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The Terrifics #1 [Review]

terrifics_0001Meet the Terrifics part 1 of 3

Storytellers: Ivan Reis & Jeff Lemire
Inker: Joe Prado
Colorist: Marcelo Maiolo
Letterer: Tom Napolitano
Cover: Ivan Reis with Marcelo Maiolo
Associate Editor: Jessica Chen
Editor: Paul Kaminski
Group Editor: Marie Javins
Published by: DC Comics
Cover Date: April 2018
Cover Price: $2.99

Of the New Age of Heroes line so far, this is the series I’ve been specifically looking forward to, on the idea that if Marvel wasn’t going to publish something like Fantastic Four, at least DC WOULD. And for the line so far, this one feels the most "normal" or "familiar" to me while being something different.

This is another one of those books with the tri-fold cover…but I’ve not been impressed with any of these, outside of the wishful thinking/impotent hope that they’ve meant less variant covers, by providing "alternate cover images" that OTHERWISE would have been presented as their own separate units as variant covers. The single front panel is the actual cover, and nothing overly impressed me of the other images.

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Mr. Terrific–Michael Holt–shows up to confront Simon Stagg. While the two have an apparent history–including Stagg’s having maneuvered Holt’s company out from under him–Holt is here to deal with a particular situation involving access to the Dark Multiverse. What he finds is an old ally in Metamorpho, and in dealing with the breach that Stagg has opened (and tried to plug with Metamorpho), also succeeds in reviving Plastic Man. The trio then finds themself on a planetoid that turns out to be a giant body, where they rescue a Linnya Wazzo, from Bgztl; an alien whose entire race can become intangible…though it’s presently a form she’s stuck in. As the group addresses a homing beacon…they’re confronted by the appearance of Tom Strong.

As a first issue goes, this works pretty well. We’re introduced to the "entire group" in the issue–Mr. Terrific, Metamorpho, Plastic Man, and Linnya. We also meet an antagonist in Simon Stagg and have some setup to see that he’s gonna be problematic, as well as the situation that brings everyone together in Stagg’s trying to access the Dark Multiverse. Though we don’t get a LOT of time or motivational reasoning spent on any single character, they all at least do appear in the issue, we have introduction and setup, and a fun cliffhanger: I’m aware of the existence of Tom Strong, and this was rather unexpected, but is a welcome intro/experience that could lead to me seeking out some of the original stuff with the character! The credits/story title of the issue comes on the final page, and I really dig the fact that this is listed as part 1 of 3! Only three issues. Not four, not five, not six-for-the-trade. Three. Which suggests to me that this is written to be enjoyed as single issues as well, and at least on this first issue, it’s done a good job of that to me.

Visually, I also enjoyed this issue. Mr. Terrific, Plastic Man, and Metamorpho all looked quite familiar to me; nothing wonky to their appearances. I’d swear I recognized Stagg’s assistant from somewhere, too! And what little I’ve seen, Tom Strong also looked like he stepped right out of his own series, whenever that had left off. We’ll see how this art team holds up after this first three issue arc…but for this issue at least, I found it quite enjoyable.

It’s been a long time since I last regularly followed any iteration of the Fantastic Four–my two "major stints" with the book being the first couple years of the Heroes Return iteration, and then the Waid/Wieringo run in collected format several years later. While this didn’t feel like any rip-off of the format, I definitely see plenty of room for comparison, with a girl that can go intangible, a guy who stretches, a guy who’s super-smart, a guy that can morph/be an elemental-like figure…not exactly the blood-family and close-friend dynamic, but I see plenty of potential for a family dynamic to come of this…and if these characters as a group wind up out exploring/dealing with the edges of reality, and this Dark Multiverse…then yeah, I can see where it’ll fill a "void" left for readers that like the concept of the Fantastic Four. That I can find a title like this at DC is a welcome thing.

I was pleasantly surprised as well with this issue, to realize it was "only" $2.99. I didn’t pay much attention for its price at the shop–since I was already "sold" on the title and looking forward to it specifically ahead of time, that gave it a one-issue "pass" on price, since I knew it at least did NOT exceed the standard $4.99 of a Marvel #1. coming in at $2.99 as I believe the others have is definitely a strong positive, and makes this well worth supporting on principle alone!

All in all…I recommend checking this book out. It’s a #1, it’s a fresh concept to DC, it’s only $2.99 for the standard cover (with new tri-fold for extra art), and though there’s likely more to "get" or appreciate if you’re "up" on the Metal stuff, it’s an enjoyable issue in itself just knowing THAT Metal has happened and introduced some Dark Multiverse into characters’ knowledge.

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Batman Beyond (2015) #1 [Review]

batmanbeyond(2015)001Brave New Worlds, part 1

Writer: Dan Jurgens
Artist: Bernard Chang
Colors: Marcelo Maiolo
Letters: Dave Sharpe
Cover: Chang with Maiolo
Editors: Dan Didio & David Pina
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I truly had no intention of buying any DC stuff in June, let alone trying any of the nearly-half-as-many-as-the-New-52-launch-not-even-four-years-ago new titles. Yet, despite not yet reading most of New 52 Futures End, I had stuff spoiled for me, namely the death of Terry McGinnis and that Tim Drake was the new Batman Beyond…and given it’s Tim Drake, from the present shunted out of his time into the future (not the Tim Drake seen in Batman Beyond: Return of the Joker that progressed to the time in a linear fashion), I was interested.

Add to that that this is "only" $2.99 cover price (and I feel like I haven’t seen a $2.99 comic in AGES!), I figured I’d check it out….AND show SUPPORT for the price-point!

We open on some Jokerz, and a fight with Batman…excuse to show off the time period a bit, the Bat-suit’s abilities, the Alfred AI (think Iron Man’s Jarvis in the Marvel Cinematic Universe), and that the character now is a man out of time. The Jokerz were stealing a device that would reveal Gotham to Brother Eye, which would allow the city to be targeted and destroyed. Batman goes to the closest thing he now has to "home" and interacts with a new supporting cast–Nora and Matt. Matt is Terry’s younger brother, who appears likely to have some definite "issues" with Tim, and Nora took Matt in after the Brother Eye attacks. Tim then heads out to see if there’s more left of the world than Gotham, and winds up fighting a Brother Eye cyborg Superman, and then meets an old ally who is in the present through linear progression.

The story works…and definitely does well for me AS a first issue. We’re given a good structure for an introductory issue: shown a dangerous, criminal act in progress (one that actually threatens the entire city), we see the hero in-costume enter the situation and defeat them, saving the city. We see the man behind the mask, we’re introduced to a couple of major supporting-cast characters, and exposition gives us some background on recent goings-on and status quo details. We’re given a larger, more dangerous situation for the hero with some story threads tying back to the big story that led to this title existing, and then we’re introduced to another likely supporting character with a cliffhanger to leave us wondering how this character will factor into things. We see the title character, we see him in action as well as downtime, meet supporting characters and touch on the general status quo, elements to play into the larger arc (if not series in general) are seeded, and we’re given cause to come back for the next issue.

I applaud Jurgens‘ work here, and would like to say that I’ll definitely be back for the next issue…but I’m honestly not sure about that, and I’ll detail why below.

The art is very good–the issue’s a treat to look at; character designs are good, the flow of action is easy to follow, and it does what the art should without calling attention to itself AS art.

Probably my biggest problem was the double-half-page candy bar ad breaking this up…it was annoying and distracting, and very unwelcome in an age where I’m not mentally trained to "expect" such ads. I pointedly ignored it as best I could but it was a case of "the more you try to ignore it, the more you notice it."

I should want to come back for the next issue on price point combined with Jurgens‘ writing combined with the nostalgia factor for the classic Batman Beyond cartoon combined with this being actual DC Universe combined with THIS Batman Beyond being Tim Drake, a key character I have grown up with in comics since his very introduction. If any of those reasons are of interest to you, I certainly recommend this.

But on a personal level I’m not really interested in contemporary New 52 DC stuff (which this is, even if the branding/label has been dropped), and I’m reading between the lines on things that shunting Tim Drake into the future is a means to remove him from "present-day" continuity where his presence has been quite problematic for the established timeline and would run counter to the use of Damian as Robin (Dick is presumed dead and now works as a spy, Jason is off doing his own thing as Red Hood, and now there’s no longer a Robin/Red-Robin running around to muddy up Damian’s claim to the title).

If Batman Beyond remains a self-contained title and all, I may try keeping up with it for a bit just for the Dan Jurgens and Tim Drake factor. That will be an issue by issue basis and be heavily influenced by its ship-week and however many other issues I’m picking up and how interested I am "in the moment."

Convergence #0 [Review]

convergence000The God Machine

Writers: Dan Jurgens & Jeff King
Art: Ethan Van Sciver
Colors: Marcelo Maiolo
Letters: Travis Lanham
Cover: Van Sciver with Maiolo
Editors: Dan Didio and David Pina
Published by: DC Comics
Cover Date: April 2015
Cover Price: $4.99

This issue is an appalling $4.99, for “only” 30 story pages. Yea, that beats the heck outta 20 pages or so for a $3.99 book, but that’s STILL $5! The cover seems to be the shinier/glossy higher-quality (physically) stock, so at least there’s that, too. There are several pages of backmatter, basically showing off a bunch of different “cities” that will be part of this event, and a tidbit about them, along with a classic (-ish) cover image to go with them…some of the covers more relevant than others. This certainly is not as hefty as an Annual or other special issue. At $4.99 weekly, this would be an absolute no-go for me. However, a bit of internet digging yields the notion that this is an oversized issue as a prologue, and next week’s #1 is oversized as well kicking things off, but then will drop down to the $3.99 for fewer pages.

The story of the issue is basically filling in a “gap” of time from the end of Superman: Doomed, where Superman found himself elsewhere/elsewhen, but then found himself back in regular space/time with no memory of what he experienced. Turns out that what he experienced was meeting numerous incarnations of Brainiac and seeing a number of versions of Metropolis, domed cities on a strange/alien world and railing against the notion of the people within being held prisoner…while learning from the Brainiacs that the main entity has apparently grabbed these cities from just before their timelines would have been destroyed and preserving them.

While it felt (and in my summary above probably sounds) extremely “basic,” it works as a prologue. I’d read Doomed last year, so this sorta adds a little bit to that. It also sets things up for Convergence as an event over the coming weeks.

I can’t help but think that Jurgens’ involvement on the writing side is why certain scenes and versions of Brainiac got shown as they did. I’m not familiar with King though the name is familiar (further internet digging suggests this is his comics-writing debut though he’s worked on tv stuff like White Collar that I’m familiar with). Given the co-writing credit, and not having read other comics stuff by him, too early to tell if I like King’s work or not. I suppose if I continue with this series I’ll be finding out as it looks like he’s got the reins for the main run of the series.

I’ve long enjoyed Van Sciver‘s art, going back a good decade-plus now with his Green Lantern work. While there’s a bit of a “feel” to me in this issue that’s “off” just a bit, I really enjoyed most of the art in this issue. I think the “off” stuff is a combination of things, including Superman’s armor looking strange to me compared to the classic (non-armor) suit. Despite that, I was thoroughly struck by the depiction of the classic Death of Superman scene, and really dug the bearded Superman look by issue’s end–if you look closely, he starts the issue clean-shaven but sports a short beard by the end.

While I was certainly glad to see the classic, “true” (to me) Superman and Doomsday in that one scene, I was quite disappointed to not “meet” any of the non-New 52 Supermen in this issue. I was desperately hoping to get at least a “live” glimpse of “my” Superman. But this proved equal parts Superman: Doomed and Convergence : Prologue…either way a Superman story.

I do not relish the notion of EIGHTY $4 issues (on top of the main Convergence mini)…and though this issue has me chomping at the bit for more non-New 52 DC stuff, I’m truly torn on buying into this as single issues, or waiting for the inevitable collected volumes. Given my “giving in” on Villains Month in 2013 and Futures End Month last year…I may just say the heck with it and see what grabs my attention with the covers of #1s, what most rings that nostalgia bell for me and makes me think “ok, that’s freakin’ cool and I really wanna read that!”

Though this sets stuff up, I haven’t a clue how essential it’s actually gonna be in the long run. However, it’s served its purpose in grabbing my attention (against better judgment). Now having #0–and as such essentially the first issue of the series–I’ll probably grab the big #1.

If you’ve no interest in Superman, or only intend to pick up select 2-issue minis due to favorite characters and such and don’t care or intend to follow the core Convergence story, I’d skip this. If you’re considering the series, dipping in…and can stomach the $5 price…Convergence has technically started with this.

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