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52 Week #44 [Review]

Quick Rating: Very Good
Story Title: Deaths in the Family

Last issue’s bloody conclusion sets the stage for this week, as the Black Marvels face the Horsemen of the Apokalips…

52week44Writers: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Pencils: Eddy Barrows
Inks: Dan Green, Rodney Ramos, Eddy Barrows
Colors: David Baron
Letters: Rob Leigh
Asst. Editor: Harvey Richards
Assoc. Editor: Jeanine Schaefer
Editor: Michael Siglain
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

There’s a lot to be said about this issue, and it certainly marks a clear turning point both for the series, as well as the Black Marvels. What we’ve seen over the course of the last 30+ issues in particular, and series as a whole brings several plots together in a collision point that paves the way for the upcoming World War III week.

After last week’s rather sudden betrayal by Sobek and devouring of a member of the Black Marvel family, the remaining Black Marvels have it out with the Horsemen of the Apokalips. The bulk of the issue depicts this battle, with the conclusion leading back to Montoya’s story even as she spends time in Nanda Parbat, and kicks her story forward a bit, too.

Thankfully, this issue has a full complement of pages, allowing just an extra couple pages of story, rather than an origin backup.
All in all, this issue packs quite the punch, and continues to offer the payoff that was lacking in the earliest issues of the series.
There’s not a whole lot to say about the craftsmanship of the story itself at this point that’s not been said before–it’s fully solid, as has come to be standard for the book, with its core writing team. 44 issues in, there’s a consistency that just flows, and took me quickly through this issue without any pause for any visible story glitches.

Visually, the art team tackles some harsh material, and depicts some rather gory stuff, making this one of the darker, bloodier issues to date (even beginning at the cover as we see the reflection of Isis in a pool of spilled blood). To a small degree, Black Adam in particular seems just a bit "off" visually from prior appearances–that I’d notice or care says a lot about the last couple years of the character’s presence on my comic-reading-radar. While this is noticeable, it really doesn’t detract from the issue’s story–the characters are clear and fairly emotive, and other than a general lack of familiarity with the individual Horsemen, it’s not hard to tell who’s supposed to be who. The only "complaint" I really have is the visual similarity between Richard Dragon and Ralph Dibny, as I’m not particularly familiar with the former, and the latter has sported a similar appearance throughout this series.

After this issue, there are a mere 8 chapters left…it’s hard to believe it’s only been 10 months since the story kicked off, and it’s already rushing at breakneck speed toward its conclusion. While some smaller bits of continuity will almost certainly be lost on a newer reader, and there’s no real "catch-up" mechanism (such as a "last issue" or "story thus far" page), this wouldn’t be an absurd point to jump back into the series if you gave it up due to the relatively slow start. At the same time, it doesn’t seem overly likely that anyone’s going to be really pulled in this far in if one hasn’t already been following the story.

Another very good issue of what I suspect may–for me–go down as a favorite run, period.

Ratings:

Story: 4/5
Art: 3.5/5
Overall: 4/5

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