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The Infinity Gauntlet (2015) #1 [Review]

secretwars_infinitygauntlet001Story: Gerry Duggan & Dustin Weaver
Artist: Dustin Weaver
Script: Gerry DUggan
Letterer: Comicraft’s Albert Deschesne
Cover Artist: Dustin Weaver
Production Designer: Idette Winecoor
Assistant Editor: Devin Lewis
Editor: Nick Lowe
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

Particularly given my "Thanos kick" this year, and the nostalgia for me of the original The Infinity Gauntlet series from 1991 (and its followups and the evolution/devolution of Thanos across the 24 years since), this one–as a first issue, at least–was a no-brainer for me on picking up.

I was put off a bit by the Novas on the cover, which I mistakenly saw as a couple generic Novas and the new "Kid Nova" character that replaced the one I knew growing up. Turns out from the interior that I actually would like to see these Novas. I’m also rather put off by what has become an extremely nitpicky sticking-point: the Infinity Gauntlet itself, as I’m most familiar with it, as it was in the ’90s was a left-handed device. Not a right-handed piece, despite recent (the last few years and the Marvel Cinematic Universe) having it as a right-hand thing. I’m not passionate enough on the point to research when the chance actually happened or if it was intentional…I just don’t like it and it bugs me.

The interior, the story of the issue follows a young girl and her family surviving in a dystopian environment. The matriarch of the family disappeared ages earlier, choosing to attempt to protect the world and thus her family by fighting an alien threat before it could hit home. The fact it did leads most of the family to assume the woman’s death, and it’s a point of contention between several characters. While a bit of "hope" is found despite horrific developments, the end of the issue indicates things are about to get much worse.

That this is titled The Infinity Gauntlet and does not "star" Thanos is a huge disappointment for me. I also don’t like that the comics are now following the cinematic universe in referring to Infinity STONES rather than Infinity GEMS. I appreciate this is a different take on stuff, and that we’ll likely HAVE a quest to assemble the Gauntlet by series’ end, but as a first issue I am not overly thrilled.

Visually, this is a solid enough issue, though something about it–for something I went into expecting superheroics and such–seems just a bit "off" for a super-hero comic, and thus my reading experience. There is a slight Runaways vibe for me flipping back through the issue, though, so it’s not entirely out of place for me.

While I am not a fan of losing content in favor of huge one or two page "splash" sequences, this issue’s double-paged title sequence worked very well for me, generic as it is. Basically just the title, credits, and representations of the six Infinity objects (Stones/Gems/whatever) on a starfield. But having that amidst the story itself, as actual story pages instead of a textual title page opening the issue, and being two pages instead of one…reminds me of the title pages of the original 1991 series, and I just enjoy its presence.

I’m not entirely certain what to make of this, but I’m interested in seeing where things go. Rather than just a reimagining of Thanos or the Infinity Gauntlet conflict, this seems like it actually could be the start of something new and truly ongoing, and well worth my having checked this out. I do expect to pick up the next issue, and really hope to enjoy this series in general.

Secret Wars (2015) #1 [Review]

secretwars(2015)001The End Times

Writer & Designer: Jonathan Hickman
Artist: Esad Ribic
Color Artist: Ive Svorcina
Letterer: Chris Eliopoulos
Production: Idette Winecoor
Cover by: Alex Ross
Assistant Editors:Jon Moisan & Alanna Smith
Editors: Tom Brevoort with Wil Moss
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $4.99

Despite a certain grumpiness toward Marvel stuff lately, and being almost entirely out of the loop having consciously AVOIDED most of their contemporary stuff…I couldn’t simply pass this up. I gave DC‘s Convergence a chance, for two $5 issues and a $4…so having been turned off to that, I decided I can at least give Marvel‘s Event a chance for a $5 issue or two.

It’s been a long time since I’ve bought an Alex Ross covered issue of anything, and seeing his work on a Marvel anything again is quite cool. The interior of the issue is about 33 pages of actual story, and additional pages serving as title, credits, character, divider, and memorial pages…with the final pages of story going to black with a few words of text. While that seems at first to be quite a waste of space and pages, I find myself allowing it some leeway as I enjoyed the fade to white effect in DC‘s Zero Hour, and hold to that twenty-some years later.

Story-wise, things are a bit choppy to me, jumping between the 616 Marvel Universe and the Ultimate Universe. I’m not at all caught up on current going-ons in the Marvel Universe, but for the most part was able to follow along and get the “core” stuff out of the issue. Much like recognizing a bunch of characters while yet lacking their recent backstory for stuff like Zero Hour back in the ’90s, or any other event, this is what it is for me–a throwing-together of a universe of characters and I didn’t expect to experience this the way I would something I had more familiarity and interest in.

I’ve rarely enjoyed Hickman‘s work, and consciously recognizing his name on this project left me a bit dismayed the other day. I could compare elements of his work to Priest–the non-sequential storytelling, the caption/header dividing of scenes, the overall sense of the story not just being some straight-forward thing–but where I enjoy it in Priest‘s work (particularly his classic Black Panther and Quantum and Woody runs) I don’t care for it with Hickman‘s…but that truly gets into a whole different thing than this issue. As such, I expected to have a real problem with the issue’s story. Fortunately, I believe my negative expectation ran deep enough that this failed to be that extreme and so I actually enjoyed the issue as much as I have much of anything from Marvel of late.

The art was solid, and while it does not have the “classic” look my mind wanted, it’s mostly clear and certainly modern and on the whole, works for this take on the various characters. There were a few panels where I honestly went cross-eyed trying to visually parse out what was actually going on (especially one with Rocket Raccoon) but the bulk of the thing was good.

This is definitely being billed as the END of the Marvel Universe AND the Ultimate Universe, with a page at the end citing their “lives.” In that regard, this really should have been a 0 issue or something else, as whatever the Secret Wars part is, that begins NEXT issue with a mashup of the various worlds/timelines/whatever. Still…you could do worse. I mostly enjoyed the reading experience, and realizing the next issue is already due out next week, I’m very much looking forward to it. I’m also looking forward to several of the tie-in minis.

As starts go, I think I like this better than any other recent Marvel event I can think of…and if only for the immediate present, it’s certainly got the weight behind it for once as something that does and will matter.

I find myself a bit surprised to say so, but…recommended!

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