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TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #13

tmnt_adventures_revisited

tmntadventures013The Final Conflict

Plot: Dean Clarrain & Ryan Brown
Script: Dean Clarrain
Pencils: Ken Mitchroney
Clean-Ups: Buz McKim
Inks: Dan Berger
Letters: Gary Fields
Colors: Barry Grossman
Cover: Steve Lavigne, Ken Mitchroney
Edits: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: August 1990
Cover Price: $1.00

Anymore, a thirteenth issue would seem a bit more special than it was even made out to be in the ’90s. Twelve issues is typically a single year, and a fairly standard-ish length for a “maxi-series” or such. Thirteen begins the second year of publishing, meaning a book has lasted past that first year. Of course, the TMNT Adventures book started out roughly bimonthly before eventually moving to a monthly schedule, so 13 isn’t all that significant…except that (sure, it’s a “stretch”) a lot of non-basic-network tv shows seem to be 13 episodes to a season/series, and I really like the analogy and have come to stick with the notion of looking at this comic series as a progression of “seasons.”

This is a “fun” issue…and certainly not the most standard of things the way it opens. Despite the cliffhanger of the previous issue–the turtles and their allies surrounded by Maligna’s insectoids–we spend the first several pages of this issue with Stump and Sling (the Intergalactic Wrestling promotors/hosts) going live with a broadcast, filling their viewers in on recent events (basically, TMNT Adventures #12), clarifying who the “players” are, and then throwing us (the reader/viewers) into the action.

While fighting the warrior children of Maligna, the turtles and allies realize that they’re being filmed…they’d agreed to another wrestling match for Stump, but rather than a repeat of the previous time it seems they’ve actually agreed to be filmed fighting for the Turnstone. Wingnut and Screwloose take off, though they wind up getting to make trouble for Shredder, Bebop, and Rocksteady. Leonardo and Trap find they have different notions of what works in battle, and Leatherhead finds himself hurled out of the arena in what turns out to be a fortuitous–if not predestined–turn of events. Maligna’s warriors are defeated, though Krang blasts the arena, scattering the victors before taking off. Meanwhile, Leatherhead finds the Turnstone, and manages to summon Cherubae. Seeking answers, he asks her WHY she transformed him, and she suggests that it was to ensure he’d be here, to be in the right place at the right time to get the Turnstone before Krang.

Leatherhead hands the Turnstone off to her, and she brings the conflict to an immediate end, banishing the villains and arranging for everyone to return to where they’re going…as well as ensuring the Turnstone will cause no further problems.

This is another Mitchroney-art issue, which I have no problem with. I definitely appreciate his designs for the characters, and I like the look. This also adds a consistency carrying over from the previous issue, giving a little bit more of a unified whole to the story than “just” a couple of single issues that happen to carry a continuation of story.

The story itself–the writing–for me is probably at its best so far, as we’ve gone from “mutant of the month” to a more unified continuity involving characters beyond just the four turtles. We wouldn’t have the characters we do here if there hadn’t been some of those “mutant of the month” issues and foundations put down, though. The previous issue suggested a difference in Bebop and Rocksteady from their cartoon counterparts (and even from the earlier issues of this series that adapted episodes from the cartoon). This issue does what it seemed the cartoon would never do (I know it sort of did eventually): resolve Krang, Shredder, Bebop, and Rocksteady’s story, taking them off the board.

Bebop and Rockstead are sent to a world of animals where they can “run free” amongst ’em…and their reaction seems to confirm that in this continuity, they ARE mutated animals rather than mutated humans. Shredder is sent to prison–presumably the Turnstone’s nudged reality to account for the logical process of having Oroku Saki behind bars and not cut loose the moment someone realizes there’s a random extra person amidst their prison population. And Krang is banished to a toxic waste dump world. Thus, without KILLING any of them, these primary antagonists known from the cartoon are effectively removed from their place of threat, leaving the board clear for the turtles to move on without constantly facing these four.

And that’s certainly another thing I enjoyed here–getting to see a resolution, much as a season finale, combined with the fact that I do know what’s to come, and that the turtles get plenty of adventures NOT involving Shredder being a problem.

This certainly could have served as a series finale, but thankfully the book continues, as we really get to see more development of these characters’ world while learning of the real world at the same time. Though this series is collected in primarily 4-issue chunks at present (and in the ’90s 3-issue chunks), it’d be great to see a larger collected volume with the 9 post-cartoon-adaptation issues thus far as a single piece.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #12

tmnt_adventures_revisited

tmntadventures012The Lost World

Script: Dean Clarrain
Pencils: Ken Mitchroney
Inks: Dan Berger
Letters: Gary Fields
Colors: Barry Grossman
Cover: Ken Mitchroney, Steve Lavigne
Editors: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: July 1990
Cover Price: $1.00

While this series has diverged from the cartoon continuity that started things off, this issue gives us a new change to Bebop and Rocksteady rather than a “mutant of the month.” Where in the cartoon, the two were human punks that Shredder mutated with the mutagen ooze…this issue opens with Rocksteady dreaming/remembering being a rhino in Africa…suggesting that he and Bebop are mutated animals rather than mutated humans.

The villains have arrived in Dimension X, seeking the turtles and their rescuer–Cherubae, the true form of the “swamp witch” Mary Bones. Planetside, Cherubae fills the turtles in on stuff over a campfire–her background, why she (and Krang) were on Earth, the Turnstone. Before long, Krang’s ship comes upon them, and things move into action. Krang blasts Cherubae, and she drops the Turnstone, though no one sees exactly where it lands. Realizing they can’t help her, the turtles set out to locate the fallen Turnstone. The Sons of Silence–seemingly allied with Krang–disappear and take Cherubae, leaving the others behind. Krang sends Shredder, Bebop, and Rocksteady to seek the Turnstone, while Krang himself zips off to enlist aid from a being named Maligna.

In exchange for the promise of being led to Earth to have her way with it, Krang is granted the aid he seeks. Still searching for the Turnstone, the turtles come across an old coliseum. Before they can really check it out, they’re met by Cudley, serving as middleman (middleCOW?) for Stump and Sling. If they’ll agree to wrestle again, they’ll be given immediate allies. Swallowing their pride, the turtles agree, and Cudley spits out Wingnut, Screwloose, Leatherhead, and a new face–Trap. As Cudley leaves, the group contemplates what to do from here, when they realize they’re surrounded by a number of bug-creatures: Maligna’s children.

I definitely like the story here. For one thing, it sets this series even further apart from the cartoon, while playing with the characters we’re used to. Krang continues to not use (or even have?) his android body, nor does he seem particularly concerned. Bebop and Rocksteady are given some new depth, though it’s possible I’m reading more into it in this issue, knowing what comes later. I’m quite glad that we’re not given long, drawn-out mysteries and such, other than the “prophecy” and buildup toward The Final Conflict. Mary Bones was Mary Bones until last issue, and just pages after we learn she’s actually someone else, that someone is explained to us (and the turtles). We’re also introduced to Maligna, who I’d totally forgotten appeared here. The character is rather generic in this issue…but this sets up some major story beats for coming issues, and Maligna’s impact on the series carries through the late #50s if I recall.

I really very much enjoy Mitchroney‘s art, and suppose at least for now as I reread these issues, he’s high on my list of preferred TMNT artists. There’s nothing I really need to comment on visually here that I haven’t touched on with previous issues.

While we’ve had some quasi-cliffhangers, I’d consider the end of this issue to be the first “major” such cliffhanger as the turtles and their allies are about to be forced into a fight sooner than they could’ve expected. And as I noted with the previous issue, this feels a bit like one of the final episodes of a tv season, getting to the big-stakes endgame and facing a “big bad” and all that with characters that could’ve been pretty much one-offs being brought back into play and a definite sense of continuity from things laid as foundation points over the prior run of episodes.

I’m definitely looking forward to reading the next issue, and totally enjoying getting back into these stories for the first time in close to two decades, and certainly more than half a lifetime.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #11

tmnt_adventures_revisited

tmntadventures011White Light

Script: Dean Clarrain
Pencils: Jim Lawson
Inks & Letters: Gary Fields
Colors: Barry Grossman
Cover: Ken Mitchroney, Steve Lavigne
Editors: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: June 1990
Cover Price: $1.00

The issue begins with Bebop and Rocksteady, who’ve been trapped in the rubble from the cave-in back in #9. While they contemplate hunger and a weird smell (that neither will claim credit for) a white light shines and several figures emerge, before the scene shifts to the turtles noticing the abundance of rats. They find themselves “herded”  to a figure named Ha’ntaan, who calls himself the Rat King and claims anywhere a rat is found as part of his kingdom. Getting by without particular conflict, the turtles continue their search for Shredder and soon find a trail of chemicals and wastes in the waterflow of the sewer, finding their way to a giant Foot Soldier robot guarding something. Said something turns out to be a trap as the turtles are captured by the figures that Bebop and Rocksteady saw at the beginning of the issue. These figures are a group of aliens called the Sons of Silence, and apparently are working with Krang (and by extension, Shredder). While the villains celebrate their pending victory over their enemies, the scene is observed through the Turnstone by Mary Bones…who decides her time on Earth is at an end and drops the disguise. She uses the Turnstone to rescue the turtles, while Krang & Co. head back to Dimension X in a modified-into-a-spaceship Technodrome.

There’s something a little bit “off” with this issue’s visuals. We’re on a Lawson issue, but there’s something to this issue that made me think it was someone else. I can’t really complain too much as the art’s far from bad, but as I’ve come to really like Mitchroney‘s art on this version of the turtles, I’m less impressed with Lawson‘s. There are a couple panels that I do really like, of Raph amidst the rats, where the rats themselves are quite expressive and I actually felt for the little critters. Despite being a bit “off,” the art isn’t bad, and everyone’s recognizable and everything is gotten across that needs to be for my enjoyment of the story.

The story itself is back to what I consider a bit more of the “mythology” of the series, with things coming together toward the “Final Conflict.” While I mention in my summary above Mary Bones “rescuing” the turtles, I suppose we don’t know for sure that that’s what she’s done, only that she’s removed them from Krang and the Sons of Silence. These Sons are not mutants–or don’t appear to be–and with Mary Bones’ reference to them, she knows of them and they seem thus to be aliens, perhaps from Dimension X.

I remember this issue being one of the hardest of the early issues for me to track down, though I can’t honestly remember WHEN I finally managed to do so, nor where I found it…whether it was an issue I found somewhere in-person or if it’s one of a handful I acquired via eBay in the early 2000s while I was in college. I’d known OF the Rat King from the action figure and cartoon, and thanks to stuff like Wizard and whatnot knew he’d been in this issue, #11…but even much as I remember other characters and what became of them in this series, this issue felt like a brand-new read, as if I hadn’t read it before. That, and a slight bit of deja vu in “memory” regarding a couple panels.

I’m a little disappointed there wasn’t MORE to the Rat King himself, what he’s about, an origin, etc., in this issue…but as I believe he’s a Mirage character that was carried over into this title, it’s a bit different than characters created by the guys working on this book. The character is a bit of a dim spot for me, knowing I’ve seen the character in the Mirage vol. 4 books and I believe also during City at War.

If I’m recalling correctly, this issue is sort of a “bridge” between the “development” issues and the issues where a number of these characters–the “mutants of the month”–come back into play. Reflecting at present, it’s occurred to me that it’s much like a tv season, with The Final Conflict serving as the end of this “first season” of TMNT Adventures.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #10

tmnt_adventures_revisited

tmntadventures010Going Down?

Plotted by: Dean Clarrain & Ryan Brown
Written by: Dean Clarrain
Penciled by: Ken Mitchroney
Inked by: Dan Berger
Lettered by: Gary Fields
Colored by: Barry Grossman
Cover: Ken Mitchroney, Steve Lavigne
Edited by: Scott Fulop and Victor Gorelick
Published by: Archie Comics
Cover Date: May 1990
Cover Price: $1.00

We open on a bit of ‘lecturing’ on the hazards of man-made pollution via waste-dumping, move to a flashback of Bebop and Rocksteady dumping waste into a sewer-stream, before joining the turtles and Splinter. The turtles talk with Splinter about recent events, piecing things together before setting off to chase down a lead on Krang’s whereabouts. Splinter had his own question–asking Raph why he continued to wear his black costume (from Stump Asteroid) unlike his brothers who are back to their traditional look. Meanwhile, Shredder has called an exterminator, and mentions Bebop and Rocksteady having been gone a few days (perhaps buried under rubble of a cave-in?).

The exterminator is bitten by a roach, then falls into a sewer opening. Meanwhile, the turtles have found nothing at Shredder’s old sub-dock, but realize he might be nearby based on where they bumped into Bebop and Rocksteady earlier. As they pursue this latest lead, Mikey realizes they’re being followed…as Leo realizes they’re being approached. The guys find themselves facing the exterminator (mutated into a giant cockroach) and a mutated planarian worm calling himself Wyrm. While both seek to harm the turtles, they turn on each other…and as they fight, a gas pipeline is ruptured along with some live wires, causing an explosion. As the turtles check on injuries, Raphael notices there’s suddenly a bunch of rodents around them.

I’m starting to get used to the alternating Mitchroney/Lawson art scheme on this title. Now that I’m consciously noticing it, it works, and while every single issue may not be entirely consistent, every-other-issue is (mostly). And as an expected thing, I’m cool with it and take no real issue with the matter. That said, I think I’m preferring Mitchroney‘s style for seeming a little more detailed, softer, and more expressive and (I hate to use the word) “cutesy.” There’s a tone to this that I like, and as an issue of TMNT Adventures, I have no real problem with the art; it fits the book, the story, and general nostalgia and certainly gets everything across that needs to be gotten across.

The story is the sixth issue of a “mutant of the month” (this time TWO of ’em!) in Wyrm and the exterminator, that I seem to recall as “Scumbug” though I don’t think he was named in this issue. I VAGUELY recall the character appearing in the cartoon…but that could just be some sort of deja vu or crossing of memories. I do remember the action figure at the least. I’m curious now to revisit the current animated series to see if Michelangelo calls the one cockroach character ‘scumbug” or “a scumbug” or such.

I mention above that this issue opens with “lecturing,” and while I noticed it twenty-some years ago reading this series (particularly around #17 and then some of the #30s to #40s) there’s a bit of a “message” being put out there, an element of putting some real-world thoughts and subject matter forth. Whether I’d presently see it as a bias or some other political/PC “buzzword” is something I’ll leave out…this puts subject matter out there for consideration by the reader, by kids, to be able to look into on their own, or to go back to later when/if the subject comes up in general. To “connect” it back to a comic they read.

There’s plenty of “convenience” to the story, and some parts of the plot have noticeable (to me as a 34-year-old) holes. But it’s the turtles, it’s new characters, it’s stuff being moved forward a bit, and while far from being a favorite issue, it’s not horrible.

Showing Off the Shelves: TMNT (November 2016)

I’m showing off the latest configurations of "sub collections" on my shelves.

Here, today, are my TMNT and Usagi stuff. While not officially tied together, I’ve long associated Usagi Yojimbo with the TMNT stuff; and so they fit together well on a shelf. Though I’m basically maxed-out on this shelf now, so the Usagi stuff might end up getting moved to fit elsewhere before too long.

tmnt_shelves_late_november_2016

I’d jumped on the TMNT Ultimate Edition line as soon as it started, and "kept up" with it, including the surprise/addition of the 6th volume. Then I have the 1First graphic novel series, collecting the early Mirage stuff in color the first time. These were my initial introduction to the original/Mirage version of the characters, having had my start with the classic cartoon and the Archie-published TMNT Adventures.

After those we have stuff from Mirage itself over the years–first some of the generic collected volumes; then a bunch of the mid-2000s collected volumes up to the cgi-TMNT film just before Laird sold the property.

From there, the Archie edition of the original TMNT Adventures mini, collected; along with 4 of the 6 TMNT Classics Digest that reprinted the earlier TMNT Adventures issues; and then the current run of IDW‘s volumes collecting the TMNT Adventures run. From there, some other versions of the TMNT Adventures collections, the IDW TMNT hardcover, the 30th Anniversary Special and the 2012 & 2014 Annuals.

Finally, the first 4 Usagi Yojimbo mega-collections from Dark Horse.

I’d had a number of the earlier IDW TPBs of their TMNT series; but stopped with those as soon as I found out about the oversized hardcovers–and though I’m a couple volumes behind, my aim is to use THOSE for my "double-dipping" on the series. They’re the far better value, with about 3 paperbacks’ contents for about/slightly over the cost of 2.

I had at one point figured I’d be getting some of the various other large hardcovers IDW has been putting out for the various TMNT stuff…but they’re all different dimensions, and just don’t look like they go together that well, and thus are quite unattractive to me as a group of books.

tmnt_80s_toys_novemer_2016

Then, of course, there are the TMNT toys. While this is not the entirety of my TMNT toys collection…it is a full shelf’s worth, laid out for display at present.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #9

tmnt_adventures_revisited

tmntadventures009Codename: Chameleon

Plotted by: Steve Lavigne & Dean Clarrain
Written by: Dean Clarrain
Pencilled by: Jim Lawson
Inked & Lettered by: Gary Fields
Colored by: Barry Grossman
Cover: Steve Lavigne
Edited by: Scott Fulop
Managing Editor: Victor Gorelick
Published by: Archie Comics
Cover Date: March 1990
Cover Price: $1.00

raphael_mirage_micro_seriesThe cover of this issue has always been a bit distinctive to me…all the more in later years as I realized it was an homage piece to the cover of the Raphael one-issue Micro Series that originally introduced Casey Jones to the TMNT mythos in the Mirage-published books.

Five issues into this “new direction”–of all-new TMNT stories not rooted in the then-current cartoon or “original” Mirage continuity–and we again have our “Mutant of the Month” in a mostly standalone story. Knowing/remembering what these build to means that I say that in a positive light. It’s a bit formulaic, but it also means we’re getting a larger, expanded cast of characters to be involved as the series goes on, as well as said characters’ origins up-front and on-panel rather than having some mysterious figure that we’re left to wonder about until some later “big reveal” or such.

There’s also plenty of “meta knowledge” for me now, recognizing that these issues are from what would now be considered the “early days” of the TMNT property and what was going on behind the scenes at the time…like the creators on this book being given relatively free reign to do as they wanted and using characters they opted to use and so on…and to create/flesh out new characters both for the story and for the toy line, etc.

The story this issue focuses on a double-agent, code-named ‘Chameleon.’ He’s stolen some plans for for a secret super-weapon…and of course, that makes the news…which leads to Shredder wanting the plans, and sending Bebop and Rocksteady to find the agent. Said agent has conveniently decided to try hiding in/traveling via the sewers, so of course bumps into the turtles…while Bebop and Rocksteady have also taken to the sewers. Chameleon is taken when Shredder’s goons surprise the turtles with a Knucklehead robot (piloted by a Foot Soldier robot), and though he gives up the location of the plans, Shredder mutates him anyway…using mutagen and an actual chameleon. When he escapes and tries to retrieve the plans himself, he finds the turtles, Bebop, and Rocksteady in a standoff. Breaking it, he glows brightly and startling the goons, who shoot at him, causing a cave-in that allows Chameleon to escape with the plans, while trapping the mutants under the Knucklehead cutting off the turtles’ access to the room. We close on evidence that Chameleon has been changed internally as well as externally, setting him up for potential return appearances/adventures.

The writing on this issue continues with that certain “simplicity” I’ve been noting for awhile (and will probably quit touching on quite so blatantly moving forward). Yet it also includes quite a bit of depth when one really thinks about it. There’s plenty of room to wonder at the past adventures of the double agent, how it’s KNOWN he’s a DOUBLE-agent, and so on. Then there’s the fact he’s now a mutant, transformed against his will, and what that means for his ongoing life. Also delving into darker territory–we see the turtles contemplating that nemeses Bebop and Rocksteady might have been killed by the cave-in (or the unspoken notion of them suffocating while buried under the rubble). They’re obviously not HAPPY about it…though they don’t put any particular effort into looking for the bodies.

Lawson‘s back on the art for this issue, and it’s another one where I would not have recognized his art as his own were it not for the credits presented in the issue. I definitely like that, as the look is consistent ENOUGH that it doesn’t stand out here as radically different or anything. The overall linework seems fairly simple/minimal, which I notice in relation to plenty of other contemporary comics (TMNT and otherwise) but it works for the story, gets everything across, and there’s really no doubt what’s going on as everything is kept obvious.

This is far from being a favorite issue for me, though it’s not bad. If I didn’t know where the series was headed I might’ve enjoyed this more; as-is I’m eager to get to The Final Conflict and the Mutanimals and Invasion stuff.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #8

tmnt_adventures_revisited

tmntadventures008Wild Things

Plotted by: Dean Clarrain and Ryan Brown
Written by: Dean Clarrain
Penciled by: Ken Mitchroney
Inked by: Dan Berger
Colored by: Barry Grossman
Lettered by: Gary Fields
Cover: Steve Lavigne
Edits by: Scott Fulop, Victor Gorelick
Published by: Archie Comics
Cover Date: February 1990
Cover Price: $1.00

Returned to their proper time, Cudley the Cowlick has left the turtles on top of a building in the middle of a storm. Unbeknownst to any, his previous arrivals had opened a space/time hole that allowed a couple creatures from another dimension to Earth–a large humanoid bat-creature named Wingnut, and a giant mosquito creature named Screwloose. Together, the two have been hurling rocks at skylights, smashing them…and seeing the turtles, lob a rock at them as well. When they fly off, the turtles return to the sewers and home, only to learn that the trouble being stirred up by their new alien encounter.

Despite the storm, an Australian blimp was out and about, giving Wingnut something to pop on tv, prompting the turtles back into action with their own blimp. Which is also popped. Capturing the two, Wingnut cries and Screwloose pokes him, putting him to sleep for a moment. He explains to the turtles how the pair came to be like they are at present…including the fact that they have their own reason to be interested in battling Krang. Before much else can happen, Cudley reappears and takes the two, bound for Stump Asteroid despite the turtles’ questioning the (as they see it) kidnapping. With nothing else to do, the turtles again return home.

There’s something about this issue’s cover that really grabs me. And there’s almost a sense of deja vu or some such. This may have been one of the earliest covers I’d seen for the series, some time before I actually owned a copy myself. A friend had it, so I probably read it at his house, though it would have been a bit out of context. Whether this was before or after I actually “discovered” the series at all, I’m not sure. I don’t think I’ve seen any other covers done as homage to this, so it’s not iconic in that sense…it’s just an image I see that brings back fond memories and makes me smile, no matter how hokey the story itself seems.

I find myself reading the issue, this series, AS an adult. A 34-year-old re-reading comics possibly not read in 20 years, almost certainly not in the last 10-15, with an adult eye amidst reading contemporary TMNT comics from IDW and plenty of other comics certainly not AIMED AT a younger audience the way I believe these were.

So the stories seem rather simplistic and hokey, cheesey, and almost surfacey or shallow. I have no problem with four mutant turtles…but a huge space/time-travelling cow-head and giant humanoid bat with his giant mosquito-buddy give me pause…something’s not quite right with that.

And yet, despite all that…this works. Wingnut and Screwloose flying around breaking windows because surely Krang must be beneath one? That hardly makes sense except as some “out there” elevator pitch. But having recently seen the Turtle Power! documentary and that the entire (Mirage Studios) group was encouraged to contribute character ideas for the toys…this makes sense, and certainly works as a first appearance and initial foundation from which to build later characterization.

Also despite the hokiness, these characters’ background is actually rather deep. It’s glossed over and not particularly graphic, but Krang’s invasion of Huanu is full of potential for expanded story(ies) while working just fine here as a motivational factor for Wingnut and Screwloose, building Krang as that much more an interdimensional/intergalactic threat beyond simply some cliched villain on Earth.

For an 8-year-old, this seems well-paced and such…plenty of action and interaction with characters, giving and showing some detail while not delving terribly deep. “Reading between the lines” and thinking deeper on stuff as an adult, while the story itself is fairly silly, there’s a lot more depth just below the surface and begging for further development.

The art is good, and we’re back to Mitchroney. This issue has the appearance of an early TMNT Adventures issue, as it is, and the visuals get everything across that needs to be (even if not QUITE fitting the dialogue and gratuitous famous-buildings references).

I like the issue overall. Though the issue is #8, functionally it’s #4, and continues the seeming one-off stories throwing new characters into the mix and then being done with them by the end of the issue. As I came in with #25 and then the Winter 1992 collection of the Mighty Mutanimals mini, I never got to have the actual experience of reading these for the first time with no clue of where the characters would wind up…and that’s knowledge I can’t forget, so certainly colors my reading.

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