• November 2018
    S M T W T F S
    « Oct    
     123
    45678910
    11121314151617
    18192021222324
    252627282930  
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

  • Advertisements

Phoenix Resurrection (2017) #1 [Review]

phoenixresurrection2017_0001Chapter One: Frustrate the Sun

Writer: Matthew Rosenberg
Penciler: Leinil Francis Yu
Inker: Gerry Alanguilan
Color Artist: Rachelle Rosenberg
Letterer: VC’s Travis Lanham
Main Cover: Leinil Francis Yu & Sunny Gho
Graphic Designers: Jay Bowen & Anthony Gambino
Assistant Editors: Christina Harrington & Chris Robinson
Associate Editor: Darren Shan
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: February 2018
Cover Price: $4.99

I read the first couple issues of Morrison‘s NEW X MEN run, along with the first issue or two of that "new era" of Uncanny X-Men as well (and I think same for X-Force and/or X-Statix and Soldier X) before trailing off for awhile. I got back in toward the latter part of the run, having obtained the first two "deluxe oversized hardcovers" and not wanting to wait (then) for another. I remember making a special trip to the Toledo comic shop while visiting a friend for her graduation in December 2003, largely to get #150…and reading it left me with quite a surprise. Jean…dead? Well, SURELY, being Marvel, she’d be back pretty darned quick. A year, maybe two? Endsong kinda let me down, and I’m not sure if I ever actually read Warsong.

Move through time–2004, 2008, 2012…the Jean from the past was brought to the present (how long would THAT last? A year or two? The premise of the "original five" coming to the present sucked me into All-New X-Men for a bit!). 20012 to 2016, still the "original five." Into 2017…now the very tail-end of 2017, and we have this issue. Phoenix Resurrection #1 (never mind that 1995 gave us a Phoenix Resurrection in the Ultraverse books!).

Unlike the anecdotal "disaster" of the ordering requirements for the main wave of Legacy Lenticulars (LL, anyone?), this one’s "main cover" is *A* lenticular…but this one is actually done "right." Gone is the blurred mess of two static images blended together to approximate a real-life "gif," here we have an image of several of our mutants reacting to the flaming appearance of Dark Phoenix–Jean Grey–in the Red Costume…and we get that 3D/slight movement effect that DC has used to great effect and that had put to shame Marvel‘s versions. My main complaint with the cover is that it is at best symbolic, or some sort of prelim for use with an eventual collected edition…as has become the "norm" for modern comics, the cover does not necessarily depict what’s contained within the issue itself.

Visually, this is a pretty book, and I enjoyed the art itself throughout. As I’m no longer closely familiar with much of the X-verse, and am aware of plenty of recent changes and such, nothing much stood out in a negative way for me, and I marked inconsistencies up to my unfamiliarity; nothing seemed horrendous or off-putting to me.

Where I have problems with the visuals is layouts: the issue has 30 pages of story, 32 content pages if you count the "cinematic" double-page splash with the series’ logo and credits for the issue (in place of an opening/frontispiece to be simply omitted in collected format). While I applaud the relatively "strict" panels/gutters–a "classic" sort of page layout rather than EVERYTHING being full-bleed quasi-panels and such, I was not thrilled at so few panels per page–many pages having a mere 3-4 panels, a number of them having only 2, with very few words to a page. One page has a whopping THREE WORDS: "Elsewhere," "Well," and "fudge." (18 letters, not 18 words!). Yeah, the art is an integral part of telling (selling?) the story, but given this IS a comic book and not actually cinematic video, I’m rarely keen on "wasted space" trying to imitate another medium.

Story-wise, I did not feel that this issue remotely lived up to the hype or expectation–at least not the hype and expectation that I personally laid at its feet. Phoenix Resurrection. The Return of Jean Grey. Dark Phoenix (not Phoenix) depicted on the cover. Shiny cover. Surely Jean would appear in this issue, with plenty of questions as to her authenticity, what brought her back, why she’s back, what it means for "Young Jean," how it’ll affect other characters, if it has anything to do with "Regular Real Not-Old-Man Logan/Wolverine" being back, etc. Appear in this issue, set up questions and four more issues to dig into the details, the effects, push this story itself forward, etc.

While I can guess that the Jean we see toward the end of the issue is supposed to be "our" Jean (though whether it implies she’s been alive awhile–long enough to have a job and home and life with no overt recollection of life as one of the X-Men, or is some sort of dream-sequence or illusion or some sort of alternate life in her mind as her body heals/comes back/whatever) is not clear to me as of this single issue, on a typical single-read-through that I give whatever (new) issue(s) I read. I don’t see THAT she’s back (or not). I don’t see if there’s actually another force behind her return (the Phoenix Force) or if this is some sort of self-resurrection from her having BEEN one with the Phoenix Force in the past. Is there likely some other Big Bad waiting in the wings? Other than Jean maybe showing up/being back and having to figure out for herself what it means to her as herself, what’s the driving conflict of this title? What makes it justify five weekly issues (and I think a tie-in for a sixth issue) vs. Jean just showing up again/being a subplot in some sort of main title?

I’m curious about stuff–especially given I was there when she died back in 2003’s New X Men #150, and expected her return at least a decade ago–so will get the next issue, at least. And I would not be surprised if this was a good opening chapter to the eventual "graphic novel" when this series is collected into hardback, deluxe oversized hardback, and/or TPB. But as a single-issue, as a first issue of a mini-series, I’m not impressed with this, and would not recommend it if you’re looking just to do a toe-dip on stuff…especially at $4.99 instead of $3.99. As an art piece, the cover wouldn’t be bad to hang on a wall or such. Unless you’re eager to read/follow along in "real time" as issues are released (and given the title/subtitle, it’s not like there’s really any mystery as to whether or not it’s actually Jean, if she’ll actually be back, etc.) you’re probably better off waiting a couple months for the inevitable collected edition, if anything.

Otherwise, if you’re willing to invest in a 6 issue story within about 5 weeks, and you’re a fan of Jean herself, I’d say this is worth getting, as an opening chapter, that is by no means a stand-alone issue/story.

Advertisements

Cable #150 [Review]

cable_0150_lenticularThe Newer Mutants (Chapter 1)

Writer: Ed Brisson
Artist: Jon Malin
Colorist: Jesus Aburtov
Letterer: VC’s Travis Lanham
Cover Artists: Jon Malin, Federico Blee (Lenticular Cover Artists: Rob Liefeld and Jesus Aburtov (based on New Mutants #87 by Rob Liefeld and Todd McFarlane)
Graphic Designers: Jay Bowen, Anthony Gambino
Assistant Editor: Chris Robinson
Associate Editor: Mark Basso
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: December 2017
Cover Price: $3.99

I "sampled" the ResurrXion stuff back in the spring, though between the pricing, frequency, "art," quantity of variants, quantity of titles involved, etc. I opted not to follow the various series. I did apparently buy Cable  #1 as I saw it recently while going through other recent-ish stuff for something, but haven’t yet read that, and otherwise figure it’s been at least a couple years since I’ve bought anything with Cable on the cover, though I’d followed the beginning of his post-Messiah CompleX series, and the final several years of his ’90s series into the first couple issues of Soldier X back in the day. I even sampled a couple issues of Cable & Deadpool at the beginning and end of the run (oops…Cable gets no "credit" for that series, as Marvel tossed it entirely into Deadpool‘s…um…pool).

Long complaining of Marvel‘s pricing, variants, stunts, rebooting of numbering, renumbering, event-into-event-into-event churn, etc, I’ve also long avoided most of their "newer" output–certainly over the last half-decade. But there comes a point where "curiosity" gets the better of me, or "nostalgia," or perhaps just "morbid curiosity," and I check out an issue or few. Plus, I can only complain so much while never actually purchasing something–I can grouse about stuff all I want, but I feel I have to occasionally have some hands-on experience, not just 100% taking "everyone else’s word" on stuff.

So I’ve got Cable #150. After all the hubbub on the "lenticular covers," I opted to go for that version…after all, it was available in-person, at cover price, and said cover price being the "regular" $3.99, I figured at least I’m getting a "fancy cover" for the price. Alas, though the cover has the slick, plastic-y feel (and sound!) of DC‘s lenticulars, I really don’t like this at all. It’s supposed to have both the New Mutants #87 cover from 1990 or so with the 2017 re-iteration of the image. But try as I might, I can’t get a clear, non-fuzzy view of either that doesn’t have distinct bleed-in of the alternate image. If it wasn’t for the non-lenticular version presented as the first page, I wouldn’t really even know what the "newer" image truly looks like! And honestly, the best the cover has looked to my eye is the scan I did for the image above…so not even "just" to the naked, human eye as far as looking at the cover in-person!

Simply as an image, I like the thing. I really dig the nostalgia–we go from Cable’s first appearance in a #87 to his own series at #150…full circle and all that. While I like the Liefeld re-do of the original, it works well as the cover, and I’m glad the interior is a different artist. Malin does a good job of giving a clean, sleek design to the characters while capturing the classic look–including Cable’s ridiculously huge gun, a staple of the ’90s. On one hand, I’m quite glad to see the character simply looking like himself; on the other, I’d swear he’s been through more changes and was looking much older. Of course, there’s also flashback stuff to this, so, whatever.

Overall, there doesn’t feel like there’s much story to this issue. Cable’s with Longshot, investigating the death of an External named Candra. Confirming the death (which shouldn’t be able to happen, as she was supposed to be immortal), they proceed to meet up with old Cable-ally Shatterstar, and the group then goes to confront the last remaining External: Selene. The confrontation proves less than ideal, with Selene thinking Cable & Co. are there to kill her, not question her…and ultimately we’re left with a bit of a revelation that screams "retcon" to me, while leaving us as readers none the wiser, really, and stuck waiting for another issue.

I’m not familiar with Brisson offhand, but this isn’t bad. Strictly in and of itself, I enjoyed this issue…just not the fact it’s (as "always") simply 1/6th of a constrained story arc. I get a sense of the nostalgia being gone for with this, but don’t really feel like there’s much context to stuff…while I expect things’ll be clarified in later issues, this feels more like the first chunk of pages of a singular lengthier story, and not a full story in itself. I shouldn’t be surprised–that’s basically standard practice these days, for the last decade or more. There is a brief ~3 page segment with the character’s "origin," rather broad and boiled down, but hitting a few key points (far from all, and basically touching on none of the development(s) since 1993). I don’t know that anything Marvel would publish on that front for this would satisfy me, though…especially as none of the origin was "new" to me. I’m clearly not the target audience for it, though!

As usual for a Marvel issue of late…the Marvel brand itself is damaged as far as my feelings towards ’em on so many points, and while by no means a bad issue, this issue is not enough to leave me interested in planning on getting the next issue…and Marvel‘s pricing doesn’t leave me all that expectant of being highly inclined to even bother with the collected edition once it comes out.

Though this brings in some ’90s elements and looks like a familiar-ish iteration of Cable himself, this issue by itself does not stand out as anything overly special, either as part of Marvel Legacy or as a 150th issue. With the screwy numbering and not really being a standalone issue, I’d say wait for the collected edition if anything, if this didn’t already draw you in on nostalgia, number, or cover image(s) alone.

cable_0150_blogtrailer

Earth 2: Society #1 [Review]

earth2society001Planetfall

Writer: Daniel H. Wilson
Artist: Jorge Jimenez
Colorist: John Rauch
Letterer: Travis Lanham
Cover: Jimenez & Rauch
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Published By: DC Comics
Cover Date: August 2015
Cover Price: $2.99

For a guy who was intending to ignore DC output in June and consider Convergence an endcap to stuff for awhile, I’ve still managed to find myself picking up 3 books in 2 weeks. Though of those three, I think this was the most disappointing, and that’s almost surely due to this being only an opening chapter of a larger story. I expected something “more,” though…but then again, a series fulfilling its “premise” in the first issue is hardly a series, right?

I picked this up specifically because of the notion of it continuing from Convergence, and the premise of our seeing the development of a new world a new Earth 2. I suppose I expected to see a fully developed yet “young” world, and from the cover I definitely expected to see a number of the various characters…not basically “just” Batman.

The issue starts “one year from planetfall,” or one year in the future showing us a new city, the first new city on the planet, and a Batman in action with communication to an unseen individual. Then we flash back to said planetfall, as the survivors of the previous Earth 2 begin to arrive, having followed Green Lantern’s beacon. Something goes wrong and the ships begin to crash, and it seems this is something intentional by the person who designed them. Meanwhile, we see a man lamenting the loss of the use of his legs, as well as his family. I believe this is the Earth 2 Dick Grayson, but I’m not 100%. Jumping back to the one-year-later, Batman captures the man responsible for the thousands of deaths in the planetfall event…

Where I’d felt that Batman Beyond #1 and Constantine: The Hellblazer #1 gave me well-rounded issues (giving us an establishing situation, introduced us to the main character and some part of a supporting cast, and set something up for future issues) and generally felt relatively self-contained while setting up an ongoing series…Earth 2: Society feels to me like just another opening chapter of something larger. We don’t really get the full cast, the cover is misleading about characters’ involvement/prominence in the issue), and the time-jumping cuts in half the amount of information we get about “then” and “one year after.” This will probably read quite well in a collected-volume/graphic novel format where one can read the entirety of the arc in one go…but I’m left rather disappointed in this based solely on this one issue as a single issue.

The art is good…pleasantly “invisible” in the sense that it gets things across and isn’t jarring or weird, and I didn’t noticeably find myself stopping to wonder just what the heck was going on in a panel. I’ve found the “controversial” candy bar ad annoying, consciously forcing myself to ignore it and not focus on it, while trying to keep my eyes strictly to the actual content that *I* paid for, and my annoyance over that translated into my mind wandering slightly as I tried to think about the same double-page ad layout influencing my enjoyment of the other DC books the last couple weeks.

While I imagine it would not be terribly difficult to use this as a jumping-on point for the series, I’m pretty sure this book is more for continuing readers, with threads of the original Earth 2 title and the weekly Earth 2: World’s End having gone into Convergence and this is the result of what came out from that. One can start here, but there’s plenty I’m sure I’m not picking up on that I’d be better able to appreciate having READ what came before. That this does not feel like a quasi-standalone issue but merely the first chapter of a six-chapter collected volume leaves me thinking that unless you’re particularly invested and eager to get a monthly dose of the Earth 2 characters (and primarily Batman, in this issue), you’d be better off waiting for a full story in collected volume format.

As for me…I gave this a shot, interested in the start of things post-Convergence for these characters, and while I definitely support the $2.99 price point, I’m pretty sure I won’t be back for #2.

Convergence #8 [Review]

convergence008Last Stand

Writers: Jeff King and Scott Lobdell
Pencils: Stephen Segovia, Carlo Pagulayan, Eduardo Pansica, Ethan Van Sciver
Inks: Jason Paz, Scott Hanna, Trevor Scott, Stephen Segovia, Ethan Van Sciver
Colros: Peter Stiegerwald
Letters: Travis Lanham
Cover: Andy Kubert, Brad Anderson
Special Thanks: Geoff Johns, Beth Sotelo, Mark Roslan
Asst. Editor: Brittany Holzherr
Editor: Marie Javins
Published by: DC Comics
Cover Date: July 2015

[Please note that I WILL be “spoiling” this issue in this review. If you have not read it yourself and/or do not wish to know how the issue–and Convergence itself in general–conclude, you’ll want to stop reading; though I have about 2 1/2 paragraphs before I truly get to “spoiler” territory.]

I think I left off about six weeks ago–I’m pretty sure I jumped off after #2, never picking up #3 of this series. And though my enthusiasm quickly, almost totally tapered off…I again found myself curious about how this would wrap up, particularly given recent rumors at certain comic sites, and wanting to see/experience it for myself instead of just reading about it.

Of course, that was not truly worth the $4.99 cover price (at this point, that means I’ve bought THREE $4.99 issues and only one $3.99 issue of Convergence proper, which is absolutely disgusting to me). The cover also is quite generic and basic, not impressing me at all.

The story itself is relatively basic, and I certainly lack context of the past few issues. A group of heroes has gathered, to make their last stand. Someone named Deimos has just been killed by Hal/Parallax resulting in the planet becoming unstable, and its destruction threatens the Multiverse itself. A few remaining time-travelers (specifically Booster Gold, his sister, and Waverider) show up…and their solution is to bring Brainiac back. In turn, Brainiac’s solution is to absorb the temporal energy that’s been unleashed and return the heroes home, while having himself restored and the Multiverse fixed. Part of fixing the Multiverse is preventing its total collapse in the “first” Crisis. And fix stuff they do, and all the worlds are restored, the many many worlds of a Multiverse.

I mention that the story is relatively basic, and that’s in the “heroes are gathered, a last-ditch solution arrives, is executed, and we get page after page of “moments” to end the current series/event while not truly capping things off” sense.

Essentially, it seems that in a way, this means that Crisis on Infinite Earths is given a different ending, in which the final five Earths, at least, do not collapse into one single Earth, and generally that anything and everything that has ever happened in a DC comic has a place in the multiverse and is still out there somehow.

[The way I choose to interpret it is that we’re seeing the creation of a divergent branch OF the multiverse with worlds where Crisis on Infinite Earths, Zero Hour, Flashpoint, Infinite Crisis, etc. all happened or will happen existing amidst worlds in which none of those happened, and so on.]

The issue’s art is a mixed thing, with a bunch of pencilers and inkers involved. Fortunately, though seeming much like a “jam piece,” dealing with multiple versions of characters and various Earths and all that, I didn’t honestly consciously “notice” that overly much…I noticed some differences here and there but mentally wrote them off as nature of the story.

While the series didn’t hold me week to week, knowing now how it ends, I do expect I’ll still be interested in a collected volume–I half considered that it’d “only” be 5 issues to fill in my “gap,” but with DC‘s rather reasonable pricing, that $20 for 5 issues will probably be 2/3 or more the price of the inevitable hardcover of all 9 issues, so I expect to try to “hold out” for that.

Unless you’re like me and just want to get the immediate gratification of “experiencing” (reading) this issue and its place in DC History right now, or have already kept up ith the rest of the series…you’re better off waiting, I think.

This isn’t the worst ending of an event, but I wouldn’t consider it great, either as it seems to throw wide the doors on things than it does close them on even this story in itself. It does set up the new Earth 2 for the ongoing “primary”/focal part of the DC Multiverse (formerly The New 52) and leaves the entirety of DC history open such that it seems “possible” that anything/everything that’s ever been at DC is now “available” to be used in DC comics in general. Whether this ultimately proves to be good or bad, I don’t know.

I can’t say I’m thrilled with the issue in and of itself…but I am glad to have gotten to read this immediately, and be given some small “hope” of interesting self-contained stuff down the line. For the immediate present, though, this serves as a jump-off for me.

Convergence #0 [Review]

convergence000The God Machine

Writers: Dan Jurgens & Jeff King
Art: Ethan Van Sciver
Colors: Marcelo Maiolo
Letters: Travis Lanham
Cover: Van Sciver with Maiolo
Editors: Dan Didio and David Pina
Published by: DC Comics
Cover Date: April 2015
Cover Price: $4.99

This issue is an appalling $4.99, for “only” 30 story pages. Yea, that beats the heck outta 20 pages or so for a $3.99 book, but that’s STILL $5! The cover seems to be the shinier/glossy higher-quality (physically) stock, so at least there’s that, too. There are several pages of backmatter, basically showing off a bunch of different “cities” that will be part of this event, and a tidbit about them, along with a classic (-ish) cover image to go with them…some of the covers more relevant than others. This certainly is not as hefty as an Annual or other special issue. At $4.99 weekly, this would be an absolute no-go for me. However, a bit of internet digging yields the notion that this is an oversized issue as a prologue, and next week’s #1 is oversized as well kicking things off, but then will drop down to the $3.99 for fewer pages.

The story of the issue is basically filling in a “gap” of time from the end of Superman: Doomed, where Superman found himself elsewhere/elsewhen, but then found himself back in regular space/time with no memory of what he experienced. Turns out that what he experienced was meeting numerous incarnations of Brainiac and seeing a number of versions of Metropolis, domed cities on a strange/alien world and railing against the notion of the people within being held prisoner…while learning from the Brainiacs that the main entity has apparently grabbed these cities from just before their timelines would have been destroyed and preserving them.

While it felt (and in my summary above probably sounds) extremely “basic,” it works as a prologue. I’d read Doomed last year, so this sorta adds a little bit to that. It also sets things up for Convergence as an event over the coming weeks.

I can’t help but think that Jurgens’ involvement on the writing side is why certain scenes and versions of Brainiac got shown as they did. I’m not familiar with King though the name is familiar (further internet digging suggests this is his comics-writing debut though he’s worked on tv stuff like White Collar that I’m familiar with). Given the co-writing credit, and not having read other comics stuff by him, too early to tell if I like King’s work or not. I suppose if I continue with this series I’ll be finding out as it looks like he’s got the reins for the main run of the series.

I’ve long enjoyed Van Sciver‘s art, going back a good decade-plus now with his Green Lantern work. While there’s a bit of a “feel” to me in this issue that’s “off” just a bit, I really enjoyed most of the art in this issue. I think the “off” stuff is a combination of things, including Superman’s armor looking strange to me compared to the classic (non-armor) suit. Despite that, I was thoroughly struck by the depiction of the classic Death of Superman scene, and really dug the bearded Superman look by issue’s end–if you look closely, he starts the issue clean-shaven but sports a short beard by the end.

While I was certainly glad to see the classic, “true” (to me) Superman and Doomsday in that one scene, I was quite disappointed to not “meet” any of the non-New 52 Supermen in this issue. I was desperately hoping to get at least a “live” glimpse of “my” Superman. But this proved equal parts Superman: Doomed and Convergence : Prologue…either way a Superman story.

I do not relish the notion of EIGHTY $4 issues (on top of the main Convergence mini)…and though this issue has me chomping at the bit for more non-New 52 DC stuff, I’m truly torn on buying into this as single issues, or waiting for the inevitable collected volumes. Given my “giving in” on Villains Month in 2013 and Futures End Month last year…I may just say the heck with it and see what grabs my attention with the covers of #1s, what most rings that nostalgia bell for me and makes me think “ok, that’s freakin’ cool and I really wanna read that!”

Though this sets stuff up, I haven’t a clue how essential it’s actually gonna be in the long run. However, it’s served its purpose in grabbing my attention (against better judgment). Now having #0–and as such essentially the first issue of the series–I’ll probably grab the big #1.

If you’ve no interest in Superman, or only intend to pick up select 2-issue minis due to favorite characters and such and don’t care or intend to follow the core Convergence story, I’d skip this. If you’re considering the series, dipping in…and can stomach the $5 price…Convergence has technically started with this.

The Trials of Shazam vol. 2 TPB [Review]

trialsofshazamtpb002Writer: Judd Winick
Artists: Howard Porter, Mauro Cascioli
Letterers: Rob Leigh, Travis Lanham
Original Series Covers: Howard Porter, Mauro Cascioli
Reprints: The Trials of Shazam #s 7-12
Published by: DC Comics
Cover Price: $14.99

This volume took me a bit longer to “get into” than the first…partially less excitement to get into the volume (now having a good idea of the story and such after reading the first). Of course, plenty of distraction, too with a “new comics day” and a local comic convention since reading the last volume.

We pick up here with Freddy’s journey…he’s got part of the powers of Shazam, and Sabina has the others so far…with a couple of the gods’ powers as yet unspoken for. He winds up recruiting “help” from the Shadowpact, on the idea that his attaining the powers is less important than Sabina NOT getting them. As she steals more power and the balance of magic is close to being toppled, the “war” actually breaks out with Sabina launching a spell that needs one million souls and will push Dark Magic far beyond Light magic. Freddy meanwhile recruits the Justice League and leads the counter-assault. Things finally come to a head, and the legend of Shazam moves forward.

Story-wise, this volume is consistent with the first; this felt like the back half of the same story, with obvious progression and development from what came before. I definitely liked seeing the other characters involved…while I expected this to be Shazam-centric, seeing that this takes place in the shared, main DC Universe of the time makes it so much better than just being off in its own little corner. It’s also cool to see Freddy being responsible and involving others as the situation needs it rather than egotistically insisting on going it alone (suggesting there’s plenty of strength simply in recognizing when one needs to turn to others, perhaps).

Visually, the first couple chapters match the entire previous volume while the final four are a shift as we move to Cascioli on art rather than Porter. While this is in itself a bit jarring and quite noticeable, it works pretty well…and I definitely prefer a complete such shift than stuff being interspersed. It may not be entirely consistent with the first 8 chapters, but the parts are consistent with themselves, and everyone is still quite recognizable. I actually think I’d’ve preferred this latter visual take for the entire thing if that’d been possible.

As a whole, a good volume, though I maintain that I’d’ve by far preferred this be one large volume to its existing two skinnier volumes. This is a singular overall story that seems near-arbitrarily split in half just for the sake of being halved, or of keeping its collected volumes as the “standard” 6-issue things.

I’d think it obvious, but as the second of two volumes, if you’ve not read the first, I don’t see any real reason to seek this out unless you’re specifically looking for the ending of the story rather than the beginning or ‘full’ story. But if you’ve read the first half, this is definitely well worth getting to finish, to have the complete story. Overall, I’d recommend trying to get both volumes at once if possible to read as close together as possible.

I wasn’t sure what to expect of this series and already knew the “core” ending going in. But I definitely  enjoyed reading this, and find myself very disappointed to realize for the moment that other than the New 52 Shazam volume I read weeks ago, I don’t know if there are any collections with NEW Shazam stuff after this story out there or what issues to get for any appearances of Shazam.

The fact that that bothers me and that I’m interested in more of this take on the characters is a definite positive to me and credit to the story.

If you want to see the Shazam/Captain Marvel stuff actually progressed and status quo changed/updated (or at least don’t mind it happening), this is definitely well worth reading!

R.E.B.E.L.S. #1 [Review]

Quick Rating: Decent
Story Title: The Future is Now

Vril Dox (Brainiac 2) arrives on Earth with pursuers on his tail, and seeks out Supergirl for a special purpose even he doesn’t know.

rebels001Writer: Tony Bedard
Artist: Andy Clarke
Colorist: Jose Villarrubia
Letterer: Travis Lanham
Asst. Editors: Siegel & Ogle
Editors: Marts & Cunningham
Covers: Andy Clarke
Publisher: DC Comics

This is the second time offhand that I have bought a R.E.B.E.L.S. #1. The last time I did so was way back around September 1994. L.E.G.I.O.N. was rebooted during Zero Hour as R.E.B.E.L.S., and was one of the series I’d decided to jump on to check it out from the very beginning. Fourteen-and-one-half years later, this new incarnation of the title had my curiosity, if only for nostalgic value.

This issue opens with a bit of a cliche–people going about normal life, talking about something that then sorta comes true with the arrival of an alien or whatever (in this case, Vril Dox), who asks for something rather simple that I for one normally wouldn’t expect an alien to ask: "Where’s the nearest restroom?" We quickly find out that Dox is being pursued, that his own organization has been taken from him and is now being used against him. Being rather cool and calculating (or rather, not-so-compassionate) he is prepared to see numerous human lives lost to attain his goal. Once Supergirl enters the fray, a couple secrets come out, and we find that there is a good deal at play, just waiting to be revealed.

Overall, I like Clarke’s visuals in this issue. There’s a certain level of detail and a style that seems to fit the story very well. The main complaint I have is that Supergirl looks a little "off," but characters I presume will be main/starring characters for this title have a good look about them that does NOT seem "off." One of the aliens reminds me a bit of both the Aliens as well as Arkillo from the GL books, and yet still has enough of a unique look to be its own thing, while evoking those others–regardless of the intentionality of the similarity.

The story is fairly basic, dealing with a bit of cliche–at least on the surface. Cliche or otherwise, there are some hints dropped as to stuff-to-come, and at least one bombshell drawn from existing continuity that casts characters in a new light. I’ve not read much of Bedard’s work, but recall liking what I have read. This issue really–aside from Supergirl–is playing in its own sandbox away from other DCU books. That sets it apart for me as it is not directly involved in other current stories that I’m following and thus has room to develop and build a bit.

There’s not enough here in this issue to convince me that this’ll be a great title nor that I’ll want to be in for the long haul, but there’s just enough of something to it that I’ll probably give it a couple more issues to pan out and really hook me. In the meantime, it’s a debut issue of a new series and it’s still within my $3 general threshold.

Worth checking out if you’re curious, but doesn’t seem an essential read.

Ratings:

Story: 3/5
Art: 4/5
Overall: 3.5/5

%d bloggers like this: