• March 2020
    S M T W T F S
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

The ’00s Revisited: Detective Comics #826


Writer: Paul Dini
Penciller: Don Kramer
Inker: Wayne Faucher
Colorist: John Kalisz
Letterer: Jared K. Fletcher
Cover: Simone Bianchi
Assoc. Editor: Michael Siglain
Editor: Peter Tomasi
Published by: DC Comics
Cover Date: February 2007
Cover Price: $2.99

Hard to believe even this issue was published OVER 12 YEARS AGO, but then, it’s been 8 since the announcement of The New 52, and it’s been a decade longer SINCE Tim Burton’s Batman than IT was from the ’60s series. Time flies. This issue is from a period where I’d largely stepped away from the Bat-books, before I came back for Batman RIP and Battle for the Cowl and such. So though I obviously knew Detective Comics was out there, I was not buying it regularly in 2006/2007. I actually found out about this issue from a post on Facebook with a discussion of "favorite Tim stories," and decided to track it down. Sort of surprisingly, the very first place I looked for it, I found it–for about $4, or "only" $1 more than cover price, and perfectly in line with what would be paid for a contemporary 2019 new comic!

This issue opens on Robin–Tim Drake–speeding away, being chased and shot at after winding up in the middle of rival drug gangs. As his bike is totaled, a minivan pulls up and someone throws the passenger door open, calling to him by name. Not looking a gift-horse in the mouth, Robin leaps in…to be greeted by The Joker! When Tim awakes from the Joker’s gas, he’s bound to his seat, the heat in the vehicle is on, the seat-warmer is on, and the original owners of the vehicle are dead in the back. Tim’s in for a hell-ride with one of those most deadly individuals he’s come up against, as the Joker drives over pedestrians and generally tortures Tim with his inability to DO anything. We get some flashbacks to some "human" moments Tim has with Dick…that also lend context to Tim’s eventually distracting Joker enough to escape. Unfortunately, he’s unable to capture the Joker. Batman appears, and the two leave the scene, knowing this is anything but the end of their old foe.

I don’t know if I’d consider this the greatest Tim story ever–but for reading it as a sole, single issue, completely out of any context of issues surrounding it, and getting a complete story in one issue…this is definitely an excellent issue TO get as a one-shot!

Adding to my enjoyment of this issue was having just watched a couple episodes from early in Batman: The Animated Series. Perhaps that this issue was written by the same Paul Dini that wrote those episodes, this had a certain vibe that fit right in with that…especially for being a complete story told in a short amount of time!

The cover is primarily black-and-white…with only the title logo "Detective Comics" in red. Bianchi is a hit-or-miss artist with me…but for a cover, this works very well! It also helps that the cover is actually RELEVANT to the CONTENTS of the issue–something that seems to all-too-rarely be the case in 2019, where "variants" rule and the cover doesn’t often seem to matter.

The interior art is quite good as well. I would not say I’m familiar with Kramer‘s work by style or name, but I was able to follow the story quite well and "get" what was going on, with no great distractions to yank me out of the story. If the art doesn’t "blow me away" with sheer awesomeness, then I greatly appreciate when–as with this issue–it recedes to the background and simply does its job. BY receding to the background it’s better as it becomes part of the story, the issue, and doesn’t take anything away. That said, this is probably one of the best-looking Jokers I’ve seen, and I WOULD welcome this art for the Joker in more contemporary stories!

Story-wise, the writing is very good, and along with presenting a solid story about Tim as Robin–facing and surviving The Joker–it gets into character moments/downtime with the character, and manages to give us a complete story in a single issue! Nowadays something like this one issue would be stretched to at least 3 issues, if not somehow 6 to be a full graphic novel, if one wants a "complete story." While it might be slightly toned back, this would be an excellent episode of Batman: The Animated Series.

Having thoroughly enjoyed this issue, I’m reminded that I may have read that there was a time with the title where Dini was doing a bunch of done-in-one issues…and I will definitely have to "investigate" that as that’s something I would almost certainly enjoy reading more of!

If you’re a fan of Robin, of Tim Drake, of Joker stories, or just getting a full story in a single issue of a comic, I’d highly recommend this! I consider it to absolutely be "worth" $4 or so…and anything under that is a bargain!


The Massive #s 1-3 [Review]

A couple months ago, give or take a week or so, I was at a semi-local comic shop that I get to every now and then, but no great regularity. I don’t recall now what I was looking for at the time, but I wound up buying two issues apiece of The Massive and Mind the Gap, figuring I’d “try” a couple new series. But the way my luck goes–spend full price on something, and got distracted by other stuff.

So I only just a week or so back finally read The Massive. And, being labeled on the front cover as parts 1 and 2 of 3, I went ahead and bought the third issue this past weekend to finish out the first arc.

Written by: Brian Wood  /  Art by: Kristian Donaldson  /  Colors by: Dave Stewart  /  Letters by: Jared K. Fletcher  /  Covers by: Brian Wood, Kristian Donaldson, Rafael Grampa, Dave Stewart, J. P. Leon  /  Designer: Justin Couch  /  Assistant Editor: Jim Gibbons  /  Editor: Sierra Hahn  /  Published by: Dark Horse Comics  /  Cover Price: $3.50

The basic premise of the series as a whole seems to be that a series of huge environmental disasters happened that have screwed up most of the world’s governments and such, leaving the world in an everyone-for-themselves-or-their-power-base kind of state. Central to the story are several characters on the ship Kapital–one ship of a 2-ship fleet, as they seek out their sister ship (the larger of the two)–The Massive.

Mixed in with the ongoing events–evading pirates, restocking material resources for survival, etc.–we get flashbacks to see where the characters have come from, the stuff that makes up their relationships now.

The art isn’t bad–it’s got a nice style to it, conveying these “normal” humans going about their lives in this world. I use “normal” as opposed to the depiction of super-heroes and the flashier sort of thing you’d expect for that sort of comic. While the world they live in has changed drastically, these are just normal people getting by in somewhat extraordinary situations.

The story itself is a solid premise, and the characters seem like real people, with real lives, histories, and all that. Giving backstory as well as present story allows the exploration of two periods in characters’ lives, with plenty of depth for both periods and a lot of room to juxtapose things.

Unfortunately, for whatever reason, I just don’t find myself terribly engaged with anything in this first arc.

I find myself comparing this to the likes of a new tv show. If the Buffy season 8 & 9 comics can use each small arc as an “episode,” then this 3-parter is definitely a pilot episode. Yet, because it’s a comic series, it’s also already 3 issues in. I’m interested, yes, even though not really engaged…but like most tv shows these days, I’ll wait for word of mouth and reruns or the dvd (or in this case, collected volumes).

There’s something in general about The Massive that puts me in mind of stuff like Y: The Last Man or DMZ, where I have this feeling this is going to go somewhere, and have some strong character development, world-building, and generally be a great overall work. It’s just not working for me in the single-issue format; I’m not interested in (even though it’s less than my hated $3.99 point) paying $3.50/month to get tiny chapters of one greater whole. Assuming this goes on to be one of these longform finite stories, I’ll probably come back to it someday.

While it’s no $9.99 “bargain priced premiere volume” a la Vertigo or some of the Image stuff, I gave this just over $10, and while it’s not the greatest $10 I’ve ever spent, it’s a far cry from the worst.

Uncanny X-Force #22 [Review]

Full review posted to cxPulp.com

Story: 3.5/5
Art: 3/5
Overall: 3/5

Batman: Battle for the Cowl #3 [Review]

Quick Rating: Average
Story Title: Last Man Standing

The final battle (for the cowl) unfolds here, and we have a winner.

batmanbattleforthecowl003Written and Drawn by: Tony S. Daniel
Inks: Sandu Florea
Colors: Ian Hannin & JD Smith
Lettering: Jared K. Fletcher
Asst. Editor: Janelle Siegel
Editor: Mike Marts
Covers: Tony S. Daniel
Publisher: DC Comics

I feel like I’ve missed something…as somehow, this issue picks up from a point that I wasn’t expecting it to.

Basically, Nightwing and The Network set about dealing with this “new player” on the scene that has played them for fools (while they’d spent their time/efforts dealing with the Penguin/Two-Face feud). Nightwing tracks down Jason (Todd–the gun-toting Batman) and the two battle it out with Jason claiming Tim’s death; meanwhile, Alfred “enables” Damian to fulfill another role. And by issue’s end (barely!) we have a new Batman.

The art on this issue is quite good–I’ve enjoyed Daniels‘ art, especially his Batman work. While his style may not be for everyone, I enjoyed it and think it fits the story quite well, while not being bad on the eyes.

The story on the other hand has been downhill. The story itself felt rushed, like we were hitting upon a checklist of points to get to a prescribed ending. I’ve really never “felt” any attachment to the reincarnated Jason Todd, though for what little I’d followed the character, I expected more. Here, he came across as no more than just another take on the KnightsEnd Jean-Paul Valley/Azrael from way-back-when.

I don’t feel like this issue lived up to expectation. While yes, it does deliver on telling us who the new Batman is, that happens at the very end of the issue and actually feels tacked-on; I would have expected to see an issue given to watching the actual transformation of the character–the transition–from “old identity” to new, as a situation played out. So much potential, but pretty much wasted in the execution. Given the way it played out, I’m not convinced this 3-parter could not have been told across several issues of Batman and/or Detective Comics for a quick transition. As a mini-series, this is little but “transition” and does not feel like an actual, complete story was told.

Unless you’ve already picked up the first couple issues and/or want “the entire story,” this probably isn’t worth picking up; I suspect much better stories to come within the new status quo in the various Bat-related books this summer. At the least, don’t pick this up expecting a complex, moving story, as you’re likely to be quite disappointed.


Story: 2/5
Art: 3.5/5
Overall: 2.5/5

Batman: Battle for the Cowl #2 [Review]

Quick Rating: Decent
Story Title: Army of One

The gun-toting Batman’s identity is revealed as the actual battle for the (right to the) cowl begins in earnest.

batmanbattleforthecowl002Written and Drawn by: Tony S. Daniel
Inks: Sandu Florea
Colors: Ian Hannin
Lettering: Jared K. Fletcher
Asst. Editor: Janelle Siegel
Editor: Mike Marts
Covers: Tony S. Daniel
Publisher: DC Comics

Last issue left off with our heroes facing a gun-toting Batman that had been spreading his own brand of fear in Gotham City. Nightwing and Damian confront this cowl-claimant, and Nightwing reveals who is behind the mask. Meanwhile, Tim Drake in a different Batman costume does things his own way, and comes across an old ally. Two-Face and Penguin are manipulated, and Tim finds what he is seeking, and enters his own battle for the cowl, as the gun-toter firmly acknowledges an agenda.

For me, the best part of this issue is definitely the art. It’s not perfect, and seems less-detailed in places…but overall is some of the better art I can think of when it comes to Batman-related stuff. Whatever depth the story itself has, the art fits the story, and gets across what’s going on–I don’t really ask much more than that of art in a comic.

The story is a bit rougher. On the one hand I really want to like this, as it’s supposed to be this major story in the Bat-verse and all that. But at this point, I’ve already decided who I want to see “win” by story’s end, and am not as interested as I’d thought in how we get to that status quo. Daniel definitely has a good handle on the art–and though his story isn’t all that deep, it is understandable and fairly straight-forward.

Overall, this is feeling almost like it’s just a transition-story…it offers some quick explanation of how the status-quo-to-come will be what it is, but doesn’t actually feel like it’s all that organic in development. (Perhaps I’ve gotten too used to the six-issue-arc model of many comics these days).

Recommended if you’ve already been following the story…nothing in this screams “check me out!” in and of itself, though.


Story: 3/5
Art: 3/5
Overall: 3/5

Batman: Battle for the Cowl #1 [Review]

Quick Rating: Good
Story Title: A Hostile Takeover

In Batman’s absence, Gotham City has deteriorated despite Nightwing and Robin calling in backup from outside the usual bunch of costumed do-gooders operating in the city.

batmanbattleforthecowl001Written and Drawn by: Tony S. Daniel
Inks: Sandu Florea
Colors: Ian Hannin
Lettering: Jared K. Fletcher
Asst. Editor: Janelle Siegel
Editor: Mike Marts
Cover: Tony S. Daniel
Publisher: DC Comics

At this point in the overall story, Batman is gone/presumed dead by his closest allies. Even Gotham City as a whole has noticed the absence of Batman, as the underworld and gangs have gotten so bad that police officers are quitting rather than face being a cop in Gotham. Nightwing and Robin have called in other costume heroes for backup, though it is apparent that more than just a guy in a costume fighting crime so that there’s less, Batman has become a necessary entity in Gotham; the absence of which has tipped the balance against the non-criminal.

This issue–the first of only three (as opposed to the seems-like-standard 6-7)–seems to mostly be setup. We’re introduced to the major players–primarily Nightwing and Robin, as well as the other characters playing a role in this unfolding drama; for the most part, there’s at least token appearance of basically any “Bat Family” character you’d expect–or at least the characters are mentioned. I’d expected set-up, and the appearance of a lot of characters. However, I’d expected a bit more of an immediate confrontation to be kicked off, and was met instead with more development.

This story–written by longtime Bat-artist Tony Daniel–seems to play quite well in the playground established by Morrison during his run on the main Batman book, while also interacting with characters from outside–AND actually making sense on the first read-through. While characterization doesn’t seem to fully acknowledge long-term continuity (I’m a bit torn, for example, as to whether or not I think it’d serve the story well to reference 1994’s Prodigal arc in which Dick had temporarily taken over as Batman).

In addition to the writing, Daniel also does the art for the book. Said art comes across quite well, and the product provided by the entire art time (including inks and colors) is a visual that while not the best I’ve ever seen, is still solid, good work. Characters all come across clearly and distinctly, except for one panel that took me a moment to realize was Damian.

On the whole, this is a good start to Battle for the Cowl. It looks like most of the title’s actual battle for said cowl is going to be in the 2nd and/or 3rd issues. Despite being largely setup, this issue still has a lot packed into it that will hopefully pay off in the next couple issues.

Though this is a $3.99 book, there are 30 pages of story, which is just enough to keep me from crying foul. Whether you followed Morrison‘s Batman or Final Crisis (or not), you shouldn’t have much trouble picking up with this issue and enjoying the ride–all you need to know is that Bruce is gone and he has left a void.

Overall recommended, unless you’re specifically avoiding all “event” books or simply have zero interest in the Batman family of characters and how they deal with losing Batman.


Story: 3.5/5
Art: 4/5
Overall: 4/5

Uncanny X-Force #14 [Review]

Full review posted to cxPulp.com

Story: 3/5
Art: 3.5/5
Overall: 3/5

%d bloggers like this: