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Young Justice (2019) #1 [Review]

young_justice_(2019)_0001Seven Crises

Script: Brian Michael Bendis
Art: Patrick Gleason
Colors: Alejandro Sanchez
Letters: DC Lettering
Cover: Gleason & Sanchez
Associate Editor: Jessica Chen
Editors: Mike Cotton & Andy Khouri
Group Editors: Brian Cunningham & Mark Doyle

I wasn’t going to get this. I vaguely remember it being announced, as well as seeing SOMETHING about these Wonder Comics and thinking hey…yet ANOTHER new imprint to not get into!

As to the property itself–the title Young Justice–I remember ads for the World Without GrownUps or whatever back in 1998 or so, and the premiere of the original Young Justice ongoing series. I mostly missed out on that at the time–I was getting a lot of Marvel at that point (with the Heroes Return titles) and mainly just the Superman titles from DC, offhand. The END of that Young Justice series (and Titans) came in the Titans/Young Justice: Graduation Day mini-‘event’, which I picked up just after my OWN graduation day from college. The event led away from Young Justice and Titans and into two "new" series–a new iteration of Teen Titans and Outsiders, both of which I followed (getting in at #1 for lengthy runs) up to Infinite Crisis or so. I dove deep into DC continuity just after Young Justice. So I never had the nostalgia of the title or the particular iterations of the characters. When the animated series was out, I enjoyed the first several episodes, but lost track of it due to episode scheduling (as I do most animated series, it seems). So I had no huge attachment there to the title, either.

But somewhere along the way between this series being announced and this issue’s release, I found out (online) that Tim Drake would be Robin again, and that "my" Superboy–Connor Kent–the one introduced during 1993’s Reign of the Supermen–would be back. Seeing Superboy in particular on a cover image, I was "sold."

Maybe the first thing about this actual issue to note is the hefty $4.99 price point. I tend to DESPISE $4.99 #1 issues, particularly because of the way I feel that Marvel has abused the practice over the last few years. This issue felt thicker, though, and I’m more forgiving toward DC (though they have squandered a lot of the goodwill they earned from me with Rebirth). It is an extra-sized issue, with 30 story pages (an extra 1/3 content for the price of 1/4), so the "value" is technically there.

We open the issue on Gemworld, with someone relaying information about seven crises and Earth. We then jump to Earth, and a young woman’s arrival in Metropolis. This is Jinny Hex…new to the big city. As she’s dealing with having been pulled over for a busted taillight on her vehicle…agents of Gemworld invade, causing quite a ruckus. Jinny finds herself face to face with Robin (Tim Drake) and seems rather awe-struck. A flashback shows us an interaction between Tim and Cassie Sandsmark minutes earlier, also in Metropolis, as the two catch up briefly before Tim leaps into action with the invasion. Joining the action is Impulse–Bart Allen; he is clearly excited to be in action and interacting with the others while facing the invasion. Before long, Wonder Girl joins in as well as a Green Lantern Ring Construct…and Bart declares that Young Justice is back! It looks as if the heroes may have prevailed, and then they’re caught up in some sort of energy, and Robin comes to on Gemworld facing Amethyst…while Impulse finds himself facing a certain missing teammate to end the issue.

This issue provoked a reaction in me that I haven’t had in awhile from any comic, and that I don’t know entirely how to describe. But to try…in short, I flat-out enjoyed this comic, I loved seeing Tim referred to as Robin again, and something about these characters–even though I lack a huge amount of context for the grouping–really hit my nostalgia buttons. Perhaps because this is the first time it seems Tim Drake has properly–without likelihood of reprint revision–been referred to as Robin since 2009 or so. Perhaps it’s seeing Connor Kent Superboy again for the first time since at least 2011. Perhaps it’s that this feels like something from before the New 52, period.

Likely all of the above and that the issue was just…FUN. I mean, an invasion, the destruction of property and all that…sure, that’s not something to celebrate, but this IS a comic book, and we’re not beaten over the head while reading about the destruction itself or how it’s impacting some random character or bystander. We just get heroes in action, and saving people, and no real focus on dark, grim, gritty stuff.

I know I’ve had issues with Gleason‘s art in the past–I think to the point that I even came to dislike seeing his name on stuff; it was a sign that I would likely dislike the art. His art won me over a bit during the Rebirth run of Superman; and maybe I’m just so thrilled to see Robin and Superboy again, but I really dug the art on this issue! Gleason‘s style seems very well-suited for this sort of frenetic fun and the energetic nature of much of the issue–from Robin laying into Gemworlders to Bart completely enjoying himself in action…and even working in more serious stuff without coming off with stylistic things that’d get me complaining on some principle. There are several double-page spreads, and other than the "Young Justice is BACK!" bit, I could do without them. I tend to feel that most double-pagers are "cheats" and go by way too quickly for taking up multiple full pages, lowering the "value" in terms of per-page story content.

Story-wise, this seems like a pretty good first issue. I’m not at all current on Tim Drake stuff, nor Bart or Cassie; I vaguely recall something about Jinny being in a Walmart-exclusive comic, but she comes off as fresh and new here, as does Teen Lantern; I also lack any real familiarity with Amethyst and Gemworld except that they exist. But I was still able to enjoy the issue, with everyone getting introductions or otherwise at least being named on-page…no need to go online to hunt down "who" someone was or be left scratching my head. (And the lettering had a great touch, working character names in as logos in a way that doesn’t seem to be used much lately and reminds me quite a bit of ’90s comics). This isn’t a perfect story by any means…I didn’t really "get" the invasion or anything much from that–it was more incidental, an excuse for "big action" and something to bring the characters together, to get stuff from Point A to Point B and such. That it included these particular characters being pulled together, though…it worked for me.

This is certainly no done-in-one issue, and it really only serves so far to move pieces around to begin to move toward whatever the full story will eventually be. The issue is significant in itself as a single issue for bringing the characters together (if only certain characters in virtual cameos) and being the first time we’ve seen several in years–or at least, seemingly years. But this is just the opening chapter of a serialized graphic novel, that presumably will be the standard-ish 6 issues in length.

There’s a certain on-page authenticity to the various characters, that both looks and feels like what I’d expect of a Bendis-helmed comic. His work can be hit or miss for me, but this issue is definitely a hit. I got this for the characters involved, and was not disappointed. That Bendis is the writer is incidental to me, and something I’m fine with, based on this issue. Whether that holds for future issues remains to be seen! But for now, I’m definitely onboard for this title in particular…and having thoroughly enjoyed this, I may even consider checking out the other Wonder Comics titles.

If you’re a fan of Tim Drake, Bart Allen (at least as he was pre-2003), early Connor Kent Superboy, and so on…this is definitely worth jumping in on. Especially if you’ve been "away" from the characters for awhile or not staying current with DC‘s continuity. This does not feel like it relies on anything else going on…it’s just the world these characters inhabit and them coming together and working together. This is not spinning out of some other event or title…no prologue in Detective Comics or one of the Justice League titles or some other mini-series. And even if you’re not specifically a fan of a specific character in a particular role, if you enjoy teen heroes, enjoy seeing Robin/Wonder Girl/Impulse/etc. together in a title…I’d say this is worthwhile to check out.

I have every intention myself of picking up the next issue, and if I enjoy it the way I did this issue, I may be onboard for awhile!

young_justice_(2019)_0001_blogtrailer

The Weekly Haul: Week of November 8, 2017

This week was a pretty solid week for new comics, with several issues I was actively looking forward to, some just interested in, a surprise, and a couple bargain-bin issues!

weeklyhaul_11082017a

This week has the concluding chapters of The OZ Effect in Action Comics and A Lonely Place of Living in Detective Comics. There’s this week’s new issue of TMNT/Ghostbusters 2.

The latest Metal one-shot/special/tie-in, and the new issue of Fighting American. And since I’d bought the "#800" variant of Superman #34, figured this Wonder Woman one would be a nifty match (I hope whatever Batman one will be as easy to get!).

As said last week, something like this is where a variant actually IS warranted, "fun," a nice nod, etc. And it’s a hugely great thing that it’s NOT–after over a year and a half of "Rebirth numbering" now jumping the titles to the legacy numbers. (Action Comics and Detective Comics are definite exceptions, where it works, as they ONLY have ONE "gap" into which the low-numbers and style CLEARLY differentiate them from their 1930s/1940s counterparts…as opposed to cramming three, four, five-plus #1s/2s/3s/etc in to a single number string).

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The new Mister Miracle and Ragman issues; cases where mini/maxi-series are interesting enough to get as singles…especially when NOT all are "default-priced" at $3.99. These may not be Rebirth-branded titles, but that does not disqualify them (as default) from $2.99 pricing. Same goes for Gotham City Garage (which is–I believe–essentially a "reprint collection" of digital-first chapters).

Then from some Vertigo bargain bins, I snagged the two Swamp Thing annuals; only added $1 to my total, so definitely well worthwhile.

All in all, not a bad week’s worth of issues…though I have GOT to get everything from the last few months rounded back up and properly sorted, and dive in to actually READ, after leaving everything aside to charge through 60+ Savage Dragon and related issues!

detective_968_blogtrailer copy

Detective Comics #965 [Review]

detective_comics_0965A Lonely Place of Living Chapter 1

Writer: James Tynion IV
Pencils: Eddy Barrows
Inks: Eber Ferreira
Colors: Adriano Lucas
Letters: Sal Cipriano
Covr: Barrows, Ferreira, Lucas
Assistant Editor: Andrew Marino
Editor: Chris Conroy
With Gratitude to: Marv Wolfman, George Perez, and Jim Aparo
Published by: DC Comics
Cover Date: November 2017
Cover Price: $2.99

I’ve gotten woefully behind in actually reading Detective Comics, though it seems it should be one of my favorite titles. But I was a bit put off by the supposed ‘death’ of Tim Drake early in the new run last year, and wasn’t in a big hurry to follow anything "long-term" with that for a number of reasons. And time passed.

Recently, I was quite excited by a familiar-looking image, in an ad for the then-upcoming (now here) Detective Comics story A Lonely Place of Living. For the cover alone, standard or variant (in an extremely rare bit of sentiment) I was going to get the issue ASAP: it’s a callback to my own earliest days "in comics." My first-ever issue of Batman was #439–the closing chapter of Year Three; my second issue was #440…the opening chapter of A Lonely Place of Dying, which is where this story gets its title (sorta like the recent The Lazarus Contract‘s title playing off the classic The Judas Contract).

So for nostalgia alone I was gonna get this issue. But given continuity things of the last six years, I didn’t know exactly what the story itself would yield, outside of the story title and the cover playing off the classic.

We open on a flashback–Tim confronting Dick as he visits the circus he grew up with, showing him photos of Batman going off the deep end and explaining that he knows Batman is Bruce Wayne and that he–Dick–is Nightwing, formerly Robin. In the present, we find Tim being questioned by Mr. Oz–recently revealed to be (a?) Jor-El, father of Kal-El (Superman). We’re treated to brief flashbacks to the events of A Lonely Place of Dying, and then the beginning of the original Robin mini-series as Tim dons the duds and officially becomes Robin. Jor-El reveals his "truth" to Tim even as Tim exerts some control of the situation. He soon finds himself in contact with Batman…only it’s not the Batman he expects…rather, it’s a Batman he swore would never exist. Before much can come of that, the two find themselves facing possibly the most dangerous creature Oz had captured, which leaves us waiting for the next issue.

I would have to actually go back to the original issues or one of the collected editions on my shelves to confirm, but the dialogue in the flashbacks hit pretty darned CLOSE to my memory of the exchanges between the characters, and honestly gave me a slight chill at the way the flashbacked-scenes brought up memories for me.

As of reading this issue, I already knew the "big reveal" of Oz’s identity (though I’m still not sure if or how I’ll accept it–I’m still waiting for some other swerve and imagine it’ll be quite a long time before I’d accept it as the canon it’s being presented as and not just another plot point on the way to something else). I definitely dug Tim’s ingenuity, seeing that despite his time as a prisoner, he’s continued working on a way to escape (and after another earlier escape that we saw in Superman Reborn).

I was not prepared for/expecting the older Bat-Tim to show up or be any part of this at all…I honestly initially saw him as "just another character" of no significance; some swerve to this story or some trap for Tim or some such; it was seeing someone’s comment about the Titans of Tomorrow story that jogged my memory and contextualized the character…making this all the more cool as a story.

I’m not particularly familiar with Tim’s story or origins from 2011-onward; really since before 2009 as I’d lapsed as a reader early in the Red Robin run, and got right back out of the New 52 iteration of Teen Titans that I’d tried at the start. But at least for this opening chapter of A Lonely Place of Living, I feel like I’ve got "my" Robin back, "my" Tim Drake.

Which is a rather personal thing for me as the character debuted AS I got into comics…

Story, art…all in all, this is an excellent issue, certainly for playing on my nostalgia. The story is strongly rooted in continuity, in history…and the art just looks good, with nothing taking me out of the story. This issue just is.

If you’re a fan of Robin, or Tim Drake, or the current run of Detective Comics, I highly recommend this. Really, even if you aren’t a fan of them…this feels like something big, and all the moreso to me personally. Only this first chapter in and I already know I am absolutely looking forward to the inevitable double-dipping of getting the collected volume, and wondering what form that might take–as well as whether or not we’ll get any new version of a collected volume of the original A Lonely Place of Dying story!

tec965_batman441

New Robins of Spring

I’ve added some new Robins to my collection this year…and most recently, my first-ever “new in package” Eaglemoss figurine!

robin_eaglemoss_box_front

I’ve been contemplating ordering this one for awhile, but held off awhile. I finally pulled the trigger and ordered it, actually expecting it to be “loose,” though hopefully well-packed. I was pleasantly-surprised to get it still in its package, which afforded me a little more context on these figures than I’d seen so far.

robin_eaglemoss_box_back

For one thing, definitely cool to see more, including a number of ones I do not have. I’d gotten the Penguin and Ra’s Al Ghul, but the rest of these are new (to me). Definitely VERY interested in the Superman one, as well as Green Arrow and this version of Batgirl!

newer_robins

Along with the Eaglemoss figurine, other recent additions include the Batman: The Animated Series Robin from Funko, though this one’s one of my Tim Drake exceptions, as I’ve found myself increasingly interested in figures and such of all the Robins, not just Tim.

Then there’s the Imaginext version of Tim’s Robin, as well as the Imaginext version of Red Robin. And finally, the elusive Mighty Minis version of Red Robin.

most_robins_in_context

These join a few of my other Robins, as well as the other Eaglemoss figurines and other Mighty Minis and such. Not in this particular photo are a 12″ Robin from the Batman Unlimited “Titan Heroes” line, a Robin bust bank, a huge version of that Dorbz Robin, and at least one shot glass.

robin_eaglemoss_box_booklet

This is the booklet that came with the Eaglemoss figure…while this is not my favorite version of the costume, it is Tim Drake, and I want to say he was in it for several years before going to the Red Robin thing for a couple years, before the New 52 stuff.

I do look forward to actually reading through this booklet, though I wonder at its take on the character, and what I’ll learn from it or if it’ll seem “off” to me, considering I’ve largely followed the character (off and on) since 1989. (Just think: in 2 more years, Tim Drake will have been around for 30 years! More than 1/3 the entire existence of the Batman comics!)

most_robins_in_context_blogtrailer

The Weekly Haul – Week of September 28, 2016

As far as visiting a comic shop goes, this was another "small week" for me…with actually only one totally new-this-week issue!

weeklyhaul_09282016

Action Comics has remained an immediate-buy for me, even when it’s out the same week I expect the monthly shipment from DCBS. For "only" $2.99, the title has remained thoroughly enjoyable to me and well worth the immediacy to get to read it day of release.

At a friend’s recommendation, I’d checked out Teen Titans last week, though it was actually from the week before, with it following up on the situation with Tim Drake. But much as with Justice League #52 with the Lex Luthor "prologue" to the current Action Comics run, I wanted a copy in print to file with all my Rebirth stuff. (I passed on the Teen Titans: Rebirth issue as I’m expecting the DCBS shipment in the next couple days and figure I could wait a couple/few days rather than double-purchase numerous extra issues).

Finally, in part listening to a podcast with folks discussing the Mike Grell Green Arrow run, I decided to snag the first volume. I know there are already at least 5 or 6 volumes, with a 6th or 7th solicited for December, so I know it’s a good series of volumes with plenty available…not like I’ll get stuck only being able to read 1 or 2 before having to resort to singles or such. While not the "fat volumes" I’ve been preferring for late-’80s/early-’90s reprints from DC, at the smaller issue count, it has a smaller price…so…c’est la vie.

$21 for an all-DC purchase of a 6-issue TPB and 2 new/recent issues…where the same would likely have been $30ish for a Marvel purchase.

The Weekly Haul – Week of September 14, 2016

Another manageably small week for me, and of primarily (or just) DC stuff.

weeklyhaul_09142016_a

I made three exceptions in buying stuff coming to me later this month via DCBS bundles… Three issues that I wanted immediate gratification, to read right away, no waiting.

As usual, Action Comics and Detective Comics were top-notch…”proving” to me they genuinely are back to being the “flagship titles” of their families, and the publisher.

I was rather curious about Superwoman, and while interested in the story and such, it didn’t feel quite up to the moment for me, so I’ll likely be a bit more patient next month and just wait on it.

While I’m digging Detective, I figure I might give it one more issue like this and see if the fate of Tim Drake is an ongoing subplot* or not…and if it isn’t a heavy thing, I’ll wait–THE reason I was making this book an exception was Tim Drake, and if he’s not going to be used as a prominent character in the ongoing story, then I can definitely wait a bit on reading the story.

weeklyhaul_09142016_b

On Saturday, for the (third?) annual Batman Day I swung through a shop I was passing and browsed a bit and ultimately settled on Dark Knight, Dark City–a volume I’d apparently forgotten about but presumably had known about. It’s another of these nice, thick volumes DC has been putting out that is truly a solid value at full cover price but which is even moreso at a discount.

20% off for Batman Day and a FREE (to me!) Batman (2016) #1. New/variant cover, but as a freebie and special event, in this case, a variant, the existence of the variant is honestly quite acceptable to me. The only rub is, this is a free copy of a full issue that was just released commercially for full cover price about three months ago. Of course, with the biweekly shipping, Batman already has six issues out and a new arc beginning in a couple more days, so anyone pursuing the story for immediacy is not in a position of having an issue of the “current” story handed away free after having just paid for it.


Over at the Facebook Page (you do know I have a Facebook Page, right?) I’ve also just shared a couple links that Bleeding Cool posted; pieces on Clone Conspiracy and another on what impact the Civil War II “tag” has had on crossover/tie-in books.

The Clone Conspiracy piece is basically some coverage of a statement writer Dan Slott put out there urging retailers to order more copies of the upcoming premiere issue, and urging consumers to contact their shops now to ensure they have a copy on hold.

Apparently the mini-series/”core event” will be the CORE Spidey book, so the actual ongoing (excuse me, seasons) of the “regular books” are just along for the ride, telling tie-in stories (the difference here vs. Civil War II is that Clone Conspiracy seems to be a “smaller event” contained to the Spidey family of books rather than crossing the entire universe). However, I fully expect Marvel to have “leaked” or otherwise provided the/any major spoiler information to a news source that will “go live” with it at least two days ahead of the issue’s actual release, thus negating any reason to “have to” get it or ability to enjoy being surprised by a Marvel comic.

The Civil War II piece looks at the impact or lack thereof on several titles tying into the universe-spanning event. Me? I’ve “dropped” the only two titles that I had been giving a chance, from Marvel. I didn’t even wait for the actual tie-in issues of Power Man and Iron Fist or Thunderbolts to come out to skip…once I was certain I’d seen an issue of each as having a tie-in, I dropped ’em cold turkey.

Why waste $4 an issue for additional issues when I already know I’m not going to be going beyond the first handful of issues anyway, thanks to the tie-in?

Of course, I personally do not matter, not really: factor in variants and my purchase is absolutely not required…there’s someone else who’s glad to buy an extra copy or few that more than makes up for me.

Zero Hour Revisited – Robin #10

90srevisited_zerohour

robin_0010Two Birds One Stone

Story: Chuck Dixon
Pencils: Tom Grummett
Inks: Ray Kryssing
Colors: Adrienne Roy
Letters: Albert DeGuzman
Assistant Editor: Jordan B. Gorfinkel
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

This is probably one of the most "iconic" covers for me of the Robin run…as well as (loosely) one of my favorite issues. I’ve "always" enjoyed Tim and Dick’s interactions, and having their ages/experience somewhat reversed here (while playing with Tim’s relative inexperience solo anyway) just makes for an interesting, entertaining story.

We open on Robin (Tim Drake) pursuing a lead, but he encounters another Robin…one that turns out to be a young Dick Grayson. Realizing this is another instance of a time anomaly, Tim invites him along on the case. While pursuing "Weasel," the two bond a bit, and even learn some from each other. As the case wraps up, almost with a positive ending, outta nowhere, things fade to white.

Story-wise, this fits right into stuff with Zero Hour and the Batman family of titles, in that we have a solo Tim/Robin story, set during Zero Hour, that involves something not easily explained EXCEPT for "Zero Hour time anomalies." We see Tim in action, still early in his "solo career" as Robin (defining "solo" with the start of his ongoing series, having had solo adventures in the past across annuals and three mini-series, as well as Dick Grayson Robin having had solo outings years prior in backups and whatnot). We see that he’s still learning, still growing, and get some character development through that as he interacts with Dick. I also find it interesting Tim noting that he has more experience at the point this story takes place, than Dick does for the time he’s from. That’s the sort of thing MY mind does, pulling up such comparisons (it’s been longer now since Tim’s ongoing series ended than the entire time I knew OF any Robin character, prior to Tim’s ongoing).

This issue being part of a crossover/event serves to enhance things, allowing for character development and forward-movement that would not be possible in a single issue without the established backdrop OF the event. Additionally, this is basically a one-shot/done-in-one story, where you really don’t need to know anything about the previous issue nor what comes next…you just get a story of Tim as Robin by himself, encountering a time-anomaly Dick Grayson, and the two go after some criminal. This doesn’t feel like something continued from a prior issue’s cliffhanger, and it ALMOST ends without a cliffhanger.

Yet the cliffhanger ending is the concrete tie-in to Zero Hour, outside of Dick’s appearance.

The art is certainly up to par with what I’d expect from this "era" of the title. I quite enjoy Grummett‘s work with Tim, and find that his style is what I tend to think of when I picture these early issues of the title. While the characters do have similar appearances, and the costumes have their differences, there’s still just enough hint of the physical differences that I could probably tell them apart with little difficulty. Of course, the rest of the art team helps in this regard, and colors make a difference along with the design differences of the costume.

All in all, this is one of the better tie-ins to the event, as well as being a darned good issue of Robin, period. If you come across this in a bargain bin, it’s well worth picking up. And if you’re a fan of Tim particularly, that goes extra.

Death in the Family and A Lonely Place of Dying

I finally "pulled the trigger" recenty on several Batman volumes I’ve been planning on ordering. Over the last couple years, I’ve been gradually "upgrading" to newer editions of stuff I’d had, as these newer ones are far more comprehensive than the half-hearted volumes that were originally put out…or just simply have more content per volume, look better, etc.

batman_books_tall1

The one I was most looking forward to was Batman: A Death in the Family. This is one of the stories of my youth, and while I don’t truly "get" the merging of A Lonely Place of Dying into this, noticing that Batman Annual #25 was (supposedly) included definitely had my interest.

death_in_the_family_current_cover

I do like the minimal cover. It’s simple, but very, very telling…the image is haunting, shows the violence of Robin’s death, and is such an iconic image, filled with layer and meaning to me.

death_in_the_family_current_back

The back cover is less to my liking. It fits with contemporary volumes, of course, but I liked the back of the original edition better…or at least, the original’s inclusion of the original cover images.

whats_included1

According to the (back) cover of the book itself, the volume contains 10 issues. The 4-issue A Death in the Family story, the 3 Batman and 2 The New Titans issues that make up A Death in the Family, and the Batman Annual. "and also includes the 2006 follow-up story from BATMAN ANNUAL #25" .

whats_included2

The indicia also would support that, citing the individual issues, with no wording such as "material from" or "excerpted from" or anything indicating truncation or abridgement.

whats_included3

The volume’s table of contents begins to paint a different picture. It’s been nearly a decade since I actually read the annual, so I’ll be darned if I could remember the title of the story. But given the whole Superboy Prime and "punching reality" and all that, causing stuff to change, it would not be inappropriate for that issue’s title to BE "Alternate Ending." The pattern the table of contents uses lists the issues’ contents as their chapter of each story and the original issue numbers. The issues are included in full, no abridgement/etc.

But if one pays attention to the page numbers and the BIOGRAPHIES section below…notice the Annual is 270…but then the biographies are the VERY NEXT PAGE.

hes_alive_batman_annual_25

The sole inclusion from Batman Annual #25 is one. single. PAGE. And it’s not even reprinted as a page the way the entirety of the rest of the volume reprints the pages, this is intended to show AS a page from something else.

As a single page, this SHOULD HAVE been included between A Death in the Family and A Lonely Place of Dying. Given the Annual itself came 17-some years later, it would make perfect sense for it to be reprinted after both original stories. It seemed like a BONUS inclusion to the volume, to give us the original story, the followup, and then the revision, the revisitation that bridges the original stuff and contemporary stuff with Red Hood and such.

This is absolutely misleading, and had I known, if it had registered that the only difference was that this volume is 2-in-1 without the actual Annual in full, I definitely would NOT have bothered with this! I already have the original individual volumes, neither of which contains the Annual that was published those 17ish years after, and I’d thus prefer those.

current_and_older_edition

The art itself is basically the same on this new edition, it’s the words/fonts on the cover that is different. The art is centered on the new one and basically in full, while it’s off to the side on the original, wrapping slightly to the back. The original edition maintains the logo from the comics the story appeared in, as well as the story logo of A Death in the Family from those issues.

death_in_the_family_old_back

Personally, my ideal back cover is a mix of the original and the current…I would include the original cover images, but use the current text describing the story(ies) contained.

My original edition is the sixth printing or so, and quite beat up from numerous re-reads and being with me for over 20 years. Ditto for the Lonely Place of Dying volume.

older_death_in_family_lonely_place_of_dying

Here are the two original editions. They show their age, and are far from anything resembling pristine condition, as they are two of the oldest volumes in my entire collection. That can also be seen below with the prices of both books…

pricing_old_dif

I think the first printing of A Death in the Family may have had a $3.95 cover price, but I’m not certain. Obviously the sixth printing has the $4.95 cover price. Which, with at least a couple of the issues being oversized/extra-length is not bad at all.

pricing_old_lpod

A Lonely Place of Dying was 3.95. That’s five issues, including two issues that I believe were "Direct Market only" for basically $4. The cost of one single issue of what seems to be the majority of what both DC and Marvel put out these days heading into 2016. Granted, a quarter-century or so gap in time, but still…

lonely_place_of_dying_back_cover_text

Above: the back-cover text from A Lonely Place of Dying.

Given the gap between the two stories–Batman #s 430-439–and having Batman: Year Three (which I do not believe has ever been reprinted/collected) as well as The Many Deaths of the Batman (which was reprinted ages ago into a skinny, tiny little volume), I would think a much larger volume would be called for. Tim Drake is technically, officially introduced in Year Three, and that story also involves and has ramifications for Dick Grayson, then-Nightwing, who also played a major role in A Lonely Place of Dying. At minimum, I would expect Year Three to be included, as it also addresses Batman’s deterioration after the loss of Jason, which makes Tim’s arrival all the more poignant and sets things up FOR the latter story.

For that matter, in "losing" A Lonely Place of Dying as a title/book being folded into other stuff, I would think it’d fit quite well in a Robin volume…perhaps as the first few issues of the volume, then the story from Detective Comics where Tim’s mom died, and the (I believe) 3-parter from Batman that led into the first Robin mini-series. That’d make a handsome 12-issue volume; include the Robin mini and it’d be a strong 17 issues. That’d leave Robin II and Robin III to fill a respectable 10-issue volume, before picking up with the ongoing Robin series from 1993-on.

While this post is all over the place…ultimately, if you do NOT already have both A Death in the Family and A Lonely Place of Dying, I would definitely recommend this volume. Just be aware that it does not ACTUALLY contain the Annual that it misleadingly suggests it contains.

The content–the stories themselves–are very much worth it, and two very key stories in the 76+ year history of the Batman (and Robin)!

Batman Beyond (2015) #1 [Review]

batmanbeyond(2015)001Brave New Worlds, part 1

Writer: Dan Jurgens
Artist: Bernard Chang
Colors: Marcelo Maiolo
Letters: Dave Sharpe
Cover: Chang with Maiolo
Editors: Dan Didio & David Pina
Published by: DC Comics
Cover Date: August 2015
Cover Price: $2.99

I truly had no intention of buying any DC stuff in June, let alone trying any of the nearly-half-as-many-as-the-New-52-launch-not-even-four-years-ago new titles. Yet, despite not yet reading most of New 52 Futures End, I had stuff spoiled for me, namely the death of Terry McGinnis and that Tim Drake was the new Batman Beyond…and given it’s Tim Drake, from the present shunted out of his time into the future (not the Tim Drake seen in Batman Beyond: Return of the Joker that progressed to the time in a linear fashion), I was interested.

Add to that that this is "only" $2.99 cover price (and I feel like I haven’t seen a $2.99 comic in AGES!), I figured I’d check it out….AND show SUPPORT for the price-point!

We open on some Jokerz, and a fight with Batman…excuse to show off the time period a bit, the Bat-suit’s abilities, the Alfred AI (think Iron Man’s Jarvis in the Marvel Cinematic Universe), and that the character now is a man out of time. The Jokerz were stealing a device that would reveal Gotham to Brother Eye, which would allow the city to be targeted and destroyed. Batman goes to the closest thing he now has to "home" and interacts with a new supporting cast–Nora and Matt. Matt is Terry’s younger brother, who appears likely to have some definite "issues" with Tim, and Nora took Matt in after the Brother Eye attacks. Tim then heads out to see if there’s more left of the world than Gotham, and winds up fighting a Brother Eye cyborg Superman, and then meets an old ally who is in the present through linear progression.

The story works…and definitely does well for me AS a first issue. We’re given a good structure for an introductory issue: shown a dangerous, criminal act in progress (one that actually threatens the entire city), we see the hero in-costume enter the situation and defeat them, saving the city. We see the man behind the mask, we’re introduced to a couple of major supporting-cast characters, and exposition gives us some background on recent goings-on and status quo details. We’re given a larger, more dangerous situation for the hero with some story threads tying back to the big story that led to this title existing, and then we’re introduced to another likely supporting character with a cliffhanger to leave us wondering how this character will factor into things. We see the title character, we see him in action as well as downtime, meet supporting characters and touch on the general status quo, elements to play into the larger arc (if not series in general) are seeded, and we’re given cause to come back for the next issue.

I applaud Jurgens‘ work here, and would like to say that I’ll definitely be back for the next issue…but I’m honestly not sure about that, and I’ll detail why below.

The art is very good–the issue’s a treat to look at; character designs are good, the flow of action is easy to follow, and it does what the art should without calling attention to itself AS art.

Probably my biggest problem was the double-half-page candy bar ad breaking this up…it was annoying and distracting, and very unwelcome in an age where I’m not mentally trained to "expect" such ads. I pointedly ignored it as best I could but it was a case of "the more you try to ignore it, the more you notice it."

I should want to come back for the next issue on price point combined with Jurgens‘ writing combined with the nostalgia factor for the classic Batman Beyond cartoon combined with this being actual DC Universe combined with THIS Batman Beyond being Tim Drake, a key character I have grown up with in comics since his very introduction. If any of those reasons are of interest to you, I certainly recommend this.

But on a personal level I’m not really interested in contemporary New 52 DC stuff (which this is, even if the branding/label has been dropped), and I’m reading between the lines on things that shunting Tim Drake into the future is a means to remove him from "present-day" continuity where his presence has been quite problematic for the established timeline and would run counter to the use of Damian as Robin (Dick is presumed dead and now works as a spy, Jason is off doing his own thing as Red Hood, and now there’s no longer a Robin/Red-Robin running around to muddy up Damian’s claim to the title).

If Batman Beyond remains a self-contained title and all, I may try keeping up with it for a bit just for the Dan Jurgens and Tim Drake factor. That will be an issue by issue basis and be heavily influenced by its ship-week and however many other issues I’m picking up and how interested I am "in the moment."

The ’90s Revisited: The New Titans #65

newtitans065Dejavu

Writer: Marv Wolfman
Pencils: Tom Grummett
Inks: Al Vey
Letterer: John Costanza
Colorist: Adrienne Roy
Associate Editor: Jon Peterson
Editor: Mike Carlin
Cover: Tom Grummett, George Perez
Published by: DC Comics
Cover Price: $1.75
Cover Date: April 1990

Few bargain-bin issues really grab my attention by the cover alone the way this one did. I probably knew this existed, knew OF the issue, but I’d never read it before, and despite all my early-’90s bargain-bin buying, I don’t know that I’ve ever even owned this issue before a few days ago.

While this is a New Titans issue, the cover shows Batman with Nightwing and Tim Drake (and a Robin costume on a table), with the caption “It Began With Batman…” I first looked for the Lonely Place of Dying indicator despite the cover not being one I recognized from that story…but nothing relating to that story other than my knowledge of the characters. Still, I recognized this as being extremely early Tim Drake, and for that alone my interest was piqued.

What we get is Tim seeking out Dick per Batman for some insight/training into being “Batman’s Partner.” Not necessarily ROBIN, but Partner. Despite this being a New Titans issue, I was rather disappointed when the rest of the Titans appeared…apparently they’ve been dealing with Trigon and some sort of Plague, that Raven is still facing. This leads them to facing their teammate who–infected–turns again on the team and is ready to kill them all while they don’t even want to hurt her. Of course, Dick is eventually drawn back into things, showing his leadership and necessity to them as further emphasis that he has grown out from under the Batman.

This was quite a treat visually. Grummett‘s art stood out very well…the only characters that really looked “off” to me were Raven herself and Donna Troy, and yet the former I’m aware of having multiple “looks” through the years and same for the latter…I even recognized another character as who I believe to be her husband of the time, or at least someone I’ve seen and “known” to have been involved with this character group in the early 1990s.

Story-wise, I really, really enjoyed seeing Dick and Tim interact. This issue came out during my first real foray into comics, while Tim Drake was still a new character…not yet Robin, but the obvious successor to the role. I would have perfectly enjoyed this issue if it was nothing but Tim and Dick; but as it was, I was able to “get” what was going on with the rest of the team. If not in full, then enough to not feel like half the issue was truly wasted on them; I just wanted to see Dick training Tim.

All in all, this is easily one of the most enjoyable bargain-bin issues I’ve pulled in ages, in and of itself; and a definite rare treat as something from this era that is truly an entirely NEW read for me, rather than simply re-reading something I read 20 or so years ago! Though I paid 25 cents, and the original cover price was “only” $1.75, this would have been a rare case of an issue being well worth my paying the modern $3.99, given my enjoyment of the issue as a whole.

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