having been the writer in this general time, and being the one behind the Pete Wisdom character. That this seems to be Wisdom’s first appearance is rather cool.

This issue was a welcome glimpse back to the then-status-quo, and a reminder that Kitty and Nightcrawler had a period of time where they were NOT part of the X-Men themselves. I’d also forgotten about other characters, as well as how much I "miss" Moira’s presence in the X-books. Of course, given contemporary things, that’s practically a generational factor.

The cliffhanger of the characters facing a crash-landing that they weren’t certain of surviving was compelling even back in the day, and has me curious about how the point was resolved when everything returned after the Age of Apocalypse…I’m partially torn on digging that issue out to find out versus allowing myself the wondering until after covering the event itself.

A Haul Worthy of Comic Con (part 2)

The other day I shared a bunch of bargain bin comics I’ve picked up the last few weeks. Cool as those were (especially the Robin stack), the “heart” of it all–and where I’ve felt the MOST “progress”–has been with the X-books.

Here is the bulk of my Marvel haul the last few weeks…again, this would put what I could find at any major convention to shame….three local comic shops can outdo a room of 50+ dealers.

xmenwolverinehulk

I believe with this issue of Uncanny X-Men, I’m only missing Gambit’s first appearance (#266) from having a run on the title from Inferno to 400-something, and even the 400s are getting filled in nicely (see further below).

ironmanhulketc

These were issues I actually grabbed to round out a batch of “$.50/ea or 15/$5” issues. I’m going to have to pull together my Iron Man run soon to figure out exactly what I am missing–I’m pretty sure I’ve got at least half of the 1998-2004 series, and a good chunk of the Extremis series.

mephistovsmarveluniverse

Saw all 4 issues, which I’m not sure if I’ve ever seen all 4 at once or not…I know I’ve seen this in chunks of 1-3 issues, though. And for a mere $1? Heck, yeah!

2099worldoftomorrow

Kinda bummed, assuming someone cherry-picked #1 here. Still…easier to remember I need #1 than one issue in 2-5.

2099doomissues1to26minus2

As I’ve said repeatedly in this blog: I’m a sucker for “runs.” Doom 2099 #1-26 (missing only #2) was too good to pass up…though I’ve been more interested in getting a run of Spider-Man 2099 like this…and leaning toward adding the 2099 line to my “want list.”

captainamericafightingchance

I’ve long been interested in the Fighting Chance story, in tracking down a copy for myself. I once borrowed this run from a friend, and read it–years ago, over a decade back–but I’ve wanted to have a copy for myself. I’m pretty sure I’ve got most of the run from 438-454 or whatever the final issue was around Onslaught, the entire Heroes Reborn series, the entire Heroes Return series, and a part of the 2002 series…so had my eye on this as a point to go “back to.” Finding all 12 issues of the main arc plus the epilogue in one go for basically $3.25? Beats the heck outta “just” a single $3.99 book today!

1016728_654404861255975_924327134_n

And just because it’s a huge issue and was only 25 cents, snagged another copy of #400. Also grabbed Astro City vol.1 #1, first print…for the sheer novelty of it only being a quarter. Had there been more issues of the series, I would’ve snagged those as well–even though I have the collected volumes through Local Heroes.

shinyxbooksissues

I grabbed Prime and Uncanny #300 because of being big issues…and shiny. Can’t beat comics like this from 20 years ago that would easily be $8+ today…and getting both for about 50 cents.

xmanissues

Gradually starting to fill in the X-Man issues. I originally followed ALL the X-titles during Age of Apocalypse, and then a few months immediately after, before dwindling off on the various titles. I kept up with X-Man off and on through the years, which makes it a bit harder to remember what I remember because I read or have just seen the cover image for.

amazingxmenageofapocalypse

And I think I’m somewhat building another Age of Apocalypse set…at least if I can find all 4 issues of a given series together. I keep seeing Astonishing X-Men, but finally saw a full run of Amazing X-Men.

xmenunlimitedissues

Also filling in the X-Men Unlimited run. I’m also trying to track down the NON-shiny covers for the various issues that had ’em…while they’re cool and grab my attention, ultimately I actually want to have all “standard” covers in my main run of the series. In this case, the Phalanx Covenant crossover is the main such series of issues.

newxmenacademyx

Academy X is probably gonna be one of the harder series for me to fill in, given how “recent” it is. While $1/issue isn’t bad, I suspect that ultimately I’ll wind up having to suck it up and raid $1 bins for this series…barring more significant “finds” than the handful of issues here.

newxmen

I wound up buying the first two oversized hardcovers collecting this run…and jumped to the singles from there. So I’m backtracking on the singles. My main “goal” is the ’90s X-books through this NEW X MEN run; beyond that will just be bonus.

uncannyxmenissues

Despite focus on the ’90s, I think ultimately I’m aiming for Inferno to the end of the first Uncanny X-Men series…with hauls like this, it’s not too far outta the question.

xfactororiginalseries

I’ve had far better luck with X-Factor than I have with New Mutants…almost to the point that I’m debating whether I even want to track down the New Mutants series piecemeal. I may content myself with the later printings of Cable’s first appearance to the end, or just stick with X-Force.

xfactor2005

Though this “2nd” X-Factor series technically falls outside my “core” range…the renumbering to 200+ (and finding this 43-issue run) leads me to count it as one entire run on the whole…particularly given PAD’s lengthy run here.

generationxissues

I’d forgotten that Generation X only ran 75 issues…but should have recalled, as it and X-Man were both part of this Counter X sub-imprint/branding at the end, and both ended at that #75. This run is nearly 1/5 of the entire series…which isn’t bad at all!

excaliburissues

Excalibur’s in a similar vein as New Mutants for me, except I’ve had much more luck finding a number of issues for it. It’s one of the lower “priorities” for me, but since a lot of my fondness of the ’90s is centered largely around titles that existed during Fatal Attractions and around Age of Apocalypse…this certainly counts!

xtremexmenissues

Finally, a bunch of X-Treme X-Men issues. I’m actually particularly interested in learning more about what went down with Rogue and Gambit, and kinda see them as having disappeared into this series for a few years. How accurate that is remains for me to discover, but nothing wrong with adding another complete X-series to my collection…

Fatal Attractions Revisited: Excalibur #71

Crossing Swords

Writer: Scott Lobdell
Pencilers: Ken Lashley, Darick Robertson, Matthew Ryan
Inkers: Cam Smith, Randy Elliot, Randy Emberlin, Mark Nelson
Letterers: Bill Oakley, Pat Brosseau, Dave Sharpe
Colorist: Joe Rosas
Editor: Suzanne Gaffney
Group Editor: Bob Harras
Cover: Joe Madureira and Joe Bennett
Published by: Marvel Comics
Cover Date: November, 1993
Cover Price: 3.95

After Nightcrawler confronts one of the Acolytes and–thanks to Kitty–narrowly avoids killing him, the X-Men burst into things, “recruiting” the remanants of Excalibur’s help in a particular task: they want to “fix” Colossus. After an injury he’d suffered, he was unable to revert to human form, and they figure that’s the cause of his ‘defecting’ to Magneto’s camp. If they can heal him, surely that’ll fix him and any brain issue, and he’ll return to them.

The various characters react to stuff–some for, some against. While they do, Cable shows up for Colossus, and winds up confronting Phoenix (Rachel Grey) in a less than pleasant battle. Once Colossus arrives (thinking Kitty wants to return to Avalon with him), the “trap” is sprung and the plan revealed. Though Colossus declares he does not want the help of the X-Men, they “help” anyway, and his ability to shift back and forth between human and metal forms is restored. Though he has a touching moment with Kitty, he still opts to return to Avalon with the Acolytes.

Finally, as all of this has been going on, an idea has been building for Nightcrawler, and he decides that with the “old team” basically no more, he’ll have a “new team,” a new Excalibur, that will operate at Muir Isle with Moira.

After rereading X-Men 25 and Wolverine 75, this issue was a bit of a letdown. I’m probably least-aware of ’90s Excalibur of all the X-teams of the time, at least prior to Age of Apocalypse. Reading this, I had a vague sense of deja vu, that I’d read this before. Yet I can’t honestly say with certainty that I’d read the issue any time before reading it for this posting. I know t was at least a few years after the fact that I even acquired the issue for the first time (whether before or after college I don’t even know at this point). For quite awhile, Fatal Attractions (for me) ended with Wolverine 75.

Story-wise, this is a transition issue–we go from whatever recent stuff’s gone down with Excalibur to the end of the issue setting the stage for a whole new team. And in the middle of it we have Cyclops, Jean, and Professor X thrown in–familiar faces that made this issue seem much more an X-Men issue than it would have otherwise, which also ties it into the events of Fatal Attractions in general. It’s also kind of odd having the sense of continuity that there is here–but then, this was back when such things were important to stories and “families” of titles and not some loose option seen as detrimental to the nature of “the story.”

Visually, the issue is a bit uneven with multiple artists–though it’s not terribly detrimental to the issue. It seems like the various scenes had an artist, so there’s some internal consistency that way. I really like the look of Colossus costume in this issue–one page has a nearly full image of him, and it’s one of the best depictions of the character I can recall ever seeing.

It seems the two main things to come out of this issue are the “new” Excalibur team and Colossus is no longer confined to his metallic form. If you didn’t know he’d been injured, that’s probably not a huge plot point (before this read-through, I never would’ve been able to tell you where or when that little problem was dealt with–I’d once been aware that he was so injured, but never really thought about it much or cared to find out its resolution). That this is the beginning of a new Excalibur team has me interested in seeing that team; if this were a new issue, I’d definitely be back for the next. As-is looking at this nearly twenty years after it came out…I could simply track down the next few issues to read.

This is probably the “simplest” of the covers…it’s bright and colorful, but somehow not exactly my cup of tea, so to speak. The hologram of Nightcrawler is–like the others in this series–not bad, though at least on the copy I read, felt like I have to look at it somewhat from an angle to really get the best 3D effect.

So ended the official 30th Anniversary “event” for the X-Men. I loosely followed the X-books here and there over the next year-plus; it wasn’t until the end of 1994 with Legion Quest and then the Age of Apocalypse that I began a run of following the entire X-Universe.

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