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Cable #150 [Review]

cable_0150_lenticularThe Newer Mutants (Chapter 1)

Writer: Ed Brisson
Artist: Jon Malin
Colorist: Jesus Aburtov
Letterer: VC’s Travis Lanham
Cover Artists: Jon Malin, Federico Blee (Lenticular Cover Artists: Rob Liefeld and Jesus Aburtov (based on New Mutants #87 by Rob Liefeld and Todd McFarlane)
Graphic Designers: Jay Bowen, Anthony Gambino
Assistant Editor: Chris Robinson
Associate Editor: Mark Basso
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: December 2017
Cover Price: $3.99

I "sampled" the ResurrXion stuff back in the spring, though between the pricing, frequency, "art," quantity of variants, quantity of titles involved, etc. I opted not to follow the various series. I did apparently buy Cable  #1 as I saw it recently while going through other recent-ish stuff for something, but haven’t yet read that, and otherwise figure it’s been at least a couple years since I’ve bought anything with Cable on the cover, though I’d followed the beginning of his post-Messiah CompleX series, and the final several years of his ’90s series into the first couple issues of Soldier X back in the day. I even sampled a couple issues of Cable & Deadpool at the beginning and end of the run (oops…Cable gets no "credit" for that series, as Marvel tossed it entirely into Deadpool‘s…um…pool).

Long complaining of Marvel‘s pricing, variants, stunts, rebooting of numbering, renumbering, event-into-event-into-event churn, etc, I’ve also long avoided most of their "newer" output–certainly over the last half-decade. But there comes a point where "curiosity" gets the better of me, or "nostalgia," or perhaps just "morbid curiosity," and I check out an issue or few. Plus, I can only complain so much while never actually purchasing something–I can grouse about stuff all I want, but I feel I have to occasionally have some hands-on experience, not just 100% taking "everyone else’s word" on stuff.

So I’ve got Cable #150. After all the hubbub on the "lenticular covers," I opted to go for that version…after all, it was available in-person, at cover price, and said cover price being the "regular" $3.99, I figured at least I’m getting a "fancy cover" for the price. Alas, though the cover has the slick, plastic-y feel (and sound!) of DC‘s lenticulars, I really don’t like this at all. It’s supposed to have both the New Mutants #87 cover from 1990 or so with the 2017 re-iteration of the image. But try as I might, I can’t get a clear, non-fuzzy view of either that doesn’t have distinct bleed-in of the alternate image. If it wasn’t for the non-lenticular version presented as the first page, I wouldn’t really even know what the "newer" image truly looks like! And honestly, the best the cover has looked to my eye is the scan I did for the image above…so not even "just" to the naked, human eye as far as looking at the cover in-person!

Simply as an image, I like the thing. I really dig the nostalgia–we go from Cable’s first appearance in a #87 to his own series at #150…full circle and all that. While I like the Liefeld re-do of the original, it works well as the cover, and I’m glad the interior is a different artist. Malin does a good job of giving a clean, sleek design to the characters while capturing the classic look–including Cable’s ridiculously huge gun, a staple of the ’90s. On one hand, I’m quite glad to see the character simply looking like himself; on the other, I’d swear he’s been through more changes and was looking much older. Of course, there’s also flashback stuff to this, so, whatever.

Overall, there doesn’t feel like there’s much story to this issue. Cable’s with Longshot, investigating the death of an External named Candra. Confirming the death (which shouldn’t be able to happen, as she was supposed to be immortal), they proceed to meet up with old Cable-ally Shatterstar, and the group then goes to confront the last remaining External: Selene. The confrontation proves less than ideal, with Selene thinking Cable & Co. are there to kill her, not question her…and ultimately we’re left with a bit of a revelation that screams "retcon" to me, while leaving us as readers none the wiser, really, and stuck waiting for another issue.

I’m not familiar with Brisson offhand, but this isn’t bad. Strictly in and of itself, I enjoyed this issue…just not the fact it’s (as "always") simply 1/6th of a constrained story arc. I get a sense of the nostalgia being gone for with this, but don’t really feel like there’s much context to stuff…while I expect things’ll be clarified in later issues, this feels more like the first chunk of pages of a singular lengthier story, and not a full story in itself. I shouldn’t be surprised–that’s basically standard practice these days, for the last decade or more. There is a brief ~3 page segment with the character’s "origin," rather broad and boiled down, but hitting a few key points (far from all, and basically touching on none of the development(s) since 1993). I don’t know that anything Marvel would publish on that front for this would satisfy me, though…especially as none of the origin was "new" to me. I’m clearly not the target audience for it, though!

As usual for a Marvel issue of late…the Marvel brand itself is damaged as far as my feelings towards ’em on so many points, and while by no means a bad issue, this issue is not enough to leave me interested in planning on getting the next issue…and Marvel‘s pricing doesn’t leave me all that expectant of being highly inclined to even bother with the collected edition once it comes out.

Though this brings in some ’90s elements and looks like a familiar-ish iteration of Cable himself, this issue by itself does not stand out as anything overly special, either as part of Marvel Legacy or as a 150th issue. With the screwy numbering and not really being a standalone issue, I’d say wait for the collected edition if anything, if this didn’t already draw you in on nostalgia, number, or cover image(s) alone.

cable_0150_blogtrailer

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X-Men Regenesis Checklist [Checklist]

Following X-Men: Schism every mutant must choose a side: Cyclops’ or Wolverine’s. With the X-Men cut in two, things will never be the same again. Choose Your Team.

OCTOBER 2011

  • Uncanny X-Men #544
  • X-Men: Regenesis #1
  • Wolverine #17
  • Wolverine & the X-Men #1

 

NOVEMBER 2011

  • Uncanny X-Men #1
  • X-Men Legacy #259
  • Generation Hope #13
  • New Mutants #33
  • X-Men #20

 

DECEMBER 2011

  • Uncanny X-Force #19

 

JANUARY 2012

  • X-Factor #230

 

SOURCE: Marvel Retailer Postcard-Checklist

X-Men: Legacy #250 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

New Mutants #14 [Review]

Second Coming (chapter 11)

Written by: Zeb Wells
Art by: Ibraim Roberson, Lan Medina and Nathan Fox
Colored by: Brian Reber, Matt Milla and Jose Villarubia
Lettered by: VC’s Joe Caramagna
Cover by: Adi Granov
Associate Editor: Daniel Ketchum
Editor: Nick Lowe
Published by: Marvel Comics

Xavier enters the mind of his son, David (Legion) Haller, to prepare him to help the X-Men. In the real world, Cyclops deputizes every mutant present as X-Men…the dome trapping them and the nimrods arriving every few minutes means that every individual must come together, to “Fight or die.” Meanwhile, Rogue and Hope share a moment, as Colossus and Namor have their hands full holding the Golden Gate Bridge against Nimrods. In the future, the X-Force contingent has their hands full with their own problems…including multiple Master Molds. Back in the present, Hank McCoy–Beast–says his goodbyes as he prepares to enter the fray, and another player joins the battle.

The multiple artists / multiple colorists team is quite noticeable, and while in some ways it’s distracting, it’s also fitting to the story, as we’re dealing with several very different locales: David Haller’s mindscape, the X-Men in present day, and X-Force in a dark future. I’m not particularly a fan of any of the art–the only issues of this series I’ve bought have been whatever issues were earlier chapters of Second Coming–and offhand I don’t even recognize the artists’ names from any of their previous work that I might have seen. Of the differing visuals, the most off-putting is David Haller’s mind…but that seems intentional, and works well. The future scenes with X-Force are fairly slick, and I do like the distinctiveness. The present-day scenes are probably my favorites.

The story seems fairly simple and generic in that this is “just” another chapter in the ongoing crossover Second Coming. This continues from the previous chapter, and leads into the next chapter; we get forward movement in the crossover, but as a shared story, there’s not a whole lot moving whatever the New Mutants story is along, that I can tell. Again, as with the art…this isn’t a bad thing…perhaps because I have no real interest in this title standing alone, don’t know the newer characters, and picked this up as Second Coming Chapter 11 rather than New Mutants #14. Despite that, I really don’t feel lost–and the unfamiliarity is something I expected for this story, since I barely touched the X-books after Messiah Complex. I enjoyed the interaction with Rogue and Hope–the characters seem well suited for each other, and could make for an interesting friendship in future issues.

All in all, another solid chapter of Second Coming. I’m not yet sold on whatever the story is that’ll immediately follow this arc’s conclusion, nor the next big story with the vampires. Still, this keeps me interested in Second Coming, and I’m very, very interested to see what unfolds next week. This issue’s cliffhanger also reminds me somewhat thematically of the season finale to the first season of the 1990s X-Men animated series.

If you’ve already been following New Mutants, or are following the Second Coming main story, this is not an issue to be missed. If you’re not following this, you’ll probably be better off waiting for the next arc.

Story: 8/10
Art: 8/10
Overall: 8/10

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