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The ’90s Revsited: Captain America #12

90s_revisited

captain_america_(1996)_0012Heroes Reunited part 4 of 4: Let It Be

Story: Jeph Loeb
Pencils: Joe Bennett, Ed Benes
Inks: Homage Studios
Colors: Nathan Lumm & Wildstorm FX
Letters: RS & Comicraft/Albert Deschesne
Editors: Mike Heisler & Mike Rockwitz
Published by: Marvel Comics
Cover Date: October 1997
Cover Price: $2.99

Here we are with Captain America #12. An "anniversary" issue, double-sized (and extra-priced for its time), yet it is "only" $2.99…cheaper than something HALF its size even twenty years later. This is chapter 4 of the 4-part Heroes Reunited arc that spanned Fantastic Four (1996) #12, Avengers (1996) #12, Iron Man (1996) #12, and this issue.

We open on Rikki Barnes–a girl that’s apparently been Cap’s partner of late, a new "Bucky"–as she discovers a mess of a break-in at her grandparents’ house. This turns out to be Dr. Doom, who goes on about her being some chronal anomaly that shouldn’t exist. Captain America arrives and saves her, confronting Doom, as things start to come out. The Fantastic Four are currently battling Terrax in Central Park (presumably from where Fantastic Four (1996) #11 had left off…or one of the #11s); there are other heralds as well, and the FF WILL perish. Doom has already seen the Earth destroyed three times, and now his time-travel device is damaged and can’t be counted on for a fourth trip. Galactus prepares to consume the Earth after his heralds soften things up a bit…and only by trusting Doom and the information he brings to the table can the heroes hope to prevail. While the "Knights of the Atomic Round Table" work on a solution and build on Banner’s idea that they find a way to "overload" Galactus, Rikki ponders her place and the personal idea of how she’s not supposed to even exist. The Silver Surfer arrives and tries to get her to convince the others to evacuate what people they CAN from Earth before its destruction. When he flies off, she manages to grab his board; Cap gives chase and pleads with her to let go (mirroring what we know of his facing the original loss of Bucky in WWII). Galactus blasts her, apparently perturbed that a human would dare to touch the Surfer, and thus something that belongs to Galactus. Of course, this becomes some poignant bit that makes the whole thing PERSONAL for the heroes, prompting them to want all the more to take down Galactus (as if the entire WORLD being at stake wasn’t enough). So, too, does the Silver Surfer join in, seeing the injury of one human where he was ok with billions being not just injured–but killed. The Surfer becomes the key, bearing the heroes’ devices and artifacts, betraying Galactus, and though he dies, Galactus is destroyed as well. Doom refuses to stay with the heroes even in friendship; and a brief epilogue, Cap meets James Barnes and Peggy Carter Barnes, with Fury explaining that he knew them but can’t be told how/when…and as Cap prepares to take off, The Watcher talks about how all this has been only one of many tales of heroes reborn.

I felt like more than the previous three chapters of this story, this one had a lot of "splash pages" and "double-page splashes" and such…a bit of a "cheat" regarding the page count, propping that up to a higher count but not really increasing the "value" of the amount of story contained in the pages. The art itself is quite good, and I enjoyed it…once again, despite multiple pencilers I didn’t notice any overt, clear shift from one to another…I simply read the issue, followed the story, and nothing wonky or weird jumped out screaming "this is a different visual style here from that last panel/page" or such. One can do a heckuva lot worse than to have Ed Benes art in an issue…and for my not noticing any stand-out difference, I’d have to say that at least here, the same goes for Joe Bennett.

heroes_reunited_04

The cover is part of a 4-part image…something I’ve pointed out in the previous chapters’ write-ups; and something I far, far, FAR prefer to contemporary practices that would see something like this done all on one single issue, forcing one to buy 4 copies of just one issue to get the full image. Here, the buyer is rewarded: buy all 4 chapters of Heroes Reunited, get this bigger 4-piece image.

Story-wise, this was a mixed issue for me. It felt a bit choppy and bigger on ideas while constrained by space: we have a bit of "subplot" of Rikki contemplating her existence just because a supervillain claims she shouldn’t exist…and there’s not much room for that to really be explored and all–for the character, for Cap, for anyone. For the story essentially picking back up with the Fantastic Four facing Terrax, it seems like we get to a resolution with Galactus being destroyed a little too easily and conveniently; though we have the "shorthand" of being able to just be SHOWN different heroes facing different heralds, and "assuming" that (if one’s read the previous three chapters of Heroes Reunited) we’ve already seen the action/details, we don’t have those details actually within this issue itself. It also hasn’t entirely felt like we’ve had any real focus on Doom gathering pieces of information through the previous chapters in a way to fit stuff…more like he gleaned a bit of extra info from SHIELD in the Iron Man issue and now put it to use (though we don’t really get clued in on the exact data).

As a whole, though…this caps off the four part story with Doom bringing what’s needed after several failed attempts, that allows the heroes to destroy Galactus withOUT destroying Earth. We get a rather arbitrary/sudden turn of the Silver Surfer for this being a new iteration of his seeing the heroes, rather than a continuation. But the issue ultimately stands somewhat alone; one gets context of what’s gone on, so you don’t NEED TO have read the previous chapters. You’ll just "get" more out of this issue if you have, and appreciate the overall story a bit more, I think.

I guess I feel like this is like far too many epic stories: the setup in the first chapter can be great and full of potential…but fails ultimately to live up to the potential in MY mind. That we get an epic story on this scale in only 4 issues (though they’re the size of 8 regular-sized issues) with no other tie-ins and such is something that would be completely "impossible" today, and so even a "choppy" issue is preferable to avoid umpteen tie-ins and expanded chapters and such.

I’d bought this originally when it was a brand-new issue; but the copy I read this time is one I got from a quarter-bin; and certainly is well worth the 25 cents if only for the amount of time it took to just READ the issue (even WITH double-page splashes!). And to get all 4 issues of this Heroes Reunited arc for $1, for the reading experience, I definitely enjoyed this stuff…maybe a little more for the art than story, but I hadn’t realized quite how much this story had stuck with me, of seeing the heroes lose–die–multiple times before achieving victory.

There were 13th issues for all four series, as another 4-part story, with the Marvel characters and this Heroes Reborn universe merged with the then-Wildstorm Universe; and then there was the 4-issue Heroes Return mini-series that bridged the characters from these series back to new series in the main/actual Marvel Universe.

But on the whole, this story served to "end" this iteration of the series, and works well enough on its own to be well worth reading for a bargain price (25 cents, 50 cents, $1-ish). I’d say if you find it for 25-50 cents it’s definitely worth reading Captain America #12 on its own; but it’s best read along with the other #12s, and a real treat for $1 or less an issue (making for a reading experience 8 times as long as a contemporary regular Marvel issue for the same price as the contemporary issue!)

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The ’90s Revisited: Iron Man #12

90s_revisited

iron_man_(1996)_0012Heroes Reunited part 3 of 4: Matters of the Heart

Plot: Jeph Loeb, Jim Lee
Script: Jeph Loeb
Pencils: Ed Benes, Terry Shoemaker, Mike Miller
Inks: JD & Homage Studios
Colors: Wildstorm FX
Letters: Richard Starkings & Comicraft’s Albert Deschesne
Editor: Ruben Diaz
Inspiration: Special Thanks to Scott Lobdell
Published by: Marvel Comics
Cover Date: October 1997
Cover Price: $2.99

[ Heroes Reunited part 1 of 4 was in Fantastic Four (1996) #12  |  Heroes Reunited part 2 of 4 was in Avengers (1996) #12 ]

This felt like the most "standalone" issue of this 4-parter so far, and felt a lot more tied to previous issues than the other chapters. This issue has several references to the previous issue, beyond simply THAT a conflict had begun or stuff come before.

We open on Tony Stark being brought into a meeting involving The Fantastic Four and the "Hulkbusters." As he gets up to speed on the overall situation, a fight breaks out between the Thing and Hulk, eventually interrupted by Invisible Woman separating them in invisible force-shield bubbles. Cosmic readings are picked up, and the group finds several entities headed to Earth. Tony cuts out–leading the others to think maybe he hasn’t changed as much as thought…but we find that he’s actually checking in on Happy and Pepper–actually caring about others beyond himself. The FF went into action against the heralds of Galactus while Tony’s (separately) kidnapped from Happy’s hospital room by Dr. Doom…while Pepper frets over this, Happy seems fine, figuring it’ll all be resolved within the day. Doom takes Stark to the Helicarrier; meanwhile, Liz gets past security and interacts with Hulk–who reverts to Banner. On the Helicarrier, Stark suits up as Iron Man and confronts Doom before they’re joined by Fury, who lays things out before assembling other heroes, and breaking the news that the Fantastic Four have been (by then) killed in action. The remaining heroes head out to make true their name as "Avengers" and engage the heralds in battle, before Hulk and Iron Man attempt to take on Galactus himself. As he sees them fail, Doom activates his device, and armed with the new knowledge of this latest go-round, disappears back in time for another attempt at stopping Earth’s destruction.

As said, this issue feels the least connected to the overall story/pattern. Doom is there, and we have reference to stuff, but that’s almost incidental. This feels like it probably could read pretty well without the first two chapters, and only earlier issues of this very series (Iron Man) for context. I both like that and yet don’t at the same time. The story title of the issue and the title/credits page don’t even have any reference to Heroes Reunited, unlike the first two chapters; almost like this story was written with a few story-beats required but otherwise completely independent of the overall 4-parter.

heroes_reunited_03

With the art, there are multiple pencilers…but that again didn’t bother me as nothing really seemed to jump out at me or have any jarring differences in appearances. Simply reading the issue, I’d only know there were multiple pencilers because of looking at the credits. I’m a reader-first, so when the art is at least "similar" enough that I don’t really notice it change–that is a good thing. I suspect at least part of that is also due to the consistent inks, colors, and lettering; perhaps heavier handed inking and no huge variation of colors can well hide the different pencils. All that said, I enjoyed the art on this issue! I don’t know how I’ve gone all these years without noticing it, and I didn’t notice it on the interiors, but the EAR on Iron Man on the cover just looks extremely odd and "off" to me and is really the only thing that totally "threw" me off with the visuals. Also as said with the previous two chapters, I’m quite glad the cover can work as it does on its own, yet is part of a 4-part image; as opposed to any one of the chapters having 3 extra variant covers to make up the singular image. Get all four chapters of this four-chapter story and have 1 full image; get any single issues and you have a cover that has the characters in the issue and can be its own thing.

As with the Fantastic Four and Avengers issues of this story, this works well enough as a one-off issue…it’d be worth getting even by itself if you found it for 25-50 cents or so; even up to $1ish. Any more than $1-$2 and I’d recommend definitely getting it as part of a set of the four issues of Heroes Reunited. Despite working alone, I’d recommend this more as part of a set for the "experience." I’m glad to have read it, and somewhat surprised at the details I remembered from whenever the last time I read this was–possibly only back in 1997!

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The ’90s Revisited: Avengers #12

90s_revisited

avengers_(1996)_0012Heroes Reunited part 2 of 4: Shadow’s End!

Writer: Walter Simonson
Pencilers: Michael Ryan & Anthony Winn
Inkers: Saleem Crawford, Sal Regla, Armando Durruthy, John Tighe
Colorist: Nathan Lumm
Computer Color: Wildstorm FX
Letters: RS & Comicraft’s Albert Deschesne
Editor: Rachelle Brissenden
Published by: Marvel Comics
Cover Date: October 1997
Cover Price: $2.99

[ Heroes Reunited part 1 of 4 was in Fantastic Four (1996) #12! ]

After reading Fantastic Four #12, I was thinking I remembered this story/event being a bit more formulaic, but apparently I misremembered.

This issue opens with Thor performing funeral rites over "Thor 2," who has died in battle. Back on the Helicarrier, a blast is delivered that obliterates the body…a Viking Funeral! Before things can go back to normal, a pilot Fury had sent out returns with a dire warning of Galactus…just before Dr. Doom shows up with his own tale of Earth’s destruction and how the heralds of Galactus must be destroyed at once and their devices disabled. The heroes spring into action, targeting Galactus’ devices. The Fantastic Four battles the Silver Surfer in Moscow even as Doom sets his own machinations into motion. Though the FF ultimately destroy the device, Doom’s unleashed a huge nuclear attack that obliterates all but the Silver Surfer. SHIELD takes heavy losses against Plasma, but with the sacrifice of the Helicarrier and Fury, that capacitor is destroyed. Meanwhile, Hank Pym has revealed a duplicate of the Vision that he’d had, leading to Pym, Scarlet Witch, and the Vision joining the Hulk in the Antarctic. They face the fury of Firest… FireLORD. Victory again comes with a high price. In Hong Kong, more heroes take on Terrax…again with losses, ultimately destroying another capacitor. Doom intends to nuke New York City to take out Galactus himself…but a failure to launch seals the planet’s doom (with the immediate destruction of most of the former Soviet Union in one blast). Through all these deaths, the Silver Surfer has observed the selfless sacrifices and acts of love, coming to realize he can’t stand by. He joins with the remaining heroes as they unleash a final, desperate gambit to destroy Galactus, even as they know their own lives and the entre Earth are forfeit. Doom makes his escape once more as the Earth dies, taking Galactus and the solar system with it (leaving only Mjolnir floating in empty space).

I had a few problems with plot points through this issue… For once thing, I’d thought Terrax had already been on Earth and fought the Fantastic Four in New York, rather than his going to Hong Kong. I suppose Doom’s time-shenanigans changed that, if he arrived prior to Terrax’s original descent. And at the end, it seemed like the heroes "conveniently" just "gave up" and were quick to unleash the gamma energy that destroyed the solar system, to take out Galactus. While I "get" the notion of them making this ultimate sacrifice to stop Galactus, so that untold millions of OTHER worlds might be spared…it just seemed so quick and no one even arguing at the fact that they were basically THEMSELVES triggering the destruction of the Earth on the premise that Galactus was just going to destroy it anyway. By this logic, why bother fighting Thanos, if everyone’s gonna just die (eventually) ANYway, might as well kill the entire universe so that Thanos doesn’t go about doing it piecemeal.

Story-wise on the whole, this is not a horrible issue. It moves at a quick pace, jumping all over to cover a lot of ground. As with the FF issue, this issue by itself could easily be stretched out into an entire mini-series, or at least multiple issues. (Heck, for Heroes Reunited, these days each issue would be split into 3-4 issues/minis/arcs and drag out 12-16 months!) Reading this just as the next chapter, it’s ok, though I’m interested to get to the other issues of this arc. This picking up on stuff from #11, with nothing else even alluding (to the reader) about the events of FF #12, this seems like a poor (or just very, very dark!) ending to Avengers.

heroes_reunited_02

Art-wise, despite the multiple creatives involved, I didn’t really notice differences specifically as I read through the issue…which is a good thing, to me! If I can "know" there are different artists and yet nothing jumps out at me as "Hey! This looks different…oh, here’s where the art was split!" then I tend to be happy with it. I enjoyed the art throughout this issue–particularly the look(s?) for Dr. Doom himself. I definitely like that the cover is part of a singular larger image, yet works well enough by itself. Certainly beats modern comics where the 4-part image would have been variants for the same issue, and maybe "gated" or "chase" variants at that!

Other than context for Doom’s commenting about having already witnessed the world ending and knowing a bit about him (having) a time travel device, this issue pretty much stands alone–it’s better to be read in order after the FF #12 issue, but being read solely in following the Avengers title, it seems like it must’ve held up pretty well to that overall story.

Found in a bargain bin ($1 or under) this would be worthwhile, or if you’re getting all of the Heroes Reborn Avengers issues. I wouldn’t recommend this for more than $1 by itself; but it’s definitely worth getting if you can get it as part of a set of all 4 issues of Heroes Reunited!

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The ’90s Revisited: Fantastic Four (1996) #12

90s_revisited

fantastic_four_(1996)_0012Heroes Reunited part 1 of 4: Doomsday!

Plot: Jim Lee
Script: Brandon Choi
Pencils: Ron Lim & Brett Booth
Inks: Mike Miller, Tom Mcweeney & Homage Studios
Letters: Richard Starkings/Comicraft’s Dave Lanphear
Colors: Wildstorm FX w/Jessica Ruffner
Editor: Ruben Diaz
Published by: Marvel Comics
Cover Date: October 1997
Cover Price: $2.99

It’s probably been a good 20 years since I last read this story, but as I’ve yet to actually do a solid read-through of the entirety of the HEROES Heroes Reborn thing, so the sense of familiarity I had in the reading was a very welcome thing.

The cover itself hit me with all sorts of deja vu…and seems like something that in some ways could qualify as a favorite or “iconic” cover…at least because hey–you have the Fantastic Four in full-on attack mode against a distressed Galactus, who is quite recognizable as the giant purple Kirby-entity that he is. I’d actually forgotten until looking at the other issues in this 4-part epic that the cover joins with the other 4 chapters to forma larger 4-part image. Which, of course, would virtually never happen today, 20-some years later, when any potential for such things absolutely MUST be used all on the same exact issue as variant covers, instead of a fun “bonus” or “reward” of getting one copy of an entire story!

After the front cover itself, the next thing to immediately grab my attention was the fold-out nature of the cover. This is from a brief period when Marvel utilized the cover to provide both a page giving the premise of the title and a list of core characters and another page to recap what’s come before as one heads into the issue. Though Marvel has since gone through other things and seems to primarily at present do a “page” with this sort of info as just a text piece, I can definitely say I’d prefer this overall…at least by comparison.

In a way, this issue is rather simple, despite its extra length that allows quite a bit of detail to unfold. Dr. Doom returns to New York, and the final piece of a device he’s been working on is finally in reach. Meanwhile, the Fantastic Four continue a standoff with the heralds of Galactus, before their master summons them away, and the FF are picked up by SHIELD. Nick Fury has also gathered Iron Man and Captain America–Avengers–as things are bigger than they appeared. Probes that had been launched earlier penetrate Galactus’ space and reveal his ship, and the release of devices to several points on Earth. This leads to the various heroes splitting off, each to attend to the building situation in different places. Johnny Storm–the Human Torch–goes to the Himalayans with the Inhumans to face Firelord and one squad of Avengers goes to Monster Island to face Plasma (and by extension of being on Monster Island, the Mole Man). The fight with Firelord winds up falling to Black Bolt, who is able to destroy the device, but its energy emission on destruction kills the Inhumans and Human Torch. Meanwhile, Namor sacrifices himself to neutralize the device guarded by Plasma. As the fight moves to Galactus himself, now on Earth, the SHIELD Helicarrier is compromised…and after it’s evacuated, Nick Fury and the Countess steer it into Galactus’ ship, giving their lives. Unfortunately, Galactus survives. In the ongoing battle, we get surprising twists and turns…and deaths. The Thing and Black Panther are killed, and as the situation deteriorates further, Doom enters the fray, determined to gain the Power Cosmic for himself…and his interference screws things up further for the heroes. As Reed appeals to Doom’s better side, it becomes apparent that the situation is hopeless. As the world dies, Doom alone escapes via his device.

heroes_reunited_01

This issue alone would in present-day terms be an entire event in itself, at least for the most part. I know where things go, and why this is “only” part 1 despite the deaths and then destruction of Earth itself. The extra size to the issue, with plenty of dialogue and captions and such certainly gives us more in a single issue than we’d likely feel we got in an entire event in the present.

The story seems to mostly be its own thing…there are “moments” and plenty of references that would probably mean more to me if I’d read the previous few issues, or the entire series so far; but I felt comfortable jumping in here and just seeing characters behaving largely to form, regardless of their depth.

The art is excellent–for the most part, I felt like Lim and Booth gave some of my favorite appearances to characters throughout the issue. Overall I didn’t notice much of a change between the two…the only point I really felt like I noticed an actual/major difference is in one panel having a large, majestic Captain America, and then another panel with him looking maybe half the size and pretty much TOO “lean.” The entire visual team seemed to work quite well together here, at least in my reading: I enjoyed that this did not feel like it had multiple teams on it.

As series go, this is “functionally” the last issue of this version of the Fantastic Four. There is a 13th issue, but due to its crossover with the then-part-of-Image Wildstorm universe prior to Wildstorm‘s being bought by DC Comics, that issue has not (to my knowledge) been reprinted or the story “acknowledged” in-continuity/etc…making it a sort of one-shot and curiosity.

While I’d initially checked out the first issues (as of this writing, I honestly don’t recall if I’d followed the next few issues of FF or not but recall #7 or so for sure) I was quite a bit “behind” by the time of this crossover. I imagine that I was aware of things coming up, thanks presumably to Wizard Magazine, which was probably part of my getting this story as the issues came out…gearing up for the end of Heroes Reborn and the return of the characters to the main Marvel universe.

This issue more or less works on its own, though it ends on quite the bad note if read in isolation. If you can find all four of the #12s for Heroes Reunited, though, they make quite a set, and just from this first chapter, I’m eager to get into the rest.

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The ’90s Revisited: Batman #497

90s_revisited

batman_0497Broken Bat

Writer: Doug Moench
Artist: Jim Aparo
Inker: Dick Giordano
Colorist: Adrienne Roy
Letterer: Richard Starkings
Asst. Editor: Jordan B. Gorfinkel
Editor: Dennis O’Neil
Published by: DC Comics
Cover Date: Late July, 1993
Cover Price: $1.25

This is one of the most iconic, “key” comics in my life. The writing is straight-forward, the art is superb, and when I picture Bruce Wayne, this is the version I see. Not necessarily the worn-down, beaten man the issue opens with, but the face, the body structure, the human trying to be more-than-human.

With a lead like that, what did I REALLY think?

This issue is only slightly past the midpoint of the Knightfall story. It’s 3 issues before the big 500th issue, and yet is more of a crucial, impactful issue than that, in terms of its effect on the series for a time. The cover spoils the issue, even though really, we already knew it was coming…such was the nature of the beast, even at that time before the internet as we have it now. The cover–at least for the edition(s) I’m used to–feature a half-cover overlay as a sort of “enhancement” or such; just a black-and-white thing mimicking the upper-left corner copy and first part of the title logo…but then has the partially-eclipsed Bat-logo with the text

“You thought it could never happen…

THE BREAKING OF THE BATMAN”

Flip that up, and you have the actual cover itself, the iconic image of a ridiculously-huge and disproportionate Bane pressing Batman backwards over his knee. While the image is NOT lifted from the interior, it certainly conveys its point, and the issue is thus blatantly, fully marked as “the” issue where Batman gets his back broken…even as this “middle chapter” within a larger 19-issue story.

The issue opens with Bruce Wayne just into the manor, surprised at the presence of Bane. The two actually talk, having a semi-civil-ish exchange, basically discussing recent events very matter-of-factly, before the “final battle” between these two is joined. Batman is virtually non-existent, as Bane essentially tosses Bruce Wayne in a Batman costume around, pummeling him nearly to death, the man’s feeble attempts at fighting back doing nothing to slow the villain. As Alfred escapes and seeks out Tim for help, Bane decides on a different course of action than he’d apparently originally intended.

“I am Bane, and I could kill you…but death would only end your agony and silence your shame! Instead, I will simply… BREAK YOU!”

Slamming the battered body down over his knee, Bane then drops him.

“Broken… and done.”

The visuals in this issue are brutal…and it’s almost painful to look at, and just really take in just HOW MUCH of a beating Bane dishes out…yet how resilient Bruce/Batman is, simply to actually SURVIVE the experience. There are subtleties that even just on this read-through I picked up that I hadn’t before (and this is one of the most repeatedly-read comics in my own life) which says a lot! Even a number of years’ worth of issues later, this is the same Bruce Wayne seen in A Death in the Family and during the New Adventures run of the title and others between. This is simply the iconic–to me–visual rendition of the character and by far my favorite.

Story-wise, on the surface there’s really not much. Bane is here, beats up Batman, in essentially an issue-log fight sequence ending with Bruce broken on the ground. It’s something that in the present I would be inclined to strongly dislike–after all, isn’t this just “padding” and “decompression,” having an ENTIRE ISSUE as a fight sequence?!? Yet rather than being a full 1/6th of a graphic novel or such, this is “merely” 1/19th of the Knightfall story itself; the ending of the first TPB of the original collected version, and appropriately-placed within the huger contemporary edition. This truly is just a small piece of a larger story, and so the fight being such a major thing, it does not FEEL padded-out. There are touches that I really liked, especially on this read-through, such as panel “flashbacks” to “recent events,” that I do recall from times I’ve read them, and jog my memory on stuff throughout the Knightfall arc thus far and stuff leading up to it. I could almost hear the somber music swelling as we see these interspersed with “now” and know we’re heading to The Fall, a defining moment for the character of Batman…the guy who can never be defeated, who is always fully prepared with contingencies for everything…but here, he’s gone, worn down as Bane intended, softened TO the point of defeat.

I know I got this copy that I read this time out of a quarter-bin, it’s an issue I’ve seen “hold its price” in terms of what dealers will ask for it…so it’s certainly worthwhile if you find it IN a bargain-bin! Given the full Knightfall story is available in multiple formats and collections, unless you sincerely want to own/read/experience this as a single issue, I would not say it’s actually worth anything more than $1 or so for print or (grudgingly for immediacy) $1.99 for digital.

However, if you’re grabbing this in-print…you MIGHT want to lift that overlay and check which printing you’re buying. I was rather surprised on this copy to realize I’m holding a 2nd print…perhaps that’s part of why it was “only” 25 cents. The only difference I can see outside of the Roman Numeral “II” is that the color of the bat behind the word “Batman” on the cover is yellow for this printing, but white on the first.

The ’00s Revisited: Superman #164

superman_0164Tales From the Bizarro World

Writer: Jeph Loeb
Pencils: Ed McGuinness, Carlo Barberi
Inks: Cam Smith, Juan Vlasco
Jimmy Olsen’s Pal: Joe Casey
Letters: Richard Starkings
Color: Tanya + Richard Horie
Assistant Editor: Tom Palmer Jr.
Editor: Eddie Berganza
Published by: DC Comics
Cover Date: January 2001
Cover Price: $2.25

This issue opens with Jimmy Olsen getting into some trouble, requiring rescue by…well, Superman would be great, but he’s saved by Bizarro #1 instead! While Jimmy deals with the wackiness that his life quickly becomes with Bizarro’s presence, we see Superman and Lois met by Batman, who confirms that there’s no way for them to prove Luthor’s not who and what he claims to be…they can’t throw any last-second interruptions into Luthor’s bid for the presidency. Later, we find Superman watching numerous news reports of the unfolding election night, and J’onn offers a moment of levity against Superman’s rising stress. Meanwhile, Jimmy again finds himself in need of rescuing…this time, an unfamiliar Supergirl shows up. Though the two share a bit of a connection, that’s quickly interrupted by Bizarro. A slugfest ensues, ultimately stopped by Superman…whose presence is a bit unsettling to Jimmy. Finally, we end with the question: is Lex Luthor about to be the President-Elect?

I certainly never appreciated this issue when it came out, back in November of 2000. And I actually recall feeling like I missed an issue somewhere, between this and the one that came the following week. Now, of course, it feels quite appropriate, and I dug it out for a re-read specifically for the timing here…November 2016.

The art is solid enough, though a bit cartooney…as is McGuinness‘ style. I didn’t care for it much back then, and don’t find it entirely appropriate here…but it works, and the art has certainly grown on me…if only for the nostalgia-effect. This issue came out sixteen years ago, and I remember this issue and this period of Superman comics when I was getting the issues brand-new each week.

The story works quite well for me here, and I rather appreciate the glimpse into Jimmy’s side of things. It also gives the reader an entry-point that made this work pretty well as an isolated read, recalling solely that Luthor was running for president, and that this takes place within a couple issues of the Emperor Joker stuff. Which of course explains the new-ness of Bizarro to Jimmy; and this also seems to take place around a major change in the then-current Supergirl title…a lot of changes coming together in one issue.

It’s eerie how appropriate the story is at present, given the nature of the 2016 US Presidential Election. And I think it’s safe to guess that pretty much everyone sees "a Luthor" in the race.

Given all he knows about Luthor, Superman still trusts "the people" and "the system" to see that Luthor can’t possibly actually be elected President. And despite the obvious in terms of relating to someone of his position and powers and all that (to say nothing simply of being a fictional character!)…I find it quite relatable seeing Superman’s reactions in this issue. Then there’s knowing how it all goes, and even ultimately turns out in issues succeeding this one.

This worked far better than I would have expected as an isolated one-off. It’s by no means a jumping-on point in an ongoing sense…but I would say is one of the better issues to just sit and read. You have Superman himself as well as primary supporting characters, and this draws on subplots that’ve built up and also sets things for issues to come. Common as the comparison’s become…it’s like watching an episode of an old tv series one remembers, and enjoying the episode as itself, recalling enough to get by but not necessarily being fully immersed in the ongoing story anymore.

If you’d find this in a bargain bin, it’s well worth getting, particularly 25 to 50 cents. Above $1 I’d avoid it for casual readers…fans of Superman in general, McGuinness‘ visuals or this period of the character might be more interested.

The ’90s Revisited: X-Men Prime

90s_revisited

xmenprime001Racing the Night

Writers: Scott Lobdell & Fabian Nicieza
Pencilers: Bryan Hitch, Jeff Matsuda, Gary Frank, Mike McKone, Terry Dodson, Ben Herrerr, Paul Pelletier
Inkers: Al Milgrom, P. Craig Russell, Cam Smith, Mark Farmer, Mark McKenna, Tom Palmer, Tim Townsend, Hector Collazo
Letttering: Richard Starkings and Comicraft
Coloring: Steve Buccellato and Electric Crayon
Cover: Bryan Hitch
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: July 1995
Cover Price: $4.95

With this issue, we’re back to the “real” reality/universe/timeline/whatever. The 616 Marvel Universe. Bishop and his mission was a success, and by stopping Legion from killing Xavier…the Age of Apocalypse never happened, things have been set right. Or have they?

We have a bunch of plot points sharing this issue…while the various Age of Apocalypse mini-series led into X-Men: Omega, this issue now serves as the focal point for the return of the “regular” X-Men titles…as a “regular universe” Alpha issue to introduce readers to the current status quo of the characters and teams that make up the X-side of the Marvel Universe and send the readers into the mix of titles having had this bit of setup for where things are moving forward.

I do think that if Free Comic Book Day had been around in 1995, this would certainly have been a Marvel offering…an in-continuity quasi-anthology to get readers to jump aboard the entire line of X-comics.

I can’t say I’m honestly all that thrilled with this issue on this re-read. I certainly appreciate that there are “only” two writers credited, offering a bit of consistency to the story side of things. The issue is quite a mix visually due to the numerous pencilers and inkers getting their chance to work on pages presumably germane to the individual titles. Reading through this time, I noticed a bit of wonky art at points, but somehow was not particularly jarred by the shifts…perhaps for familiarity with the Age of Apocalypse stuff as a whole.

After the shiny “chromium” covers for X-Men: Alpha and X-Men: Omega, seems Marvel felt the need to give this a special cover as well–a clear plastic-ish thing with an inner orangey background. We also get the “alternate” X-Men logo, with the Prime part next to it…and the whole thing is a wrap-around (which I very much appreciate 20 years later in an age of VARIANT “interlocking” covers).

The story introduces or re-introduces some characters–and I even see hints of Onslaught in this reading. We find out that several characters–Nate Grey, Dark Beast, Sugarman, and Holocaust–escaped the Age of Apocalypse and wound up in the real timeline. Nate first appears in the “present,” while Magneto’s Acolytes only now in the present discover what will be revealed to be Holocaust…but Beast and Sugarman arrived 20 years ago, and were responsible for the Morlocks and Genosha’s Mutates, respectively. Marrow is reintroduced, aged twenty years from a prior appearance…Rogue and Iceman are on a roadtrip, the former haunted by whatever she saw in Gambit’s memories (Gambit’s in a coma). Trish Tilby reveals the Legacy Virus to the public along with the knowledge that it’s affecting humans as well as Mutants. X-Factor chases Mystique and Havok’s powers act up on him; X-Force’s base is destroyed. Wolverine is living in the woods outside Xavier’s mansion (refusing to reside under the same roof as Sabretooth) and Bishop is having unconscious outbursts as a result of the visions he’s having as a result of his temporal status in relation to the Age of Apocalypse. Amidst all this a mutant seeks the X-Men but winds up victim of humans lashing out against something they fear and do not understand.

This certainly sets up the various X-titles moving forward, so for that alone is pretty much an “essential read.” Yet, unless one intends to pursue those issues from mid-1995 that this is immediately germane to, there’s not much to really dig into singularly with this issue. Outside of characters involved and how they now will interact in the 616 universe, there’s no actual story-content directly tied to the story of the Age of Apocalypse timeline.

Given that, my covering of this issue is much like why I covered the non-Legion Quest X-books that preceded Age of Apocalypse: this is stuff coming out on the “other end”, the border, “bleed,” or whatever butting up against the Age of Apocalypse without actually BEING an issue of that..

While rarer than the Alpha or Omega issues in bargain bins, I certainly would not pay much more than cover price for this (and that would be a grudgingly-paid price). I’d seek this out to use as a starting point diving into any or all of the X-books of the time but certainly not if you’re only interested in the Age of Apocalypse.

Unlike contemporary Marvel, this does not kick off “the next” EVENT but rather gives the individual titles time to flex and explore their own things for awhile before everything heats up again with the following year’s Onslaught stuff.

xmenprime_wraparound

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