• October 2019
    S M T W T F S
    « Sep    
     12345
    6789101112
    13141516171819
    20212223242526
    2728293031  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

  • Advertisements

X-O Manowar #35 [Review]

xomanowar035Dead Hand Part 2: Extinction Event

Writer: Robert Venditti
Penciler: Diego Bernard
Inkers: Ryan Winn w/Faucher & Pennington
Colorists: Brian Reber w/Ulises Arreola
Letterer: Dave Sharpe
Cover Artists: Lewis Larosa, Jorge Molina, Rafa Sandoval, Juan Jose Ryp
Associate Editor: Tom Brennan
Editor: Warren Simons
Published by: Valiant
Cover Date: April 2015
Cover Price: $3.99

Including the #0 issue a few months back, this marks 36 issues of this title so far. Three years that Valiant’s been "back" in the monthly comics game. 36 monthly issues of a single ongoing title, period. 36 monthly issues with a single writer. And I’ve been reading since the beginning; and even looking back to the 1990s, the original X-O Manowar title was in its early to mid #20s when I became aware of it, and probably wasn’t much past its own 3-year mark when it dipped back off my radar for the most part. Which is all to say: this has to be one of the best "runs" I’ve experienced in a long time.

That said…this is the second issue of presumably a 4-part story. Unlike last year’s Armor Hunters crossover event, this story seems contained to this title. That it continues to draw from that event organically, furthering and developing stuff introduced is a great reward as a longtime reader. While this is not a multi title crossover event…the fact that it deals with stuff FROM one (for me) gives an interesting suggestion: if the initial introduction of the Armor Hunters warranted a huge event, and this Dead Hand thing is those guys’ failsafe and possibly a WORSE threat…SCALE has already been established such that stuff is still quite epic, even contained within this one title.

We open the issue on Earth, several years from now as a couple scientists contemplate an apparent supernova and decide they’d be toast by now if it was actually Alpha Centauri. We then shift TO the Alpha Centauri system where Aric races to contact the high priest on Loam, to get as many Vine evacuated as possible before their planet is destroyed. The Dead Hand protocol has triggered an extinction-level event to wipe out all life on the planet. Though Aric gets through and a handful of Vine escape…the planetary loss is horrific and leaves Aric angry as can be, even as we see how he HAS changed in his ways and dealings with others.

Story-wise, I found myself slightly distracted reading this as I marveled at the fact that I felt bad for the Vine people as well as contemplating Aric’s compassion for them…that they’re not merely some generic race of "spider-aliens" to be loathed AS a race.

The story itself is engaging and–other than the above thoughts–kept me racing through, wondering what would happen, how many would be saved, and seeing a lot of potential for "follow-up" to this issue’s events…particularly if this series lasts a lot longer yet.

The art did what I often prefer: looked good and did not distract. I liked it–I had a good sense of what was going on, and where my mind skipped ahead, forging a very clear expectation, the art quite lived up to it where it could have just as easy been a huge letdown.

"Obviously," as part 2 of a multi-part arc, and in this day ‘n age of comics not being the readiest-available form of entertainment for the casual reader…this won’t be an ideal jumping-on point. But if you’re already following the title, read the previous issue, and whatnot…this is well worth getting. Alternatively, if you’ve read Armor Hunters (the core mini and/or tie-ins and/or the full-event deluxe hardcover due out in a few weeks [as of this writing]…this arc is certainly a worthwhile follow-up to that event. And if you like "cosmic," this arc certainly fits that, and is certainly on-par with anything I know of recent Marvel cosmic stuff…but far more self-contained so far.

Matching to the previous issue (#34), and the above qualifiers…highly recommended!

Advertisements

Ninjak (2015) #1 [Review]

ninjak(2015)001Book 1; The Lost Files

Writer: Matt Kindt
Art: Clay Mann, Seth Mann, Butch Guice
Colors: Ulises Arreola
Letters: Dave Sharpe
Cover Art: Lewis Larosa, Clay Mann, Brian Reber, Dave Johnson, Marguerite Sauvage, Trevor Hairsine, Tom Muller
Associate Editor: Tom Brennan
Editor: Warren Simons
Published by: Valiant Entertainment
Cover Price: $3.99
Cover Date: March 2015

I can honestly say that while looking forward to the debut of this series, I hadn’t really noticed its release was quite so imminent until the morning it was due out. Once I did, I found myself REALLY looking forward to getting it and sitting down to read the thing.

The cover is a bit of a mixed bag. The image is rather cool, showing off the title character and his toughness–both swords drawn, angry face, and arrows sticking out from all over…obviously he’s not some ordinary man that can be stopped with even a hail of arrows and shuriken. I dig the solid coloring to the cover text, company logo, and title…it looks good with the image, complementing it while standing out clearly and avoiding any trouble being made out against its background. However, outside of the UPC box it looks to me more like an ad than actual ads for the issue have! The advertised image that most stood out to me had the standard Valiant trade dress and the title logo at the top. At the size presented on this cover there’s no real reason I see to not have it at the top. If it were significantly larger it’d make sense to move it down to avoid covering most of Ninjak’s head/face. So while I applaud the image and the cover text coloring/use individually, it looks like a draft rather than a final piece.

For the $3.99 cover price we’re given a 22-page main story as well as an 8-page backup. This was a real treat to get the extra content withOUT losing pages from the main story…and certainly adds content value to the issue. There’s also a several-page “preview” of Bloodshot Reborn that–with the backup–makes this a fairly thick issue that physically feels a lot more worthwhile than most $3.99 comics.

The main story flips back and forth between Ninjak present-day and his past, allowing for some nice compare/contrast and insight into who he is now and where he comes from. It’s rather cinematic, which I both appreciate and enjoy here. I’m not particularly invested in the character as yet, only knowing him from a couple issues I’ve read of the ’90s incarnation and his appearances in other contemporary Valiant titles the last couple years. As such, I’m interested in learning more about Ninjak and the man behind the costume…which is something we get plenty of here. We see him on his own, in his element as he takes on a particular mission…and we see glimpses of his past which lets us see more depth of character than we could reasonably get seeing only the present. The split nature of showing present and past allows us this new story with the character, an “in” to his past, while avoiding our being forced as readers to endure simply a solo adventure or simply some prequel-esque/Year One type story.

Buried within the story itself is a little gem that made me grin and think to myself “of COURSE! That is GREAT!” In the back of my head, I’ve always wondered at the name Ninjak. Where’d it come from, why would this secret agent/spy/ninja call himself that? (Other than the fact that it’s definitely a product of the early 1990s). Being paid from a “black slush fund,” several previous ninjas were labeled A through J…Colin is the 11th: Ninja-K.

The backup IS fully set in the past, providing an uninterrupted narrative of one of Colin’s first missions. While I’d likely balk if the main story were shorter to allow for the backup, as (functionally) bonus content it’s a welcome addition, allowing even further insight into where Ninjak’s come from.

I definitely prefer Mann‘s art in the main story to Guice‘s art on the backup. Guice‘s art is gritty, moody, and works very well in what it does, and definitely fits its story. Mann‘s work is a bit cleaner and has the benefit of consistency with recent-past appearances of Ninjak. The coloring of both stories also has an impact with the main story being a lot brighter and thus fitting more into the superhero mold while the backup is darker and more fitting as a spy story.

Whether you’ve followed this incarnation of Ninjak from X-O Manowar #4 back in 2012 or simply remember the character from the ’90s (or just want a ninja-“superhero” adventure) this is a great first issue. You’re introduced to the character–where he is now as well as where he’s come from.  We see some extension to the cast around him with hints on where this’ll go. We’re set up for the story that’s unfolding while getting a decent chunk of it here…by no means a full story, but enough to work with and get a feel for things. If you’re starting here, it works as-is…and if you’re familiar with the current Valiant universe and continuity there’s added depth to be found..

Valiant takes a character that’s been around most of its history and for the past several years in its current run, and truly rewards us with an excellent first issue…from Kindt‘s writing, Mann and Guice‘s art, and the entire creative team. It’s just that cover that bugs me, from the design standpoint. Highly recommended!


xomanowar005

  ninjak001advertisedcover

X-O Manowar (2012) #5 – the first appearance of Ninjak in contemporary Valiant comics.

Ninjak #1 cover ad and what I’d expected of the standard cover.

X-O Manowar #34 [Review]

xomanowar0034Dead Hand part 1: To the Last

Writer: Robert Venditti
Penciler: Diego Bernard
Inker: Ryan Winn
Colorist: Brian Reber
Letterer: Dave Sharpe
Cover Artists: Lewis Larosa, Jorge Molina, Das Pastoras, Butch Guice
Associate Editor: Tom Brennan
Editor: Warren Simons
Published by: Valiant Comics
Cover Date: March 2015
Cover Price: $3.99

This issue is fairly distinct as the first “overlay” cover I’m aware of from this incarnation of Valiant. In addition to the “regular” cover, we have another piece covering half the front and all of the back of the issue, providing the same house-ad in color on the back (but nothing on the interior) and half the image of the front (in black-and-white with nothing on the interior side). The overlay includes the arc designation Dead Hand and story chapter (1), while the main/actual cover itself underneath is entirely in color with no arc designation or anything to indicate a new or specific arc.

Compared to prior issues where the “A” cover was outright MISSING half the image as a “variant”/”interlocking” sequence of covers for a single issues, I’ll gladly take this. I don’t really “get” the need for the overlay–the arc title doesn’t cover much and fits the title logo and simply looks like a comic cover. I’ll also accept this as an alternative to having a “black and white variant cover” and a “color variant cover” or some “virgin art” variant cover. Seeing this process done infuriates me all the more on the matter of variant covers.

xomanowar0034_showing_overlay

That said, the cover isn’t bad but doesn’t really stand out to me other than the presence of the overlay.

I like the story quite well, and caught myself contemplating that I’m pretty sure Venditti has been on this book for 35-some issues now (including the #0 issue) which in this day and age is a significant run despite barely being 3 years. While I’ve had previous issues that I didn’t totally “follow” consciously, this one felt nicely rooted in a general continuity–I’ve read since #1; I read the Planet Death arc a couple years ago I read last year’s Armor Hunters stuff; and so this flows nicely out of everything that’s developed so far. I enjoyed seeing Aric return to Loam (and that I recognized the planet’s name) and felt like the Vine (aka “spider aliens”) could be sympathetic characters if only generically. I also quite liked Aric’s sense of responsibility toward ’em.

The art for the issue is solid, and while nothing stood out to me as singularly spectacular or such, it’s really good and fits the story quite well. The design of this issue’s Armor Hunters (with their armors) have a cool look to them and made me think of an “X-O Manowar Corps” in a sense.

This is clearly the opening chapter of an arc, as it basically “just” introduces stuff for the main part of the whole: we see Aric with his people as he prepares to leave; we’re introduced to what I believe are previously-unknown Armor Hunters; we’re introduced to Dead Hand; we see Loam and its reception for Aric; and we’re left on the cusp of a significant event for Loam and Aric as the issue ends. Though a reader would certainly enjoy this most as an in-context story, there’s just enough introductory stuff that I’d say this would be a good jumping-in point for someone to give the book a shot. Unfortunately, this IS “just” an opening chapter of a larger arc so that lends its own aspect to the book in general: there’s NOT a “full story” just in this single issue, which does promote the advantage of waiting for a collected volume to get an entire story in one book.

Whatever complaints I’ve had on variant covers, or my general complaint toward the $3.99 price point, this is a solid issue, and fresh off from reading it, it’s a nice validation of my enjoyment of the series as a whole. As the premiere and presently longest-running Valiant title, if you aren’t checking it out issue by issue, it’s at least well worth checking out in collected edition format. Significant as the Armor Hunters saga was, Dead Hand looks to be extremely significant for Aric and his supporting cast of characters minus additional issues outside of X-O Manowar itself to follow. Very much recommended!

Harbinger #4 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 4/5
Overall: 4/5

Harbinger #3 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 4.5/5
Overall: 4/5

Harbinger #2 [Review]

Full review posted to cxPulp.com.

Story: 3.5/5
Art: 3.5/5
Overall: 4/5

%d bloggers like this: