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The Terrifics #1 [Review]

terrifics_0001Meet the Terrifics part 1 of 3

Storytellers: Ivan Reis & Jeff Lemire
Inker: Joe Prado
Colorist: Marcelo Maiolo
Letterer: Tom Napolitano
Cover: Ivan Reis with Marcelo Maiolo
Associate Editor: Jessica Chen
Editor: Paul Kaminski
Group Editor: Marie Javins
Published by: DC Comics
Cover Date: April 2018
Cover Price: $2.99

Of the New Age of Heroes line so far, this is the series I’ve been specifically looking forward to, on the idea that if Marvel wasn’t going to publish something like Fantastic Four, at least DC WOULD. And for the line so far, this one feels the most "normal" or "familiar" to me while being something different.

This is another one of those books with the tri-fold cover…but I’ve not been impressed with any of these, outside of the wishful thinking/impotent hope that they’ve meant less variant covers, by providing "alternate cover images" that OTHERWISE would have been presented as their own separate units as variant covers. The single front panel is the actual cover, and nothing overly impressed me of the other images.

spoiler_warning_transparent

Mr. Terrific–Michael Holt–shows up to confront Simon Stagg. While the two have an apparent history–including Stagg’s having maneuvered Holt’s company out from under him–Holt is here to deal with a particular situation involving access to the Dark Multiverse. What he finds is an old ally in Metamorpho, and in dealing with the breach that Stagg has opened (and tried to plug with Metamorpho), also succeeds in reviving Plastic Man. The trio then finds themself on a planetoid that turns out to be a giant body, where they rescue a Linnya Wazzo, from Bgztl; an alien whose entire race can become intangible…though it’s presently a form she’s stuck in. As the group addresses a homing beacon…they’re confronted by the appearance of Tom Strong.

As a first issue goes, this works pretty well. We’re introduced to the "entire group" in the issue–Mr. Terrific, Metamorpho, Plastic Man, and Linnya. We also meet an antagonist in Simon Stagg and have some setup to see that he’s gonna be problematic, as well as the situation that brings everyone together in Stagg’s trying to access the Dark Multiverse. Though we don’t get a LOT of time or motivational reasoning spent on any single character, they all at least do appear in the issue, we have introduction and setup, and a fun cliffhanger: I’m aware of the existence of Tom Strong, and this was rather unexpected, but is a welcome intro/experience that could lead to me seeking out some of the original stuff with the character! The credits/story title of the issue comes on the final page, and I really dig the fact that this is listed as part 1 of 3! Only three issues. Not four, not five, not six-for-the-trade. Three. Which suggests to me that this is written to be enjoyed as single issues as well, and at least on this first issue, it’s done a good job of that to me.

Visually, I also enjoyed this issue. Mr. Terrific, Plastic Man, and Metamorpho all looked quite familiar to me; nothing wonky to their appearances. I’d swear I recognized Stagg’s assistant from somewhere, too! And what little I’ve seen, Tom Strong also looked like he stepped right out of his own series, whenever that had left off. We’ll see how this art team holds up after this first three issue arc…but for this issue at least, I found it quite enjoyable.

It’s been a long time since I last regularly followed any iteration of the Fantastic Four–my two "major stints" with the book being the first couple years of the Heroes Return iteration, and then the Waid/Wieringo run in collected format several years later. While this didn’t feel like any rip-off of the format, I definitely see plenty of room for comparison, with a girl that can go intangible, a guy who stretches, a guy who’s super-smart, a guy that can morph/be an elemental-like figure…not exactly the blood-family and close-friend dynamic, but I see plenty of potential for a family dynamic to come of this…and if these characters as a group wind up out exploring/dealing with the edges of reality, and this Dark Multiverse…then yeah, I can see where it’ll fill a "void" left for readers that like the concept of the Fantastic Four. That I can find a title like this at DC is a welcome thing.

I was pleasantly surprised as well with this issue, to realize it was "only" $2.99. I didn’t pay much attention for its price at the shop–since I was already "sold" on the title and looking forward to it specifically ahead of time, that gave it a one-issue "pass" on price, since I knew it at least did NOT exceed the standard $4.99 of a Marvel #1. coming in at $2.99 as I believe the others have is definitely a strong positive, and makes this well worth supporting on principle alone!

All in all…I recommend checking this book out. It’s a #1, it’s a fresh concept to DC, it’s only $2.99 for the standard cover (with new tri-fold for extra art), and though there’s likely more to "get" or appreciate if you’re "up" on the Metal stuff, it’s an enjoyable issue in itself just knowing THAT Metal has happened and introduced some Dark Multiverse into characters’ knowledge.

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Action Comics #976 [Review]

action_comics_0976Superman: Reborn Part 2

Writer: Dan Jurgens
Pencils: Doug Mahnke
Inks: Jaime Mendoza, Christian Alamy, Trevor Scott
Colors: Wil Quintana
Letters: Rob Leigh
Cover: Patrick Gleason & John Kalisz
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Special Thanks To: Peter J. Tomasi & Patrick Gleason
Published by: DC Comics
Cover Date: Late May 2017
Cover Price: $2.99

[ SPOILER WARNING! This issue WILL BE SPOILED below… ]

I suppose I shouldn’t be entirely surprised, yet I still managed to be: after three issues building toward something HUGE…this felt very anti-climactic. Rather than coming off as "organic," to me–at least on this initial read-through–it came off as rather forced and after-the-fact than an organic, planned development.

[ I really will be spoiling this below, so consider this your final warning…spoilers after this line are preceded by plenty of SPOILER WARNING to absolve me of feeling guilty for discussing the issue in detail plainly. ]

We open on Mxy going off on Superman…or at least A Superman. In Mxy’s pocket-existence where Jon’s being held, A Superman and Lois have arrived. Jon recognizes them…they fail to recognize him. While Mxy revels in the chaos, even taunting this Superman, Jon realizes with horror that the woman he believes to be his mother doesn’t even remember him. While two spheres of blue energy approach Jon, Mxy opts to leave, warning of someone far beyond even himself as the cause of everything. That he–Mxy–was merely taking advantage of a situation already present. Channeling power from the blue ‘ghosts’, Jon manages to oppose Mxy, who offers him one last chance to leave this existence. Jon refuses, and Mxy leaves. As the reality crumbles, the blue energy merges with the New 52 Superman and Lois, restoring their memories of Jon and their lives together…and all reality re-knits, merging what we knew from pre-Flashpoint and the New 52 into one continuity, with Superman simply…Superman. But married to Lois, and with their son–Jon–as Superboy. Somewhere else, Mr. Oz looks on and marvels at the situation, at the love shared between Lois, Clark, and Jon, and how it unites realities. And finally, a hint that there’s someone–and/or someTHING–else out there still influencing things.

I feel like this was telegraphed a mile off, so to speak. New 52 Superman and the "real" Superman would merge, their realities fused/merged into one, to simply BE Superman, supposedly no more "divide" and smooth over stuff.

It doesn’t really work for me, as far as the in-story stuff goes. I could even have probably "bought" the notion of Mxy re-setting stuff somehow, though usually his machinations are undone when he disappears. Just continuing to merely "hint" at something else out there is getting old, and I’m ready to just be TO whatever ‘event’ that will be, and get beyond it. To just have A single DC Universe, even if it’s actually a multiverse, and either the New 52 completely wiped away or officially merged and just have a set UNIVERSE that is what it is and get on with stuff.

Visually, parts of this issue were quite "off" for my preferences, but not bad. I really like the "new costume" for Superman, essentially being the classic costume minus the trunks, and a modified (solid) belt (instead of the dots of red thing that’s been going on awhile). We seemed to have pre-Flashpoint Lois and Clark turned into energy and merged with the New 52 versions…but then a sort of switch up with the new costume, and it seems that Jon’s been given additional power (I had it in my head that he couldn’t fly, and he seems to be, here).

This resolution and issue as a whole seems to be an attempt to bring stuff together and "unify" fans of either Superman by making it so that both are one and the same–that New 52 Superman was always part of THE Superman, and the pre-Flashpoint Superman we had from Convergence, Superman: Lois and Clark, and the past ten months of Rebirth was not himself whole, but is now, with the merging of the new. This combined with stuff from last November’s Superman Annual would seem to have stuff in line for that, to firmly establish Superman is Superman and now whole, PERIOD.

I guess time will tell.

There’s still plenty of dancing around the fine details…even with the double-pager showing stuff from "both" continuities, it’s hard to tell–for me, at least–exactly what’s what, or supposed to be what–and what’s just looking different because of the artist’s rendition.

While I’ll grant that the "new costume" deserved its full-page "reveal" and the double-page spread of the "new history" deserved the room, I’m also a bit disappointed at how quick a read this was.

My feelings on this issue are certainly victim to the "hype machine," and to wanting to see some overt reference to Superman Red/Superman Blue, to SOMEthing more with the notion, at least, of Red and Blue, and some overt explaining of things. Instead, a lot seems to have been left to the visuals, to whatever the reader wants to interpret. Maybe it’s stuff to be explored in coming issues–but to consider this a conclusion seems to understate things, and though I certainly appreciate NOT having stories stretched out, I think Superman Reborn certainly deserves to be at least another chapter or two, to really lay things out and concretely state what’s what and when and all that.

Superman Reborn started strong, with a lot of epic possibility and potential. Sadly, it–at least for me–ends far short of what I’d hoped for, underwhelming me despite itself. I trust that stuff will play out in coming weeks and months, with further details and ramifications touched on…and hopefully this mainly just means that we’re NOT locked into "the graphic novel" of exactly X issues to a story with hard stop/starts. Perhaps this is just a "main event" and the full details WILL be revealed here and there–organically–as things continue.

I had to go to two different shops to find a copy of this issue, and got the last copy at the second shop…so I’m pretty sure that a number of people have been grabbing this issue even if they hadn’t been getting previous issues. Perhaps the nostalgia, more likely the hype–particularly from sites like Bleeding Cool–and jumping on for whatever this one issue would hold, regardless of continuity. Story-wise, art-wise, it’s a solid enough issue (note my feelings of its failings above) well worth getting if you’re already following either/both titles or this particular story.

But it’s not worth the "hype," at least on one read-through and thinking on it. That said, I won’t be surprised to have my feelings on it changed by further thought, analysis, and points of view…this post simply being my initial thoughts/reaction to the issue on a single read-through.

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Action Comics #975 [Review]

action_comics_0975Superman: Reborn Part 2

Pencils: Doug Mahnke
Inks: Jaime Mendoza
Colors: Wil Quintana
Letters: Rob Leigh
Cover: Patrick Gleason & John Kalisz
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Special Thanks To: Peter J. Tomasi & Patrick Gleason
Published by: DC Comics
Cover Date: Early May 2017
Cover Price: $3.99

[ SPOILER WARNING! This issue WILL BE SPOILED below…even the Second Feature’s title may give it away! ]

While this issue’s cover did not grab me the way Superman #18’s cover did last week, it had its own way to stand out, in the form of the large S-shield on blue as the main background, and the shadowed Clark Kent tugging his shirt open to reveal the classic "bleeding-S" first used with 1992’s Doomsday! / The Death of Superman. I didn’t even consciously notice until later that the title’s logo–Action Comics–was done as a white outline, virtually disappearing with the rest of the cover standing as itself. The green bar on the left seemed a contrast to last week’s issue…but when I held the issues together, they fit together perfectly, pretty much as I’d expected (except I’d figured chapters 1 & 2 would be top-left/top-right with chapters 3 & 4 as bottom-left/bottom right, respectively rather than top-left/bottom-left so far).

And these are–to best of my knowledge–STANDARD covers, the NON-variant covers, just being covers in and of themselves, no fancy tricks, no bags or accessories or foil or die-cut cardstock or 3-D lenticular/hologram stuff.

Just a 38-story-page issue (one 20-page lead story and an 18-page companion piece) for only $1 more…making an EXTRA-SIZED anniversary issue cost…the same as a 20-page Marvel comic.

Since virtually the beginning of Rebirth, the "human Clark Kent" has been a mystery. Things took a turn toward the creepy with the character lately as it became particularly obvious there was something "off" about the character, beyond our not knowing him any better than characters in the comics. The "slow burn" of that "subplot"–a through line in the books for most of a year–finally comes out in this issue as we learn the identity of the mysterious doppelganger.

After Jon disappeared, Superman and Lois go immediately to "the Other Clark"’s apartment seeking their son. Jon’s nowhere to be found…but the couple meet Clark and "our" Clark finally realizes who they’re facing. Though the figure is revealed…we get a few pages of shape-shifting with Superman glimpsing a number of prominent figures in his rogues gallery. Ultimately, a new threat arises, as we’re left on a cliffhanger for the next chapter exactly at the staples of the issue.

[ SPOILERS TO FOLLOW! ]

I generally–and this time is not an exception–find it interesting when I find myself guilty of something a main character is accused of. In this case, I did not see this coming, though in retrospect, I should have. I think I "got" it right before the first of the splash pages featuring other villains, as things all clicked into place, making sense across the months in a believable way that I really dig…though the particulars still have some shaking out to be done.

Mr. Mxyzptlk is our "Mystery Clark," having used his powers on HIMSELF, even, to complete the act–forgetting himself who he was and truly believing himself to be the genuine article. However, the imp is highly cheesed-off at being "forgotten" by Superman…an accusation I realized immediately I’d been guilty of myself…being unable to remember the last time I read a "new" story with the character! As punishment, Mxy will have Lois and Clark forget Jon even exists, though they won’t forget Mxy!

Art-wise, I have mixed feelings on this first half of the issue. The visuals are quite good, and I mostly like ’em…there’s just something slightly off, that I’m apparently not used to…or not consciously, anyway. Mahnke‘s style is very good, but some of the faces–particularly the villain splash-pages–seemed a bit off, and it’s definitely unsettling to see Mxy in this way…reminding me slightly of the character’s tone in Whatever Happened to the Man of Tomorrow? without going quite that "sharp" and such.

Story-wise, this seemed way too short a segment, with a good quarter of the issue being a villains-show-off (#975, anniversary issue, lets see a bunch of best-known Superman villains!) and not really much plot advancement to the Reborn story other than actually pulling off "the mask" so we could see who’d be the antagonist of the rest of the story, or so it seems.

This is made up for by the Second Feature.

action_comics_0975_blogtrailer

The Man in the Purple Hat

Writer: Paul Dini
Artist: Ian Churchill
Colorist: Mike Atiyeh
Letterer: Rob Leigh
Assoc. Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza

Mr. Mxyzptlk has Jon Kent as his prisoner. We learn that Clark had told Jon stories of him when he was younger…though Mxy was simply "The Man in the Purple Hat" or to Jon, "Ruppletat." Mxy reveals what he’s been up to for years–having been captured, held, and tortured by Mr. Oz, keeping him "off the table" while Oz’s plan for Superman has unfurled. Mxy had contented himself initially with the sincere hope that Superman would be along to save him within days (when Mxy wouldn’t show up at Day 90, surely Supes would check into why the imp hadn’t reappeared for the traditional every-90-days challenge!) Time passed and no one ever showed up to rescue him…so he had to escape on his own. Once he did, he saw a way to kill two birds with one stone: hide himself from Mr. Oz while helping his buddy Superman in the process, but putting the "Secret Identity" back in the bag. Mxy had to mind-wipe himself to complete this…and was none too happy when he redisovered his own secret…and now he’ll have his revenge utilizing Jon to get at Clark.

I’m pretty sure it’s Churchill‘s art in this segment that put Mahnke‘s art in the first to seeming less thrilling to me. Churchill’s work here is great, with one of the best renditions of Jon Kent I can think of, and a sort of detail to Mr. Mxyzptlk that’s going to make other artists’ take look weak by comparison.

Story-wise, I love that Dini gives us a clear, reasonable explanation for Mxy’s actions and motivation, and this single story’s impact drives back to last May and retroactively adds to those previous issues! This gives us a spotlight on both Jon and moreso, Mr. Mxyzptlk and bridges the gap between whatever his last appearance was and now, while setting him up as an extra-scary antagonist. This is a strong complementary piece to the main story…expanding and contextualizing without having to me its own separate ISSUE or chapter, which will presumably make the "core" chapters that much tighter a story in the end.

We even get some breaking of the "fourth wall" without breaking continuity…and actually suggesting the rich DC multiverse all the more in a way that totally fits Mxy’s character, and allows readers a smile and "a-ha!" in recognizing other ways in which Mxy has appeared over the years.

This is an "anniversary" issue…that is, attention is on the issue’s NUMBER: #975. The round 75, marking off 25 issues since the 950th (which was still part of the New 52 Action Comics #s 0-52 numbering hiccup)…and 25 to go until the big #1000 mark next year.

While a new reader could certainly wade in and likely follow the story a bit…this issue as a whole is like a gift to the readers who’ve been following stuff for awhile, and is certainly a huge treat for me, paying off some ten months of stuff and doing so not only to mere satisfaction but in a way that leaves me eager to continue with the story! It makes sense to me, is believable within my conscious following of stuff, and does not let me down. The "villain pages" in the first story are a bit disappointing as those pages go way too quickly for me just trying to read the story…but they’re a sort of "special" thing for an anniversary issue, and aren’t the cop-out they’d have been if this was not an extra-sized issue.

Action Comics #975 is well worth its price simply for number of story pages, and is a great payoff to months of story-build while keeping things going for whatever’s coming as Superman: Reborn continues.

Super Sons #1 [Review]

super_sons_0001When I Grow Up… part one

Story and Words: Peter J. Tomasi
Artist: Jorge Jimenez
Colorist: Alejandro Sanchez
Letterer: Rob Leigh
Cover: Jimenez and Sanchez
Associate Editor: Paul Kaminski
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Date: April 2017
Cover Price: $2.99

I’ve been looking forward to this title for quite some time…for a number of reasons. One being the fondness with which I recall reading some of the "classic" "Super Sons" stories in Grandpa’s old comics. Another being the inspired nature of putting Damian and new Superboy Jon Kent together and seeing the two playing off each other–my having come to "accept" Damian, and being quite open to the possibilities of a Superboy who is not "just" Superman as a boy or an adopted "clone" or such…but the biological, actual SON of Superman. Then there’s the simple fun of "Son of Batman" with "Son of Superman" and their being kids, and far less "need" for decorum, professionalism, etc. As kids…there’s bound to be a certain lack of a "filter" and hijinks can ensue.

We open with a creepy-ish scene with a family that reminds me a bit of that episode of The Twilight ZoneIt’s a Good Life–with a kid having a family/town in thrall. Then we jump into some action with Robin and Superboy racing away from a crowd of creepy doppelgangers of themselves. And then…we jump to the recent past to see how they got there. We follow Jon on an otherwise normal day, seeing him dealing with being a kid, going to school, and trying to stand up for someone who can’t otherwise stand up for themself, while he HAS the power to do something. We also see Damian dealt with parentally by Batman, forced to face academics rather than action. Of course, he winds up sneaking out anyway, and enlists Jon’s assistance, as Superboy and Robin are on the case. Little realizing what an appropriate adult figure they’d bump into…the boys are in trouble, one way or the other, and we’re but one issue in.

I don’t know what I expected, exactly, from this series, outside of the hype and promise of its potential (see my opening paragraph). I’m at once drawn to, yet put off by, the art. It has a clear, energetic quality to it, a bit cartoony without being ridiculous. And I suppose it reminds me a bit of the look of the Young Justice series from the ’90s somehow, though that may just be a track of thought with no fruit…the mind can be a funny thing sometimes.

The art certainly fits the title, but I guess visually I was just expecting something more along the lines of Jim Lee, Ed Benes, or some other familiar/iconic Superman and/or Batman artist.

So while not my first choice, the art IS good, fits the story, and one can follow the action and such just fine. I’m sure it will grow on me, and become iconic in its own way, if there’s not a rotating art team or such on this title.

Story-wise, this fit in quite well with the "backdoor pilot" story we had a couple months ago in the Superman title, as well as fitting with what I’ve read of both Jon and Damian over the years in general.

We seem to be getting a new "villain" for the story, some new threat that is NOT just the kids facing some cheesy or cast-off villain from their dads’ rogues gallery(ies). And though the dads are part of the story, the story is not about them–they’re rather typically incidental.

But we’re also given plenty of first-issue material here (which is good since this IS a first issue!) in being introduced to the title characters, their supporting cast/relevant family, see them in their own elements, together, and then they’re brought together TO "team up," and encounter a threat that may be beyond either of them individually…and then a direct encounter with someone neither one of them would WANT to encounter.

This is a rich issue for me, having read plenty of (older) Batman and Robin stuff, and plenty of stuff throughout Damian’s 12-ish year existence, as well as the past 8-9 months of Rebirth-era Superman stuff, and the earlier Lois and Clark mini that came out of the events of Convergence (itself nearly 2 years ago). But just knowing tangentially that these are the biological, actual SONS of Superman and Batman, you can jump in and pick up from this issue alone, with its own context and  such.

The primary drawback here is that this is but one issue, and compared to the biweekly main Superman/Action and Batman/Detective books I believe this is monthly…so it’s going to seem drawn out. And though elements I’d expect of a first issue are here, it’s "just" part one of the story, and I’d be quite shocked if this is any less than 6 chapters…this feels like a solid opening chapter of a serialized graphic novel.

All in all, if you have enjoyed these characters in the past–individually or their "team-up" in Superman a couple months back–or are at all intrigued at the notion of the sons of Superman and Batman interacting/having their own adventures…this is a good start. I’ll certainly be giving it another issue or so myself before deciding if it fully seems more worthy of a graphic novel than being strung out as single issues.

For now? It’s only $2.99, and well worth at least giving it this single issue to get your interest up, with what it shows AND what it "promises."

Action Comics #957 [Review]

actioncomics0934Path of Doom

Writer: Dan Jurgens
Artist: Patrick Zircher
Colorist: Tomeu Morey
Letterer: Rob Leigh
Cover: Ivan Reis, Joe Prado, Sonia Oback
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Date: Early August 2016
Cover Price: $2.99

This issue gives me pretty much anything/everything I could reasonably want from a contemporary, 2016-published Superman comic (post-New 52, post-Flashpoint, post-New Krypton, post-Secret Origin, post-Final Crisis, post-Infinite Crisis…).

The cover–the regular one, at least, I don’t know if I’ve even seen the variant, but the regular cover I’ve seen marketed and that is shown with this review–we have the title carved in a rock, being lifted by Superman–the “pre-Flashpoint” Superman, the Superman that we had prior to the New 52, though the journey has been circuitous. We have a Doomsday-looking thing in the “classic” green suit, suggesting a much more “grounded” Doomsday than anything from Doomed to some entity flitting in and out of the Phantom Zone. We see Luthor in a suit reminiscent of Steel. We have Jon–the son born during Convergence and raised for ten years in hiding on the New 52 Earth. We have Clark Kent–a character virtually purged from Superman, it seemed. We have the Lois married to this Superman…and we have longtime allies Wonder Woman and Batman. So many characters, maybe not the most “dynamic” composition, but certainly “iconic” and hinting at the greatness within the issue! The logo being part of the stone–to be overly analytical–suggests that whatever else, this is Action Comics, with Superman, and it has endured some 78 years, and a reboot, and is still here.

The issue itself drops us into an unfolding terrorist situation…one that is resolved–at least for the moment–by an unseen entity we come to realize is a power-suited Lex Luthor. This is the New 52 Luthor, who has been through Forever Evil, worked with the Justice League, and so on. Foregoing the “classic” purple-and-green thing, this suit is much more reminiscent of Steel’s armor, and we see Luthor is intent on replacing the fallen New 52 Superman (to him, to everyone–THE Superman, the genuine one-and-only). As he announces his intentions to live media, the broadcast reaches Clark White, who has operated in secret for years, avoiding the spotlight and trying to leave events of this world alone to unfold as naturally as possible. Luthor’s boldness spurs him into a seeming snap-decision: he shaves, dons a costume, and reveals himself to the world. If there is to be a Superman, it will NOT be Lex Luthor!

Said revelation occurs in confronting Luthor directly, to the point…and unfortunately, into immediate violence. As the two have it out, we get some bits of subplot…something’s been stolen from an extremely durable vault, and some of this world’s Clark Kent’s allies are shocked at “confirmation” of his death…even as they, and Lois & Jon, and even us as readers get the surprise arrival of Clark Kent (while Superman is actively engaged with Luthor!). And then the arrival of another jarring but familiar character…a green-suit-clad Doomsday…said green suit being one the character has not worn in this way since his first appearances nearly 24 years ago.

Thanks to having the Superman: Rebirth issue prior, as readers (if one read that issue) we have had a slight bit of transition already, to move past and deal with (not simply ignore) the seeming loss of the New 52 Superman. That lets us get right into the action here, characters all fairly well established, stuff in continuity in place to allow this, and the events of this issue also leave plenty of room yet to explore reasons, consequences, and the simple fact-of-the-matter present.

We have a mix of past and present, of being part of a world that’s been around nearly as long now as the post-Crisis on Infinite Earths one had been at the time of the original Death of Superman. Allowing for alterations through the years, particularly changes, tinkerings, and so on out of Infinite Crisis, this is still–as much as is possible–the Superman that can be traced back through the years, to Infinite Crisis, back to Our Worlds at War, to Zero Hour, to Reign of the Supermen, to the Death of Superman.

And while I gush so, emphasizing the above…that’s very much what I consider a joyful reality, an understood-despite-outward-obfuscation recognition of “my” Superman, of reading about–essentially–the same character here, now, that I first read about running low on air as he battled phantoms on some dead planetoid in 1989’s Exile arc.

I can see that far back, and appreciate the incredibly rich depth to be had here. On the other hand, for newer readers…this is a Superman, with background to be uncovered, details to be filled in, and for all he has a role to be earned, despite fitting into it so well.

I love that this is written by Dan Jurgens. I know the writer’s work primarily from his work on Superman from 1992-1999 or so (a range of years that saw me from junior high through high school and just before college). For me, after several years on the side, away from Superman, this is an amazing homecoming (albeit preceded by what I’d initially seen as simply a “bone” tossed to fans like me in Lois and Clark). He merges elements of the “new” with elements of the “old,” where we’ve had status quo changes, aging, advancement…and it’s like everything’s part of one large tapestry.

I have suspicions regarding Clark Kent from this issue, and am eager to see more of the conflict with Luthor play out…as well as seeing how Doomsday is handled at this point. I’m eager to see more with supporting cast characters, and while this title is due to be biweekly, I’d love to have it weekly; for once I want something “decompressed” and frequent, exploring many characters, while an ongoing story unfolds continually forward.

And the art…wow. I’ve seen Zircher‘s work in the past and liked it, but something about it here–and combined with the characters, characterization, and just the sheer feeling of refreshment I get reading the issue–it’s fantastic. Zircher‘s art here is the next best thing to Jurgens himself…and in some ways, melding old with new, I think surpasses the idea of this new issue in 2016 having his art, bringing an excellently-detailed and nuanced appearance to the characters and doing nothing but impressing me, through my own cynicism at a lot of modern takes on Superman.

This is a bi-weekly book now…two issues per month. In other words, it’s being double-shipped. Instead of 20 pages once a month for $3.99, it’s going to be 20 pages twice a month for $2.99 each (40 pages for $5.98). Jurgens on writing, a rotating art team (I believe) (said rotation given the incredible boost of Zircher‘s art kicking things off on such a high note in this issue), and a Superman I’m not just WILLING to read, but eager to read.

I can’t NOT be biased in this–I am far from objective. But honestly–simple, outside objectivity seems to be what led to a Superman character I was wholly uninterested in, and saw me walk away from for nearly four years. Now, I’m not only back but excited for it, as should be evidenced by my gushing above.

It’s said that one can “never go home again,” and that’s true, this is not some over-simplified “return” to the past–it’s like re-uniting with an old, dear friend…recognizing that years have passed, life has gone on, things have changed…but they’re still them, you’re still you, and you’re back together, and feeling great for it.

As a review or ratings would go…I walked away for four years. I flat-out ignored Superman for four years of current comics, punctuated by a handful of issues a couple years ago that did not hold me, and further solidified my giving up and letting go. I’d ceded Superman, and comics featuring him, resigned myself to maybe checking in here or there but mostly only to find the simple, fun ENJOYMENT in back issues.

And now? I loved this issue–story and art. I love the price point compared to the $3.99 the title’s been for nearly half a decade. Whatever the rest of DC‘s Rebirth initiative holds, at least when it comes to Action Comics, as things look now, I’m in for the long haul…the run up to #1000 at least.

Earth 2: Society #1 [Review]

earth2society001Planetfall

Writer: Daniel H. Wilson
Artist: Jorge Jimenez
Colorist: John Rauch
Letterer: Travis Lanham
Cover: Jimenez & Rauch
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Published By: DC Comics
Cover Date: August 2015
Cover Price: $2.99

For a guy who was intending to ignore DC output in June and consider Convergence an endcap to stuff for awhile, I’ve still managed to find myself picking up 3 books in 2 weeks. Though of those three, I think this was the most disappointing, and that’s almost surely due to this being only an opening chapter of a larger story. I expected something “more,” though…but then again, a series fulfilling its “premise” in the first issue is hardly a series, right?

I picked this up specifically because of the notion of it continuing from Convergence, and the premise of our seeing the development of a new world a new Earth 2. I suppose I expected to see a fully developed yet “young” world, and from the cover I definitely expected to see a number of the various characters…not basically “just” Batman.

The issue starts “one year from planetfall,” or one year in the future showing us a new city, the first new city on the planet, and a Batman in action with communication to an unseen individual. Then we flash back to said planetfall, as the survivors of the previous Earth 2 begin to arrive, having followed Green Lantern’s beacon. Something goes wrong and the ships begin to crash, and it seems this is something intentional by the person who designed them. Meanwhile, we see a man lamenting the loss of the use of his legs, as well as his family. I believe this is the Earth 2 Dick Grayson, but I’m not 100%. Jumping back to the one-year-later, Batman captures the man responsible for the thousands of deaths in the planetfall event…

Where I’d felt that Batman Beyond #1 and Constantine: The Hellblazer #1 gave me well-rounded issues (giving us an establishing situation, introduced us to the main character and some part of a supporting cast, and set something up for future issues) and generally felt relatively self-contained while setting up an ongoing series…Earth 2: Society feels to me like just another opening chapter of something larger. We don’t really get the full cast, the cover is misleading about characters’ involvement/prominence in the issue), and the time-jumping cuts in half the amount of information we get about “then” and “one year after.” This will probably read quite well in a collected-volume/graphic novel format where one can read the entirety of the arc in one go…but I’m left rather disappointed in this based solely on this one issue as a single issue.

The art is good…pleasantly “invisible” in the sense that it gets things across and isn’t jarring or weird, and I didn’t noticeably find myself stopping to wonder just what the heck was going on in a panel. I’ve found the “controversial” candy bar ad annoying, consciously forcing myself to ignore it and not focus on it, while trying to keep my eyes strictly to the actual content that *I* paid for, and my annoyance over that translated into my mind wandering slightly as I tried to think about the same double-page ad layout influencing my enjoyment of the other DC books the last couple weeks.

While I imagine it would not be terribly difficult to use this as a jumping-on point for the series, I’m pretty sure this book is more for continuing readers, with threads of the original Earth 2 title and the weekly Earth 2: World’s End having gone into Convergence and this is the result of what came out from that. One can start here, but there’s plenty I’m sure I’m not picking up on that I’d be better able to appreciate having READ what came before. That this does not feel like a quasi-standalone issue but merely the first chapter of a six-chapter collected volume leaves me thinking that unless you’re particularly invested and eager to get a monthly dose of the Earth 2 characters (and primarily Batman, in this issue), you’d be better off waiting for a full story in collected volume format.

As for me…I gave this a shot, interested in the start of things post-Convergence for these characters, and while I definitely support the $2.99 price point, I’m pretty sure I won’t be back for #2.

Mega Man #1 [Review]


Full review posted to cxPulp.com.

Story: 3.5/5
Art: 3.5/5
Overall: 4/5

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