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Futures End: Booster Gold #1 [Review]

Futures End Booster Gold #1Pressure Point

Written by: Dan Jurgens
Art by: Moritat, Dan Jurgens, Norm Rapmund, Will Conrad, Steve Lightle, Stephen Thopson, Mark Irwin, Ron Frenz, Scott Hanna, Brett Booth, Norm Rapmund
Colors by: John Kalisz
Letters by: Taylor Esposito
Cover by: Jurgens, Rapmund & Hi-FI
Editor: Joe Cavalieri
Asst. Editor: David Pina
Group Editor: Matt Idelson
Published by: DC Comics
Cover Price: $3.99

[———- Please note: I will spoil this issue’s ending below, denoted by a further note. ———-]

I wasn’t going to cover any of these Futures End one-shots as a singular/full review, but then, that was partially due to the fact that all these others have just been the month’s iteration of an ongoing monthly book. But to the best of my knowledge, Booster Gold has not had an ongoing series since that final issue that tied into Flashpoint pre-New 52; and I haven’t a clue where he wound up via Justice League International and whatnot.

But knowing his creator–Dan Jurgens–was the writer on this issue in that way alone made it a no-brainer for me to pick this up, once I’d given in on getting ANY of these one-shots. I wasn’t sure what to expect of the issue and hadn’t seen anything for it in promotional stuff outside of the title itself. So seeing the cover was a thrill–this is definitely one of my favorite covers of the month. I’ve always loved the blue-and-gold contrast…the pairing of Booster and the Ted Kord Blue Beetle as well as simply the contrast of the two colors against each other. That makes for a striking cover. It’s also great to see the same title logo used as the last ongoing series…it lends an extra bit of recent-nostalgic familiarity to this.

As this isn’t just the month’s “five years later” glimpse of an ongoing character/series, we actually get a look at a Booster bouncing through time/dimensions trying to remember a mission, as we see Booster imprisoned, being interrogated for something…and eventually see that rather than some disjointed story there’s more going on than it seemed initially…and certainly gives me a “selling point” to catch up on and keep up with Futures End.

I was initially put off looking at the issue’s credits seeing a number of artists credited with ranges of pages…couldn’t one person (say, Dan Jurgens himself) do the entire issue? But I almost immediately realized then that hey…multiple worlds/dimensions…different artists lend some variance to the worlds, and contrary to my initial snap-judgment, I quite enjoyed that element here.
Booster himself looked familiar, yet there was something a bit different to the character that I couldn’t place…I vaguely recalled that he’d had a “new” costume in the New 52, so I wasn’t sure where this fit. Thankfully, that actually worked with the story.

After all these years, I really enjoy seeing Jurgens work on the character–particularly the story, but the art as well. There’s also that Booster Gold is one where time-travel is an intrinsic part of the character himself…which adds to the logic of this issue’s existence. Even if the character does not have an ongoing and may or may not (for my ignorance) be a regular part of any ensemble cast of an ongoing book–for anything involving time travel, I’d expect him to be a part of it in some form.

[——————————— Spoilers below ———————————]

By the end of this issue it became apparent that this was not a matter of Booster being imprisoned and the bouncing-through-time-and-worlds-and-dimensions being merely a mind-thing with someone screwing with him to convince him to give up a secret. We’re actually dealing with the New 52 Booster Gold as well as another version…and it seems to me that this other version is either THE pre-52 version or darned close to it. I don’t know where DC officially stands anymore on stuff, but this “hint” that the DC Universe *I* grew up on is still out there is a welcome treat, whether isolated to this title, this issue alone, or something bigger.

[——————————— Spoilers above ———————————]

All in all, like the Swamp Thing issue and the Supergirl issue, I ultimately found this to be an issue independently interesting and engaging (particularly by the ending and the “new view” of the earlier pages it generated for me), and very well worthwhile to have bought and read.

The “hope,” the potential weightiness of this single, short issue’s story…the possibility that I’ve just read a new Dan Jurgens story involving “my” Booster Gold…the attractive cover, the sturdiness of the physical cover…this all lends to the issue justifying itself and the $3.99 cover price (at least in this modern age of lesser-quality physical products for the price). Very definitely one of THE best issues of the month, and one I’d certainly recommend–whether the 3D edition or the standard cover edition.

The ’90s Revisited: Spider-Man Team-Up #7 (featuring the Thunderbolts)

Old Scores

Writer: Kurt Busiek
Artists: Sal Buscema, Dick Giordano
Lettering: Comicraft’s Team Dave
Colors: Tom Smith
Cover: Steve Lightle, Mark McNabb
Assistant Editor: Glenn Greenberg
Editor: Tom Brevoort
Published by: Marvel Comics
Cover Price: $2.99
Cover Date: June 1997

I remember the hype around the whole Heroes Reborn thing. After the Onslaught event (which began as an X-Men “event” and spread to the wider Marvel Universe), the Fantastic Four and the more prominent Avengers (specifically Captain America, Thor, and Iron Man) were shunted to another universe and “our” Marvel Universe was left without its heroes–just mutants more hated and feared than ever before.

And I remember learning of some new super-hero group, the Thunderbolts. Without researching and lacking 100% memory, I want to say they first appeared in an issue of The Incredible Hulk, and were going to be seen around the Marvel Universe, filling in a bit of the void left by the other heroes’ disappearance. Then I learned they were getting their own series. Cool…an actual brand-new super-hero group. And of course, thanks to (most probably Wizard) I was “spoiled” as to their Great, Dark Secret–though it would be a few months after Heroes Return when Hawkeye left the Avengers to go insert himself as leader of the Thunderbolts that I started buying their title–I actually, truly followed Hawkeye FROM the pages of Busiek‘s Avengers to Busiek‘s Thunderbolts.

So though I was aware of them, it was a good way into the run that I started with Thunderbolts–it’s only been in the years since that I’ve gradually been acquiring their earlier appearances–the Hulk issue(s?), and even the early issues of their own series. And when I saw this issue in a bargain-bin recently, it hit on some interesting buttons for me, just from the cover and concept.

For one thing…it’s a ’90s bargain-bin issue…to me, you can hardly go wrong getting a ’90s comic for only 25-cents (or less, even, with the right bargains or bulk-purchases!). For another, this is an early appearance of the Thunderbolts (I believe their own #1 is cover-dated May 1997, this is cover-dated June ’97). So this would be within the earliest concept of the Thunderbolts characters–before they were “outed” to the world for actually being the Masters of Evil (not really a spoiler, it’s been 15+ years AND it’s detailed within this very issue). And as a bonus, ’90s Spider-Man long before any talk of One More Day or a Brand New Day (and as I found out reading this, no talk of clones, either!)

I often lament contemporary comics’ high prices–hating the $3.99 price point and wishing for the previously-lamented $2.99-from-$2.50-or-less as $2.99 by comparison is much preferable. And here, this comic from 15 years ago is carrying a $2.99 cover price…but it’s a 38-paged issue (easily $4.99 or $5.99 and an “Annual” at that, these days!). Reasonably-priced at $2.99 with the extra pages, putting it well enough in line with $2 cover prices for 20-22 pages at the time.

The story itself is at once simple and cliched as well as nicely layered. When a guard at a warehouse is killed, a survivor sees a figure making a getaway that can only be Spider-Man! The mayor’s office reaches out to the Thunderbolts, to track Spidey down and bring him in for questioning…a task some on the team are all-too-thrilled to take on. The ‘bolts split into three groups to take on different aspects of their task–looking into the crime site, specifically searching for Spidey, and keeping an eye on a potential target-site. Continue reading

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