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Phoenix Resurrection and Death and Legacy and Reprints

phoenixresurrection2017_0001It’s kinda interesting to me that I apparently had the same thought as Marvel last week. Namely, looking back to the last "true" appearance of a "live" Jean Grey to juxtapose the first issue of her apparent return. But I’ll get to that in a moment.

I already posted a review of the actual issue–Phoenix Resurrection #1–with comments on the issue itself as any other issue.

But here, I want to get a bit more of a look at the cover, the "death of" issue from 13 years ago, as well as Marvel‘s reprint of that issue as one of its True Believers $1 issues.

While I’m not keen on Phoenix Resurrection #1’s cover showing off a Dark Phoenix (I"d swear I’ve seen marketing with Jean in her traditionally-green Phoenix outfit), it does make the cover go a bit better with its 13-some-year-old-counterpart, if the issues are looked at as bookends of sorts.

Of course, I would be remiss, as an Ultraverse fan, if I didn’t bring up the fact that this is NOT the first time we’ve had a mini-series/mini-event Phoenix Resurrection. Back in November 1995 or so, the Phoenix Force crossed into the Ultraverse for a story that spanned seven 3-page segments ("flipbooks") of the seven then-current Ultraverse titles, leading into several double-sized one-shots: Phoenix Resurrection Genesis, Phoenix Resurrection Revelations, and Phoenix Resurrection Aftermath.

phoenixresurrection1995_poster

Pardon the quality of the Ultraverse image, as it’s actually a photo of a poster in a frame behind glass, on a wall with less than ideal lighting/reflection.

On to the current issue(s) at hand, though…

death_and_return_of_phoenix

I’d already thought, ahead of last Wednesday’s releases, that I wanted to track down a copy of New X Men #150 for "nostalgia" and as the opening "bookend" of stuff. Perhaps it’s the conscious knowledge of how old the issue is, but #150 actually looks quite dated, to me. Yet, with all the fire/flame effect on it, it fits right in, really, with the new 2017 issue. Even the cover dress is really not all that far off.

death_of_phoenix_orig_vs_true_believers_01

Marvel had the same thought/inclination, apparently, as they put out a True Believers #1 issue reprinting New X Men #150. Perhaps showing the modernity of stuff, even back to the early 2000s, the image doesn’t seem to have really been doctored or modified, outside of having "cover copy" swapped around–in an age of digital/digitally-available art, there’s a lot more that can (easily? simply?) be done, I’d say.

death_of_phoenix_orig_vs_true_believers_02

To hold/feel the two issues, the reprint felt incredibly skinny, like it was physically only about half the size. I recall being rather miffed at the True Believers reprint of X-Men: Alpha a couple years ago NOT having the entire issue in it, and feared the same had happened here!

But on side-by-side comparison, this reprint simply omits…a huge over-abundance of ads! In the original issue, the vast bulk of the issue was in single-page increments, with a story-page on the left, and an ad on the right (occasionally with another 2-page ad to follow). The thing felt so huge and bulky because it was padded out a good 50% or more with ads! So this "skinny" by comparison reprint has the entirety of the issue’s actual content, just minus the ads.

I was also interested at the lack of "previously" caption in the issue…it certainly would have benefited this reprint to have it, to further contextualize what someone was reading, particularly if they were getting the reprint TO read the story for the first time, not having read the original edition.

The original issue–as an extra-sized (even without the ads thing–was $3.50…something that would surely be at least $4.99 if not $5.99+ nowadays. And reprinted in full here for a mere $1. The art’s the same, maybe some slight differences on the coloring, but both issues being "modern," there’s not much of anything that would need to be "remastered" from old paper styling and whatnot.

With the reprint, I felt a bit foolish buying a new copy of the original issue, but I’d planned on getting that one for this sort of comparison, if only for my own sake, but I did get it on sale (for about $2.80, so even with the reprint, I got both for less than what a single, standard, regular Marvel issue would cost).

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Phoenix Resurrection (2017) #1 [Review]

phoenixresurrection2017_0001Chapter One: Frustrate the Sun

Writer: Matthew Rosenberg
Penciler: Leinil Francis Yu
Inker: Gerry Alanguilan
Color Artist: Rachelle Rosenberg
Letterer: VC’s Travis Lanham
Main Cover: Leinil Francis Yu & Sunny Gho
Graphic Designers: Jay Bowen & Anthony Gambino
Assistant Editors: Christina Harrington & Chris Robinson
Associate Editor: Darren Shan
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: February 2018
Cover Price: $4.99

I read the first couple issues of Morrison‘s NEW X MEN run, along with the first issue or two of that "new era" of Uncanny X-Men as well (and I think same for X-Force and/or X-Statix and Soldier X) before trailing off for awhile. I got back in toward the latter part of the run, having obtained the first two "deluxe oversized hardcovers" and not wanting to wait (then) for another. I remember making a special trip to the Toledo comic shop while visiting a friend for her graduation in December 2003, largely to get #150…and reading it left me with quite a surprise. Jean…dead? Well, SURELY, being Marvel, she’d be back pretty darned quick. A year, maybe two? Endsong kinda let me down, and I’m not sure if I ever actually read Warsong.

Move through time–2004, 2008, 2012…the Jean from the past was brought to the present (how long would THAT last? A year or two? The premise of the "original five" coming to the present sucked me into All-New X-Men for a bit!). 20012 to 2016, still the "original five." Into 2017…now the very tail-end of 2017, and we have this issue. Phoenix Resurrection #1 (never mind that 1995 gave us a Phoenix Resurrection in the Ultraverse books!).

Unlike the anecdotal "disaster" of the ordering requirements for the main wave of Legacy Lenticulars (LL, anyone?), this one’s "main cover" is *A* lenticular…but this one is actually done "right." Gone is the blurred mess of two static images blended together to approximate a real-life "gif," here we have an image of several of our mutants reacting to the flaming appearance of Dark Phoenix–Jean Grey–in the Red Costume…and we get that 3D/slight movement effect that DC has used to great effect and that had put to shame Marvel‘s versions. My main complaint with the cover is that it is at best symbolic, or some sort of prelim for use with an eventual collected edition…as has become the "norm" for modern comics, the cover does not necessarily depict what’s contained within the issue itself.

Visually, this is a pretty book, and I enjoyed the art itself throughout. As I’m no longer closely familiar with much of the X-verse, and am aware of plenty of recent changes and such, nothing much stood out in a negative way for me, and I marked inconsistencies up to my unfamiliarity; nothing seemed horrendous or off-putting to me.

Where I have problems with the visuals is layouts: the issue has 30 pages of story, 32 content pages if you count the "cinematic" double-page splash with the series’ logo and credits for the issue (in place of an opening/frontispiece to be simply omitted in collected format). While I applaud the relatively "strict" panels/gutters–a "classic" sort of page layout rather than EVERYTHING being full-bleed quasi-panels and such, I was not thrilled at so few panels per page–many pages having a mere 3-4 panels, a number of them having only 2, with very few words to a page. One page has a whopping THREE WORDS: "Elsewhere," "Well," and "fudge." (18 letters, not 18 words!). Yeah, the art is an integral part of telling (selling?) the story, but given this IS a comic book and not actually cinematic video, I’m rarely keen on "wasted space" trying to imitate another medium.

Story-wise, I did not feel that this issue remotely lived up to the hype or expectation–at least not the hype and expectation that I personally laid at its feet. Phoenix Resurrection. The Return of Jean Grey. Dark Phoenix (not Phoenix) depicted on the cover. Shiny cover. Surely Jean would appear in this issue, with plenty of questions as to her authenticity, what brought her back, why she’s back, what it means for "Young Jean," how it’ll affect other characters, if it has anything to do with "Regular Real Not-Old-Man Logan/Wolverine" being back, etc. Appear in this issue, set up questions and four more issues to dig into the details, the effects, push this story itself forward, etc.

While I can guess that the Jean we see toward the end of the issue is supposed to be "our" Jean (though whether it implies she’s been alive awhile–long enough to have a job and home and life with no overt recollection of life as one of the X-Men, or is some sort of dream-sequence or illusion or some sort of alternate life in her mind as her body heals/comes back/whatever) is not clear to me as of this single issue, on a typical single-read-through that I give whatever (new) issue(s) I read. I don’t see THAT she’s back (or not). I don’t see if there’s actually another force behind her return (the Phoenix Force) or if this is some sort of self-resurrection from her having BEEN one with the Phoenix Force in the past. Is there likely some other Big Bad waiting in the wings? Other than Jean maybe showing up/being back and having to figure out for herself what it means to her as herself, what’s the driving conflict of this title? What makes it justify five weekly issues (and I think a tie-in for a sixth issue) vs. Jean just showing up again/being a subplot in some sort of main title?

I’m curious about stuff–especially given I was there when she died back in 2003’s New X Men #150, and expected her return at least a decade ago–so will get the next issue, at least. And I would not be surprised if this was a good opening chapter to the eventual "graphic novel" when this series is collected into hardback, deluxe oversized hardback, and/or TPB. But as a single-issue, as a first issue of a mini-series, I’m not impressed with this, and would not recommend it if you’re looking just to do a toe-dip on stuff…especially at $4.99 instead of $3.99. As an art piece, the cover wouldn’t be bad to hang on a wall or such. Unless you’re eager to read/follow along in "real time" as issues are released (and given the title/subtitle, it’s not like there’s really any mystery as to whether or not it’s actually Jean, if she’ll actually be back, etc.) you’re probably better off waiting a couple months for the inevitable collected edition, if anything.

Otherwise, if you’re willing to invest in a 6 issue story within about 5 weeks, and you’re a fan of Jean herself, I’d say this is worth getting, as an opening chapter, that is by no means a stand-alone issue/story.

The ’90s Revisited: X-Men Series 1, Cards 19-27

Well, it’s been a couple weeks longer than intended since revisiting these X-Men cards…but here we are, with the next "page" of 9 cards!

xmen_series1_full_019-027

With the exception of Kylun, I’m "familiar" with all of these characters, though some a bit more than others.

Let’s get into these and see what thoughts the cards bring up for me!

019a

This is definitely Cable as I remember him. Huge arms and muscles, giant guns, the scars and glowy-eye thing going on…and for this image, look! Even a random chain thrown in! Totally "the ’90s" visually–or at least, a PART of the ’90s.

019b

Well…this card is certainly "dated." Nathan Summers. Son of Cyclops. But back in ’92, he was just some new-ish unknown, not yet tied tightly into the X-Men mythos and all that. And since this card was published, we’ve learned a whole lot about his origins, the "bionic limbs," etc. Though there was a recent-ish run of Cable and X-Force or such, I’d say by and large his time with X-Force or the New Mutants is more a footnote in the character’s history these days.

020a

This image of Archangel is rather iconic. It’s typical Jim Lee for sure, and I’m pretty sure it was used as the cover for at least one comic, if only one that was highlighting card art in much large scale! Though I was aware of Archangel, this particular version of the character was a bit before my time…this (to me) still carries clear shades of the ’80s; it wasn’t terribly long into my time following these characters that the metal wings disappeared and Warren had actual wings again.

020b

To a certain degree, I don’t think I originally associated Archangel with Angel, as an "original X-Man." It’s sorta interesting to see the changes the character has gone through…as well as the "diluting" of his status as "Death," with seemingly so many other characters having held the role as well.

I’d forgotten the notion of the wings exerting any control over him…probably because that was largely done away with by the time I got into things.

021a

I definitely like this costume, or at least this rendition of it. Yet I’m not certain if I’ve actually read any "new" issues with this version of the character. Offhand I primarily know the character from the cartoon in the ’90s, and for his role with Generation X.

021b

I also did not recall the character being an X-villain, though I do vaguely recall the character’s appearance in Giant-Size X-Men #1. Also seems like a "given" to me his relation to Black Tom Cassidy.

022a

I’ve never been overly keen on any of Kitty’s codenames…to me, the "default" name to the character is her name–Kitty Pryde. I first "met" the character from the animated Pryde of the X-Men, which was itself my first/earliest exposure to the X-Men, several years before my conscious getting into the characters.

022b

This card seems suitably generic and basis…hardly any "contradition" to the last 25+ years, except I’m not sure she’s a teenager anymore (or if she is, she’s incredibly mature for one..!)

023a

Ok, I’d guess here’s a character that may have Once Been A Big Deal, but I wouldn’t have been able to place offhand…though given the theme of these cards and ranking my familiarity with properties, my first guess WOULD have been Excalibur for this character, had I not seen the back of the card already!

023b

Though that sounds distinctly ’90s, it fits the ’80s as well. Nothing really to say except I’m not familiar with the character, and this doesn’t exactly prompt any interest in me…though perhaps part of that is that I don’t know that the character has appeared or had any significance, period, for over two decades…

024a

Typical-ish Jean…another character that I’ve "always" known by her own name more than any codename. And appearing here both very familiar and yet looking a bit more muscled and "older" than a number of other characters. Yet perhaps still a bit on the "young side" for me at my present age.

024b

I was rather oblivious to the whole Scott (Cyclops)/Jean thing at first, their interest in each other being a bit of a "surprise" to me when it manifested in the cartoon; ditto the "triangle" aspect with Wolverine. It’s been interesting to see the various takes on the character over the years, and learn more about her past from before I got into the comics. This also reminds me how much I’d like to have this "original" Jean back, in place of the "teen Jean" taking over in contemporary Marvel comics.

025a

Colossus is a mixed sort of character for me…one I feel like I’ve known quite a bit about, and yet still a bit of a "stranger" to read about. He was largely a "side" character to me at first, with one of my earliest comics with him being Uncanny X-Men #304 when he "defected" to Magneto.

025b

Another early memory for me of Colossus is the cartoon series, coming shortly after the end of the Cold War and whatnot, early in my developing any sort of consciousness for history or world events. Though not mentioned here, one of my favorite portrayals of the character is his friendship with Wolverine and Nightcrawler. I believe he was "stuck" in his "metal form" at the time when I got into the X-stuff; though that obviously didn’t last.

026a

I’m pretty sure I first came across Warpath in X-Force, probably the crossover with Spider-Man where they fought the Juggernaut and Black Tom.

026b

Though I’ve long known Warpath’s relationship to the X-Men via Thunderbird, I often mixed the two names. Seems rather cliché in a way to realize how many active members of the team "started out" as "villains" or at least antagonists. These cards also seem to lowball weights, as it seems almost impossible for characters to be so light given muscle mass and such at least!

027a

I’m not sure when I first found this character. This particular image doesn’t strike me as overly iconic, though the costume basically screams X-Factor to me. I probably did discover the character in that title.

027b

Another "early memory" I have of Polaris is–I think–a reprint of Giant-Size X-Men, perhaps in Classic X-Men/X-Men Classic. I feel like even now, too much of my thoughts on the character center on her being/not-being the daughter of Magneto, or her relationship to Havok.


I guess while familiar with more of these characters, I don’t necessarily have a LOT to say about them…at least not the way I’d want to in a post like this.

Here’s my first post in this series, covering cards #s 1-9

And my second post, covering cards #s 10-18

Age of Apocalypse Revisited: X-Men Chronicles #2

aoa_revisited_logo

xmenchronicles002Shattered Dreams

Writer: Howard Mackie
Penciler: Ian Churchill
Inks: Hanna/Vey/Moncuse/Wiacek
Colors: Matt Webb
Color Separations: Digital Chameleon
Lettering: Richard Starkings and Comicraft
Cover: Churchill
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $3.95

We open on Weapon X confronting Magneto. He and Jean are leaving, and Mags will NOT be convincing him otherwise. After the tense standoff, we shift to Wolverine–a huge mutant working for Holocaust. Holocaust, it seems, was once Nemesis–who killed Scarlet Witch in X-Men Chronicles #1, some time before this issue. Magneto doesn’t take Jean and Logan’s leaving all that well and throws himself AND his X-Men into training, none realizing the pending danger of the Wolverine. We also see the deterioration of Gambit’s pursuit of Rogue as we see the blossoming of the Magneto/Rogue relationship…which doesn’t begin to go over well with Gambit. Despite the huge wedge from a heart’s betrayal, Gambit stands with Magneto against Wolverine…though their broken friendship is one of the "key" events to come of the issue.

It may be that the issue is extra-sized and so a bigger single chunk of story, minus issue breaks and fitting into the larger, more complex continuity of multiple titles going on simultaneously, as well as "seeing" a key point in this version of the X-Men’s past (relative to the "present day" waning moments of the Age of Apocalypse unfolding in the main X-books cover dated June 1995). It might be the art, and certainly an enjoyable story. But reading this issue, the thoughts it provoked, and the feeling I had when I got to the end…this is definitely one of my TOP favorite issues of the entirety of the AoA storyline.

There’s only one page in particular (but several, flipping back through the issue) with Magneto specifically, where I feel like I noticed a change in the inking, transforming Churchill‘s work such that I actually paused and looked back to see if there were multiple artists/pencilers on the book, as it just looks quite different from the rest of the book. Otherwise, I really liked the art, and would have to really dig to find anything NOT to like about it. I’m not all that fond of Wolverine’s visual design…but as a generic "evil mutant" he works quite well. I imagine part of that is simply the use of the name in association with someone NOT Logan. (Yet, it makes sense in a world with countless "codenames" if most know "Weapon X" but he’s not using the name…"Wolverine" WOULD be up for grabs!)

Mackie gets a bad rap, I think…or at least, I’ve allowed my opinion to be clouded by his later work, particularly–I think–his Spider-Man stuff of the later ’90s. Here, I just simply enjoyed seeing these characters and the story that we get through the longer segment. Even knowing what was coming, I found it rather authentic seeing Gambit’s naiveté regarding Rogue’s falling for Magneto, and empathized with his hurt and frustration at the unintended "betrayal" of Magneto and Rogue’s developing relationship.

We get some details hinted at previously, and the actual "on-panel" stuff with Logan and Jean leaving and the Magneto/Rogue/Gambit triangle, as well as 44 pages of story plus 5 double-page "historical moments" (basically, "pinups") to round things out. I truly miss–and consider it a "lost art" of late–the inclusion of such "pinups" or quasi-arbitrary art pages in comics. In 2015, these would be an additional 10 variant covers as 5 sets of double-panel interlocking images. In 1995, these were fun bonus pages adding some visual context to the X-Men’s history. If only by labeling, these pages definitely lend credence to the notion of a picture being worth a thousand words.

Given this is essentially a one-shot, simply "a" story of this universe’s X-Men, the issue stands very strongly on its own. Knowing only that this is an alternate reality as well as the general convolutedness of the entirety of X-Men history…one doesn’t have to be following the rest of the Age of Apocalypse to follow this or to take this as "a story." For that matter, one doesn’t truly have to have read X-Men Chronicles #1, even.

For me, at least…the Age of Apocalypse doesn’t get much better than this; and perhaps for its immediate recency as of this typing, if I didn’t before I definitely now hold this as cream of the crop when it comes to Age of Apocalypse stuff.

Age of Apocalypse Revisited: Factor X #4

aoa_revisited_logo

factorx004Reckonings

Writer: John Francis Moore
Pencilers: Steve Epting w/ Terry Dodson
Inker: Al Milgrom
Lettering: Richard Starkings, Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: June 1995
Cover Price: $1.95

The order has been given–the pens of humans are to be culled. The newly "promoted" Alex Summers lords it over the others to enforce the order. Meanwhile, Cyclops and Jean are trying to save the humans, help them escape. This leads to the two having to fight through multiple obstacles (though they find unexpected allies). Things ultimately come down to brother vs. brother, and a new leader of the would-be-culled humans. Also meanwhile, Angel’s club is shut down, while Worthington himself ditches the place, essentially laying aside his neutrality in things.

This issue really does not offer any true finality or closure to what’s been set up throughout…more, it’s the fourth chapter of this side-trip following Alex, Scott, and (Dark) Beast and whatnot–our glimpse into things going on within Apocalypse’s ranks with characters we’re familiar with from the "regular" universe. To get finality for these characters and their arc within AoA, one definitely needs to follow this with X-Men: Omega.

The story, though, is good, and AS a story I don’t really have much to say on it; the writing is solid and consistent and not unexpected. I can’t quite put my finger on it, but there’s also something to Cyclops as written here that made me think he’s portrayed as a lot more interesting than I recall his being at the time in the regular Marvel universe. Perhaps the notion of his having served with Sinister and Apocalypse at all, or a number of other potential angles of the character that could be explored to answer "Why is he where and how he is now?"

My surprise with the issue’s creative side is just how much I really like the art. My one actual "problem" with the visuals is Jean’s hair–I’d swear she’s had much shorter hair in prior appearances, where Jean in this issue has the longer hair of her 616-counterpart of the time. I could be annoyed at the inconsistency…but I prefer long-haired Jean as depicted here, so I like it.

I’m not nearly as familiar with Havok in general, and it’s been rather strange seeing him as so thorough a villain in the Age of Apocalypse (same for Beast). Still, there’s a lot more than could be explored between just Alex and Scott’s relationship, that it’s sort of regrettable this four-issue journey is over.

I’ve enjoyed the series, and enjoyed this issue. Were it a self-contained mini-series I’d almost certainly be quite disappointed at the ending. As-is, it leads into X-Men: Omega, and I recall a definite end-point for Jean, Scott, and Alex as well as the fate of the Beast; looking ahead to that, it occurs to me that Omega serves in many ways as a #5 for the various minis, with Alpha having served as a #0.

Age of Apocalypse Revisited: Weapon X #2

aoa_revisited_logo

weaponx002Fire in the Sky!

Script: Larry Hama
Pencils: Adam Kubert
Inks: Dan Green
Colors: Joe Rosas
Separations: Digital Chameleon
Letters: Pat Brosseau
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

On reading the first page of this issue, I felt lost, and actually re-checked the cover. Yep–this IS #2. Not #3 or 4…I didn’t miss an issue. I don’t actually remember the ending to the first issue, but opening on Weapon X wading to shore amidst refugee/survivors, screaming for Jean definitely threw me a bit.

That’s where the issue opens–Logan’s just located Jean, who left to help with the evacuation of the humans from North America. The two reunite, a definite distance/rift between them that neither seems to want to acknowledge. There’s an attack, and the two leap in to help, though it brings things to a head between them and they part ways. Returning to the Human High Council, Logan is stopped by Mariko, and while the two converse another attack commences, and Logan again leaps into action in a way only he can. By the time the attack is over, Jean has left…though Logan is once more able to follow thanks to their psi-link, and the years of partnership between the two reach a tipping point.

This issue definitely feels like a “middle chapter” of a story. We’re thrown in the deep end at the issue’s beginning, and left with an unresolved situation at its end. At its end, we’re halfway through, having been introduced to Logan (Weapon X) and Jean in their status quo, we’ve witnessed their initial mission to completion and then further development of their situation, and things rapidly shifting into place for what I loosely recall of their placement for the far end of the Age of Apocalypse story.

I do like Hama‘s writing, and it’s still interesting to me to look back and realize what he’d done with the Wolverine character (and here, Weapon X) long before I ever recognized his GI Joe work. I touched on the notion covering the previous issue, but saw hints of it again in this issue: while this Weapon X is this reality’s version of Wolverine, there IS a darkness that I suppose I could “accept”–given what I recall of the ending of this Age of Apocalypse epic–morphing into what I considered a ridiculous and stupid thing in more recent years, NEARLY 20 years after the fact.

There’s an authenticity here that I appreciate, and while the story doesn’t leave me chomping at the bit for the next issue, I’m not disappointed to have read this one.

The art is quite good, and I continue to really enjoy Kubert‘s take on things, particularly Weapon X’s hair. That, combined with the burnt-critter version and then seeing the hair growing back over the span of a number of pages was cool–a sort of detail that worked well and conveyed how “tough” the character is physically.

Weapon X may not be my favorite of the Age of Apocalypse titles, but it’s not one I’ve dreaded reading…it falls somewhere in the middle or a neutral place if I were to rank ’em. This was a good issue, and ties in with stuff unfolding in Amazing X-Men, and while this stands alone overall, it’s great to see reference to other chunks of the whole, as this series is not unfolding in a vacuum.

Age of Apocalypse Revisited: Weapon X #1

aoa_revisited_logo

weaponx001Unforgiven Trespasses

Script: Larry Hama
Breakdowns: Adam Kubert
Finishes: Karl Kesel, Dan Green, Chris Warner
Lettering: Pat Brosseau
Coloring: Mike Thomas
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

After seeing Logan and Jean arrive at the Human High Council in X-Men Alpha, we now find them on a mission while the council decides what to do with the information they’ve been provided. Their mission: to cause trouble for Apocalypse by taking out a structure and allowing a wave of Sentinels in to evacuate what humans can be. Their ride (a sentinel) takes damage, but remains operational; while Logan and Jean fight their way in and ultimately out, even through Havok’s arrival. Once back with the council, the duo learn some shocking news about the humans’ intent moving forward in the face of Apocalypse’s deceit with the Kelly Pact.

This was a good issue, overall. Plenty of action, even if I didn’t comPLETEly follow everything. While I’m sure there are some subtleties I missed in my reading, I take it mostly at surface value. I struggle to see how this Weapon X can be the "villain" I recall from a couple years ago in a more contemporary issue. This seems quite a bit like the Wolverine of the time, but with adamantium (since Magneto never went down his dark path that led to Fatal Attractions and all that entailed). There’s a hint to Logan and Jean’s past, though it’s quick and not something dwelled on by the story. It’ll be interesting to get to the next several issues, and being reminded of the "cool" factor of this title and the character(s).

The visuals were good on the whole…no real complaint. I’m actually a fan of the "big hair" Wolverine rather than the tamed-down Hugh Jackman version of the last decade-plus in contemporary comics. Plenty to "appreciate" here and even as the issue may not be a favorite I still enjoyed it. The only let-down may have come from higher expectations for this than several other recently-read issues.

I do think the cover is one of my favorites–certainly one of the more memorable–of the AoA #1 issues, probably the entire saga. It shows all we really need, with Weapon X front and center and Jean right nearby…two mutants not to be messed with.

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