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Blackest Night: Titans #3 [Review]

“When Doves Cry”

Written by: J. J. Krul
Art: Ed Benes
Inks: Scott Williams & Ed Benes
Colors: Hi-Fi Design
Letters: Rob Clark Jr.
Assoc. Editor: Adam Schlagman
Asst. Editor: Rex Ogle
Editors: Eddie Berganza & Brian Cunningham
Cover: Benes, Rob Hunter, & Rod Reis (variant by George Perez)
Publisher: DC Comics

In a way, when you get right down to it, there isn’t a whole lot to describe for this issue. The various Titans continue to deal with their respective Black Lanterns, who are dredging up some very specific and painful emotional reactions from the living heroes. However, as we see the Black Lantern Hawks accosting Dove, we witness an interesting reaction that is likely to play a key role in upcoming chapters of the Blackest Night event.

As a mini-series–as with the Batman and Superman ones that also ended this month–this doesn’t have a very satisfying conclusion, as we’re basically left with a lead-in to these characters joining the bigger party of the event now that their “foundation” and “connection” to the overall story has been established. While the incursion of the Black Lanterns was saved for the actual kickoff of the event with Blackest Night #1, this first wave of minis seem like they would have been better-served as either prologues, or triple-sized one-shots, to launch the respective characters into the event as a whole.

Despite that, as a reader not steeped in Titans knowledge nor invested in the ongoing series, it’s great to have a series that is reasonably accessible to chronicle the characters’ involvement in the event without having to have ongoing plots in the main book competing with the story elements of the event I’m following.

Donna Troy is forced to face her dead husband and child, and must overcome what her eyes tell her to act based on actual knowledge. Beast Boy faces the same challenge with his lost love, and has some self-realization in handling things. Dove (who seems to be the same character I recall being killed in Armageddon 2001 almost 20 years ago) is in a similar predicament as then, but doubled.

The visuals are very well-done, and really accentuate the story itself. The “big moment” of the issue with Dove is something that would not come off the same way with bad visual work. There’s also a bit at the end of the issue that really illustrates the way story and visuals work together in a comic in a way that isn’t possible with the same subtlety in a prose work.

As the final issue of a 3-issue arc, I don’t recommend this issue unless you can snag the first two; but taken with those first two and as its own story tied to Blackest Night, this is well worth your while. I suspect the older Titans fans more familiar with the characters and their history will appreciate things more; but for me, this has exposed me to characters I haven’t had much exposure to in awhile–if at all, and has put down groundwork for me to care about their involvement if they continue to play much of a role in Blackest Night.

Story: 7.5/10
Art: 8.5/10
Whole: 8/10

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Magog #1 [Review]

Lethal Force

Writer: Keith Giffen
Penciller: Howard Porter
Inker: John Dell
Colorist: Hi-Fi Designs
Letterer: Pat Brosseau
Assoc. Editor: Rachel Gluckstern
Editor: Mike Carlin
Cover: Glenn Fabry (variant by Porter & Dell)
Publisher: DC Comics

I was rather surprised at this issue. I almost passed on it, figuring the character to not be something I’m interested in following long-term. But I gave it a shot, and I’m pretty much glad I did.

We open on a scene that provides us with some exposition–who Magog is, his recent past and what he’s about. We also see him into action with a couple pages that were seen originally in the “preview” in the back of a bunch of DC’s books a few weeks back, showing the more military/black ops side of Magog as the soldier. What he finds there leads him back to his current home and to confrontation with the JSA. After an exchange with Alan Scott, and an introduction to supporting cast members, we see Magog back into action. He’s currently the agent of the JSA who can or WILL get his hands dirty in ways the others can’t or won’t. Magog is not a super-hero; he’s a metahuman in a world of super-heroes, but he’s a soldier. (It would be interesting to see Magog interact with The Shield, come to think of it!).

Storywise, this issue is largely setup and contextualization. It does a good job of that–bringing one up to speed on the basics of the character, putting into place a supporting cast and status quo.

The art is high quality…I really like the visual style we’re presented with here. It’s not totally some grim ‘n gritty visual, but it’s not bright, hopeful and flashy, either. It feels very down-to-earth, and appropriate for the title character.

While this Magog is not the exact same character introduced in Kingdom Come nearly a decade-and-a-half ago, the similarities are there in tone as well as name and costume. One could envision this character developing into that one, but the differences are what add a layer of interest. Differences…or simply more information and insight into the individual…giving him depth rather than being a plot-point in someone else’s story.

Giffen seems to have a good handle on this character, and though I’m not entirely ready to “commit” to this series, I’m sufficiently hooked for at least another issue to see if the magic holds beyond this premiere issue.

Story: 7/10
Art: 8/10
Whole: 7.5/10

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