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Some Reflecting on Recent Phoenix-y…Stuff

phoenix_resurrection_0005I’d had high hopes for Phoenix Resurrection/The Return of Jean Grey series. I was especially looking forward to the return of the character, period. But this 5-issue "event comic," quasi-weekly series gave me two $4.99 books with three $3.99s tossed in, and other than "Psychics disappear, X-Men encounter several foes thought dead, and find out Jean is living in a Phoenix-created artificial reality," not much seemed to really happen. Add to that some half-arsed (to me) marketing about a Jean Grey tie-in issue where I thought I had missed something at the start of the ‘event’ and then made darned sure to grab when it actually came out the week of the finale, and I wasn’t overly keen on it.

Then for that supposed-tie-in to basically have nothing at all to actually do with the Phoenix Resurrection series/event itself, it’s like…why, exactly, was I just conned into buying the final issue of a series, when it’s not the end of the character, not about the character I wanted, and doesn’t offer anything meaningful to my reading of the earlier issues of Phoenix Resurrection? It seems that the Psych Wars arc had stuff earlier that did pertain to Phoenix Resurrection, and I didn’t get those; but this is tangential at best.

jean_grey_0011Once several issues were out, I wasn’t going to "just" hold off for a paperback–gotta give Marvel "credit" for that–pumping this out as a weekly thing rather than monthly. Rather than "have to" wait even just a couple months for a collected edition, seemed simpler to just continue with the singles, getting to read the serialized story closer together at least. But there’s also the fact that we knew blatantly from the start well before the first issue even hit that yes, this WOULD actually have the REAL return of the REAL Jean Grey…so it’s not like it was, say, a decade-later third mini to go with Phoenix: Endsong and Phoenix: Warsong, where we could "wonder" if it would actually end with Jean back among the living or not, or leave her dead. Like reading something called The Death of Superman, you know the outcome…and so the journey there, the details become all the more important. And for me, frankly, this series failed to deliver on that. Nothing much in it was singularly memorable, really; except the confirmation that yeah, Jean’s back, and a brief cameo near the end of the final issue..

We had the surprise of a temporarily-resurrected Cyclops (and then being left with a corpse, not even "just" the renewed absence of the character). Sure, Jean wanted "one last talk" with her husband/former husband/whatever they considered themselves. But how fitting would it have been to have also brought him back, with her? Resurrecting her, bringing him back, them having to learn to deal with each other again after how things were going with them just before her death, to say nothing of the actions Cyclops himself took after M-Day and AvX and all of that? (‘course, with Xavier apparently being back, too…almost seems "no harm, no foul" or such…) But it was basically "just" a cameo.

jean_grey_10_psych_warsI suppose I figured with a weekly 5-issue series titled with The Return of Jean Grey, we’d get MORE in the way of a contained "struggle" with her of simply being back; like they’d find her during issue 2, have 3-4 with stuff going on and her re-meeting the still-living, and perhaps by 5 have some big crisis come about because she IS back, where she’d have to face it and maybe face the likelihood of being killed again or something. As such, with the various X-characters dealing with missing psychics, the appearance of characters thought dead, etc. it seems like this would have worked far better as a bunch of subplots perhaps scattered across several titles, that would all then lead together into a one-shot issue; where the characters–having been brought together by events–would be there, and Phoenix Resurrection #5 could have been the oneshot or whatever.

A couple weeks back–the week after Phoenix Resurrection #5–I saw a lone copy of Jean Grey #10 remaining, and flipped through it and saw Phoenix stuff, so went ahead and bought it, feeling rather curious/suspicious. Sure enough, that one issue, not even branded as part of Phoenix Resurrection, had more conflict with the Phoenix Force and such, was more satisfying (BRIEF though it seemed!) than the entirety of the actual Phoenix Resurrection event/mini-series.

xmen_red_0001Then there was X-Men: Red #1. A bit larger physically, and $4.99 as a single issue…like last year’s X-Men: Prime, X-Men: Gold, and X-Men: Blue #1s. It’s got Nightcrawler, and our returned "real" Jean Grey, the adult, original, non-time-traveling character. Something to the issue as a whole has me considering getting #2, though I was not overly impressed with the issue or this newer take on Jean. I wanted her back as part of a team, back interacting with Cyclops, Wolverine, and various other ’90s mainstays…or something. On the five issue mini-series and now "headlining" a new series…I’m not seeing anything but "nostalgia" to "sell" me on the character. Like…great, now she’s back, but now what? What makes her singularly interesting and worthwhile TO get this sort of treatment?

I guess time will tell.

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The Weekly Haul: Week of February 7, 2018

Been a long while since doing one of these posts. But, since I’ve not been in the mood for other posts, wanted to get something up this week. And this week does have several big books in it!

weeklyhaul_02072018a

First off, the Swamp Thing Winter Special that I’ve been looking forward to for awhile. Though it’s an $8 book, it boasts more than two issues’ worth of pages, maybe three…justifying its price. And as a "squarebound" issue, it’ll be able to go on the bookshelf with a growing number of such issues from the last few years. X-Men: Red #1 is here, and at $5, needs to do a LOT to justify its price…though I suppose ultimately it’ll simply fit with X-Men: Prime and X-Men: Blue and X-Men: Gold from last year. I’m definitely a fan of Adam Warlock, so at least somewhat interested in this, if only as a curiosity. Not so keen on Starlin feeling driven from Marvel, though, and haven’t been overly keen on the character in hands other than his. So we’ll see.

Then, of course, Superman and Batman, basically "givens" for me. And Justice League if only because I haven’t figured out where/if to break my run.

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Rogue & Gambit as I am a fan of the characters, and together. Been debating whether or not I’m sticking all the way with Avengers: No Surrender, but definitely in favor of a single title instead of umpteen different Avengers books with erratic shipping schedules. I picked up Jean Grey #10 that I’d considered last month, but since it lacked the Phoenix Resurrection logo, figured it wasn’t going to actually tie to that (boy, was I ever wrong there!)

Getting toward the end of Bane: Conquest, and same for Harley & Ivy Meet Betty & Veronica and The Jetsons.

I’ve a lot of reading to catch up on, and find myself wondering just how it was I used to get to read as much as I did just a couple years ago. It’s a shame there aren’t regularly-released "audio-comics" for commuters to listen to and get something of a story out of it. Maybe not the art itself, but…something.

Whatever the case…a huge, expensive start to February, and certainly reminds me of the need to be cutting back on titles, and to REALLY assess what I’m gonna get around to reading right away vs. just as well off to wait for a collected volume!

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The ’90s Revisited: The Phoenix Resurrection – Revelations

90s_revisited

phoenix_resurrection_revelationsRevelations

Writers: Ian Edginton & Dan Abnett
Pencillers: Kevin West, John Royle, Randy Green, Rick Leonardi
Inkers: Tom Wegrzyn, Philip Moy, Rick Ketcham, Jeff Whiting
Letterers: Vickie Williams, Patrick Owsley
Color Design: Mike Tuccinard, Robert Alvord
Interior Color: Malibu Color
Asst. Editor: Scott Bernstein
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: December 1995
Cover Price: $3.95

This issue was a bit of a challenge to read. In it, much as I hold very fond memories of the Ultraverse, this really drives home the notion that my fond memories precede the Black September event, that they come from the "original" Ultraverse, before it "rebooted" into a "Marvel-Lite" imprint sorta thing. And just looking at the credits, if only from a 2018 standpoint, this reeks of non-priority to the publisher. I recognize several names that SHOULD have meant this was an excellent issue–especially seeing Dan Abnett‘s name as a writer. But when you have two writers, four different pencillers and 4 different inkers, two different letterers, two different colorists…this screams "piecemeal" and generic incoherence.

Story-wise, we basically have these characters from two different universes spouting off at each other, commiserating generically over stuff (the X-Men recognize Black Knight, for one and he them). But once again, there doesn’t seem to be any real INDIVIDUALITY to any of the characters. Night Man shows up outta nowhere and Wolverine welcomes him as if totally expected…just pieces being moved around the board, so to speak. And then for as big a threat as the Phoenix is supposed to be, everyone winds up just throwing their powers or fists at it to drive it through a portal back into its own (the X-Men’s!) universe, and the problem’s solved? If it’s a threat here, surely it’s a threat there…

We get "big" story beats in stuff like Rex Mundi’s "Alternate"–somehow because he–in this universe–did such a perfect job of cloning himself, the Phoenix–brought into this universe from another–subdivides itself to match. We "see" Mantra, and get a moment of her seeing/thinking she’s been "warned" about Topaz, but why does she get the look she does? But there’s zero explanation as to who/what she is, or the relationship…and if nothing’s going to be expounded on, why include it to begin with?

Probably another problem with this comes with reading it now in 2018, after 15+ years of being conditioned to 6-issue (minimum, mostly) story-arcs and year-long mega-crossover-events and the like. As something spanning two teams from two universes, plus so many ancillary characters from one, with a huge, cosmic, universe-threatening entity…it just seems impossible for anything to be done justice. Something like this really WOULD be fairly justified to have AT LEAST one full issue apiece for each of the Ultraverse titles, a couple "main" issues for everyone, and even an X-Men tie-in or few. Not full 3-4-6-issue arcs per title, but at least a few more full-length issues. Everything crammed into just a couple issues after just a couple pages per title…it’s rushed, and sloppy, and overall just generic and mostly incoherent.

As I’ve read these, I’ve become all the more convinced that the beauty and depth and such of the Ultraverse–the "heart" of the Ultraverse–is definitely in its first couple years, its run of titles when they were actually their own thing, before being wholly given over to Marvel and all that.

I had a hard time getting through this issue–I think it took me at least three times situating myself with it to read to get through the whole thing. Where often that would seem a compliment to a well-done, dense comic proving its 2018 "value" of a $4 cover price, this happened for lack of engagement and interest. Really, I forced myself through the issue simply to have read it (and now typing all this, which is far from my favorite sort of review/write-up!)

The cover-art, and the CONCEPT is sound; and the idea of some crossover between the X-Men and most of the Ultraverse, and their facing the Phoenix Force, and it having counterpart/ties within the Ultraverse isn’t all that bad. But this execution of it all is not much to my liking, and really feels like the sort of thing I’d say one is better off passing on. Of course, if you find it in a 25-cent bin–the whole ‘event’, anyway–it might be worth $1 or so to get all four issues; but I’d encourage one to seek out older Ultraverse stuff if you’re just interested in "trying" an Ultraverse title.

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On Damage and ‘The New Age of DC Heroes’ and Avengers: No Surrender

damage_0001_trifoldI picked up Damage #1 last Wednesday. Partly for being a #1, partly starting this "New Age of DC Heroes," partly hype, partly the vertical-tri-fold-front-cover, and largely because despite being a #1, a new launch, not part of what was known as "Rebirth," it was "only" $2.99…so of course I "should" support it, the way I grouse about Marvel‘s constant $3.99-at-the-lowest pricing.

Unfortunately, the thing was more flash than substance for me. I put it on top of my stack to read, but when I went to read it…after several pages, I just started kinda skimming and flipping on through. "Oh, look…the Suicide Squad…goodie!" and nothing remotely resembling the Damage character I’d expected (with SOMETHING related to the ’90s title…)

Maybe I’m just THAT far outta the loop, behind on reading my Metal books. But I don’t remember the last time a new (as opposed to years-old-back-issue) comic actually had me zoning out and turning pages without interest enough to READ them.

Having no idea who this "new" character was, or motivation; a look reminding me somehow of Valiant‘s Shadowman (not positive points with Valiant on my personal crap-list for the last 2 1/2 years) and nothing really grabbing me to ENGAGE with any characters, it was NOT a good #1, to me.

A "good #1" is one that I can have zero knowledge about, zero reliance upon some other comic/event/series, and the issue by itself, all by its lonesome, pulls me in and leaves me actively interested in the next issue (a GREAT #1 has me emailing the comic shop immediately to add the book to my pull list…).

The "trifold" cover gimmick is FAR from being anywhere near as "cool" as I’m sure they were going for. "Wraparound" covers–the "double-panel"/"wide" layouts work well for the "widescreen" action, but this just looks odd, and to me, really look like they’d be three different covers!

While Damage (2018) #1 may end up being a good series, and a better, engaging story in collected/binge format (with more than JUST this one issue to go on), the first issue failed to grab me or engage me, and as the kickoff of this new line, has actually damaged the "brand" a bit, where I no longer have the "enthusiasm" for the "whole line" that I’d had. Now I figure I’ll try The Terrifics since I’d already planned to, and maybe see if/what else grabs me.  


avengers_0675As usual, while I’m often quite "down" on Marvel, I try to still get stuff here or there, IF ONLY to have some bit of "informed" knowledge of stuff. I bought the Legacy one-shot, so I can comment on not seeing how any of that’s come to play YET in any books, particularly Wolverine actually being back.

And where I’ve had ZERO INTEREST in umpteen different Avengers titles, since I AM interested in AN Avengers book, I decided to bite the bullet and try this No Surrender thing. I would absolutely NOT be on-board for an indefinite weekly $3.99 book. But as a contained 16-week thing, I got/read the first issue, and went ahead and picked up the second this past week.

I really don’t know what TO think of it so far…it does not feel like any Avengers book I’m familiar with. I liked Rogue on the cover of 675, but not sure where I am with her inside the book…I’ve obviously missed quite a bit over the past 5+ years and Uncanny Avengers and whatnot.

avengers_0676But I’m willing to "support" a single title in place of numerous different Avengers titles. Heck, do like the old Superman comics did, and have a weekly overall narrative…but each creative team can "focus" more heavily on some plot-thread or another according to their interest, while moving an overall "main" narrative forward each week.

As a 16-issue story, though, this will be ripe for an "omnibus" (because heaven forbid a single, complete story marketing as a single, complete story should ever be put out in a single, complete volume as a story rather than premium-high-priced Omnibus branding), so I’m still a bit cautious. Yet with Marvel‘s constant over-pricing of stuff, I figure the 16-issue (even if first and final chapters are double-length) "single volume edition" will be at minimum a $75 cover price (compared to ~$66 for the singles) and more likely $100ish ($5/issue would be $80, but being Marvel, I’d see them more likely to jump up to the next major price point of the $100 mark just because hey, people will pay it!).

I’ll probably check out the third issue this coming Wednesday, if only to give the singular, weekly thing a bit more of a chance…and go from there.

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The ’90s Revisited: The Phoenix Resurrection – Genesis

90s_revisited

phoenix_resurrection_genesisGenesis

Writrs: Ian Edginton, Dan Abnett
Pencillers: Darick Robertson, Mark Pacella, Greg Luzniak, Rob Haynes
Inkers: Tom Wegrzyn, Art Thibert, Larry Stucker, Bob Wiacek, Philip Moy
Letterer: Vickie Williams
Color Design: Robert Alvord
Interior Color: Malibu Color
Asst. Editor: Scott Bernstein
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: December 1995
Cover Price: $3.95

As Marvel publishes Phoenix Resurrection in the present, 22 years ago it published The Phoenix Resurrection through Malibu ComicsUltraverse line. Malibu Comics, which Marvel had purchased in order to keep DC Comics from buying the smaller publisher. And with the smaller publisher in-hand…looking back through this issue at least, it seems Marvel had no idea what to do or have done with the small superhero universe it now had in addition to its own.

This Genesis issue was preceded by a month-long promotion in which each of the 7 then-current Ultraverse titles had a 3-page flipbook segment showing the characters encountering some kinda reference to a phoenix, though taken as a whole that made for a disjointed mess. The seven chapters were reprinted/collected into a single issue in The Phoenix Resurrection: Red Shift.

Getting into the main/actual story of the "event" now with this issue, we get a prologue of the Phoenix Force being discovered by some probe from another universe. Before long, through machinations of the Gateway character, a squad of X-Men find themselves once more in a parallel universe that they’ve become increasingly familiar with (a footnote reference to the Mutants vs. Ultras special issue, itself collecting several previously-exclusive American Entertainment editions such as Prime vs. Hulk, Wolverine vs. Night Man, and All New Exiles vs. X-Men).

While bystanders and news media are focused on something coming from the sun, Ultra hero Prime engages the X-Men in combat, because of course they’ve gotta fight. The source of the aforementioned probe–a mother ship that’s buried in the ocean–reunites with a counterpart in the sun, and brings the Phoenix Force to this Earth, and then tries to drain its energy–its life–causing the Phoenix entity to be driven insane with pain. The entity bonds with Prime as a host body, and continues to fight the X-Men, as other Ultras are brought to the scene. (It should be mentioned that apparently the mutants’ powers are severely dampened in this reality…but that’s a crutch that doesn’t much matter for discussion of this particular issue). Eventually, the Phoenix and Prime are separated, and the Phoenix takes a new host, as the issue ends (to be continued in Phoenix Resurrection: Revelations).

Maybe it’s that I look back on the likes of Prime, Mantra, and Rune with memory of more complex, authentic-sounding stories and characters, as well as the same from the X-Men books from the early/mid-’90s (particularly stuff like Fatal Attractions or the Age of Apocalypse and immediate aftermaths) but this just does not feel like it has much depth, nor is there–even in an extra-sized issue like this–much characterization. It’s like the characters were chosen for the book by "popularity" and "mainstream-ness" (plus, of course, being characters appearing in books that survived into the pared-down 7-book line of Black September-onward), and not really for much else. We have a squad of X-Men and some major Ultraverse characters thrown together, but I get no real sense of depth, development, or motivation. The probe and mother ship have a far-too-convenient means of getting the Phoenix to Earth, Gateway seems nothing but "convenience" personified, and we’re told rather than shown that the mutants’ powers are lessened here. Prime comes off as nothing but some petulant kid–while he IS a kid, he’s lacking a depth I feel like I remember from his own original title. Bishop seems to be present for appearance’s sake, and with the mutants not even really trying to use their powers, there’s no particular point to any specific character’s presence…they’re interchangeable.

With the art, I recognize Darick Robertson and Art Thibert as names if not an actual art style here; but having numerous artists on this single issue doesn’t particularly do it any favors…at least for me reading it in a fair bit of isolation here–perhaps they’re the artists on the main books, in which case I’d welcome that (in idea at least), but just jumping into this issue after the Red Shift collection of 3-page shorts, I’m not thrilled with the visuals. I recognize the various characters–there seems to be an attempt to have them all look a certain way, perhaps using a "house style" or such–but virtually nothing stands out to me. Everyone is for the most part a generic iteration of iconic appearance (for lack of better phrasing). The only real stand-out bit for me was the large image of the Phoenix-possessed Prime (though zero mention or visual reference from the Ultraverse side OR X-Men side of the Prime body being healed/repaired after an obvious significant slash from Wolverine’s claws and Jubilee’s reaction to the green goop).

Ultimately, offhand, I didn’t so much "not enjoy" this as I "didn’t ENJOY" it. It’s cool–at least conceptually–to see the mix of characters thrown together and all. But after 17+ years of having "decompressed stories" that are clearly serialized graphic novels, I definitely am expecting much more depth of character and stuff from two sides like this to be brought out.

This is a definite novelty, one certainly worth 25 cents or so as a bargain-bin purchase, if only for the time it takes to read making it more worthwhile than most anything of its size published in present-day. You can definitely dive into this issue withOUT reading anything before it…the "crossover" stuff from the Red Shift 3-page segments are little but token reference-points thus far, making this a better "starting point" if only for having a big chunk of a single story that’s not jumping to a new setting/character every 3 pages. You could do worse than this issue…but much as I’m down on modern Marvel, if you’re looking for "return of Phoenix" stuff, you’d be better served with the contemporary Return of Jean Grey story in the 2017/2018 Phoenix Resurrection, or in 2012’s AvX event series.

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The ’90s Revisited: The Phoenix Resurrection: Red Shift #0

90s_revisited

phoenix_resurrection_redshiftRed Shift

Writers: I. Edginton, J. Smith
Pencillers: J. Royle, P. Peletier, C. Wojtkiewicz, R. Green, B. Murray, R. Haynes
Inkers: P. Moy, S. Moncuse, M. Farmer, T. Austin, G. Martin
Letterers: P. Owsley, V. Williams
Color Design: R. Alvord
Interior Color: Malibu
Asst. Editor: S. Bernstein
Editor: H. Kanalz
Published by: Malibu Comics
Cover Date: December 1995
Cover Price: n/a (American Entertainment Edition)

I remember the Black September ‘event’ back in 1995. Perhaps for its timing–Black September, this new era for the Ultraverse, this reboot/relaunch/renumbering–coincided with my entering high school, so for me my own life was starting a brand new direction and all that. I also remember stuff about this particular trail through the Ultraverse titles post-Godwheel heading into the event, though I missed out on the Ultraforce/Avengers issues, and so dropped in "cold" on the black-cover "Infinity" issues that September (with #1s in October). At the #2s in November, each book had a 3-page "flip book" chapter of this Phoenix Resurrection thing, in much the way Rune had premiered a couple years earlier. Then there were the larger issues Phoenix Resurrection: Genesis and Revelations, and Aftermath…and they led into some other title, Foxfire.

But I don’t recall if I ever got around to actually reading them all, or particularly caring about them all–this was late 1995, and rapidly heading toward one of my "off periods" with comics where I barely kept up with anything for about a year. So reading this now is like reading a whole new thing for me–I was aware of its existence, but have no conscious memory of actually reading the thing. And this Red Shift issue is something I don’t recall being aware of at the time in 1995–I discovered it some years after.

Red Shift is actually a collected edition of sorts: it collects the seven 3-page segments, making up a 21-page single-issue comic. The indicia shows it to be an American Entertainment edition–and its lack of cover price indicates this to be a special issue that would have been available through the mail-order comics company. This issue turns a ten-comic "event" into a 4-issue thing…making for a line-wide event of only 4 issues…something virtually unheard of in present-day, particularly from Marvel!

Marvel had bought Malibu by this point, and though the Malibu Comics logo remained on the covers, there were a number of Marvel characters that had crossed over into the Ultraverse, perhaps most notably Avengers character Black Knight, and X-Men villain Juggernaut. There were a number of other specific-story crossovers, where characters would cross for the story but not as a status quo.

Red Shift feels like what it is, as a collection of 3-page snippets, with numerous visual styles, and nowhere near enough room for any true story to develop, as they’re basically short little vignettes contextualizing each title’s "recent" prior experience heading into the main event story. Had I bought all seven issues specifically for the flip-book/backup, I’d have been sorely disappointed. Though I know the characters from my own prior experience reading Ultraverse stuff, as a standalone issue, this felt like a real mess trying to read it, and I really had to rely on memory of status quo from 22 years ago to have any slight idea what was going on.

The differing art styles seem–especially looking back–to be absolutely very "’90s" in style…with some generic and gratuitous posing, quasi- or wannabe "iconic" images, and so on…nothing overly dynamic or bad, exactly, but nothing great, either. Most of the creative team are names I don’t recognize (though I recognize several, as this would be early work by them before going to higher profile stuff). That leaves things to the characters, who are mostly recognizable, albeit as their relaunched looks, which were less distinctive and striking than their 1993/1994 debut appearances.

Story-wise, again, these were way too short and disjointed to really have any significance or development. Had they been simply 3 pages apiece within a main issue, worked into 3-page-longer-than-usual issues, they might have had more significance, serving as a universe-wide subplot, rather than being isolated out of whatever story was beginning in the respective titles.

All in all, I’m far from impressed by this issue, outside of the novelty of having these disparate segments brought together in a single issue like Rune #0. The art isn’t horrible but isn’t anything wonderful, and the story doesn’t do anything for me and doesn’t really do anything for the characters except provide a slight reference point. If you’re not already into these characters, I’d avoid this issue; there’s almost certainly more to be had in the "main" Phoenix Resurrection issues.

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Phoenix Resurrection and Death and Legacy and Reprints

phoenixresurrection2017_0001It’s kinda interesting to me that I apparently had the same thought as Marvel last week. Namely, looking back to the last "true" appearance of a "live" Jean Grey to juxtapose the first issue of her apparent return. But I’ll get to that in a moment.

I already posted a review of the actual issue–Phoenix Resurrection #1–with comments on the issue itself as any other issue.

But here, I want to get a bit more of a look at the cover, the "death of" issue from 13 years ago, as well as Marvel‘s reprint of that issue as one of its True Believers $1 issues.

While I’m not keen on Phoenix Resurrection #1’s cover showing off a Dark Phoenix (I"d swear I’ve seen marketing with Jean in her traditionally-green Phoenix outfit), it does make the cover go a bit better with its 13-some-year-old-counterpart, if the issues are looked at as bookends of sorts.

Of course, I would be remiss, as an Ultraverse fan, if I didn’t bring up the fact that this is NOT the first time we’ve had a mini-series/mini-event Phoenix Resurrection. Back in November 1995 or so, the Phoenix Force crossed into the Ultraverse for a story that spanned seven 3-page segments ("flipbooks") of the seven then-current Ultraverse titles, leading into several double-sized one-shots: Phoenix Resurrection Genesis, Phoenix Resurrection Revelations, and Phoenix Resurrection Aftermath.

phoenixresurrection1995_poster

Pardon the quality of the Ultraverse image, as it’s actually a photo of a poster in a frame behind glass, on a wall with less than ideal lighting/reflection.

On to the current issue(s) at hand, though…

death_and_return_of_phoenix

I’d already thought, ahead of last Wednesday’s releases, that I wanted to track down a copy of New X Men #150 for "nostalgia" and as the opening "bookend" of stuff. Perhaps it’s the conscious knowledge of how old the issue is, but #150 actually looks quite dated, to me. Yet, with all the fire/flame effect on it, it fits right in, really, with the new 2017 issue. Even the cover dress is really not all that far off.

death_of_phoenix_orig_vs_true_believers_01

Marvel had the same thought/inclination, apparently, as they put out a True Believers #1 issue reprinting New X Men #150. Perhaps showing the modernity of stuff, even back to the early 2000s, the image doesn’t seem to have really been doctored or modified, outside of having "cover copy" swapped around–in an age of digital/digitally-available art, there’s a lot more that can (easily? simply?) be done, I’d say.

death_of_phoenix_orig_vs_true_believers_02

To hold/feel the two issues, the reprint felt incredibly skinny, like it was physically only about half the size. I recall being rather miffed at the True Believers reprint of X-Men: Alpha a couple years ago NOT having the entire issue in it, and feared the same had happened here!

But on side-by-side comparison, this reprint simply omits…a huge over-abundance of ads! In the original issue, the vast bulk of the issue was in single-page increments, with a story-page on the left, and an ad on the right (occasionally with another 2-page ad to follow). The thing felt so huge and bulky because it was padded out a good 50% or more with ads! So this "skinny" by comparison reprint has the entirety of the issue’s actual content, just minus the ads.

I was also interested at the lack of "previously" caption in the issue…it certainly would have benefited this reprint to have it, to further contextualize what someone was reading, particularly if they were getting the reprint TO read the story for the first time, not having read the original edition.

The original issue–as an extra-sized (even without the ads thing–was $3.50…something that would surely be at least $4.99 if not $5.99+ nowadays. And reprinted in full here for a mere $1. The art’s the same, maybe some slight differences on the coloring, but both issues being "modern," there’s not much of anything that would need to be "remastered" from old paper styling and whatnot.

With the reprint, I felt a bit foolish buying a new copy of the original issue, but I’d planned on getting that one for this sort of comparison, if only for my own sake, but I did get it on sale (for about $2.80, so even with the reprint, I got both for less than what a single, standard, regular Marvel issue would cost).

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