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From the Archives: Adventures of Superman #648

adventures_of_superman_0648Look…Up In The Sky

Summary: Lois Lane reports on the destruction of Bludhaven and the response of the super-heroes.
By: Lois Lane
Photos by: Jimmy Olsen, Karl Kerschl and Renato Guedes
Additional Reporting by: Greg Rucka, Nunzio DeFilipis, Christina Weir and Jami Bernard
Graphic Design by: Richard & Tanya Horie
Copy Design: Rob Leigh
Editors: Eddie Berganza and Jeanine Schaefer
Editor in Chief: Perry White
Cover Art: Karl Kerschl, colors by Dave McCaig
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This issue is another logoed Infinite Crisis crossover issue. This is where we get the immediate response/fallout to the destruction wrought by Chemo in Infinite Crisis # 4. Rather than dialogue and seeing "inside" the heroes’ reactions to that event, we get it from the perspective of some citizen of the DCU reading reporter Lois Lane’s article covering the heroes’ response as she observed it.

This makes for an interesting perspective, if not entirely original. The "narration" is simply Lois’ story, which provides the only words found in the otherwise "silent" issue. One moment that stands out to me offhand is a full-page panel of Green Lantern amidst the wreckage, obviously deeply pained over the event. I believe this would be apparent even without Lois’ observation.

My initial reaction to this being where the plot thread gets immediately dealt with was surprise–given that many characters have "signature cities" that are often as much a character as any humanoid supporting cast member. Shouldn’t this be dealt with in another book? Except of course, Superman being Superman is obviously going to help. And given that Superman’s so powerful (here, the specific focus is on his invulnerability), it’s not like the character’s going to stand by and let others die just to maintain some "image" or such.

The style of this issue remind me of the Superman issue (# 79, I believe) that was told in this same way, except it was Ron Troupe’s story scattered in the otherwise silent issue which showed the Cyborg Superman stopping an attempt in the White House on the president’s life, and that president’s endorsement of the Cyborg as the "real" Superman. Given the destruction the characters rally to face, I’m also reminded of the "Black Cover Spider-Man Issue" (Amazing Spider-Man v.2 # 36, I believe).
Getting the story simultaneously after-the-fact (Lois’ words) and as it unfolds (the visuals) works pretty well–and for the most part might be the only way to truly cram so much into one issue. If there was dialogue with us seeing/hearing the characters talking to each other and coordinating and whatnot, this issue would have be be double, triple, or even quadruple-sized.

On the one hand, it’s interesting that there are four people listed for the writing–three beyond regular writer Greg Rucka. I can give the benefit of the doubt on it to the writing style and giving voice to Lois’ writing, as journalistic writing is not quite the same entity as character-writing and may be more collaborative.
Visually, there’s a fair amount of blank-space on these pages, as the images are pretty much contained to panels, and those panels’ layout tends to somewhat resemble photos placed on a fixed-size page. Though the art is not by a single person, it works for me here.

I found myself reading the text, using the visuals almost as an abstract, seeing them but not diving in deeply. Letting the visuals enhance what I was reading.
No real complaints with the art–it’s not perfect by any means, and this issue continues a trend of having "extras" credited, assumably to get an issue out exactly on-time (given what it covers, this issue pretty much had to be out right after Infinite Crisis # 4. Same week, and someone reading this issue spoils a major part of that issue; two weeks after, and it’s old news compared to books that also touch on the ramifications.

Other than describing how some of the mess is specifically cleaned up quickly (which might be mentioned in other books–I don’t know), this issue doesn’t strike me as essential reading. It will enhance one’s reading of the overall Infinite Crisis event, though. The issue doesn’t even have to be a Superman one–this could almost have been labeled "The Daily Planet – The Day After Infinite Crisis # 4" and been a "special" or "supplement" issue.

My initial reaction to the issue was that it wasn’t all that good, but it is actually quite well done, and serves its purpose as a followup to one of the more catastrophic events in the DCU.

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The ’00s Revisited: Superman: Lex 2000 #1

superman_lex_2000Triumph Over Tragedy; One or the Other; Where Were You?; He KNows; Lana’s Story

Written by: Jeph Loeb, Greg Rucka
Pencils by: Tony Harris, Dwayne Turner, Doug Mahnke, Ed McGuinness, Todd Nauck
Inks by: Ray Snyder, Danny Miki, Dwayne Turner, Walden Wong, Cam Smith, Klaus Janson
Colors by: Tanya Horie, Richard Horie, Rob Schwager
Lettering by: Comicraft
Cover by: Glen Orbik with assists by Laurel Blechman
Assistant Editor: Tom Palmer Jr.
Editor: Eddie Berganza
Executive Editor: Mike Carlin
Published by: DC Comics
Cover Date: January 2001
Cover Price: $3.50

This issue is split into several smaller stories, as a sort of "bridge" issue from one status quo into the next, and as something NOT just another issue of any of the then-current four ongoing Superman titles. We have a short piece as the WGBS special recounting Luthor’s life for the public, and get Luthor’s feedback on it. We get a scene between Luthor and Batman as Batman demands "the ring" or the Presidency, setting up some future conflict. Another story has Jimmy talking to Lois and Clark about where they were when they heard Luthor was running for president…and then, as the race is called, we get another short story seeing Superman venting his rage at the news. The issue closes with a short piece between Superman and Lana, acknowledging continuity back to Superman #2, reminding us of the long history between characters and some important dynamics between the characters. Sprinkled throughout, we have some in-universe ads.

When I read Superman #164, I intended that to be an isolated thing. And reading just that, just one single issue, it was what it was. Reading this rekindles something for me, as I’m exposed to multiple creative teams within the then-current overall Super-team of creators. I’m reminded of just how much the supporting cast played into the comics, with actual Lois, Clark, AND Jimmy getting page-time, along with Luthor, Cat Grant, Perry White, and so on. It’s also easy to forget both No Man’s Land as well as the fact that in the early 2000s, Luthor and Batman had quite a thing going, with Luthor starting to seem almost as much a Batman foe as Superman (to say nothing of the DC Universe as a whole, all the more becoming THE US President of the DC Universe continuity!).

This is functionally an "anthology" issue, in terms of having multiple shorter stories and multiple creative teams, and though the stories all play together, all form part of the continuity of the issue, and all advance the overall story, each giving us some progression, it’s still different from a standard single-story issue. But for what it is, I definitely like that! The writing all works together, and while not all the art is 100% to my liking (at least now in 2016), it all works well enough. The only jarring part to me is the initial piece with Superman punching an asteroid when we shift into flat-out, unapologetic Ed McGuinness art…a style that doesn’t work as well for me now, being used to contemporary stuff, but does an excellent job of bringing that feeling back of reading these comics and others of this time period as they came out.

I honestly did not remember what this issue held, what to expect of it: I’ve had the cover to go on for awhile, but until I actually sat down to read this, I couldn’t remember if this was in the style of the Newstime: The Death of Superman issue or not…I was quite glad to find this was not like that one, outside of the magazine-style opening page, and some of the "ads" throughout.

This was an extra-sized issue, and extra-priced, too…carrying a whopping $3.50 cover price (to the then-usual $2.25!). I am not sure if I have any duplicates of this issue…this being one of those in-continuity "specials" that kinda took the place of or rendered the Superman: The Man of Tomorrow title moot, I don’t feel like I see these in bargain bins as often as standard issues. Reading this after having just read the issue preceding it, I feel like one would certainly appreciate this a lot more with context of surrounding issue. Yet, ultimately, this does stand alone pretty well in that the stories are not continuing off some previous cliffhanger, nor do they end on a "to be continued" or such. They pick up on existing plot threads, and play with those, and move stuff forward.

I would have little problem recommending this issue up to a dollar bin purchase (beyond your standard 25 or 50 cent bin), though I’d recommend making sure you’re interested in READING it if you do.

The ’00s Revisited: Superman #164

superman_0164Tales From the Bizarro World

Writer: Jeph Loeb
Pencils: Ed McGuinness, Carlo Barberi
Inks: Cam Smith, Juan Vlasco
Jimmy Olsen’s Pal: Joe Casey
Letters: Richard Starkings
Color: Tanya + Richard Horie
Assistant Editor: Tom Palmer Jr.
Editor: Eddie Berganza
Published by: DC Comics
Cover Date: January 2001
Cover Price: $2.25

This issue opens with Jimmy Olsen getting into some trouble, requiring rescue by…well, Superman would be great, but he’s saved by Bizarro #1 instead! While Jimmy deals with the wackiness that his life quickly becomes with Bizarro’s presence, we see Superman and Lois met by Batman, who confirms that there’s no way for them to prove Luthor’s not who and what he claims to be…they can’t throw any last-second interruptions into Luthor’s bid for the presidency. Later, we find Superman watching numerous news reports of the unfolding election night, and J’onn offers a moment of levity against Superman’s rising stress. Meanwhile, Jimmy again finds himself in need of rescuing…this time, an unfamiliar Supergirl shows up. Though the two share a bit of a connection, that’s quickly interrupted by Bizarro. A slugfest ensues, ultimately stopped by Superman…whose presence is a bit unsettling to Jimmy. Finally, we end with the question: is Lex Luthor about to be the President-Elect?

I certainly never appreciated this issue when it came out, back in November of 2000. And I actually recall feeling like I missed an issue somewhere, between this and the one that came the following week. Now, of course, it feels quite appropriate, and I dug it out for a re-read specifically for the timing here…November 2016.

The art is solid enough, though a bit cartooney…as is McGuinness‘ style. I didn’t care for it much back then, and don’t find it entirely appropriate here…but it works, and the art has certainly grown on me…if only for the nostalgia-effect. This issue came out sixteen years ago, and I remember this issue and this period of Superman comics when I was getting the issues brand-new each week.

The story works quite well for me here, and I rather appreciate the glimpse into Jimmy’s side of things. It also gives the reader an entry-point that made this work pretty well as an isolated read, recalling solely that Luthor was running for president, and that this takes place within a couple issues of the Emperor Joker stuff. Which of course explains the new-ness of Bizarro to Jimmy; and this also seems to take place around a major change in the then-current Supergirl title…a lot of changes coming together in one issue.

It’s eerie how appropriate the story is at present, given the nature of the 2016 US Presidential Election. And I think it’s safe to guess that pretty much everyone sees "a Luthor" in the race.

Given all he knows about Luthor, Superman still trusts "the people" and "the system" to see that Luthor can’t possibly actually be elected President. And despite the obvious in terms of relating to someone of his position and powers and all that (to say nothing simply of being a fictional character!)…I find it quite relatable seeing Superman’s reactions in this issue. Then there’s knowing how it all goes, and even ultimately turns out in issues succeeding this one.

This worked far better than I would have expected as an isolated one-off. It’s by no means a jumping-on point in an ongoing sense…but I would say is one of the better issues to just sit and read. You have Superman himself as well as primary supporting characters, and this draws on subplots that’ve built up and also sets things for issues to come. Common as the comparison’s become…it’s like watching an episode of an old tv series one remembers, and enjoying the episode as itself, recalling enough to get by but not necessarily being fully immersed in the ongoing story anymore.

If you’d find this in a bargain bin, it’s well worth getting, particularly 25 to 50 cents. Above $1 I’d avoid it for casual readers…fans of Superman in general, McGuinness‘ visuals or this period of the character might be more interested.

Superman #6 [Review]


Full review posted to cxPulp.com
.

Story: 2.5/5
Art: 3.5/5
Overall: 2/5

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