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More Recent Toys (As Of February 13th)

I’ve been accumulating some new toys lately. So, I’ll keep showing ’em off, whether or not I get to any lengthier "spotlights" on any of them.

disney_afternoon_mystery_minis_shere_khan

Several weeks back, I finally "gave in" and bought a blind-box of the Disney Afternoon Mystery Minis. I got Shere Khan from TaleSpin, I believe a Toys R Us exclusive for the set. Initially, I wasn’t all that thrilled, but he’s grown on me…especially as I liken this version to the mid-’80s Lex Luthor. I’ve got this at my desk at work, and have yet to hear any complaint!

disney_afternoon_mystery_minis_darkwing_duck

The mini I especially wanted from the set was Darkwing Duck himself. However, for the price of these, I decided it’d be much more economical to just order the loose figure online. While it was more than I’d prefer to pay for any single one of these…it was cheaper than buying two more blind-boxes. And this way, I have a cool figure from the set in Shere Khan, and I have THE figure I most wanted. No dupes, no fuss.

JLAction_new_supermen

I did not know the Justice League Action Mighty Minis line had continued until I happened across several packs at a Half-Price Books. I bought two, and wound up with these two Supermen. Some sort of "gold variant" and a "holographic". Not overly keen on ’em (I especially wanted The Atom!) but they go on my Superman shelf, so…could be worse?

one12_mirror_universe_spock

While I’m totally hit or miss on actually keeping up with Twitter, one time that I was on, saw a post from FigureFan Zero about a deal at ThinkGeek for a Mirror Univers Spock figure, apparently usually in the $80 range, on sale for a ridiculously great price. I followed the link, liked what I saw, and ordered it. I especially like that the figure came with a base, though I have yet to figure out a semi-permanent place to display it. Of course, I’m having that issue with a lot lately…really need to get around to assembling some bookcases I bought last year.

legacy_dragonzord_imaginext_green_ranger

Then there’s my favorite of late, and the one I’m most excited to have (FINALLY!) managed to get: the Legacy Dragonzord! I’ve been wanting this for years (it’s been over 2 1/2 years since I got the White Tigerzord) and just happened across one being sold via Walmart‘s third-party stuff. While a lot more expensive than I wanted to spend at the time, it was (including shipping) roughly what I paid for the White Tigerzord, and about $10 under my "upper limit" that I’d set for myself for this awhile back. Here it’s pictured with an Imaginext Green Ranger.

2010_megazord_legacy_tigerzord_robot

Here’s the plastic 2010 Megazord next to the White Tigerzord in robot mode (and the visor was down when I took the photo without realizing it).

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And here’s a shot of the Dragonzord with the White Tigerzord in Tiger mode.

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…And the three Zords together. I would not mind getting the Thunder Megazord…but that’s a BIT pricy right now…especially with some other expensive stuff I’m very interested in at present, amidst all my other spending with comics and such!

IMG_6648_2

I happened across some blind boxes of the Loyal Subjects Mighty Morphin’ Power Rangers in a clearance aisle, 75% off. I got the T-Rex Zord, Saber-Toothed Tiger Zord, Red Ranger, and Blue Ranger.

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The Zords came with these teeny-tiny ultra-miniature figures. I thought that was great, as it actually gives the Zords some scale! And I never imagined such tiny Ranger figures…with removable helmets and poseability themselves!

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Here’s the full-size Red Ranger…more articulation than the tiny-mini.

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And the Blue Ranger. The helmets have hinge/clasps, and remove to show the human face of the Ranger inside. Of course, I prefer the helmets on, as these are the Mighty Morphin’ Power Rangers, and I’m not going for the cartoony human side.


To say that I’m on a Power Rangers kick lately would probably be an understatement. And I’m rather amazed to see how my MMPR collection has grown in the last 12-13 months!

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Phoenix Resurrection and Death and Legacy and Reprints

phoenixresurrection2017_0001It’s kinda interesting to me that I apparently had the same thought as Marvel last week. Namely, looking back to the last "true" appearance of a "live" Jean Grey to juxtapose the first issue of her apparent return. But I’ll get to that in a moment.

I already posted a review of the actual issue–Phoenix Resurrection #1–with comments on the issue itself as any other issue.

But here, I want to get a bit more of a look at the cover, the "death of" issue from 13 years ago, as well as Marvel‘s reprint of that issue as one of its True Believers $1 issues.

While I’m not keen on Phoenix Resurrection #1’s cover showing off a Dark Phoenix (I"d swear I’ve seen marketing with Jean in her traditionally-green Phoenix outfit), it does make the cover go a bit better with its 13-some-year-old-counterpart, if the issues are looked at as bookends of sorts.

Of course, I would be remiss, as an Ultraverse fan, if I didn’t bring up the fact that this is NOT the first time we’ve had a mini-series/mini-event Phoenix Resurrection. Back in November 1995 or so, the Phoenix Force crossed into the Ultraverse for a story that spanned seven 3-page segments ("flipbooks") of the seven then-current Ultraverse titles, leading into several double-sized one-shots: Phoenix Resurrection Genesis, Phoenix Resurrection Revelations, and Phoenix Resurrection Aftermath.

phoenixresurrection1995_poster

Pardon the quality of the Ultraverse image, as it’s actually a photo of a poster in a frame behind glass, on a wall with less than ideal lighting/reflection.

On to the current issue(s) at hand, though…

death_and_return_of_phoenix

I’d already thought, ahead of last Wednesday’s releases, that I wanted to track down a copy of New X Men #150 for "nostalgia" and as the opening "bookend" of stuff. Perhaps it’s the conscious knowledge of how old the issue is, but #150 actually looks quite dated, to me. Yet, with all the fire/flame effect on it, it fits right in, really, with the new 2017 issue. Even the cover dress is really not all that far off.

death_of_phoenix_orig_vs_true_believers_01

Marvel had the same thought/inclination, apparently, as they put out a True Believers #1 issue reprinting New X Men #150. Perhaps showing the modernity of stuff, even back to the early 2000s, the image doesn’t seem to have really been doctored or modified, outside of having "cover copy" swapped around–in an age of digital/digitally-available art, there’s a lot more that can (easily? simply?) be done, I’d say.

death_of_phoenix_orig_vs_true_believers_02

To hold/feel the two issues, the reprint felt incredibly skinny, like it was physically only about half the size. I recall being rather miffed at the True Believers reprint of X-Men: Alpha a couple years ago NOT having the entire issue in it, and feared the same had happened here!

But on side-by-side comparison, this reprint simply omits…a huge over-abundance of ads! In the original issue, the vast bulk of the issue was in single-page increments, with a story-page on the left, and an ad on the right (occasionally with another 2-page ad to follow). The thing felt so huge and bulky because it was padded out a good 50% or more with ads! So this "skinny" by comparison reprint has the entirety of the issue’s actual content, just minus the ads.

I was also interested at the lack of "previously" caption in the issue…it certainly would have benefited this reprint to have it, to further contextualize what someone was reading, particularly if they were getting the reprint TO read the story for the first time, not having read the original edition.

The original issue–as an extra-sized (even without the ads thing–was $3.50…something that would surely be at least $4.99 if not $5.99+ nowadays. And reprinted in full here for a mere $1. The art’s the same, maybe some slight differences on the coloring, but both issues being "modern," there’s not much of anything that would need to be "remastered" from old paper styling and whatnot.

With the reprint, I felt a bit foolish buying a new copy of the original issue, but I’d planned on getting that one for this sort of comparison, if only for my own sake, but I did get it on sale (for about $2.80, so even with the reprint, I got both for less than what a single, standard, regular Marvel issue would cost).

Phoenix Resurrection (2017) #1 [Review]

phoenixresurrection2017_0001Chapter One: Frustrate the Sun

Writer: Matthew Rosenberg
Penciler: Leinil Francis Yu
Inker: Gerry Alanguilan
Color Artist: Rachelle Rosenberg
Letterer: VC’s Travis Lanham
Main Cover: Leinil Francis Yu & Sunny Gho
Graphic Designers: Jay Bowen & Anthony Gambino
Assistant Editors: Christina Harrington & Chris Robinson
Associate Editor: Darren Shan
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: February 2018
Cover Price: $4.99

I read the first couple issues of Morrison‘s NEW X MEN run, along with the first issue or two of that "new era" of Uncanny X-Men as well (and I think same for X-Force and/or X-Statix and Soldier X) before trailing off for awhile. I got back in toward the latter part of the run, having obtained the first two "deluxe oversized hardcovers" and not wanting to wait (then) for another. I remember making a special trip to the Toledo comic shop while visiting a friend for her graduation in December 2003, largely to get #150…and reading it left me with quite a surprise. Jean…dead? Well, SURELY, being Marvel, she’d be back pretty darned quick. A year, maybe two? Endsong kinda let me down, and I’m not sure if I ever actually read Warsong.

Move through time–2004, 2008, 2012…the Jean from the past was brought to the present (how long would THAT last? A year or two? The premise of the "original five" coming to the present sucked me into All-New X-Men for a bit!). 20012 to 2016, still the "original five." Into 2017…now the very tail-end of 2017, and we have this issue. Phoenix Resurrection #1 (never mind that 1995 gave us a Phoenix Resurrection in the Ultraverse books!).

Unlike the anecdotal "disaster" of the ordering requirements for the main wave of Legacy Lenticulars (LL, anyone?), this one’s "main cover" is *A* lenticular…but this one is actually done "right." Gone is the blurred mess of two static images blended together to approximate a real-life "gif," here we have an image of several of our mutants reacting to the flaming appearance of Dark Phoenix–Jean Grey–in the Red Costume…and we get that 3D/slight movement effect that DC has used to great effect and that had put to shame Marvel‘s versions. My main complaint with the cover is that it is at best symbolic, or some sort of prelim for use with an eventual collected edition…as has become the "norm" for modern comics, the cover does not necessarily depict what’s contained within the issue itself.

Visually, this is a pretty book, and I enjoyed the art itself throughout. As I’m no longer closely familiar with much of the X-verse, and am aware of plenty of recent changes and such, nothing much stood out in a negative way for me, and I marked inconsistencies up to my unfamiliarity; nothing seemed horrendous or off-putting to me.

Where I have problems with the visuals is layouts: the issue has 30 pages of story, 32 content pages if you count the "cinematic" double-page splash with the series’ logo and credits for the issue (in place of an opening/frontispiece to be simply omitted in collected format). While I applaud the relatively "strict" panels/gutters–a "classic" sort of page layout rather than EVERYTHING being full-bleed quasi-panels and such, I was not thrilled at so few panels per page–many pages having a mere 3-4 panels, a number of them having only 2, with very few words to a page. One page has a whopping THREE WORDS: "Elsewhere," "Well," and "fudge." (18 letters, not 18 words!). Yeah, the art is an integral part of telling (selling?) the story, but given this IS a comic book and not actually cinematic video, I’m rarely keen on "wasted space" trying to imitate another medium.

Story-wise, I did not feel that this issue remotely lived up to the hype or expectation–at least not the hype and expectation that I personally laid at its feet. Phoenix Resurrection. The Return of Jean Grey. Dark Phoenix (not Phoenix) depicted on the cover. Shiny cover. Surely Jean would appear in this issue, with plenty of questions as to her authenticity, what brought her back, why she’s back, what it means for "Young Jean," how it’ll affect other characters, if it has anything to do with "Regular Real Not-Old-Man Logan/Wolverine" being back, etc. Appear in this issue, set up questions and four more issues to dig into the details, the effects, push this story itself forward, etc.

While I can guess that the Jean we see toward the end of the issue is supposed to be "our" Jean (though whether it implies she’s been alive awhile–long enough to have a job and home and life with no overt recollection of life as one of the X-Men, or is some sort of dream-sequence or illusion or some sort of alternate life in her mind as her body heals/comes back/whatever) is not clear to me as of this single issue, on a typical single-read-through that I give whatever (new) issue(s) I read. I don’t see THAT she’s back (or not). I don’t see if there’s actually another force behind her return (the Phoenix Force) or if this is some sort of self-resurrection from her having BEEN one with the Phoenix Force in the past. Is there likely some other Big Bad waiting in the wings? Other than Jean maybe showing up/being back and having to figure out for herself what it means to her as herself, what’s the driving conflict of this title? What makes it justify five weekly issues (and I think a tie-in for a sixth issue) vs. Jean just showing up again/being a subplot in some sort of main title?

I’m curious about stuff–especially given I was there when she died back in 2003’s New X Men #150, and expected her return at least a decade ago–so will get the next issue, at least. And I would not be surprised if this was a good opening chapter to the eventual "graphic novel" when this series is collected into hardback, deluxe oversized hardback, and/or TPB. But as a single-issue, as a first issue of a mini-series, I’m not impressed with this, and would not recommend it if you’re looking just to do a toe-dip on stuff…especially at $4.99 instead of $3.99. As an art piece, the cover wouldn’t be bad to hang on a wall or such. Unless you’re eager to read/follow along in "real time" as issues are released (and given the title/subtitle, it’s not like there’s really any mystery as to whether or not it’s actually Jean, if she’ll actually be back, etc.) you’re probably better off waiting a couple months for the inevitable collected edition, if anything.

Otherwise, if you’re willing to invest in a 6 issue story within about 5 weeks, and you’re a fan of Jean herself, I’d say this is worth getting, as an opening chapter, that is by no means a stand-alone issue/story.

The Weekly Haul: Week of November 1, 2017

This week was a rather large week for new comics! Lotta interesting and interesting-ish stuff out…

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I need to catch up on my actual READING of them, but I’m really digging these one-shots focusing on the various Bat-men. For what I feel compelled to get new in the week, it’s great that there’s a new chapter each week, and does not feel like an overwhelming amount with say, five or six (or seemingly so) or more chapters out in a week. PLUS, the shiny foil covers are fun as they’ve not (yet) been used to fatigue, and for something called Metal, they’re truly appropriate!

Then there’s TMNT/Ghostbusters 2…a fun crossover conceptually, and I enjoyed the first series, so why not a second? And getting at least a weekly dose of TMNT through this, plus the "regular" stuff? Makes for a good month!

As anyone reading this knows, I’m sick and tired of variants, in general. An honest exception is where it’s warranted…such as with this week’s Superman #34! Shows that the 800th issue can be celebrated without having to DERAIL an entire numbered series! It’s observing the anniversary without having to BE a #800!

After the Jetsons backup in one of the specials back in the spring, I certainly wasn’t going to not check out an actual series that looks like it follows up on that! And I’m amused at the "return" of some more obscure characters lately, what with Deadman here, Ragman recently, and Mister Miracle. Then Usagi Yojimbo, which has been trucking along over the years; even with some hiatuses apparently, but it’s back, and I’m enjoying it thus far.

weeklyhaul_11012017b

Now, here’s where location and promotion can pay off: Black Lightning takes place locally, apparently–Cleveland, Ohio–and I don’t think I’d realized, but apparently the creator is local, too! So of course I’ll check this series out! I’m giving Harley and Ivy/Betty and Veronica a chance for the heckuvit…it’s a novelty thing. DuckTales ought to be a given, but I’m still not ready to commit month in/month out…especially as I’m behind on watching the new cartoon.

I need to catch up on actually reading Bane and Astonishing X-Men; already having several issues defeats the point of a collected volume, so "cheaper" to finish out the stories (plus the convenience of having all the issues in-house when I do finally binge-read).

I was not going to bother with Captain America, but some strong positive words on it from a shop owner went a long way with me. It gets this one issue, and I probably won’t come back til the novelty of whatever #700 is…but then again, maybe I’ll end up sticking around until #700. Time shall tell!

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The Lion King is one of my all-time favorite films (period, no sub-categorizing or such for "animated feature" or stuff like that). So for the price of two DC issues (or 1 1/2 Marvel issues), got this mini-graphic novel sized book. I think it might just be a print edition of a digital comic I’d bought years ago, but especially if so, cool to have this in print.

And somehow, I’d missed the DC Essential Graphic Novels edition for 2017, so definitely glad to have it for 2018…my OCD demands I still seek out a 2017 edition to go on the shelf with previous years!

deadman_glow_in_the_dark

The Deadman issue is another with an "enhanced cover," which–again–I’m enjoying from DC for the nostalgia and such, and rather judicious use. It certainly fits for something like this title, and as long as it’s only for the first issue, I’m cool with it. (If every issue was this way, no-go!). Even if the $4.99 cover price was because of this, I’m ok with that as well, from DC, in this case: no real hubbub over the cover, so it was just there, and so I was willing to pay the extra. And if the issue would have been $4.99 anyway, then heck yeah, give me something extra! (Like the foil on the Dark Nights/Metal issues!)

And then as a bonus for the week, there were left over comics from Halloween ComicsFest, so I was able to get some of the non-kids-oriented comics (Sabrina, for one) and several other issues I’d missed out on with only choosing the ones I did last weekend. I was satisfied with what I’d gotten over the weekend…so these are definite bonus on top of that, making an expensive week feel that much more substantial!

The Mighty Thor #700 [Review]

mighty_thor_0700_lenticularThe Blood of the Norns

Writer: Jason Aaron
Artists: Walter Simonson, Matthew WIlson, Russell Dauterman, Daniel Acuna, James Harren, Dave Stewart, Becky Cloonan, Das Pastoras, Chris Burnham, Ive Svorcina, Andrew MacLean, Jill Thompson, Mike Del Mundo, Olivier Coipel
Letterer & Production: VC’s Joe Sabino
Cover Artists: Russell Dauterman & Matthew Wilson
Lenticular Cover: Stephanie Hans (based on the original cover of The Death of Captain Marvel by Jim Starlin)
Associate Editor: Sarah Brunstad
Editor: Wil Moss
Published by: Marvel Comics
Cover Date: December 2017
Cover Price: $5.99

Along with Cable #150, I think this was the issue I was truly most curious about, content-wise…and sadly, number-wise. It’s a #700…I think Marvel‘s first. Much like Thor #500 was their first #500 issue back in the ’90s. Then there’s the lenticular cover, playing off of the classic The Death of Captain Marvel…one of my definite Starlin favorites with the whole Captain Marvel/Adam Warlock/Thanos/Infinity Gauntlet/cosmic stuff…a certain classic within my own life and time as a comics reader.

I certainly did not care for the higher price of this issue…but at least it’s a singular issue/narrative (albeit with a number of art teams on its many segments) and not a regular-sized main story with a ton of pointless-ish "extras" and add-ins and such just to inflate the thing artificially. And getting the lenticular cover edition makes it feel a bit more like a special issue and certainly physically/tangibly feel like it’s more worth its price. The quality of the lenticular effect is not good, though, with neither image particularly clear, though it seems the "classic" image is easier to see for backgrounds and title, while "Lady Thor" is fairly easy to see in the center.

Art-wise there’s a bunch of folks on this issue, names both familiar and not to me, perhaps most familiar being Walter Simonson, or Walt Simonson…a classic, notable, significant creator in the history of Marvel‘s Thor title. Given that there’s a lot of stuff happening all over the place–different settings, different times, different characters and types of characters–this issue actually benefits from a number of different art styles. While I don’t much care for some stuff, I can’t deny that overall, characters that I’d recognize look good in this issue, and even ones I don’t. Where the art takes a less-classic or less-realistic turn, it still works with the context of the story segment.

The story itself is lengthy enough and all over the place enough that I’m not gonna try to summarize it in detail here. Plus, not being "up" on the last few years of the characters’ stories outside of internet hearsay, I don’t know that I’d get specifics correct as is. Essentially, there’s a big attack happening that causes the knowledge of everyone’s fate to be removed…now that no one knows what WILL happen, the possibilities are endless. In the course of this, we check in on a bunch of different Thors and Thor artifacts. I still can’t get over this sense I get in reading this that "Thor" has become a "title" more than an actual NAME, and that’s probably where I most balk at the last few years of what I’ve heard of things. THOR might somehow become unworthy to carry Mjolnir, but that shouldn’t change that his NAME still IS Thor. Someone else might get the wield the hammer, but I don’t get how THEY suddenly become THOR. Especially while the genuine god is still around. I don’t know if it’s the same name historically, but at least for this issue, I loved the name given to Throg: Simon Walterson, a play on Walter Simonson.

As said, I’m not "up" on the last few years of stuff, so I’m sure there’s plenty throughout this issue to be appreciated that I don’t, and that I didn’t even notice, for that matter. That said, and all other complaints aside…I didn’t really WANT to like this issue.

But I did like it.

I tend to hate when something feels just like an opening chapter of a bigger story, arbitrarily chopped up into issue-sized chunks. This issue probably gets away with that, then, because it’s lengthier. And being a few days after I bought it, the price wasn’t so fresh in my mind and I was just reading the story FOR the story. The extra pages, the story touching on a number of different characters…this just felt like that much bigger a chunk of story overall. It’s by no means complete, but I didn’t feel lost the way I thought I would, and didn’t feel shortchanged when I got to the end of the issue. While this issue kicks off a presumably six-part The Death of The Mighty Thor, that and the lenticular cover are the only real references I picked up to a pending death, outside of the notion of Jane Foster’s cancer, period, being a built-in timer o sorts.

I also definitely enjoyed the fact that "Odinson" was in the book…he may be "unworthy" but is still present and part of the story, so it’s seeming (from this issue at least) like he’s not been absolutely shunted out of his own book.

I really don’t know if this is something ongoing readers would enjoy or not. I believe Aaron is the same writer that’s been on the various titles the last few years, chronicling the ongoing Jane Foster Thor stories, and much of the art team(s) I suspect are from those titles…so this is probably pretty consistent with the overall story that’s been unfolding. And I can’t speak for other fans who have felt put-off by the changes and such.

But me? I enjoyed this issue far more than I expected or intended to. I don’t know if this really falls into the Legacy headline or not, or if the inclusion of Odinson and other versions is simply TO fit into Legacy. But I’ll actually consider picking up the next issue if it’s not out on a huge week and there’s no confusion over which cover is the standard cover (this issue’s lenticular cover is marked as a variant, but due to marketing and hype, I consider the lenticular covers the main covers regardless of markings from the publisher).

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Cable #150 [Review]

cable_0150_lenticularThe Newer Mutants (Chapter 1)

Writer: Ed Brisson
Artist: Jon Malin
Colorist: Jesus Aburtov
Letterer: VC’s Travis Lanham
Cover Artists: Jon Malin, Federico Blee (Lenticular Cover Artists: Rob Liefeld and Jesus Aburtov (based on New Mutants #87 by Rob Liefeld and Todd McFarlane)
Graphic Designers: Jay Bowen, Anthony Gambino
Assistant Editor: Chris Robinson
Associate Editor: Mark Basso
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: December 2017
Cover Price: $3.99

I "sampled" the ResurrXion stuff back in the spring, though between the pricing, frequency, "art," quantity of variants, quantity of titles involved, etc. I opted not to follow the various series. I did apparently buy Cable  #1 as I saw it recently while going through other recent-ish stuff for something, but haven’t yet read that, and otherwise figure it’s been at least a couple years since I’ve bought anything with Cable on the cover, though I’d followed the beginning of his post-Messiah CompleX series, and the final several years of his ’90s series into the first couple issues of Soldier X back in the day. I even sampled a couple issues of Cable & Deadpool at the beginning and end of the run (oops…Cable gets no "credit" for that series, as Marvel tossed it entirely into Deadpool‘s…um…pool).

Long complaining of Marvel‘s pricing, variants, stunts, rebooting of numbering, renumbering, event-into-event-into-event churn, etc, I’ve also long avoided most of their "newer" output–certainly over the last half-decade. But there comes a point where "curiosity" gets the better of me, or "nostalgia," or perhaps just "morbid curiosity," and I check out an issue or few. Plus, I can only complain so much while never actually purchasing something–I can grouse about stuff all I want, but I feel I have to occasionally have some hands-on experience, not just 100% taking "everyone else’s word" on stuff.

So I’ve got Cable #150. After all the hubbub on the "lenticular covers," I opted to go for that version…after all, it was available in-person, at cover price, and said cover price being the "regular" $3.99, I figured at least I’m getting a "fancy cover" for the price. Alas, though the cover has the slick, plastic-y feel (and sound!) of DC‘s lenticulars, I really don’t like this at all. It’s supposed to have both the New Mutants #87 cover from 1990 or so with the 2017 re-iteration of the image. But try as I might, I can’t get a clear, non-fuzzy view of either that doesn’t have distinct bleed-in of the alternate image. If it wasn’t for the non-lenticular version presented as the first page, I wouldn’t really even know what the "newer" image truly looks like! And honestly, the best the cover has looked to my eye is the scan I did for the image above…so not even "just" to the naked, human eye as far as looking at the cover in-person!

Simply as an image, I like the thing. I really dig the nostalgia–we go from Cable’s first appearance in a #87 to his own series at #150…full circle and all that. While I like the Liefeld re-do of the original, it works well as the cover, and I’m glad the interior is a different artist. Malin does a good job of giving a clean, sleek design to the characters while capturing the classic look–including Cable’s ridiculously huge gun, a staple of the ’90s. On one hand, I’m quite glad to see the character simply looking like himself; on the other, I’d swear he’s been through more changes and was looking much older. Of course, there’s also flashback stuff to this, so, whatever.

Overall, there doesn’t feel like there’s much story to this issue. Cable’s with Longshot, investigating the death of an External named Candra. Confirming the death (which shouldn’t be able to happen, as she was supposed to be immortal), they proceed to meet up with old Cable-ally Shatterstar, and the group then goes to confront the last remaining External: Selene. The confrontation proves less than ideal, with Selene thinking Cable & Co. are there to kill her, not question her…and ultimately we’re left with a bit of a revelation that screams "retcon" to me, while leaving us as readers none the wiser, really, and stuck waiting for another issue.

I’m not familiar with Brisson offhand, but this isn’t bad. Strictly in and of itself, I enjoyed this issue…just not the fact it’s (as "always") simply 1/6th of a constrained story arc. I get a sense of the nostalgia being gone for with this, but don’t really feel like there’s much context to stuff…while I expect things’ll be clarified in later issues, this feels more like the first chunk of pages of a singular lengthier story, and not a full story in itself. I shouldn’t be surprised–that’s basically standard practice these days, for the last decade or more. There is a brief ~3 page segment with the character’s "origin," rather broad and boiled down, but hitting a few key points (far from all, and basically touching on none of the development(s) since 1993). I don’t know that anything Marvel would publish on that front for this would satisfy me, though…especially as none of the origin was "new" to me. I’m clearly not the target audience for it, though!

As usual for a Marvel issue of late…the Marvel brand itself is damaged as far as my feelings towards ’em on so many points, and while by no means a bad issue, this issue is not enough to leave me interested in planning on getting the next issue…and Marvel‘s pricing doesn’t leave me all that expectant of being highly inclined to even bother with the collected edition once it comes out.

Though this brings in some ’90s elements and looks like a familiar-ish iteration of Cable himself, this issue by itself does not stand out as anything overly special, either as part of Marvel Legacy or as a 150th issue. With the screwy numbering and not really being a standalone issue, I’d say wait for the collected edition if anything, if this didn’t already draw you in on nostalgia, number, or cover image(s) alone.

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My Failure to Avoid Marvel Now

allnewxmen005Considering I had planned to simply finish out AvX last year and call it quits for a time with Marvel, they’ve done a great job of keeping me despite that, with this whole Marvel Now initiative.

In fact, at least as far as its impact on me–I’d say the thing’s a huge success.

I didn’t want to buy anything Marvel Now. I didn’t want to be interested. I WANTED the jumping-off point. I was truly looking forward to the excuse to pare back to simply Valiant and TMNT for a few months.

thunderbolts(now)002But I read that darned preview of All-New X-Men, and it hooked me. And I decided to read that first issue of A+X. And the two titles proved a slippery slope into a chunk of Marvel Now for me.

At the beginning of December, I thought Cable and X-Force was due out that week. As I was visiting a friend in Alabama, the only comic shop I had access to was one we found via the Comic Shop Locator Service, and Cable and X-Force was not with the new issues. So, in part due to it being only $2.99, I picked up Thunderbolts #1.

xmenlegacy(now)002A couple weeks ago, my local comic shop put a bunch of Marvel Now issues out on the rack for $1/apiece as “overstock,” so I picked up X-Men Legacy #s 1-2, Avengers Arena #1, and FF #1 to try. For $1 (or 99-cents) I’ll give most any full-size issue a try (I even have a standing order alongside my pull list for $1-and-under specials to be pulled).

While hunting for Avenging Spider-Man #15.1 a couple weeks back, I wound up buying Avengers #s 1-2 to more than meet a $5 minimum purchase for paying with a card at one shop, and then with a slow week last week went ahead and bought New Avengers #1 and X-Men Legacy #3.

avengers(now)002I’m looking forward to trying Uncanny X-Force #1 for the writing–I’ve enjoyed HumphriesHigher Earth, and with that ending figure I’ll give his UXF a shot. I’m also looking forward to an Uncanny X-Men focused on Cyclops and Magneto. Despite myself, I even enjoyed FF enough that–as a $2.99 book–I may look for other issues soon.

The trouble, unfortunately, is that most of these books are $3.99; as are upcoming ones.

Two new Avengers books and they don’t even seem to be set in the same continuity, let alone in the same continuity as what I think I’ve observed with the Captain America book.

aplusx003As of present, I’ve tried at least the first issue of 9 titles, with Uncanny X-Force and Superior Spider-Man #1s both forthcoming yet, which will put me up to 11. Toss in the pending Uncanny X-Men and apparently a Wolverine title (not Savage Wolverine), and across a few months Marvel‘s got me at about half the number of books I tried with DC‘s New 52 relaunch. Spread out like this, though…it feels like there’s more room to “breathe” and actually try different titles without being overwhelmed.

Which, in the end seems to be what they were going for, “learning” from DC‘s putting out 52 new titles in one month.

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